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The Little Book of Irish Beards
The Five O'Clock Shadows and Sarah Cassidy
Book
We've all seen them, those splendid individuals with various tufts and waves sprouting from their...
Darren (1599 KP) rated Ned Kelly (2003) in Movies
Nov 24, 2019
Verdict: Biopic 101
Story: Ned Kelly starts in 1871 Australia where an Irish family the Kelly’s have settled in with the eldest son Ned (Ledger) ends up getting into trouble with the law, that has always targeted his family, seeing him placed in prison for a couple of years. Once out Ned does start to try and turn his family’s luck around with his friends Joseph Byrne (Bloom) and Aaron Sherritt (Edgerton), while working for an English family where Ned falls for Julia (Watts).
When Ned gets framed for assault by the constable that has always been out for his blood, his family gets targeted, but not the police are not going to stop until they have his head, forcing Ned to go on the run to protect his family, making him one of the most wanted criminals in the world.
Thoughts on Ned Kelly
Characters – Ned Kelly is a young Irish man that has always seen his family targeted by the law, he has gotten himself in trouble because of this, which sees him falsely accused and becoming a target. Ned refused to back down from the law needing to go on the run, leading to him becoming an outlaw taking from the rich inspiring the poor as he fights for what is right and his family’s pride. Joseph Byrne is Ned’s best friend, he will stand by his side through his battles, needing to do the right thing. Superintendent Francis Hare is the man charged with capturing the Kelly gang, he doesn’t want to hear the story, he just wants them gone. Julia Cook is an English woman that Ned was working for, she is one of the few that will help him seeing the good in his nature, but being held back by her own family.
Performances – Heath Ledger does a great job here showing how he wanted to break his pretty boy image, this performance makes this happen with ease. Orlando Bloom in the supporting role is strong without being truly great, while Geoffrey Rush feels wasted, with him being involved but not getting too much screen time, same goes for Naomi Watts, she just doesn’t get enough time to shine.
Story – The story here follows the innocent man that gets forced into become an outlaw who becomes the most wanted man in Australia. This story shows how settlers in other countries would always be unfairly targeted by the locals who saw them as threats, how people’s words could create outlaws because nobody would listen or understand the truths within a world. The story is only really told from Ned’s which will always make him look like the innocent man he was, but we do hear and see that most of the group have served time, so they might not be as innocent as they look (this is only from what the film shows, not what I know about the truth).
Action/Biopic/Western – The action is everything you would expect from a western, we have seen the shooting like always. The biopic does only show one side of the story and it does feel like there is more to tell.
Settings – The film utilises the location to show how Ned Kelly has to go into hiding and including the showdown.
Scene of the Movie – The showdown.
That Moment That Annoyed Me – It does seem one sided.
Final Thoughts – This is a by the book biopic that showed one of the most famous outlaws in Australia, though it doesn’t seem to reach an intensity level that it could have.
Overall: Nice biopic.
Story: Ned Kelly starts in 1871 Australia where an Irish family the Kelly’s have settled in with the eldest son Ned (Ledger) ends up getting into trouble with the law, that has always targeted his family, seeing him placed in prison for a couple of years. Once out Ned does start to try and turn his family’s luck around with his friends Joseph Byrne (Bloom) and Aaron Sherritt (Edgerton), while working for an English family where Ned falls for Julia (Watts).
When Ned gets framed for assault by the constable that has always been out for his blood, his family gets targeted, but not the police are not going to stop until they have his head, forcing Ned to go on the run to protect his family, making him one of the most wanted criminals in the world.
Thoughts on Ned Kelly
Characters – Ned Kelly is a young Irish man that has always seen his family targeted by the law, he has gotten himself in trouble because of this, which sees him falsely accused and becoming a target. Ned refused to back down from the law needing to go on the run, leading to him becoming an outlaw taking from the rich inspiring the poor as he fights for what is right and his family’s pride. Joseph Byrne is Ned’s best friend, he will stand by his side through his battles, needing to do the right thing. Superintendent Francis Hare is the man charged with capturing the Kelly gang, he doesn’t want to hear the story, he just wants them gone. Julia Cook is an English woman that Ned was working for, she is one of the few that will help him seeing the good in his nature, but being held back by her own family.
Performances – Heath Ledger does a great job here showing how he wanted to break his pretty boy image, this performance makes this happen with ease. Orlando Bloom in the supporting role is strong without being truly great, while Geoffrey Rush feels wasted, with him being involved but not getting too much screen time, same goes for Naomi Watts, she just doesn’t get enough time to shine.
