Dominion
Book
1952. Twelve years have passed since Churchill lost to the appeasers and Britain surrendered to Nazi...
BankofMarquis (1832 KP) rated Jojo Rabbit (2019) in Movies
Jan 15, 2020
And, darn it all, if he doesn't pull it off.
As seen through the eyes of a zealous 10 year old Hitler Youth named JoJo, this film follows Jojo's journey from an idealistic follower of all things Nazi Germany to the harsher realities of the world - and what the 3rd Reich means to the world.
Young Roman Griffin Davis does a marvelous job as the titular character slowly changing his character from an all out innocent devotion to Hitler (his imaginary friend as played by Waititi) to a somewhat less innocent soul. His journey is at the heart of this film and he is a winning personality to follow along with. I was drawn into his struggles and was rooting for him to "come to his senses" throughout the course of this film.
Helping him in this journey is his Mother, played in an Oscar nominated turn by Scarlett Johannson. This character has an idealism all of her own and is willing to let her child "get there in his own time". It is a strong turn by Johannson...but Oscar nominated worthy? I'm not sure.
Also joining in for fun, frolic and (by turns) seriousness is the always great Sam Rockwell (Oscar winner for 3 BILLBOARDS...)as a disillusioned German Officer, comedian Stephen Merchant (LOGAN) in an unlikely mostly serious turn as a Nazi who likes to say "Heil Hitler" and Alfie Allen (GAME OF THRONES) as a devoted German soldier (at least devoted to Rockwell's character). Waititi also uses Rebel Wilson sparingly - as she should be used - as another devouted-to-the-cause German citizen.
Adding heft and pathos to this film is Thomasin MacKenzie (THE KING) in a role that would be a spoiler to say what she is playing, but...I WILL say that she needs to succeed in this role for the film to succeed (and she does).
Also, special notice needs to be made of the performance of cherubic Archie Yates (soon to be Kevin in the reboot of the HOME ALONE franchise) as JoJo's friend Yorki - who keeps getting knocked down and steps back up over and over again. I would LOVE to see the film that would have focused on this character (in addition to this film).
And, finally, there is the Writer/Director himself, Taika Waititi as JoJo's imaginary friend, Adolph Hitler. He is all fun loving and gay at the beginning becoming more and more frantic as the film progresses - mimicking the real life events that are happening around him.
Waititi's style in this film is reminiscent of Wes Anderson in such films as THE GRAND BUDAPEST HOTEL and MOONRISE KINGDOM and this works well here, giving this film more of a "fable" than a "realistic" look - and that is important to help set the tone for the events that follow. Waititi has a sure hand on the material (that he wrote) as the Director. He knows the tone he wants to strike and knows how to get there. He is nominated for Adapted Screenplay for his script (deservedly so) and was NOT nominated for Best Director - but his work in this area is just as good.
I did not know what to expect from this film when I walked into it, and I was more than pleasantly surprised. Give this little comedy/drama a try - I think you will be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
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If you’ve ever wondered what happened what happened to Winston Smith’s girlfriend both before, during and after the original novel, then this book will answer those questions.
Julia starts off being able to navigate the world under the ideology of IngSoc and the rule of the Party, for example, she’s a member of the Anti-Sex League whilst being promiscuous at the same time: she plays their game, but leads her own life in secret. She’s good at protecting herself - right up until she encounters Winston. And then she loses her grip on her self-preservation skills.
A lot of the scenes are the same as in the original and written from Julia’s point of view, and I enjoyed reading about the backstory of Oceania and the countryside that at first didn’t seem to be effected by the Party. I don’t think Julia detracted from the original. In fact she adds to it.
1984 was written between 1946 and 1949 shortly after WW2, and Orwell was very close historically to Stalinist Russia and Nazi Germany. It was a time of geopolitical tension and fear of totalitarianism. Sandra Newman was able to write Julia at a considerable distance from these regimes. I’m not saying this is better, just different. Newman has seen the fall of both regimes and is perhaps able to write with more perspective. She can take social media into account for one thing (it gives the Two Minutes Hate a run for it’s money, that’s for sure!).
I enjoyed this. If you’re interested in the female perspective on 1984, then you’ll probably enjoy it too.
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