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Lucy Buglass (45 KP) rated Jojo Rabbit (2019) in Movies
Oct 14, 2019
The premise of Jojo Rabbit is a bold one, and something that could have very easily been executed terribly on-screen.
Whilst you might feel some apprehension about the concept of a 10-year-old boy who has Hitler as an imaginary friend, Taika Waititi has turned it into something brilliant and poignant.
As mentioned above, the film follows Johannes ‘Jojo’ Betzler, who lives in Nazi Germany. He’s a fanatic and is driven by his desire to serve Adolf Hitler in the German army during World War II, even joining a Hitler Youth Camp which is run by Captain Klenzendorf (Sam Rockwell).
Jojo is unlike any other child protagonist I’ve seen, because it’s easy to have very mixed feelings about who he is as a person. He’s a child and his everyday behaviour is indicative of someone who lacks maturity, resulting in some laugh out loud moments.
However, a lot of what he says happens to be horrendous insults towards the Jewish community. He’s fuelled by a love of Hitler (even going as far as to describe him as his ‘best friend’).
Throughout the film, he imagines scenarios in which Hitler is there with him, such as when he’s looking in the mirror and giving himself a pep-talk.
The strength of Jojo Rabbit‘s protagonist is a testament to actor Roman Griffin Davis, and I found it hard to believe that this was his first ever film performance. He’s funny, flawed, and a very well-rounded character brilliantly brought to life.
As for Jojo’s imaginary Hitler, he’s hysterically funny and not at all how you’d imagine the real man to be. Played brilliantly by director Taika Waititi, he is a caricature of a deplorable historical figure, and fuels Jojo’s delusions of how wonderful he is.
He’s simply someone’s interpretation of a political leader, created by a child who has been brainwashed into believing Nazi propaganda by adults in his life.
This bubbly oversimplification of a dictator is what you’d expect from a naive child, who isn’t fully aware of the atrocities around him.
The fact Taika Waititi plays this version of Hitler feels important, because he’s mocking him in the best possible way. As a Jewish man, it feels very appropriate that he criticises Hitler’s ideology through his satirical performance. It was brilliant.
Adding jokes to such a horrific situation is difficult, but this is where Jojo Rabbit really excels. The balance between humour and gut-punching reality checks is beautifully done, and there were times when I wasn’t sure whether my tears were from laughing or because I was genuinely sad at what I’d just seen.
Relationships are an important part of the film, particularly the one between Jojo and his mother Rosie (Scarlett Johansson). However, this becomes strained when he finds out that his mother is hiding a young Jewish woman in their home.
Jojo’s meeting with Elsa Korr (Thomasin McKenzie) is central to the story and gives us a real insight into the horrific treatment of Jewish people during this period, and the extreme lengths they’d go to keep themselves safe.
Despite Elsa’s life constantly being in jeopardy, she’s very sassy and gives young Jojo a run for his money once the two meet. The way the two characters bounce off each other is exceptional, and again, you’ll laugh and cry in equal measure.
I was also impressed by some brief appearances in the film such as Rebel Wilson as Fraulein Rahm, who I found hilarious in this film. I must admit I’m not always a fan of her work, but here she really delivered.
Stephen Merchant as Captain Deertz and Archie Yates as young Yorki are also worthy of praise, as every time they were on screen I found them delightful to watch. Much like Roman Griffin Davis, this was Archie’s first film, and he stole the show every time he was in a scene.
Jojo Rabbit is, simply put, political satire at its finest. As a result of this, it’s an emotional rollercoaster and one that I am excited to revisit whenever I get the chance.
It’s darkly funny with an important overall message of confronting ideologies, and I’d urge you to seek it out ASAP.
Whilst you might feel some apprehension about the concept of a 10-year-old boy who has Hitler as an imaginary friend, Taika Waititi has turned it into something brilliant and poignant.
As mentioned above, the film follows Johannes ‘Jojo’ Betzler, who lives in Nazi Germany. He’s a fanatic and is driven by his desire to serve Adolf Hitler in the German army during World War II, even joining a Hitler Youth Camp which is run by Captain Klenzendorf (Sam Rockwell).
Jojo is unlike any other child protagonist I’ve seen, because it’s easy to have very mixed feelings about who he is as a person. He’s a child and his everyday behaviour is indicative of someone who lacks maturity, resulting in some laugh out loud moments.
