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Awix (3310 KP) rated My Octopus Teacher (2020) in Movies
Oct 4, 2020 (Updated Oct 4, 2020)
Netflix sea-life doc that sets out to be moving and inspiring and just ended up making me shout at my laptop a lot. A bloke going through some sort of mid-life crisis does the usual thing and gets involved with a younger female: the twist is that she's an invertebrate. Never mind 'My Octopus Teacher', based on what he says - 'I was overwhelmed by my feelings for her,' etc - 'My Darling Octopus' might have been a better title. Same old story: Man meets octopus, they swim around together for a bit, octopus loses arm in shark attack, he nurses her back to health, she has several hundred thousand children behind his back, etc.
Quite apart from the weirdness of the subject matter - what did the bloke's wife think of all this? what, for the matter, did the octopus think was going on? - there's something very dodgy about the way the film is presented. The story is presented as something that's already happened, so are we watching reconstructions of the events? Is it all a staged or confected narrative? Has someone told the octopus actually appearing in the film it's basically in the role of Kim Novak at the end of Vertigo? Stunning photography and images of sealife, naturally, but rather than informing the viewer about octopuses - which are fascinating creatures - it just unloads a lot of sentimental, anthropomorphised cobblers on them. Best watched with the sound turned down and appropriate sea-life noises playing.
Quite apart from the weirdness of the subject matter - what did the bloke's wife think of all this? what, for the matter, did the octopus think was going on? - there's something very dodgy about the way the film is presented. The story is presented as something that's already happened, so are we watching reconstructions of the events? Is it all a staged or confected narrative? Has someone told the octopus actually appearing in the film it's basically in the role of Kim Novak at the end of Vertigo? Stunning photography and images of sealife, naturally, but rather than informing the viewer about octopuses - which are fascinating creatures - it just unloads a lot of sentimental, anthropomorphised cobblers on them. Best watched with the sound turned down and appropriate sea-life noises playing.
Jesters_folly (230 KP) rated In the Tall Grass (2019) in Movies
Oct 5, 2019
Contains spoilers, click to show
When Becky and her brother Cal hear a cry for help coming from a field of tall grass they go in to help. It soon becomes apparent that things are not what they seem in the tall grass.
In The Tall Grass is a Netflix film based on a novella written by Stephen King & Joe Hill. The film is a horror/suspense/thriller with a main cast only six people and only seven actors credited. The six main characters all become trapped in the grass and, like any good thriller it soon becomes apparent that at least one of them cannot be trusted as they get picked off one by one. However, Stephen King had a hand it writing this so you know it’s not going to be a normal film, there are no monsters in this, no killer Clowns and, surprisingly, no scarecrows although I guess that would have been too obvious for anything written by Mr King. There is a dog. The strangeness comes from the way the film plays with time, it soon becomes apparent that something is playing with time and space which leads to some interesting time loops.
In the Tall Grass is an interesting film which does a lot with a very small cast and a field and isn’t a mega long film like some of the other King films. If you can get your head around time loops, then I think it’s well worth a watch.
In The Tall Grass is a Netflix film based on a novella written by Stephen King & Joe Hill. The film is a horror/suspense/thriller with a main cast only six people and only seven actors credited. The six main characters all become trapped in the grass and, like any good thriller it soon becomes apparent that at least one of them cannot be trusted as they get picked off one by one. However, Stephen King had a hand it writing this so you know it’s not going to be a normal film, there are no monsters in this, no killer Clowns and, surprisingly, no scarecrows although I guess that would have been too obvious for anything written by Mr King. There is a dog. The strangeness comes from the way the film plays with time, it soon becomes apparent that something is playing with time and space which leads to some interesting time loops.
In the Tall Grass is an interesting film which does a lot with a very small cast and a field and isn’t a mega long film like some of the other King films. If you can get your head around time loops, then I think it’s well worth a watch.
