Search

Search only in certain items:

We Were Soldiers Once... and Young: The Battle That Changed the War in Vietnam
We Were Soldiers Once... and Young: The Battle That Changed the War in Vietnam
Harold G. Moore | 2002 | Biography, History & Politics
(0 Ratings)
Book Favorite

"The flip side of the “The Sorrow of War,” this book is a brilliant and telling account of one brutal battle in Vietnam from the American perspective. Moore was the commander of soldiers who were airdropped into the jungle, only to be promptly surrounded and massively outnumbered by North Vietnamese troops. The reporter Joseph Galloway had rare access to the troops, witnessing this desperate battle for survival. I love it for the story of heroic journalism. It is why I so admire books like “Once Upon a Distant War,” by William Prochnau, which is the Vietnam war seen through the eyes of legendary correspondents like Neil Sheehan, David Halberstam, Peter Arnett, and others of that generation, providing stark evidence of their courage and fearless contributions to history and truth."

Source
  
40x40

LeftSideCut (3778 KP) rated The Descent (2005) in Movies

Nov 23, 2019 (Updated Nov 23, 2019)  
The Descent (2005)
The Descent (2005)
2005 | Horror
I remember first watching The Descent not long after it came out. I was in my late teens and it was smack bang in the middle of a weird time for horror, where there was just a lot of dross being fired out every other week.

The Descent was a breath of fresh air in that respect. The set up hooks you in almost immediately, with an familiar yet effective tragedy strikes Sarah, one of our heroines. A while later, a group of friends manage convince Sarah to join them on a vacation in North Carolina, where they plan to explore an underground cave system.
You know how these things go by now - everything goes wrong and before long, the group are fighting to survive.
The thing is, it takes a while for the Descent to show it's true hand when it comes to anything other worldly. It's effectively scary before any monsters show up, using extreme claustrophobia, and low visibility to throw the viewer into the tense unknown.
The first time you see a monster made me jump out of my seat, and jump scares don't get me very often. From there in out, the movie shifts from subtle horror, to all out terror and panic. It's all pretty thrilling.
The all female cast are great. They feel real and relatable, and sell the situation perfectly.
It's Neil Marshall showing that he does know what he's doing in his otherwise mixed bag of a back catalogue.

Some of the effects used are looking pretty dated by this point, but it's not enough to detract from an otherwise positive horror experience, and of course, that ending... (I believe it was changed for US audiences). It's bleak and ballsy and adds a cherry on top. Definitely worth seeking out the unchanged version if you like horror!
  
Show all 4 comments.
40x40

LeftSideCut (3778 KP) Nov 24, 2019

@sarah I haven't actually seen the sequel. Not sure if I want to!

40x40

365Flicks (235 KP) Nov 24, 2019

I interviewed Craig Conway who played the main cave dweller and is best mates with Neil Marshall about this flick... such an amazing guy. Just makes me love the flick even more

40x40

Graham Lewis recommended After the Gold Rush by Neil Young in Music (curated)

 
After the Gold Rush by Neil Young
After the Gold Rush by Neil Young
1970 | Singer-Songwriter
8.0 (8 Ratings)
Album Favorite

"I heard this when I was living up in the North East by listening to Kid Jensen. I had On The Beach, but hearing After The Gold Rush... Somehow Jensen had it, it was released in the States before it came to Europe, and I remember being really impressed by the sound and content. I think Neil Young is an example of somebody who is successful and very curious, and I think the freedom that he got, financial freedom as much as anything, he took that and turned it into his obsessions, his railway collections and whatever else. That meant he could go, 'I can do what I want to do, so I will'. It's still the tone on the guitar, and the two-note guitar solo, it's astonishing. Why have more when you can sound that good? He's in Wire's minimalism, and you can see his influence go right through - I'm not saying people are trying to emulate him, but you can see it in Earth, in Sunn O))), it's there. The only person who is comparable, and they're totally different, is Scott Walker. It's this obsessive curiosity of wanting to find out what would happen if I do that or apply this to this. And courting failure; publish and be damned. In that way I was going to name him, because I couldn't have Blue by Joni Mitchell. Look I've snuck that one in there. The happy thing with being in Wire was that we could talk about these records, because there was more to life than punk's ground zero, or whatever it was supposed to be. How many great punk records are there? First Ramones album? You know what I mean."

Source