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Gareth von Kallenbach (980 KP) rated the PC version of Battlefield 1 in Video Games
Jun 19, 2019
Electronic Arts and Dice have crafted a thrilling entry into the Battlefield series with the World War I themed Battlefield 1. The visually stunning game is dripping with authenticity which is seen in every frame of the game. The weapons, uniforms, vehicles, tactics, and technology as a historians dream brought to life.
Players to take part in the solo campaigns find themselves reliving various battles from the point of those who participated in them. There is a tank mission behind enemy lines in Europe, a battle in the Italian mountainside, a thrilling aerial scenario, a very intense and emotional story set against the battle of Gallipoli, and a thrilling desert adventure featuring Lawrence of Arabia himself.
One of the great things about the game is that it takes modern gameplay tactics such as trying to secure an objective or defeat enemy units and infuses it with a sense of the past. Weapons are slow to load, are not always the most accurate at a distance, and have a crudeness about them that is refreshing in this era of games featuring advanced weaponry and technology. This does require a bit of a learning curve as there have been times where I would unload a full magazine on an enemy player and multiplayer mode only to see them survive and dispatch me with one or two shots from pistol. Once you start to get the way the weapons work and develop strategies to work within their strengths and limitations, you’ll soon find yourself able to make solid progress in the game.
The solo play campaigns allow players to set a difficulty that is best suited for their style of play and have very interesting and gripping narratives.
Many players will keep their focus on the multiplayer portion which has campaign objectives as well as quick matches. This does take a bit of learning as the landscapes are large and there are plenty of places for players with higher grade weapons to pick up new players before they even know an enemy is near. Naturally your weaponry choices to get better as your on-field accomplishments merit them it is also important to note that due to the vast landscapes littered with foxholes, trenches, villages, and other locales, wide open areas where players are very exposed and vulnerable are numerous.
Getting a tank often seems like a big accomplishment but when you realize that the vehicle is slow to turn it is a sitting duck for enemy artillery, explosives, and other tanks. Strategy and teamwork are vital to the success of any mission especially when players can move up and bring in one of the massive zeppelins into the battle. I really enjoyed flying the planes of the era but had to remember that there reduced speed made it very difficult turn especially for somebody who was used to strafing a target, flying into the distance, making a wide turn, and then attacking again. I found myself that many times with the leaving the battlefield warning and was not able to turn fast enough to get myself back where I needed to be.
As somebody who studied history extensively in college, it was amazing to get a sense of the war the on the pages of history books and learn how in this era of new technology such as planes, tanks, gas, machine guns, Zeppelins, and more, the capacity to do devastating damage upon an enemy was massive as truly technology greatly overshadowed the tactics and medical abilities of the era.
Battlefield 1 is a glorious achievement and gaming as it takes an error that has been largely ignored and brings it forward incredible detail combined with thrilling battles that are loaded with customization options that will keep players playing well into the future. With the planned DLC content to come, I’m very interested to see what direction the developers will take it as there are countless possibilities ahead.
http://sknr.net/2016/10/30/battlefield-1/
Players to take part in the solo campaigns find themselves reliving various battles from the point of those who participated in them. There is a tank mission behind enemy lines in Europe, a battle in the Italian mountainside, a thrilling aerial scenario, a very intense and emotional story set against the battle of Gallipoli, and a thrilling desert adventure featuring Lawrence of Arabia himself.
One of the great things about the game is that it takes modern gameplay tactics such as trying to secure an objective or defeat enemy units and infuses it with a sense of the past. Weapons are slow to load, are not always the most accurate at a distance, and have a crudeness about them that is refreshing in this era of games featuring advanced weaponry and technology. This does require a bit of a learning curve as there have been times where I would unload a full magazine on an enemy player and multiplayer mode only to see them survive and dispatch me with one or two shots from pistol. Once you start to get the way the weapons work and develop strategies to work within their strengths and limitations, you’ll soon find yourself able to make solid progress in the game.
The solo play campaigns allow players to set a difficulty that is best suited for their style of play and have very interesting and gripping narratives.
Many players will keep their focus on the multiplayer portion which has campaign objectives as well as quick matches. This does take a bit of learning as the landscapes are large and there are plenty of places for players with higher grade weapons to pick up new players before they even know an enemy is near. Naturally your weaponry choices to get better as your on-field accomplishments merit them it is also important to note that due to the vast landscapes littered with foxholes, trenches, villages, and other locales, wide open areas where players are very exposed and vulnerable are numerous.
Getting a tank often seems like a big accomplishment but when you realize that the vehicle is slow to turn it is a sitting duck for enemy artillery, explosives, and other tanks. Strategy and teamwork are vital to the success of any mission especially when players can move up and bring in one of the massive zeppelins into the battle. I really enjoyed flying the planes of the era but had to remember that there reduced speed made it very difficult turn especially for somebody who was used to strafing a target, flying into the distance, making a wide turn, and then attacking again. I found myself that many times with the leaving the battlefield warning and was not able to turn fast enough to get myself back where I needed to be.
