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Planes Live Free is a simple yet powerful flight tracking tool that lets you watch the planes online...
Joe Goodhart (27 KP) rated The Flash, Vol. 9: Reckoning of the Forces in Books
Nov 30, 2020
This review pertains to the last three Flash trades, this one and the previous two.
Vol. 7: PERFECT STORM was quite good. I found it to be an interesting addition to the Gorilla Grodd stories. I was so inspired that I took it upon myself to read Vol. 8 & 9.
Vol. 8: FLASH WAR was like a ride on the BARRY ALLEN ANGST and SELF-LOATHING EXPRESS! But, even with that feeling in mind, I continued reading, eventually taking on the even more difficult task of taking on Vol. 9, which turned into yet another ride on that same depressing train ride!
I had read Vol 1, Joshua Williamson's first outing with "REBIRTH" Barry Allen's Flash. That one I found to be lifeless and missing something that Geoff John's Flash definitely had! But, I thought I'd give it one more try with that Gorilla Grodd story, which I turned out to like more than Vol. 1!
Vol. 9 just continues to show us overly-doubting-himself Barry as well as Wally West's Flash, only now with more angst as well as Barry-centric anger! Yeah, not good! NOPE!
It seems like writing for the Flash would be a fun writing assignment, then factoring in Wally West, it should be that much more fun! Unfortunately, that was not the case! DC allowed Barry to experience a sense of self-loathing and a lack of self-confidence, doing a huge disservice to a character with such a rich history as his!
Equally frustrating was the way Wally was treated! I know he and Barry are both comic characters, meaning they are not real. I get that, but I still felt the need to want to buy them each a short stack of pancakes (my treat, of course) and then offer to give each of them a "bro hug" and maybe a Mini Schnauzer puppy as well!
Oh, and how about that shit Williamson did in regard to the Speed Force? I am pretty sure <b>NO ONE</b> wanted there to be other Forces, especially ones as unnecessary as the ones he was serving up!
And how about that art? What the hell?!!? I felt like the dude was trying to emulate Scott Kolin's style of art, only failing to not even come close!
I understand there may be those of you reading this review who like Williamson's Flash. Hey, good for you. No, really. But, I am not gonna be one of them!
Shame on you, DC Comics! BOOOOOO!
Vol. 7: PERFECT STORM was quite good. I found it to be an interesting addition to the Gorilla Grodd stories. I was so inspired that I took it upon myself to read Vol. 8 & 9.
Vol. 8: FLASH WAR was like a ride on the BARRY ALLEN ANGST and SELF-LOATHING EXPRESS! But, even with that feeling in mind, I continued reading, eventually taking on the even more difficult task of taking on Vol. 9, which turned into yet another ride on that same depressing train ride!
I had read Vol 1, Joshua Williamson's first outing with "REBIRTH" Barry Allen's Flash. That one I found to be lifeless and missing something that Geoff John's Flash definitely had! But, I thought I'd give it one more try with that Gorilla Grodd story, which I turned out to like more than Vol. 1!
Vol. 9 just continues to show us overly-doubting-himself Barry as well as Wally West's Flash, only now with more angst as well as Barry-centric anger! Yeah, not good! NOPE!
It seems like writing for the Flash would be a fun writing assignment, then factoring in Wally West, it should be that much more fun! Unfortunately, that was not the case! DC allowed Barry to experience a sense of self-loathing and a lack of self-confidence, doing a huge disservice to a character with such a rich history as his!
Equally frustrating was the way Wally was treated! I know he and Barry are both comic characters, meaning they are not real. I get that, but I still felt the need to want to buy them each a short stack of pancakes (my treat, of course) and then offer to give each of them a "bro hug" and maybe a Mini Schnauzer puppy as well!
Oh, and how about that shit Williamson did in regard to the Speed Force? I am pretty sure <b>NO ONE</b> wanted there to be other Forces, especially ones as unnecessary as the ones he was serving up!
And how about that art? What the hell?!!? I felt like the dude was trying to emulate Scott Kolin's style of art, only failing to not even come close!
I understand there may be those of you reading this review who like Williamson's Flash. Hey, good for you. No, really. But, I am not gonna be one of them!
Shame on you, DC Comics! BOOOOOO!