However, a lot of what he says happens to be horrendous insults towards the Jewish community. He’s fuelled by a love of Hitler (even going as far as to describe him as his ‘best friend’).
Throughout the film, he imagines scenarios in which Hitler is there with him, such as when he’s looking in the mirror and giving himself a pep-talk.
The strength of Jojo Rabbit‘s protagonist is a testament to actor Roman Griffin Davis, and I found it hard to believe that this was his first ever film performance. He’s funny, flawed, and a very well-rounded character brilliantly brought to life.
As for Jojo’s imaginary Hitler, he’s hysterically funny and not at all how you’d imagine the real man to be. Played brilliantly by director Taika Waititi, he is a caricature of a deplorable historical figure, and fuels Jojo’s delusions of how wonderful he is.
He’s simply someone’s interpretation of a political leader, created by a child who has been brainwashed into believing Nazi propaganda by adults in his life.
This bubbly oversimplification of a dictator is what you’d expect from a naive child, who isn’t fully aware of the atrocities around him.
The fact Taika Waititi plays this version of Hitler feels important, because he’s mocking him in the best possible way. As a Jewish man, it feels very appropriate that he criticises Hitler’s ideology through his satirical performance. It was brilliant.
Adding jokes to such a horrific situation is difficult, but this is where Jojo Rabbit really excels. The balance between humour and gut-punching reality checks is beautifully done, and there were times when I wasn’t sure whether my tears were from laughing or because I was genuinely sad at what I’d just seen.
Relationships are an important part of the film, particularly the one between Jojo and his mother Rosie (Scarlett Johansson). However, this becomes strained when he finds out that his mother is hiding a young Jewish woman in their home.
Jojo’s meeting with Elsa Korr (Thomasin McKenzie) is central to the story and gives us a real insight into the horrific treatment of Jewish people during this period, and the extreme lengths they’d go to keep themselves safe.
Despite Elsa’s life constantly being in jeopardy, she’s very sassy and gives young Jojo a run for his money once the two meet. The way the two characters bounce off each other is exceptional, and again, you’ll laugh and cry in equal measure.
I was also impressed by some brief appearances in the film such as Rebel Wilson as Fraulein Rahm, who I found hilarious in this film. I must admit I’m not always a fan of her work, but here she really delivered.
Stephen Merchant as Captain Deertz and Archie Yates as young Yorki are also worthy of praise, as every time they were on screen I found them delightful to watch. Much like Roman Griffin Davis, this was Archie’s first film, and he stole the show every time he was in a scene.
Jojo Rabbit is, simply put, political satire at its finest. As a result of this, it’s an emotional rollercoaster and one that I am excited to revisit whenever I get the chance.
It’s darkly funny with an important overall message of confronting ideologies, and I’d urge you to seek it out ASAP.
Steven Sklansky (231 KP) rated The Strain - Season 4 in TV
Sep 20, 2017
Fantastic finish (2 more)
Twists and turns, you never see what's coming
Bring the band back together
Heart stopping ending to an amazing show
Contains spoilers, click to show
I thought I should come back and write a review for the completion of the 4th and final season of The Strain. Overall this was a fantastic season and finale. After the 3rd season ended you just thought the vampires were just going to win the whole thing and take over the world. It left you wondering where everyone was going to end up and if they were even going to fight back.
Well fight back they did. The season did start out fairly slow, learning where everyone ended up and what they were doing to win the war. Eff was the one that just gave up until running into some resistance fighters. I guess having your son start a nuclear war will do that. The rest of the team broke off to find was to fight back and kill the master. By episode 4 you saw were everyone was and they were working their way back to New York to kill the Master.
One of the coolest thing I think I got to learn about this season was some back story on Quilan and why he was in the fight. The flashbacks was something I didn't think we were going to get this season.
There were a lot of sad parts to the final 2 episode. Losing the professor I think was the hardest part. Even though he was kranky, everyone still loved him and wanted to see him finally kill the Master, but his did the next best thing and kill his Nazi enemy.
I won't tell you who dies at the end, but if you followed the comics you already know. If you have never watched the show pick it up or stream it. This was a fantastic show and sorry to see it come to a close, but it was a great closing episode, that is so rare sometimes. Happy hunting and if you see a big old wooden coffin, don't open it.