As somebody who studied history extensively in college, it was amazing to get a sense of the war the on the pages of history books and learn how in this era of new technology such as planes, tanks, gas, machine guns, Zeppelins, and more, the capacity to do devastating damage upon an enemy was massive as truly technology greatly overshadowed the tactics and medical abilities of the era.
Battlefield 1 is a glorious achievement and gaming as it takes an error that has been largely ignored and brings it forward incredible detail combined with thrilling battles that are loaded with customization options that will keep players playing well into the future. With the planned DLC content to come, I’m very interested to see what direction the developers will take it as there are countless possibilities ahead.
http://sknr.net/2016/10/30/battlefield-1/
Gareth von Kallenbach (980 KP) rated the PC version of Call of Duty: Advanced Warfare in Video Games
Jun 19, 2019
Sledgehammer Games have crafted a gem in the latest chapter in the mega-selling Cal of Duty series. Call of Duty: Advanced Warfare blends old and new to create the most enjoyable and versatile entry into the series in recent years.
The game is set in the near future where Exo Skeletons, drones, and target seeking grenades have become commonplace on the battlefield.
Players are cast as a young Marine who after a successful but costly battle finds himself at a crossroads. He is given a new chance when the head of a large and powerful private defense contractor offers to make him part of the team.
At this point players will take on a deadly terror threat all over the globe and will have an arsenal of weapons at their disposal including hover bikes for a thrilling chase through Detroit.
Of course there is a darker side to the story and a bigger plot is discovered where the player must stand up for what he knows is right even if it means turning his back on others.
The graphics of the game are first rate and the facial animations have to be seen to be believed. I enjoyed the new weapons and storylines, but much of the gameplay while exciting does follow the series staples of run and gun, stealth missions, and vehicle chases.
The addition of the Exo Suit is a huge plus as it allows for jet powered jumps and moves as well as the ability to cling to metallic surfaces.
This feature enhances the storylines greatly as I enjoyed jumping to and from moving vehicles, climbing up vast buildings, and making tall jumps in combat.
What really makes this game shine is the amazing multiplay which not only combines multiple modes such as Kill Confirmed, Deathmatch, Team Deathmatch, and countless other modes, it also has co-op missions as well.
The ease of customization in the multiplay modes is great as everything from energy weapons to machine guns is available to players as is the ability to customize your perks, kill streak rewards, and accessories.
The game offers bonus items that can be accessed in menu and in game which really enhances the appeal of the game. I remember turning a solar lense on some enemies and frying them down as well as getting a giant combat suit and cutting players down to size.
I had issues with the multiplayer in Ghosts and had to force myself to play to make max level, but thankfully Advanced has not had those issues as I happily play the online modes as often as I can. I have enjoyed the maps and the variety of weapons and combat styles immensely.
The inclusion of Kevin Spacey was a nice addition as far as I was concerned as it brought a new level of menace and complexity to what could have otherwise been a stock video bad guy. You can almost understand his motivations.
I was able to complete the single player campaign in a bit over 6 hours but I enjoyed the thrill ride it contained and being able to use the abilities of the suit as well as the grapple were well featured throughout the highly detailed levels of the game.
In the end if you like Call of Duty then you will likely love this game and if you are not a fan, then no matter what the publisher and designers do will likely not appease you. For me, this was a nice mix of the old and familiar with some new directions that shows there is still plenty of life in the franchise.
http://sknr.net/2015/01/08/call-dutyadvanced-warfare/
The game is set in the near future where Exo Skeletons, drones, and target seeking grenades have become commonplace on the battlefield.
Players are cast as a young Marine who after a successful but costly battle finds himself at a crossroads. He is given a new chance when the head of a large and powerful private defense contractor offers to make him part of the team.
At this point players will take on a deadly terror threat all over the globe and will have an arsenal of weapons at their disposal including hover bikes for a thrilling chase through Detroit.
Of course there is a darker side to the story and a bigger plot is discovered where the player must stand up for what he knows is right even if it means turning his back on others.
The graphics of the game are first rate and the facial animations have to be seen to be believed. I enjoyed the new weapons and storylines, but much of the gameplay while exciting does follow the series staples of run and gun, stealth missions, and vehicle chases.
The addition of the Exo Suit is a huge plus as it allows for jet powered jumps and moves as well as the ability to cling to metallic surfaces.
This feature enhances the storylines greatly as I enjoyed jumping to and from moving vehicles, climbing up vast buildings, and making tall jumps in combat.
What really makes this game shine is the amazing multiplay which not only combines multiple modes such as Kill Confirmed, Deathmatch, Team Deathmatch, and countless other modes, it also has co-op missions as well.