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Lao Keys Plus Dictionary is a precious gift for those who loves to write in Lao & want to share in...
Merissa (12669 KP) rated In Pain and Blood (Spellster #1) in Books
Jun 15, 2018
In Pain and Blood (Spellster #1) by Aldrea Alien
In Pain and Blood is the first book in the Spellster series, and has all the hallmarks of everything I enjoy - epic fantasy, m/m, romance, action, and adventure. Dylan has spent his life in 'the Tower' learning how to be a spellster. Magic comes easily to him, but his guardian keeps on telling him to stay safe in the tower, and not to make waves. However, one event shoves him to the forefront, and he sees more of life than he expected. Trying to make his way back to the Tower, he becomes part of a ragtag group and sees life in a completely different way.
This should have been a good book. I really wanted it to be a good book, but it fell short for me on a number of different levels. First of all, it's long. And I mean REALLY long. Now don't get me wrong, I love epic fantasy, and regularly read books of a thick volume. However, for this book, it felt like it needed some serious editing to get some of the monotonous repetition removed. Also, this land is supposed to be under attack, but they manage to completely miss any and every member of either army on their two month trek across the land - which we hear about in great detail. How this book started actually had me going back to check on the blurb as I thought I was reading a completely different book. It does change and become the story the blurb describes, but only after a long start. It is only the two main characters who we really meet, and I wouldn't say I 'know' them very well. Even their companions, who they spend so much time with, aren't really fleshed out. It didn't help when one of the main characters spoke to everyone as 'my dear hunter/my dear warrior/my dear spellster'. I know this was supposed to be one of his quirks, but I got it after the first dozen times. It really didn't need repeating multiple times on every page. The ending, such as it was, is the only thing in the book that felt rushed. Big events happen, something life-changing happens to a supporting character, opinions change, a lifetime's enduring love is pronounced, and it happens at the speed of light.
I struggled to finish this book. It was only my sheer stubborn nature and optimistic belief that it would get better (and if I finished it before it ended, I would never know) that kept me turning the pages to the very end. I am glad I've read it, but I wouldn't recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This should have been a good book. I really wanted it to be a good book, but it fell short for me on a number of different levels. First of all, it's long. And I mean REALLY long. Now don't get me wrong, I love epic fantasy, and regularly read books of a thick volume. However, for this book, it felt like it needed some serious editing to get some of the monotonous repetition removed. Also, this land is supposed to be under attack, but they manage to completely miss any and every member of either army on their two month trek across the land - which we hear about in great detail. How this book started actually had me going back to check on the blurb as I thought I was reading a completely different book. It does change and become the story the blurb describes, but only after a long start. It is only the two main characters who we really meet, and I wouldn't say I 'know' them very well. Even their companions, who they spend so much time with, aren't really fleshed out. It didn't help when one of the main characters spoke to everyone as 'my dear hunter/my dear warrior/my dear spellster'. I know this was supposed to be one of his quirks, but I got it after the first dozen times. It really didn't need repeating multiple times on every page. The ending, such as it was, is the only thing in the book that felt rushed. Big events happen, something life-changing happens to a supporting character, opinions change, a lifetime's enduring love is pronounced, and it happens at the speed of light.
I struggled to finish this book. It was only my sheer stubborn nature and optimistic belief that it would get better (and if I finished it before it ended, I would never know) that kept me turning the pages to the very end. I am glad I've read it, but I wouldn't recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gareth von Kallenbach (980 KP) rated Death Race (2008) in Movies
Aug 14, 2019
In 1975, legendary B-movie producer Roger Corman showed audiences a look at the near future with a biting film that deftly blended action and political commentary and satire. The film was “Death Race 2000” and starred David Carradine and featured a pre-“Rocky” Sylvester Stallone as bitter rivals in a brutal cross country race where finishing first was second only to the amount of death and carnage a driver left in their wake.
The film became a cult hit, and paved the way for films such as “Rollerball”, “Arena”, and countless other films that featured bloodlust sporting events for the masses a la Rome in the age of gladiators at the coliseum. Thirty-three years later, audiences are given the new and upgraded “Death Race” which benefits from a bigger budget with more carnage than the original film that inspired it ever dreamed of.