Well fight back they did. The season did start out fairly slow, learning where everyone ended up and what they were doing to win the war. Eff was the one that just gave up until running into some resistance fighters. I guess having your son start a nuclear war will do that. The rest of the team broke off to find was to fight back and kill the master. By episode 4 you saw were everyone was and they were working their way back to New York to kill the Master.
One of the coolest thing I think I got to learn about this season was some back story on Quilan and why he was in the fight. The flashbacks was something I didn't think we were going to get this season.
There were a lot of sad parts to the final 2 episode. Losing the professor I think was the hardest part. Even though he was kranky, everyone still loved him and wanted to see him finally kill the Master, but his did the next best thing and kill his Nazi enemy.
I won't tell you who dies at the end, but if you followed the comics you already know. If you have never watched the show pick it up or stream it. This was a fantastic show and sorry to see it come to a close, but it was a great closing episode, that is so rare sometimes. Happy hunting and if you see a big old wooden coffin, don't open it.
RəX Regent (349 KP) rated Judgment at Nuremberg (1961) in Movies
Feb 19, 2019
“He that is without sin among you, let him cast the first stone at her.”
It has been over 20 years since I first saw this as teenager, but watching it again with little memory of the specifics, I was both a little disappointed but also very impressed.
With a title like “Judgement at Nuremberg,” you can be forgiven for expecting a film about the trial of the Concentration Camp guards or Hermann Goering, but instead we are given something much more subtle and subversive. This follows a fictionalised account of the “Judges Trial”.
Here, Spencer Tracey’s U.S. Judge leads a panel of three peers as they preside over a trial of four NAZI judges, the focus of their crimes is not of there actions during the war but those in the mid 1930’s and their perversions of justice in aiding Hitler’s NAZI’s to oppress their own people.
The film also asked a myriad of uncomfortable questions, not only taking aim at the long dead National Socialist movement, but the world as a whole, including the U.S.A. Sighting parallels from Allied nations who claim cultural superiority after winning the war yet only being a stone’s throw away from the same attitudes.
But this is not just subverting the perceptions of jurist prudence, it is a drama, a head to head between Tracey and his German counterpart in the doc, Bert Lancaster. It is also a vehicle for a host of Oscar worthy performances from an all star cast, ALL of which excel in their roles, some more subtly than others.
The standouts are Montgomery Cliff and Judy Garland, both of whom would pass away soon after this film was release at relatively young ages. Kramer’s cinematography is impressive too, as it keeps the camera moving around the courtroom through the lengthy cross-examination scenes, keeping the tension high and the interest alive through this three-hour drama.
With a healthy dose of melancholy, jaded and brutalised characters and foreshadowing the impending Cold War, this is a film which understands war and the often forgotten fact that even though Wars have a start and and end date, they take decades to build up and never really end.
With a title like “Judgement at Nuremberg,” you can be forgiven for expecting a film about the trial of the Concentration Camp guards or Hermann Goering, but instead we are given something much more subtle and subversive. This follows a fictionalised account of the “Judges Trial”.
Here, Spencer Tracey’s U.S. Judge leads a panel of three peers as they preside over a trial of four NAZI judges, the focus of their crimes is not of there actions during the war but those in the mid 1930’s and their perversions of justice in aiding Hitler’s NAZI’s to oppress their own people.
The film also asked a myriad of uncomfortable questions, not only taking aim at the long dead National Socialist movement, but the world as a whole, including the U.S.A. Sighting parallels from Allied nations who claim cultural superiority after winning the war yet only being a stone’s throw away from the same attitudes.
But this is not just subverting the perceptions of jurist prudence, it is a drama, a head to head between Tracey and his German counterpart in the doc, Bert Lancaster. It is also a vehicle for a host of Oscar worthy performances from an all star cast, ALL of which excel in their roles, some more subtly than others.
The standouts are Montgomery Cliff and Judy Garland, both of whom would pass away soon after this film was release at relatively young ages. Kramer’s cinematography is impressive too, as it keeps the camera moving around the courtroom through the lengthy cross-examination scenes, keeping the tension high and the interest alive through this three-hour drama.
With a healthy dose of melancholy, jaded and brutalised characters and foreshadowing the impending Cold War, this is a film which understands war and the often forgotten fact that even though Wars have a start and and end date, they take decades to build up and never really end.
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