The ease of customization in the multiplay modes is great as everything from energy weapons to machine guns is available to players as is the ability to customize your perks, kill streak rewards, and accessories.
The game offers bonus items that can be accessed in menu and in game which really enhances the appeal of the game. I remember turning a solar lense on some enemies and frying them down as well as getting a giant combat suit and cutting players down to size.
I had issues with the multiplayer in Ghosts and had to force myself to play to make max level, but thankfully Advanced has not had those issues as I happily play the online modes as often as I can. I have enjoyed the maps and the variety of weapons and combat styles immensely.
The inclusion of Kevin Spacey was a nice addition as far as I was concerned as it brought a new level of menace and complexity to what could have otherwise been a stock video bad guy. You can almost understand his motivations.
I was able to complete the single player campaign in a bit over 6 hours but I enjoyed the thrill ride it contained and being able to use the abilities of the suit as well as the grapple were well featured throughout the highly detailed levels of the game.
In the end if you like Call of Duty then you will likely love this game and if you are not a fan, then no matter what the publisher and designers do will likely not appease you. For me, this was a nice mix of the old and familiar with some new directions that shows there is still plenty of life in the franchise.
http://sknr.net/2015/01/08/call-dutyadvanced-warfare/
Lucy Buglass (45 KP) rated Stan & Ollie (2018) in Movies
Jun 20, 2019
A stunning portrait of friendship and comedy
To this day, Stan Laurel and Oliver Hardy are still regarded as one of the greatest comedy duos. Their acts used slapstick comedy, cartoon violence and song to delight audiences. From 1927 all the way up to 1955, they performed these acts together both on screen and on stage.
Something that really made me smile about Stan & Ollie was the fact that both Steve Coogan and John C. Reilly’s careers are rooted in comedy. Coogan is known for playing Alan Partridge and Reilly is known for numerous roles in American comedy films. What better way to pay homage to such an iconic comedy act. Both lead actors took to their roles superbly, and I loved both equally. It was a joy to follow them as they took us on tour, recreating iconic routines that made it impossible to look away from the screen.
I was captivated throughout, genuinely finding myself laughing out loud at these comedy routines that have aged like a fine wine. Even now, they’re absolutely hilarious. Coogan and Reilly worked perfectly together, embodying all that we know and love about Laurel and Hardy whilst revealing intimate secrets that took place from behind the stage curtain. Although their careers were comedic, some of their life experiences certainly weren’t.
The duos wives also make an appearance, and are equally as delightful to watch. Lucille Hardy (Shirley Henderson) and Ida Kitaeva Laurel (Nina Arianda) are a double act themselves, with very different beliefs and personalities. I loved the dynamic between the two women and found myself laughing out loud at them too. Despite their differences, they are both overbearing wives who think they know what’s best for their respective husbands, often with some very emotional results. I really can’t fault the casting at all, it was just magical to watch.
Aesthetically, I adored Stan & Ollie and what a treat it was to see Newcastle back in the day! The set and costume design is just gorgeous as the two embark on a rather exhausting tour of the UK, and we get a glimpse of so many cities and the different audiences that attend each night. We see the duos struggles and successes, each scene delivering a different emotional tug. Our heart sinks as we see the empty seats, and rises again as they start to draw in more and more crowds. The camera speaks louder than words a lot of the time, knowing exactly what to show the audience in order to mirror what the characters are feeling.
It is impossible to document every waking moment of Laurel and Hardy’s lives, but this biopic still manages to show us a lot in a relatively short space of time. With a runtime of 1 hour and 37 minutes, it would have been easy for it to fall flat and leave audiences wishing they’d seen more. But in my opinion, that didn’t happen. Whilst we were dropped into the story with their careers in full swing, it didn’t feel like we’d missed out on anything. The film requires a little knowledge about the duo before watching, but you don’t need a history lesson in order to enjoy it to the full.
For me, this was the epitome of a great biopic. Coogan and Reilly looked the part, they acted the part, and they made their audience laugh both on-screen and in the cinema. I laughed, I cried, and I had a brilliant time that I can see myself wanting to revisit in the near future. The epilogue was so emotionally charged that I had to stay in my seat and wipe away tears for a few minutes, and that says everything about what a perfect film this was. I’m delighted that it is my first five star review of 2019!
https://lucygoestohollywood.com/2019/01/25/a-stunning-portrait-of-friendship-and-comedy-my-review-of-stan-ollie/
Something that really made me smile about Stan & Ollie was the fact that both Steve Coogan and John C. Reilly’s careers are rooted in comedy. Coogan is known for playing Alan Partridge and Reilly is known for numerous roles in American comedy films. What better way to pay homage to such an iconic comedy act. Both lead actors took to their roles superbly, and I loved both equally. It was a joy to follow them as they took us on tour, recreating iconic routines that made it impossible to look away from the screen.