The film opens with an eerie warning of today’s troubled economic times, stating that the U.S.
economy collapses in 2012 and record unemployment and crime sweep the nation. With prisons overcrowded, corporations run correctional facilities for a profit and soon offer caged matches between inmates for the viewing pleasure of the nation. At first the matches are a huge success but soon lose their appeal to an audience that is eager for even bloodier sport.
In an effort to keep the cash flowing, the Death Race is created which pits convicts against one another in a brutal mix of speed, firepower, and death which in a few years surpasses even the Super Bowl as the most watched sporting event in the world.
Jason Statham stars as Jensen Ames, a former race driver who is framed for the murder of his wife and faces the prospect of life in prison while his daughter is raised by strangers. With the Death Race losing some if its audience, its creator, and warden of the prison, Hennessey (Joan Allen), offers Jensen a solution to both of their problems. If Jensen will pose as the masked Frankenstein for the race and win, he will be granted his freedom. It is learned that the real Frankenstein has finally succumbed to the numerous injuries he has incurred racing, and rather than risk losing his vast legions of fans who drive the ratings, it is easier to replace him than lose him, especially since recent races without Frankenstein had not garnered the same ratings as his past races.
It is explained that should a driver win five death races, they will be set free. Since Frankenstein has won four races, all Jensen has to do is win the race and stay alive to earn his freedom. Jensen is faced with an menacing list of adversaries including the deadly Machine Gun Joe (Tyrese Gibson), who is the biggest threat to Jensen with an absolute hatred for Frankenstein. Gun Joe is a cold-blooded killer who wants nothing more than two more race wins to earn his freedom and will stop at nothing to get it.
Jensen is assisted by the talented Coach (Ian McShane), who dispenses wisdom while overseeing the crew that outfits Jensen’s suped up, armor-plated, and very heavily armed racer. Assigned to ride with Jensen as his Navigator is Case (Natalie Martinez), a female prisoner who, like many of her fellow navigators, sees the race as a chance to earn their freedom and other special perks which makes risking their lives a worthwhile endeavor.
As the race unfolds in three stages, Jensen is tasked with not only surviving the threats Machine Gun Joe and the other racers aim his way, but surviving the twisted scheme that has him in its grasp.
The action of the film is fast, brutal, and unforgiving and is easily the highlight of the film. Sadly there are plenty of scenes with stiff and uninspired characters, numerous plot holes and leaps of logic, and clichés that bog the film down.
Statham is his usual soft talking hard man, a character he has made a career out of playing in such films as the “Crank” and the “Transporter” series. But unlike those films, he is not given much material to work with here. Statham has done solid work in the past but Jensen is a paper thin character who never fully given a chance to develop nor be embraced by the audience.
The same is true for the rest of the cast, a talented ensemble left to languish in want of better material. The film is directed by Paul W.S. Anderson of the “Resident Evil” series who once again shows that he has an eye for action, but still has issues with pacing and unsympathetic characters. This is a shame as the premise of the film is solid, but unlike the original, lacks the social and political commentary needed to balance the carnage and mayhem.
With a little more time in shop and tinkering, this could have been a solid action film, instead it stalls at the starting line badly in need of a tune up.
The film became a cult hit, and paved the way for films such as “Rollerball”, “Arena”, and countless other films that featured bloodlust sporting events for the masses a la Rome in the age of gladiators at the coliseum. Thirty-three years later, audiences are given the new and upgraded “Death Race” which benefits from a bigger budget with more carnage than the original film that inspired it ever dreamed of.
The film opens with an eerie warning of today’s troubled economic times, stating that the U.S.
economy collapses in 2012 and record unemployment and crime sweep the nation. With prisons overcrowded, corporations run correctional facilities for a profit and soon offer caged matches between inmates for the viewing pleasure of the nation. At first the matches are a huge success but soon lose their appeal to an audience that is eager for even bloodier sport.
In an effort to keep the cash flowing, the Death Race is created which pits convicts against one another in a brutal mix of speed, firepower, and death which in a few years surpasses even the Super Bowl as the most watched sporting event in the world.