Logan Eccles (135 KP) rated Rocko's Modern Life: Static Cling in TV
Oct 1, 2020 (Updated Oct 2, 2020)
Rocko's Modern Nostalgia
Contains spoilers, click to show
To say I was excited when it was announced this special was happening would be an understatement. Rocko was one of my favorites as a kid. It was strange. It was weird. But at the heart of it all, it was always smart. Static Cling was no different and on top of it all, it was relevant to today. That's always the fear of these throwback projects. Yes, it worked in the past but will it work today. The answer folks is Oh Hell Yeah! I was honestly shocked at how good it was. So the theme throughout this special change and our different responses to it. Here's the part I say SPOILER ALERT. The plot starts when Rocko discovers his beloved show the Fat Heads was canceled while he was in space. He decides to go on an adventure to bring it back because he thinks he can't live in a world without it. Fast forward he finds the creator, Mr.BigHeads son, only he is now a woman. Though everyone else excepts this change Mr.BigHead does not. Rocko tries to help MR.BigHead accepts his daughter so she will make a Fat Heads special. Mr. BigHead eventually does come around and his daughter makes the special but it introduces a new character that Rocko does not like. It is such a well-told modern story and I recommend EVERYONE to watch it on Netflix right now!
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Phillip McSween (751 KP) rated Dumplin' (2018) in Movies
Jan 16, 2019
Good On So Many Levels
High school student Willowdean (Danielle MacDonald) decides to enter a beauty pageant to spite her mom Rosie (Jennifer Aniston), a former pageant queen.
Acting: 10
Beginning: 10
Characters: 10
The characters in this story are not just unique and enjoyable. They also represent the melting pot of what this world should be. Willowdean feels out of place because she is heavyset so she tries to attack herself before others do. Her Aunt Lucy (Hilliary Begley) tried to teach her to do the opposite before she passed away, but Willowdean didn’t grasp her aunt’s confidence unfortunately. Through her journey of pageant life, she makes two good friends: Hannah (Bex Taylor-Klaus) who is anti-establishment (or anti-everything, rather) and Millie (Maddie Baillio) a ball of happiness with an overprotective mom. They are at the core of a slew of good characters that brighten the story. And did I mention the drag queens? Phe-no-men-al.
Cinematography/Visuals: 10
Conflict: 10
The conflict here is less about outward confrontation and more about inner discovery. Willowdean’s greatest enemy is herself, something most of us can probably relate to. It is refreshing to watching her battle old demons while coming to terms with who she is and who she can be. Destroying yourself is toxic and Dumplin’ shows how a negative view of one’s self can damage and destroy the relationships around us.
Genre: 10
Memorability: 8
The story as a whole has a magical feeling to it that’s centered in realism, almost like a trailer park Cinderella. I thought of all the 201 movies I watched in 2018. Few touched me quite like this one. A really memorable movie can make you laugh, maybe cry a little, and reflect. Dumplin’ gets the job done. It teaches you never to underestimate yourself and to go all out even when you don’t think you have a shot.
Pace: 10
I love when storytelling is consistent and blends seamlessly from one scene to the next. You get that here. There’s not a whole lot of pointless dialogue that takes you nowhere or random scenes that forces relationship-building. It moves consistently like a batch of waves. Before you know it, it’s over and you’ve had a great ride.
Plot: 10
The story isn’t just original but heartfelt. Something we can all get behind. I can honestly say that I’ve never seen anything like it. You can see the ending coming a mile away, but you’re having so much of a good time you don’t care!
Resolution: 10
Just as with the plot, you definitely see the ending coming a mile away. Doesn’t make it any less awesome or touching. Mum’s the word, but it ties on a nice little bow on the movie as a whole.
Overall: 98
I’m always wary of Netflix originals. Not because they can’t be good, I’ve seen plenty of amazing things on Netflix. Rather I understand that there’s a pressure for them to keep putting out original content at a fast pace because the market is catching up. This could mean more swings-and-misses. Dumplin’ is not a casualty of that in the least. Quality movie.
Acting: 10
Beginning: 10
Characters: 10
The characters in this story are not just unique and enjoyable. They also represent the melting pot of what this world should be. Willowdean feels out of place because she is heavyset so she tries to attack herself before others do. Her Aunt Lucy (Hilliary Begley) tried to teach her to do the opposite before she passed away, but Willowdean didn’t grasp her aunt’s confidence unfortunately. Through her journey of pageant life, she makes two good friends: Hannah (Bex Taylor-Klaus) who is anti-establishment (or anti-everything, rather) and Millie (Maddie Baillio) a ball of happiness with an overprotective mom. They are at the core of a slew of good characters that brighten the story. And did I mention the drag queens? Phe-no-men-al.