I was captivated throughout, genuinely finding myself laughing out loud at these comedy routines that have aged like a fine wine. Even now, they’re absolutely hilarious. Coogan and Reilly worked perfectly together, embodying all that we know and love about Laurel and Hardy whilst revealing intimate secrets that took place from behind the stage curtain. Although their careers were comedic, some of their life experiences certainly weren’t.
The duos wives also make an appearance, and are equally as delightful to watch. Lucille Hardy (Shirley Henderson) and Ida Kitaeva Laurel (Nina Arianda) are a double act themselves, with very different beliefs and personalities. I loved the dynamic between the two women and found myself laughing out loud at them too. Despite their differences, they are both overbearing wives who think they know what’s best for their respective husbands, often with some very emotional results. I really can’t fault the casting at all, it was just magical to watch.
Aesthetically, I adored Stan & Ollie and what a treat it was to see Newcastle back in the day! The set and costume design is just gorgeous as the two embark on a rather exhausting tour of the UK, and we get a glimpse of so many cities and the different audiences that attend each night. We see the duos struggles and successes, each scene delivering a different emotional tug. Our heart sinks as we see the empty seats, and rises again as they start to draw in more and more crowds. The camera speaks louder than words a lot of the time, knowing exactly what to show the audience in order to mirror what the characters are feeling.
It is impossible to document every waking moment of Laurel and Hardy’s lives, but this biopic still manages to show us a lot in a relatively short space of time. With a runtime of 1 hour and 37 minutes, it would have been easy for it to fall flat and leave audiences wishing they’d seen more. But in my opinion, that didn’t happen. Whilst we were dropped into the story with their careers in full swing, it didn’t feel like we’d missed out on anything. The film requires a little knowledge about the duo before watching, but you don’t need a history lesson in order to enjoy it to the full.
For me, this was the epitome of a great biopic. Coogan and Reilly looked the part, they acted the part, and they made their audience laugh both on-screen and in the cinema. I laughed, I cried, and I had a brilliant time that I can see myself wanting to revisit in the near future. The epilogue was so emotionally charged that I had to stay in my seat and wipe away tears for a few minutes, and that says everything about what a perfect film this was. I’m delighted that it is my first five star review of 2019!
https://lucygoestohollywood.com/2019/01/25/a-stunning-portrait-of-friendship-and-comedy-my-review-of-stan-ollie/
Hazel (1853 KP) rated A Robot in the Garden in Books
Dec 14, 2018
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
What would you do if you found a robot in your garden? That is exactly what, as the title suggests, 34-year-old Ben has to answer on making this discovery early one September morning. Set in the near future where many people have androids in their houses to do the chores they do not wish to do, finding a robot is not a completely unsettling event. What is unusual, however, is that this particular robot is the opposite of the modern, shiny models: he appears to be a mishmash of Japanese fine art and something you would find on a scrap heap.
As Ben discovers, the robot, named Tang is broken and is in need of urgent care and repair. Ben becomes obsessed with trying to pry information out of the robot as to where he came from and to whom he belongs to. Bringing Tang into the house is the last straw for his wife, Amy, who after letting him know all his faults – unemployment, never achieved anything – walks out on him. Now alone, with no one else to worry about, Ben is determined to locate Tang’s creator and save the robot’s life.
What continues is a wild goose chase across America and over to Asia as the strange pairing – human and robot – follows hints and clues that could help them reach their destination. Along the way Ben gets to know Tang and learns to love him in the same way a father loves a child. No matter what mischief Tang gets himself into, Ben is always there to fix the situation. The only thing he cannot fix is Tang’s internal parts, and time is running out.
Initially the story was about a man who wanted to prove he could achieve something to show his sister and his, now, ex-wife that they were wrong about him. However later on in the novel Ben realizes he is changing for himself, not for anyone else, and the person – or robot – that has helped him to achieve this is Tang. On the other hand it is also a humorous tale that explores a character that is unable to connect to the world around him. Tang is like a human toddler who needs constant care and attention, and is fascinated by everything around him. With Ben’s love and attention he proves to the world that he is much more than a rusty metal box.
<i>A Robot in the Garden</i> is a gem of a novel that is guaranteed to make the reader laugh. It is also touching and emotionally engaging, with both heartwarming and heart wrenching moments. Deborah Install has created an accurate representation of a character that has no understanding of the happenings in the world around it, basing many hilarious instances on those of her young son.
Whilst reading this book I could not help but compare it to the film <i>Short Circuit</i> (1986) in which a robot is electrocuted and gains human intelligence. I kept picturing the storyline of <i>A Robot in the Garden</i> in my head and thinking up ways it could be portrayed on screen. Whether there are plans to make it into a film I have no idea, but I am sure it would make prize-winning picture.
Do not be put off by its science fiction classification; <i>A Robot in the Garden</i> is no <i>War of the Worlds</i> or <i>Doctor Who</i> type of story. Instead it is a brilliant piece if fiction suitable for all adults. Those with children will laugh at the similarities between Tang and their offspring, whereas those without will sympathise with Ben’s struggles to keep the robot under control. All in all a great novel.