Jason Statham stars as Jensen Ames, a former race driver who is framed for the murder of his wife and faces the prospect of life in prison while his daughter is raised by strangers. With the Death Race losing some if its audience, its creator, and warden of the prison, Hennessey (Joan Allen), offers Jensen a solution to both of their problems. If Jensen will pose as the masked Frankenstein for the race and win, he will be granted his freedom. It is learned that the real Frankenstein has finally succumbed to the numerous injuries he has incurred racing, and rather than risk losing his vast legions of fans who drive the ratings, it is easier to replace him than lose him, especially since recent races without Frankenstein had not garnered the same ratings as his past races.
It is explained that should a driver win five death races, they will be set free. Since Frankenstein has won four races, all Jensen has to do is win the race and stay alive to earn his freedom. Jensen is faced with an menacing list of adversaries including the deadly Machine Gun Joe (Tyrese Gibson), who is the biggest threat to Jensen with an absolute hatred for Frankenstein. Gun Joe is a cold-blooded killer who wants nothing more than two more race wins to earn his freedom and will stop at nothing to get it.
Jensen is assisted by the talented Coach (Ian McShane), who dispenses wisdom while overseeing the crew that outfits Jensen’s suped up, armor-plated, and very heavily armed racer. Assigned to ride with Jensen as his Navigator is Case (Natalie Martinez), a female prisoner who, like many of her fellow navigators, sees the race as a chance to earn their freedom and other special perks which makes risking their lives a worthwhile endeavor.
As the race unfolds in three stages, Jensen is tasked with not only surviving the threats Machine Gun Joe and the other racers aim his way, but surviving the twisted scheme that has him in its grasp.
The action of the film is fast, brutal, and unforgiving and is easily the highlight of the film. Sadly there are plenty of scenes with stiff and uninspired characters, numerous plot holes and leaps of logic, and clichés that bog the film down.
Statham is his usual soft talking hard man, a character he has made a career out of playing in such films as the “Crank” and the “Transporter” series. But unlike those films, he is not given much material to work with here. Statham has done solid work in the past but Jensen is a paper thin character who never fully given a chance to develop nor be embraced by the audience.
The same is true for the rest of the cast, a talented ensemble left to languish in want of better material. The film is directed by Paul W.S. Anderson of the “Resident Evil” series who once again shows that he has an eye for action, but still has issues with pacing and unsympathetic characters. This is a shame as the premise of the film is solid, but unlike the original, lacks the social and political commentary needed to balance the carnage and mayhem.
With a little more time in shop and tinkering, this could have been a solid action film, instead it stalls at the starting line badly in need of a tune up.
Lee (2222 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
Dec 12, 2018
Imaginative portrayal of the internet (2 more)
Ralph and Vanellope
Good positive messages throughout
Enjoyable Sequel
I cannot believe it's been 6 years since we last saw Ralph and Vanellope! And when we join them again, they're still in the same arcade, right where we left them. By day carrying out their respective gaming duties, by night socialising with the other arcade characters and drinking together in Tappers bar. They seem happy and content with life, although Vanellope is beginning to feel that there's more to life than the same old Sugar Rush races all day every day.
In an attempt to help his friend and spice things up for her, Ralph decides to smash a new race course through the Sugar Rush landscape. But things don't go quite according to plan, resulting in a broken steering wheel on the arcade machine. Unfortunately, the company responsible for making that machine is no longer in business so parts for it aren't readily available, or too expensive to buy online, so the plug gets pulled on the machine. With the future of the game in jeopardy, and with the Sugar Rush inhabitants having to find new homes with the other arcade residents, Ralph and Vanellope decide to try and help. The arcade has just had a Wi-fi router plugged in, and they overheard one of the kids in the arcade earlier talking about the steering wheel being available online on some site called eBoy? So, they decide to go investigate this thing called the internet.
I've seen a few reviews that draw comparisons to this movie and with 'Ready Player One' from earlier this year. As we entered the Oasis of Ready Player One, we were treated to an amazing visual onslaught of wonderful imagery and instantly recognisable characters. And, as Ralph and Vanellope enter the internet, it's a similarly enjoyable experience. Recognisable brands and websites are everywhere you look, either as buildings or with their concepts imaginatively represented in some form. Twitter birds fly around, characters force suspicious looking spam adverts in your face while busy web traffic is everywhere, constantly being directed to its next destination. Ralph and Vanellope eventually find their way to eBay, where the steering wheel they need is currently being auctioned, but they don't really understand the bidding process and end up winning it for more money than they can possibly pay. They then set about finding a way to get rich quick so that they can pay for the wheel and get it shipped to the arcade before the game gets removed for scrap. Their journey takes them to an online game called 'Slaughter Race', a violent racing game featuring skilled racer Shank (voiced by Gal Gadot), a world which immediately excites racing fiend Vanellope, who feels right at home.