Story – The story here follows the innocent man that gets forced into become an outlaw who becomes the most wanted man in Australia. This story shows how settlers in other countries would always be unfairly targeted by the locals who saw them as threats, how people’s words could create outlaws because nobody would listen or understand the truths within a world. The story is only really told from Ned’s which will always make him look like the innocent man he was, but we do hear and see that most of the group have served time, so they might not be as innocent as they look (this is only from what the film shows, not what I know about the truth).
Action/Biopic/Western – The action is everything you would expect from a western, we have seen the shooting like always. The biopic does only show one side of the story and it does feel like there is more to tell.
Settings – The film utilises the location to show how Ned Kelly has to go into hiding and including the showdown.
Scene of the Movie – The showdown.
That Moment That Annoyed Me – It does seem one sided.
Final Thoughts – This is a by the book biopic that showed one of the most famous outlaws in Australia, though it doesn’t seem to reach an intensity level that it could have.
Overall: Nice biopic.
1916
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A fictionalized re-telling of the life and crimes of infamous 19th-century Australian outlaw Ned...
Bob Mann (459 KP) rated Pixie (2020) in Movies
Nov 2, 2020
Olivia Cooke - utterly enchanting (1 more)
Just the right balance of black humour and Tarantino-esque violence
Once upon a Time in the West... of Ireland
You know sometimes when you see a trailer you think "oh yeah - this is a must see"! The trailer for "Pixie" (see below) was one such moment for me. A spaghetti western set in Sligo? With Alec Baldwin as a "deadly gangster priest"? Yes, yes, yes!
In a remote Irish church, two Irish priests and two "visiting Afghan Catholic priests" are gunned down by a couple of losers in animal masks - Fergus (Fra Fee) and Colin (Rory Fleck Byrne) - over a stash of MDMA worth a million Euros. This reignites a simmering gang war between the gangster families of Dermot O'Brien (Colm Meaney) and Father Hector McGrath (Alec Baldwin). Linking everything together is Pixie (Olivia Cooke), O'Brien's daughter, who has a magnetic effect on men. She is somehow subtly the woman controlling everything going on.
Drawn into the mayhem are hapless teens Frank (Ben Hardy) and Harland (Daryl McCormack) - both of who have the hots for Pixie - who embark on a wild and bloody road-trip around southern Ireland.
Key to your belief in the ridiculous story is that the character of Pixie has to have the beauty and charisma to utterly enslave the poor men she crosses paths with: taking a "Kalashnikov to their hearts" as drug dealer Daniel (Chris Walley) puts it. And Olivia Cooke - so good in "Ready Player One" - absolutely and completely nails the role. I'm utterly in love with her after this movie, and she's thirty years too young for me! There's a sparkle and a mischief behind her that reminded me strongly of a young Audrey Hepburn.
Supporting her really well are the "Harry and Ron" to Cooke's Hermione - Ben Hardy (Roger Taylor in "Bohemian Rhapsody") and Daryl McCormack. And the trio make a truly memorable "love triangle". A bedroom scene manages to be both quietly erotic and excruciatingly funny in equal measure.
The direction here is by Barnaby Thompson, who's better known as a producer with the only previous movie directing credits being the St Trinian's reboots in 2007/09. Here he manages to channel some of the quirky camera shots of the likes of Guy Ritchie and Matthew Vaughn and mix them with the black humour and comedic gore of Quentin Tarantino. The taciturn hit-man Seamus (Ned Dennehy) typifies the comedy on offer, using a Land Rover to drag a poor victim round in a figure of eight on a soggy moor to make him talk!
Where I think the movie wimps out a bit is in an ecclesiastical shoot-out finale. Vaughn's "Kingsman: The Secret Service" set the bar here for completely outrageous and out-there church-based violence. Here, the scene is both tame by comparison (not necessarily a bad thing!), but also highly predictable. Given this is supposed to be "a plan", none of it feels to be very well thought-through! As such, belief can only be suspended for so long.
The visuals and music are fab. The cinematography - by veteran John de Borman - makes the west Ireland coast look utterly glorious and the Irish tourist board must have been delighted. There are also some beautifully-framed shots: a boot-eye (US: trunk-eye) perspective is fabulous, and there's a gasp-inducing fade-back to Pixie's face following a flashback. And a shout-out too to the editing by Robbie Morrison, since some of the plot twists are delivered as expert surprises.
The music - by Gerry Diver and David Holmes - is also spectacularly good at propelling the action and maintaining the feel-good theme.