What would you do if you found a robot in your garden? That is exactly what, as the title suggests, 34-year-old Ben has to answer on making this discovery early one September morning. Set in the near future where many people have androids in their houses to do the chores they do not wish to do, finding a robot is not a completely unsettling event. What is unusual, however, is that this particular robot is the opposite of the modern, shiny models: he appears to be a mishmash of Japanese fine art and something you would find on a scrap heap.
As Ben discovers, the robot, named Tang is broken and is in need of urgent care and repair. Ben becomes obsessed with trying to pry information out of the robot as to where he came from and to whom he belongs to. Bringing Tang into the house is the last straw for his wife, Amy, who after letting him know all his faults – unemployment, never achieved anything – walks out on him. Now alone, with no one else to worry about, Ben is determined to locate Tang’s creator and save the robot’s life.
What continues is a wild goose chase across America and over to Asia as the strange pairing – human and robot – follows hints and clues that could help them reach their destination. Along the way Ben gets to know Tang and learns to love him in the same way a father loves a child. No matter what mischief Tang gets himself into, Ben is always there to fix the situation. The only thing he cannot fix is Tang’s internal parts, and time is running out.
Initially the story was about a man who wanted to prove he could achieve something to show his sister and his, now, ex-wife that they were wrong about him. However later on in the novel Ben realizes he is changing for himself, not for anyone else, and the person – or robot – that has helped him to achieve this is Tang. On the other hand it is also a humorous tale that explores a character that is unable to connect to the world around him. Tang is like a human toddler who needs constant care and attention, and is fascinated by everything around him. With Ben’s love and attention he proves to the world that he is much more than a rusty metal box.
<i>A Robot in the Garden</i> is a gem of a novel that is guaranteed to make the reader laugh. It is also touching and emotionally engaging, with both heartwarming and heart wrenching moments. Deborah Install has created an accurate representation of a character that has no understanding of the happenings in the world around it, basing many hilarious instances on those of her young son.
Whilst reading this book I could not help but compare it to the film <i>Short Circuit</i> (1986) in which a robot is electrocuted and gains human intelligence. I kept picturing the storyline of <i>A Robot in the Garden</i> in my head and thinking up ways it could be portrayed on screen. Whether there are plans to make it into a film I have no idea, but I am sure it would make prize-winning picture.
Do not be put off by its science fiction classification; <i>A Robot in the Garden</i> is no <i>War of the Worlds</i> or <i>Doctor Who</i> type of story. Instead it is a brilliant piece if fiction suitable for all adults. Those with children will laugh at the similarities between Tang and their offspring, whereas those without will sympathise with Ben’s struggles to keep the robot under control. All in all a great novel.
Darren (1599 KP) rated Crouching Tiger, Hidden Dragon: Sword of Destiny (2016) in Movies
Aug 6, 2019
Story: Crouching Tiger, Hidden Dragon: Sword of Destiny starts 18-years after Yu (Yeoh) saw her love die returns to safeguard the sword of destiny, after a warlord Hades Dai (Lee) goes in search for the sword believing it will give him the power to conquer the land.
Needing to protect the sword, Yu puts out a call for warriors to come and help defend it, which sees Silent Wolf (Yen) put together a five-person army, while Yu takes on a new student Snow Vase (Bordizzo) with skills advanced of her age.
Thoughts on Crouching Tiger, Hidden Dragon: Sword of Destiny
Characters – Yu has returned from her isolation and mourning after 18-years away only to stumble into the next attempt to steal the Sword of Destiny, here she must learn who to trust, reunite with an old ally and put herself in the teaching position. Silent Wolf has lived a life in isolation, where his loved ones believed him to be dead, he returns to help defend the sword for the greatest honour in his life. Wei Fang is a young warrior that is being forced into stealing the sword to protect his master, he learns about his past and along with Snow Vase who also has a decision of her own to make, provide the unsure future for Yu on who to trust. Snow Vase is the talented young fighter knowing skills beyond her age, she askes to be taught even if she isn’t as disciplined as she should be.
Performances – Michelle Yeoh returns to this role, she brings the fight skills that made the first one fantastic and must play the role with an emotionless feeling of being broken, which she does with ease. Donnie Yen takes up the mysterious fighter role which is a role that he could take any day and never look out of place. it is the new comers that impress in the fighting side of things, where they struggle in places with the emotional factors at play in their characters.
Story – The story here returns Yu back to the land she once fought for, where she must defend it from a new warlord that wants the sword which could bring power to control the land. This is a sequel that does well to return one of the favourites which also dives into her past to bring a new character, while also offer people that could become the new leads if the series was going to continue. When we break down the story it does play into tradition of being loyal and honour. It would have been nice to see more from the villain which only has a few moments which are just generic villain style, without seeing him do anything truly villainous.