It's great to see the characters of Ralph and Vanellope back on our screens. Ralph is still very funny and Vanellope is still extremely cute! There are also a large number of sections of the movie which work very well and are extremely enjoyable. Aside from the initial introduction to the internet, and the whole Slaughter Race segment, probably the most enjoyable portion is the visit to Disney and the Disney princesses, which received such a big reaction when featured in the various trailers for the movie. And we don't just get the princesses either, we also get to see Marvel and Star Wars characters too! Another chance to scour the screen to try and spot background characters, and a reminder that Disney is in fact slowly taking over the world!
Towards the end of the movie I felt that things weren't so interesting and enjoyable, with a lengthy segment involving a virus and how it spreads and manifests itself, threatening the whole internet. But that's a minor negative from me in what is overall a hugely enjoyable sequel. There are also a number of very strong messages throughout, from the Disney princesses and the way they act, to the way that internet negativity is portrayed. I'm not sure of the longevity of this movie though - after all, at the speed the internet develops these days, how many of the sites or concepts featured are going to still be around or even relevant in another 6 years time?
In an attempt to help his friend and spice things up for her, Ralph decides to smash a new race course through the Sugar Rush landscape. But things don't go quite according to plan, resulting in a broken steering wheel on the arcade machine. Unfortunately, the company responsible for making that machine is no longer in business so parts for it aren't readily available, or too expensive to buy online, so the plug gets pulled on the machine. With the future of the game in jeopardy, and with the Sugar Rush inhabitants having to find new homes with the other arcade residents, Ralph and Vanellope decide to try and help. The arcade has just had a Wi-fi router plugged in, and they overheard one of the kids in the arcade earlier talking about the steering wheel being available online on some site called eBoy? So, they decide to go investigate this thing called the internet.
I've seen a few reviews that draw comparisons to this movie and with 'Ready Player One' from earlier this year. As we entered the Oasis of Ready Player One, we were treated to an amazing visual onslaught of wonderful imagery and instantly recognisable characters. And, as Ralph and Vanellope enter the internet, it's a similarly enjoyable experience. Recognisable brands and websites are everywhere you look, either as buildings or with their concepts imaginatively represented in some form. Twitter birds fly around, characters force suspicious looking spam adverts in your face while busy web traffic is everywhere, constantly being directed to its next destination. Ralph and Vanellope eventually find their way to eBay, where the steering wheel they need is currently being auctioned, but they don't really understand the bidding process and end up winning it for more money than they can possibly pay. They then set about finding a way to get rich quick so that they can pay for the wheel and get it shipped to the arcade before the game gets removed for scrap. Their journey takes them to an online game called 'Slaughter Race', a violent racing game featuring skilled racer Shank (voiced by Gal Gadot), a world which immediately excites racing fiend Vanellope, who feels right at home.
It's great to see the characters of Ralph and Vanellope back on our screens. Ralph is still very funny and Vanellope is still extremely cute! There are also a large number of sections of the movie which work very well and are extremely enjoyable. Aside from the initial introduction to the internet, and the whole Slaughter Race segment, probably the most enjoyable portion is the visit to Disney and the Disney princesses, which received such a big reaction when featured in the various trailers for the movie. And we don't just get the princesses either, we also get to see Marvel and Star Wars characters too! Another chance to scour the screen to try and spot background characters, and a reminder that Disney is in fact slowly taking over the world!
Towards the end of the movie I felt that things weren't so interesting and enjoyable, with a lengthy segment involving a virus and how it spreads and manifests itself, threatening the whole internet. But that's a minor negative from me in what is overall a hugely enjoyable sequel. There are also a number of very strong messages throughout, from the Disney princesses and the way they act, to the way that internet negativity is portrayed. I'm not sure of the longevity of this movie though - after all, at the speed the internet develops these days, how many of the sites or concepts featured are going to still be around or even relevant in another 6 years time?