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Garridan's Mate (Etherya's Earth #6.5)
8.0
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General Garridan thrived for centuries without a bonded mate. Born an aristocrat, he relinquished...
Paranormal Fantasy Romance Vampires Series
LeftSideCut (3776 KP) rated Eternals (2021) in Movies
Nov 5, 2021
Contains spoilers, click to show
Fair warning - I'm going to be briefly discussing some major spoilers down below...
Straight up, Eternals is extremely close to being a perfect movie (in my opinion of course, I understand that it's proving to be divisive).
For starters, the narrative is wonderfully crafted. As expected, it jumps all over different time periods, from anywhere between 5000 BC to present day, and manages to not feel jarring. It's pacing is a little slow within the first half an hour or so, but it's forgivable considering the whole host of new faces being introduced. It's impressive then, that each character gets a decent amount of development, you know exactly what everyone is about in a pretty swift manor. The bonds that these characters share make for some genuinely emotional moments throughout a film that frequently feels like an odyssey.
The cast is solid as hell. Gemma Chan is the closest to a lead character, and she's great as always. LAST SPOILER WARNING Richard Madden manages to be a suitable leader, and then ruthless, convincing, and cold when he takes a more villanous turn. Gave me some semi Homelander vibes. It's wonderful to see the likes of Ma Dong-Seok and Lauren Ridloff make the jump into blockbuster territory. Barry Keoghan continues to be generally awesome in everything he's in. Brian Tyree Henry, Lia McHugh, and Kumail Nanjiani are all great as well, and the heavy hitters, Angelina Jolie and Salma Hayek, are left shy of the spotlight but still feel important. I was surprised to see Bill Skarsgård's name during the credits and can't help but feel he was a little wasted as CGI villain Kro. I would have liked to have seen more of Kit Harrington but I understand that he essentially a big tease for future projects (forever keeping my fingers crossed for a Midnight Sons movie...)
It's important to celebrate how visually breathtaking Eternals is from start to finish. There are of course some familiar Marvel aesthetics here and there, but Chloé Zhao has really laid down her own stamp. Even the fight scenes look unique, the Eternals powers always looking elegant. The climactic showdown is a particular highlight. This is all complimented by what is arguably the best music score in the MCU yet, with Game of Thrones veteran Ramin Djawadi coming through with something truly special.
In terms of wider MCU connection, Eternals very much feels like it's own thing, which works well with its unique feel. I am excited however to see some of these characters interact with other properties in the future. The proper introduction of Celestials is an exciting prospect, and that one shot near the end (you know the one), shows that technology is ready for the likes of Galactus to show up in the near future.
Eternals is yet another bold step for the MCU in a new phase. A movie with a hell of an ambitious scope that manages to stick the landing. I entered the cinema with slight trepidation due to it's early critical reception, and I left thinking that it's one of the best MCU entries so far, and I continue to be hyped for the future of the franchise.
Straight up, Eternals is extremely close to being a perfect movie (in my opinion of course, I understand that it's proving to be divisive).
For starters, the narrative is wonderfully crafted. As expected, it jumps all over different time periods, from anywhere between 5000 BC to present day, and manages to not feel jarring. It's pacing is a little slow within the first half an hour or so, but it's forgivable considering the whole host of new faces being introduced. It's impressive then, that each character gets a decent amount of development, you know exactly what everyone is about in a pretty swift manor. The bonds that these characters share make for some genuinely emotional moments throughout a film that frequently feels like an odyssey.