Action/Fantasy – The action in the film is the martial arts material we have enjoyed for years, we have the weightless effects which were famous from the first which add the style required to be unique. This does play into the fantasy of the action which goes against the physics of fighting.
Settings – The film brings back the settings we knew and still look fantastic, with the final showdown being in a new location which is used to add to the fight.
Special Effects – The effects are used to make the fights feel like they could be real, the weightless style is the best part of the fights.
Scene of the Movie – Final fight.
That Moment That Annoyed Me – Certain moments of the Wei Fang and Snow Vase does drag at times.
Final Thoughts – This is a fun sequel to a much more superior original, it will entertain without being anywhere near the level original.
Overall: Entertaining for the fans.
Needing to protect the sword, Yu puts out a call for warriors to come and help defend it, which sees Silent Wolf (Yen) put together a five-person army, while Yu takes on a new student Snow Vase (Bordizzo) with skills advanced of her age.
Thoughts on Crouching Tiger, Hidden Dragon: Sword of Destiny
Characters – Yu has returned from her isolation and mourning after 18-years away only to stumble into the next attempt to steal the Sword of Destiny, here she must learn who to trust, reunite with an old ally and put herself in the teaching position. Silent Wolf has lived a life in isolation, where his loved ones believed him to be dead, he returns to help defend the sword for the greatest honour in his life. Wei Fang is a young warrior that is being forced into stealing the sword to protect his master, he learns about his past and along with Snow Vase who also has a decision of her own to make, provide the unsure future for Yu on who to trust. Snow Vase is the talented young fighter knowing skills beyond her age, she askes to be taught even if she isn’t as disciplined as she should be.
Performances – Michelle Yeoh returns to this role, she brings the fight skills that made the first one fantastic and must play the role with an emotionless feeling of being broken, which she does with ease. Donnie Yen takes up the mysterious fighter role which is a role that he could take any day and never look out of place. it is the new comers that impress in the fighting side of things, where they struggle in places with the emotional factors at play in their characters.
Story – The story here returns Yu back to the land she once fought for, where she must defend it from a new warlord that wants the sword which could bring power to control the land. This is a sequel that does well to return one of the favourites which also dives into her past to bring a new character, while also offer people that could become the new leads if the series was going to continue. When we break down the story it does play into tradition of being loyal and honour. It would have been nice to see more from the villain which only has a few moments which are just generic villain style, without seeing him do anything truly villainous.
Action/Fantasy – The action in the film is the martial arts material we have enjoyed for years, we have the weightless effects which were famous from the first which add the style required to be unique. This does play into the fantasy of the action which goes against the physics of fighting.
Settings – The film brings back the settings we knew and still look fantastic, with the final showdown being in a new location which is used to add to the fight.
Special Effects – The effects are used to make the fights feel like they could be real, the weightless style is the best part of the fights.
Scene of the Movie – Final fight.
That Moment That Annoyed Me – Certain moments of the Wei Fang and Snow Vase does drag at times.
Final Thoughts – This is a fun sequel to a much more superior original, it will entertain without being anywhere near the level original.
Overall: Entertaining for the fans.
Gareth von Kallenbach (980 KP) rated Safe House (2012) in Movies
Aug 7, 2019
In a complicated deadly game of international espionage things are rarely what they appear to be. Take the case of Matt Weston (Ryan Reynolds), a young man who, for all intents and purposes, appears to divide his time between his adoring French girlfriend (Nora Arnezeder) and a South African hospital. But if one were to pull back the curtain they would learn that Matt is actually a CIA agent who spends his time watching over a safe house, an assignment of painfully tedious monotony.
In the new action thriller “Safe House”, Reynolds eschews his typical charming, cocky, wisecracking on-screen personas to portray Matt as a mature young man with ambitions both inside and outside of his job. Matt longs to be assigned to a more glamorous position and is hopeful that when his 12 month tour in South Africa is up, a more exciting post awaits him in Paris. It doesn’t hurt that a Paris post will also allow him to be closer to his girlfriend when she returns to Europe in the near future. But his boss David Barlow (Brendan Gleason) isn’t as optimistic.
As his frustrations at the lack of mobility grows, Matt soon finds his quiet world torn asunder by the arrival of Tobin Frost (Denzel Washington). Frost is a former agent who went rogue and is considered an extremely dangerous and high-profile target. Having eluded the CIA for years, he only draws even more suspicion when he surrenders himself to a US consulate in South Africa. The CIA knows they have to act fast to determine what Frost knows, and quickly whisk him away to a safe house for intense interrogation. But the CIA aren’t the only ones who want to know Tobin’s secrets.