Cinematography/Visuals: 10
Conflict: 10
The conflict here is less about outward confrontation and more about inner discovery. Willowdean’s greatest enemy is herself, something most of us can probably relate to. It is refreshing to watching her battle old demons while coming to terms with who she is and who she can be. Destroying yourself is toxic and Dumplin’ shows how a negative view of one’s self can damage and destroy the relationships around us.
Genre: 10
Memorability: 8
The story as a whole has a magical feeling to it that’s centered in realism, almost like a trailer park Cinderella. I thought of all the 201 movies I watched in 2018. Few touched me quite like this one. A really memorable movie can make you laugh, maybe cry a little, and reflect. Dumplin’ gets the job done. It teaches you never to underestimate yourself and to go all out even when you don’t think you have a shot.
Pace: 10
I love when storytelling is consistent and blends seamlessly from one scene to the next. You get that here. There’s not a whole lot of pointless dialogue that takes you nowhere or random scenes that forces relationship-building. It moves consistently like a batch of waves. Before you know it, it’s over and you’ve had a great ride.
Plot: 10
The story isn’t just original but heartfelt. Something we can all get behind. I can honestly say that I’ve never seen anything like it. You can see the ending coming a mile away, but you’re having so much of a good time you don’t care!
Resolution: 10
Just as with the plot, you definitely see the ending coming a mile away. Doesn’t make it any less awesome or touching. Mum’s the word, but it ties on a nice little bow on the movie as a whole.
Overall: 98
I’m always wary of Netflix originals. Not because they can’t be good, I’ve seen plenty of amazing things on Netflix. Rather I understand that there’s a pressure for them to keep putting out original content at a fast pace because the market is catching up. This could mean more swings-and-misses. Dumplin’ is not a casualty of that in the least. Quality movie.
Sam (74 KP) rated The Miserable Mill (A Series of Unfortunate Events #4) in Books
Mar 27, 2019
Here we are again, with yet another review of a book from A Series of Unfortunate Events. I hope You’re not bored of these yet, you’ve still got 9 more of them to go!
The Baudelaire’s are now under the care of yet another guardian, this time it’s a man just known as Sir who always has a cloud of smoke around his head. He owns Lucky Smells Lumber Mill with his partner Charles. He comes to an arrangement with the orphans that if they work for the lumber mill, he will keep them safe from Count Olaf. The Baudelaire’s don’t have any option other than to accept his offer and are put straight to work.
I’ve got to say I absolutely love Charles. He’s probably the best character in the whole series, the way he’s always happy no matter what is happening and how nice he is to the Baudelaires.
The Miserable Mill is probably one of the least mysterious books in the series as it’s quite clear quite soon on what is going to happen and how it’s going to end, however (without adding too many details) it does have one of the most gruesome endings out of them all.
I read it in a day which speaks for itself how much I loved this book. More than anything I was excited to move onto the books that haven’t been adapted on Netflix quite yet and this was the last of the books that they adapted in season one.
The Baudelaire’s are now under the care of yet another guardian, this time it’s a man just known as Sir who always has a cloud of smoke around his head. He owns Lucky Smells Lumber Mill with his partner Charles. He comes to an arrangement with the orphans that if they work for the lumber mill, he will keep them safe from Count Olaf. The Baudelaire’s don’t have any option other than to accept his offer and are put straight to work.
I’ve got to say I absolutely love Charles. He’s probably the best character in the whole series, the way he’s always happy no matter what is happening and how nice he is to the Baudelaires.
The Miserable Mill is probably one of the least mysterious books in the series as it’s quite clear quite soon on what is going to happen and how it’s going to end, however (without adding too many details) it does have one of the most gruesome endings out of them all.
I read it in a day which speaks for itself how much I loved this book. More than anything I was excited to move onto the books that haven’t been adapted on Netflix quite yet and this was the last of the books that they adapted in season one.