The cast is solid as hell. Gemma Chan is the closest to a lead character, and she's great as always. LAST SPOILER WARNING Richard Madden manages to be a suitable leader, and then ruthless, convincing, and cold when he takes a more villanous turn. Gave me some semi Homelander vibes. It's wonderful to see the likes of Ma Dong-Seok and Lauren Ridloff make the jump into blockbuster territory. Barry Keoghan continues to be generally awesome in everything he's in. Brian Tyree Henry, Lia McHugh, and Kumail Nanjiani are all great as well, and the heavy hitters, Angelina Jolie and Salma Hayek, are left shy of the spotlight but still feel important. I was surprised to see Bill Skarsgård's name during the credits and can't help but feel he was a little wasted as CGI villain Kro. I would have liked to have seen more of Kit Harrington but I understand that he essentially a big tease for future projects (forever keeping my fingers crossed for a Midnight Sons movie...)
It's important to celebrate how visually breathtaking Eternals is from start to finish. There are of course some familiar Marvel aesthetics here and there, but Chloé Zhao has really laid down her own stamp. Even the fight scenes look unique, the Eternals powers always looking elegant. The climactic showdown is a particular highlight. This is all complimented by what is arguably the best music score in the MCU yet, with Game of Thrones veteran Ramin Djawadi coming through with something truly special.
In terms of wider MCU connection, Eternals very much feels like it's own thing, which works well with its unique feel. I am excited however to see some of these characters interact with other properties in the future. The proper introduction of Celestials is an exciting prospect, and that one shot near the end (you know the one), shows that technology is ready for the likes of Galactus to show up in the near future.
Eternals is yet another bold step for the MCU in a new phase. A movie with a hell of an ambitious scope that manages to stick the landing. I entered the cinema with slight trepidation due to it's early critical reception, and I left thinking that it's one of the best MCU entries so far, and I continue to be hyped for the future of the franchise.
Anni Dewani: A Father's Story
Vinod Hindocha and Shekhar Bhatia
Book
On November 13, 2010 while on honeymoon in South Africa, newly-weds Shrien and Anni Dewani, from...
Addressing Climate Change for Future Generations: An Illustrated Biography of the Annual United Nations Climate Change Conference COP18/CMP8, Doha, the State of Qatar
Book
In December 2015, the nations of the world will gather in Paris with an opportunity to make history...
NOAA Weather Alerts
Weather and Travel
App
A simple yet powerful app that combines science with simplicity so you can be notified of real-time...
Whatchareadin (174 KP) rated Where They Found Her in Books
May 10, 2018
Ridgedale is a small town in New Jersey. Not much happens there. So when the body of a baby girl is found under a bridge near the University, the town is in an uproar. Molly Sanderson, usually a freelancer with the Ridgedale Reader, is given the task of reporting on this story. This is a story that really resonates with her, having lost a child herself, not too long ago. During her investigation, she meets some interesting people and learns more about this small town. The story is told from the point of view of three women from the town. Molly, the reporter, Sandy, the teenager trying to survive with an absentee parent, and Barbara, the "perfect" mother who is also the wife of the chief of police. All three of these women have a connection to this dead child, they just don't know it.
This book was very hard to put down. A thriller with three female characters you will either love or hate. Each of them has a spirit that is determined. Several times during this book, I felt my heart racing. I had to know what was going to happen next.
From the title you might deduce that the mystery is solved in the first chapter, but there are many who need to be found in this book, in more ways than one. Kimberly McCreight grabs at your heart and sold with her writing. She draws you in and keeps you engaged through the entire journey. I can't wait to read more from her in the very near future.
Also by Kimberly McCreight [bc:Reconstructing Amelia|15776309|Reconstructing Amelia|Kimberly McCreight|https://d.gr-assets.com/books/1350193583s/15776309.jpg|21488217]
This book was very hard to put down. A thriller with three female characters you will either love or hate. Each of them has a spirit that is determined. Several times during this book, I felt my heart racing. I had to know what was going to happen next.
From the title you might deduce that the mystery is solved in the first chapter, but there are many who need to be found in this book, in more ways than one. Kimberly McCreight grabs at your heart and sold with her writing. She draws you in and keeps you engaged through the entire journey. I can't wait to read more from her in the very near future.