Although Matt is highly trained for his job running the safe house, he is very green when it comes to the reality of having to defend his domain against a surprise attack which leaves Tobin and Matt as the only survivors. Forced to flee and with nowhere to turn, Frost tries to convince Matt that they have been set up because someone in the agency does not want Frost to talk. At first skeptical, Matt is forced to step outside of his comfort zones and confront a deadly array of assassins as well as the threat posed by Frost himself and the unseen elements working against them. In a frantic race, Matt must keep Frost and himself alive as they attempt to reach safety and get to the truth behind the deadly game in which they’ve been cast.
Washington and Reynolds worked very well together and had a very natural, unforced chemistry. It was very nice to see Reynolds take on a grittier and more intense role than we have seen from him previously. Washington is a true artist at playing taciturn and wiley, and no one else can portray the pain and shock of being shot as subtly or as convincingly as Washington with just a simple change of expression.
That being said, the film had a number of issues. First and foremost, plot holes that you could drive a truck through and gaps in logic that really require the audience to take some serious leaps of faith. While there was some intense action, it was difficult to appreciate when it looked like the camera was being kicked around the floor during fight scenes, giving the film a very jerky quality. The film also suffered from some pacing issues with parts of the movie dragging as it worked toward an extremely predictable conclusion, one that I figured out very early into the film. There is some fine supporting work in the movie, particularly that of Gleeson and Arnezeder, as well as Ruben Blades as an old cohort of Frost’s, but it is not enough to help the film live up to its intriguing premise.
In the new action thriller “Safe House”, Reynolds eschews his typical charming, cocky, wisecracking on-screen personas to portray Matt as a mature young man with ambitions both inside and outside of his job. Matt longs to be assigned to a more glamorous position and is hopeful that when his 12 month tour in South Africa is up, a more exciting post awaits him in Paris. It doesn’t hurt that a Paris post will also allow him to be closer to his girlfriend when she returns to Europe in the near future. But his boss David Barlow (Brendan Gleason) isn’t as optimistic.
As his frustrations at the lack of mobility grows, Matt soon finds his quiet world torn asunder by the arrival of Tobin Frost (Denzel Washington). Frost is a former agent who went rogue and is considered an extremely dangerous and high-profile target. Having eluded the CIA for years, he only draws even more suspicion when he surrenders himself to a US consulate in South Africa. The CIA knows they have to act fast to determine what Frost knows, and quickly whisk him away to a safe house for intense interrogation. But the CIA aren’t the only ones who want to know Tobin’s secrets.
Although Matt is highly trained for his job running the safe house, he is very green when it comes to the reality of having to defend his domain against a surprise attack which leaves Tobin and Matt as the only survivors. Forced to flee and with nowhere to turn, Frost tries to convince Matt that they have been set up because someone in the agency does not want Frost to talk. At first skeptical, Matt is forced to step outside of his comfort zones and confront a deadly array of assassins as well as the threat posed by Frost himself and the unseen elements working against them. In a frantic race, Matt must keep Frost and himself alive as they attempt to reach safety and get to the truth behind the deadly game in which they’ve been cast.
Washington and Reynolds worked very well together and had a very natural, unforced chemistry. It was very nice to see Reynolds take on a grittier and more intense role than we have seen from him previously. Washington is a true artist at playing taciturn and wiley, and no one else can portray the pain and shock of being shot as subtly or as convincingly as Washington with just a simple change of expression.
That being said, the film had a number of issues. First and foremost, plot holes that you could drive a truck through and gaps in logic that really require the audience to take some serious leaps of faith. While there was some intense action, it was difficult to appreciate when it looked like the camera was being kicked around the floor during fight scenes, giving the film a very jerky quality. The film also suffered from some pacing issues with parts of the movie dragging as it worked toward an extremely predictable conclusion, one that I figured out very early into the film. There is some fine supporting work in the movie, particularly that of Gleeson and Arnezeder, as well as Ruben Blades as an old cohort of Frost’s, but it is not enough to help the film live up to its intriguing premise.
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BankofMarquis (1832 KP) rated News of the World (2020) in Movies
Jan 17, 2021
Strongly Acted and Directed
Pound for pound, Tom Hanks is the best actor of this generation. From his big screen debut in SPLASH to his Oscar Nominated turn in BIG to his back-to-back Oscar wins for PHILADELPHIA and FORREST GUMP to more recent works like SULLY and THE POST, Hanks’ “everyman goodness” quality shines through the screen and makes him a screen presence that cannot be ignored.
And in his latest effort, the Paul Greengrass Directed NEWS OF THE WORLD, Hanks uses every molecule of his screen presence to keep the audience’s attention in a slow-paced, moody character study.
Based on the novel by Paulette Jiles, NEWS OF THE WORLD takes place in a post-Civil War Texas where a former Confederate Captain makes a living by going from town to town and reading the news to them. A chance encounter with a twice orphaned young girl alters the lives of both of them.