Where I did have issues was with the audio mix. I'm sure there were a bunch of clever one-liners buried in there, but the combination of the accents (and I've worked in Northern Ireland for 20 years and am "tuned in"!) and the sound quality meant I missed a number of them. I will need another watch with subtitles to catch them all.
Thanks to ANOTHER WRETCHED LOCKDOWN in the UK this was my last trip to the cinema for at least a month: I was one of only four viewers in the "Odeon" cinema for this showing. Because it's a great shame that so few people will get to see this (at least for a while), since its the sort of feelgood movie that we all need right now. Slick and utterly entertaining, I'll quietly predict that this one will gain a following as a mini-cult-classic when it gets to streaming services. Recommended.
(For the full graphical review, please check-out the bob the movie man review here - https://bob-the-movie-man.com/2020/11/02/pixie-once-upon-a-time-in-the-west-of-ireland/. Thanks.)
In a remote Irish church, two Irish priests and two "visiting Afghan Catholic priests" are gunned down by a couple of losers in animal masks - Fergus (Fra Fee) and Colin (Rory Fleck Byrne) - over a stash of MDMA worth a million Euros. This reignites a simmering gang war between the gangster families of Dermot O'Brien (Colm Meaney) and Father Hector McGrath (Alec Baldwin). Linking everything together is Pixie (Olivia Cooke), O'Brien's daughter, who has a magnetic effect on men. She is somehow subtly the woman controlling everything going on.
Drawn into the mayhem are hapless teens Frank (Ben Hardy) and Harland (Daryl McCormack) - both of who have the hots for Pixie - who embark on a wild and bloody road-trip around southern Ireland.
Key to your belief in the ridiculous story is that the character of Pixie has to have the beauty and charisma to utterly enslave the poor men she crosses paths with: taking a "Kalashnikov to their hearts" as drug dealer Daniel (Chris Walley) puts it. And Olivia Cooke - so good in "Ready Player One" - absolutely and completely nails the role. I'm utterly in love with her after this movie, and she's thirty years too young for me! There's a sparkle and a mischief behind her that reminded me strongly of a young Audrey Hepburn.
Supporting her really well are the "Harry and Ron" to Cooke's Hermione - Ben Hardy (Roger Taylor in "Bohemian Rhapsody") and Daryl McCormack. And the trio make a truly memorable "love triangle". A bedroom scene manages to be both quietly erotic and excruciatingly funny in equal measure.
The direction here is by Barnaby Thompson, who's better known as a producer with the only previous movie directing credits being the St Trinian's reboots in 2007/09. Here he manages to channel some of the quirky camera shots of the likes of Guy Ritchie and Matthew Vaughn and mix them with the black humour and comedic gore of Quentin Tarantino. The taciturn hit-man Seamus (Ned Dennehy) typifies the comedy on offer, using a Land Rover to drag a poor victim round in a figure of eight on a soggy moor to make him talk!
Where I think the movie wimps out a bit is in an ecclesiastical shoot-out finale. Vaughn's "Kingsman: The Secret Service" set the bar here for completely outrageous and out-there church-based violence. Here, the scene is both tame by comparison (not necessarily a bad thing!), but also highly predictable. Given this is supposed to be "a plan", none of it feels to be very well thought-through! As such, belief can only be suspended for so long.
The visuals and music are fab. The cinematography - by veteran John de Borman - makes the west Ireland coast look utterly glorious and the Irish tourist board must have been delighted. There are also some beautifully-framed shots: a boot-eye (US: trunk-eye) perspective is fabulous, and there's a gasp-inducing fade-back to Pixie's face following a flashback. And a shout-out too to the editing by Robbie Morrison, since some of the plot twists are delivered as expert surprises.
The music - by Gerry Diver and David Holmes - is also spectacularly good at propelling the action and maintaining the feel-good theme.
Where I did have issues was with the audio mix. I'm sure there were a bunch of clever one-liners buried in there, but the combination of the accents (and I've worked in Northern Ireland for 20 years and am "tuned in"!) and the sound quality meant I missed a number of them. I will need another watch with subtitles to catch them all.
Thanks to ANOTHER WRETCHED LOCKDOWN in the UK this was my last trip to the cinema for at least a month: I was one of only four viewers in the "Odeon" cinema for this showing. Because it's a great shame that so few people will get to see this (at least for a while), since its the sort of feelgood movie that we all need right now. Slick and utterly entertaining, I'll quietly predict that this one will gain a following as a mini-cult-classic when it gets to streaming services. Recommended.
(For the full graphical review, please check-out the bob the movie man review here - https://bob-the-movie-man.com/2020/11/02/pixie-once-upon-a-time-in-the-west-of-ireland/. Thanks.)