Also by Kimberly McCreight [bc:Reconstructing Amelia|15776309|Reconstructing Amelia|Kimberly McCreight|https://d.gr-assets.com/books/1350193583s/15776309.jpg|21488217]
Darling in the Franxx
8.6
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TV Show
In the distant future, humanity has been driven to near-extinction by giant beasts known as...
Romance Mecha
Awix (3310 KP) rated The Quatermass Conclusion (1979) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
We're all doomed, I tell you, DOOMED!
Big-screen version of Nigel Kneale's ultra-depressing finale to his series of Quatermass TV shows and films. Kneale was only in his fifties when he wrote this, which is odd because it feels very much like an old man's wail of anguish when faced with a world he no longer feels he belongs to or even recognises. Set in the near future - one very much informed by the social unrest and generational tensions that were present in the UK when it was made - this is the story of a collapsing civilisation presented with a new threat: a hostile alien presence, which originally visited Earth five thousand years ago, has returned, basically intent on chowing down on young people (this was clearly an influence on the later Torchwood series Children of Earth). Ageing boffin Bernard Quatermass must find a solution, if he can.
It's not uncommon for SF to be not so much about predicting the future as complaining about the present, but what makes this version of Quatermass unusual is it's told primarily from the perspective of old people - there are a couple of younger sympathetic characters, but even they are thirty-five-going-on-sixty in their attitudes, and most of the younger people are depicted as either feckless wasters or violent psychopaths. (The generation gap is explained by alien influences being at work.)
Reasonably lavish, bearing in mind its TV origins, and quite successful on its own terms - but as its main intention seems to be to drive the viewer to despair, it's not especially easy to like.
It's not uncommon for SF to be not so much about predicting the future as complaining about the present, but what makes this version of Quatermass unusual is it's told primarily from the perspective of old people - there are a couple of younger sympathetic characters, but even they are thirty-five-going-on-sixty in their attitudes, and most of the younger people are depicted as either feckless wasters or violent psychopaths. (The generation gap is explained by alien influences being at work.)
Reasonably lavish, bearing in mind its TV origins, and quite successful on its own terms - but as its main intention seems to be to drive the viewer to despair, it's not especially easy to like.
ClareR (5991 KP) rated The Disappeared in Books
May 25, 2019
Dystopian Britain
Set in the near future, Britain has become a one party, military controlled state, where reading the wrong book could mean that you are ‘disappeared’.
The Authorisation Bureau we’re responsible for the disappearance of Clara’s father, a university English lecturer, and she is determined to pick up where he left off. Along with her History professor boyfriend, they decide to teach a select group of students about the past and the books that they are now forbidden to read. But things do not go as planned. Clara has some protection, as her stepfather is a ‘high up’ interrogator with the Authorisation Bureau, but this can only go so far to protect her.
I thoroughly enjoyed this dark tale of an alternate UK. It was rather violent in places, but it’s message was ultimately that of hope. My only complaint (which isn’t really a complaint) is that we could have done with more from the resistance organisation, Lumiere. I would have loved to have read more about them.
Many thanks to The Pigeonhole for serialising this book, and to the author, Amy Lord, for reading along and answering questions.
The Authorisation Bureau we’re responsible for the disappearance of Clara’s father, a university English lecturer, and she is determined to pick up where he left off. Along with her History professor boyfriend, they decide to teach a select group of students about the past and the books that they are now forbidden to read. But things do not go as planned. Clara has some protection, as her stepfather is a ‘high up’ interrogator with the Authorisation Bureau, but this can only go so far to protect her.
I thoroughly enjoyed this dark tale of an alternate UK. It was rather violent in places, but it’s message was ultimately that of hope. My only complaint (which isn’t really a complaint) is that we could have done with more from the resistance organisation, Lumiere. I would have loved to have read more about them.
Many thanks to The Pigeonhole for serialising this book, and to the author, Amy Lord, for reading along and answering questions.