Writer/Director Paul Greengrass is most known for quick-cut action films like the BOURNE series or the criminally underrated GREEN ROOM, so he would seem - at first glance - as an unusual choice to adapt and direct this character study, but look further at Greengrass’ resume and you will find - in films such as UNITED 93 and CAPTAIN PHILLIPS - an ability to tell a story that is driven more by character than by action.
And this combination of Director and Actor works well for NEWS OF THE WORLD is a languidly paced piece that has a somber mood and look but Greengrass avoids the temptation of lingering on scenes or pictures too long (and there are some wonderful images captured by Greengrass and Cinemotgrapher Darius Wolski) to tell a story of a man who needs to rediscover and remake himself.
And Hanks is more than equal to the task of bringing the pragmatic, introspective Captain Jefferson Kyle Kidd character to life in a way that makes him intriguing and not boring. Hanks ability to show inherent decency in a look or a gesture is the stuff of legends and when he speaks, you listen. Which is good for Hanks is in every scene in this film and his performance needs to strongly capture the audience for this film to work - and he is more than equal to this task - so strong is Hanks in this role that I would not be surprised if there is another Oscar nomination in Tom’s near future.
Newcomer Helena Zegal is “just fine” in the other main role in this film - the young girl that Captain Kidd encounters, Johnna. This young girl is silent and shut down for most of the film and Zegal performs “shut down and silent” well. Also along for brief cameo roles of characters that Captain Kidd encounters on his journey is a bevy of wonderfully cast character actors that include Mare Winnigham, Ray McKinnon, Bill Camp and the always interesting to watch Elizabeth Marvel.
As is often the case in these sorts of films, the music/soundtrack becomes a vital part of the story that unfolds and 8 time Oscar nominated composer James Newton Howard (THE PRINCE OF TIDES) is more than up to the task. The music is another character in this film and helps set the mood along the journey.
But make no mistake, this is Hanks’ film - and he is VERY good in this. Like MIDNIGHT SKY (reviewed last month), this movie will not be for everyone - and many, many folks are going to tell me that they checked this movie out on my recommendation and were bored by it. But…if you click into the mood, motion and energy of what Greengrass is showing, you will be rewarded with an emotionally rich and complex character study.
Letter Grade: A-
8 stars (out of 10) - and you can take that to the Bank (ofMarquis)
And in his latest effort, the Paul Greengrass Directed NEWS OF THE WORLD, Hanks uses every molecule of his screen presence to keep the audience’s attention in a slow-paced, moody character study.
Based on the novel by Paulette Jiles, NEWS OF THE WORLD takes place in a post-Civil War Texas where a former Confederate Captain makes a living by going from town to town and reading the news to them. A chance encounter with a twice orphaned young girl alters the lives of both of them.
Writer/Director Paul Greengrass is most known for quick-cut action films like the BOURNE series or the criminally underrated GREEN ROOM, so he would seem - at first glance - as an unusual choice to adapt and direct this character study, but look further at Greengrass’ resume and you will find - in films such as UNITED 93 and CAPTAIN PHILLIPS - an ability to tell a story that is driven more by character than by action.
And this combination of Director and Actor works well for NEWS OF THE WORLD is a languidly paced piece that has a somber mood and look but Greengrass avoids the temptation of lingering on scenes or pictures too long (and there are some wonderful images captured by Greengrass and Cinemotgrapher Darius Wolski) to tell a story of a man who needs to rediscover and remake himself.
And Hanks is more than equal to the task of bringing the pragmatic, introspective Captain Jefferson Kyle Kidd character to life in a way that makes him intriguing and not boring. Hanks ability to show inherent decency in a look or a gesture is the stuff of legends and when he speaks, you listen. Which is good for Hanks is in every scene in this film and his performance needs to strongly capture the audience for this film to work - and he is more than equal to this task - so strong is Hanks in this role that I would not be surprised if there is another Oscar nomination in Tom’s near future.
Newcomer Helena Zegal is “just fine” in the other main role in this film - the young girl that Captain Kidd encounters, Johnna. This young girl is silent and shut down for most of the film and Zegal performs “shut down and silent” well. Also along for brief cameo roles of characters that Captain Kidd encounters on his journey is a bevy of wonderfully cast character actors that include Mare Winnigham, Ray McKinnon, Bill Camp and the always interesting to watch Elizabeth Marvel.
As is often the case in these sorts of films, the music/soundtrack becomes a vital part of the story that unfolds and 8 time Oscar nominated composer James Newton Howard (THE PRINCE OF TIDES) is more than up to the task. The music is another character in this film and helps set the mood along the journey.
But make no mistake, this is Hanks’ film - and he is VERY good in this. Like MIDNIGHT SKY (reviewed last month), this movie will not be for everyone - and many, many folks are going to tell me that they checked this movie out on my recommendation and were bored by it. But…if you click into the mood, motion and energy of what Greengrass is showing, you will be rewarded with an emotionally rich and complex character study.
Letter Grade: A-
8 stars (out of 10) - and you can take that to the Bank (ofMarquis)
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