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Lottie disney bookworm (1056 KP) rated Of Thorns and Beauty in Books
Dec 29, 2020
Never has a retelling been so close but so unimaginabley far away from the original fairytale. Of Thorns and Beauty is a New Adult masterpiece which will reel you in from its first pages and not let you go until its cruel cliffhanger.
A quick note that this is definitely a New Adult novel. Although not written about in detail this take includes the subjects of abuse, murder and rape as well as a bucket load of sexual tension.
This retelling of Beauty and the Beast is written solely from the perspective of our protagonist-the beauty Zaina. Forced into an arranged marriage with the renowned beast King Einar and denied any companions to accompany her, Zaina enters the "Beast's" castle entirely on her guard and unaware as to what sort of a life lays before her.
It quickly becomes apparent that Zaina's beauty has only ever caused pain and hardship for her in the past. As a result of this, she is a far cry from the bookish village girl seeking an adventure in the great wide somewhere. Zaina is fiery, sarcastic, dangerous and her prickly, defensive demeanour makes her few friends in her new home.
The use of a first person perspective with a protagonist such as Zaina really brings this novel to life. Zaina is such a damaged character and the reader is drip fed memories so partially and so slowly that we still don't know the extent of her suffering once the book has ended.
The style of writing also allows us to share Zaina's frustration at attempting to read her husband Einar's emotions: quite ironic for someone so closed off herself. The reader does not always feel empathy though: Zaina's defences are so high that she shuns any attempt at friendship; sometimes you just want to shake her!
Elements of the original beauty and the beast tale remain: there is indeed a curse, a rose and a forbidden west wing. However, these are so cleverly twisted that the reader will finish this book with an entirely different concept of who the Beast really is.
The fact that the authors themselves apologise for the cliffhanger, explaining that the characters and storyline just required more pages and more time, shows the sheer commitment to world building and character development.
Madison and Mahle introduce us to a whole new world of scenery and creatures; they pull us into the painful past of both main characters; place slimy villains in the shadows and raise our hopes of romance before throwing them off a cliff. This book is impossible to put down and I cannot wait to see what happens next.
Thank you to Booksirens for the opportunity to read a free copy of this book in exchange for an honest review.
A quick note that this is definitely a New Adult novel. Although not written about in detail this take includes the subjects of abuse, murder and rape as well as a bucket load of sexual tension.
This retelling of Beauty and the Beast is written solely from the perspective of our protagonist-the beauty Zaina. Forced into an arranged marriage with the renowned beast King Einar and denied any companions to accompany her, Zaina enters the "Beast's" castle entirely on her guard and unaware as to what sort of a life lays before her.
It quickly becomes apparent that Zaina's beauty has only ever caused pain and hardship for her in the past. As a result of this, she is a far cry from the bookish village girl seeking an adventure in the great wide somewhere. Zaina is fiery, sarcastic, dangerous and her prickly, defensive demeanour makes her few friends in her new home.
The use of a first person perspective with a protagonist such as Zaina really brings this novel to life. Zaina is such a damaged character and the reader is drip fed memories so partially and so slowly that we still don't know the extent of her suffering once the book has ended.
The style of writing also allows us to share Zaina's frustration at attempting to read her husband Einar's emotions: quite ironic for someone so closed off herself. The reader does not always feel empathy though: Zaina's defences are so high that she shuns any attempt at friendship; sometimes you just want to shake her!
Elements of the original beauty and the beast tale remain: there is indeed a curse, a rose and a forbidden west wing. However, these are so cleverly twisted that the reader will finish this book with an entirely different concept of who the Beast really is.
The fact that the authors themselves apologise for the cliffhanger, explaining that the characters and storyline just required more pages and more time, shows the sheer commitment to world building and character development.
Madison and Mahle introduce us to a whole new world of scenery and creatures; they pull us into the painful past of both main characters; place slimy villains in the shadows and raise our hopes of romance before throwing them off a cliff. This book is impossible to put down and I cannot wait to see what happens next.
Thank you to Booksirens for the opportunity to read a free copy of this book in exchange for an honest review.
MoMoBookDiary (20 KP) rated Destined: Lured Into The Shadow (The Ambrosia Trilogy #1) in Books
Oct 1, 2018
MoMo’s Book Diary enjoyed "Destined" and gladly recommends this as a 4 star read. If you enjoyed the Twilight saga you will love The Ambrosia Trilogy!
MoMo Book Diary Review:
Beatrice Sand's debut novel "Destined" is the first part of The Ambrosia Trilogy. It is a truly awesome suspense read which kept me up until the early hours.
The author introduces the characters with emotion and describes each scene perfectly. There is a continuous thread throughout the book luring you into the mystery. You know there is so much unspoken but its not until around half-way that you start to get the full picture and I found my mind sparking off in different directions at what could happen next. I laughed, I cried, I sat up until the early hours trying to breathe with Laurel as she finds her way...
This sexy and mysterious tale focuses on 17 year old Laurel who has recently moved back to Vancouver Island where her father, Martin, owns his own restaurant to live with him and his wife, Mia and her daughter, Renee, who is also 17. Laurel and Renee could not be any more different and Laurel feels that Mia is constantly expecting her to morph into Renee - which she will certainly not be doing! Laurel is hoping to build a relationship with her father but it is difficult finding time to get to know each other.
I enjoyed that the author tells the story from Laurel's perspective in the main, with a few chapters from Sam, where we get insight into his world. Sam is struggling with leading the life he knows is set out before him and these new feelings that he has for Laurel. The more he stays away the more he is drawn to be there when she finds herself in trouble.
There is an undeniable attraction between Laurel and Sam, which the author beautifully introduces at their first meeting, and builds each time they meet. They share some sensual scenes although there is nothing too "adult" in nature in this teenage/ young adult novel. I will not give any more of the story away but it is not a straightforward new adult romance.
This book will appeal to anyone who enjoys the mystery of a sexy, dangerous story and although it is not a thriller it is certainly a thrilling read. I can't wait to read the second book, Sacrifice, which is due for release in 2017 with the third and final part, Ambrosia, following on from that.
I would like to thank the author, Beatrice Sand, for the opportunity to read and review this book prior to its release date.
MoMo Book Diary Review:
Beatrice Sand's debut novel "Destined" is the first part of The Ambrosia Trilogy. It is a truly awesome suspense read which kept me up until the early hours.
The author introduces the characters with emotion and describes each scene perfectly. There is a continuous thread throughout the book luring you into the mystery. You know there is so much unspoken but its not until around half-way that you start to get the full picture and I found my mind sparking off in different directions at what could happen next. I laughed, I cried, I sat up until the early hours trying to breathe with Laurel as she finds her way...
This sexy and mysterious tale focuses on 17 year old Laurel who has recently moved back to Vancouver Island where her father, Martin, owns his own restaurant to live with him and his wife, Mia and her daughter, Renee, who is also 17. Laurel and Renee could not be any more different and Laurel feels that Mia is constantly expecting her to morph into Renee - which she will certainly not be doing! Laurel is hoping to build a relationship with her father but it is difficult finding time to get to know each other.
I enjoyed that the author tells the story from Laurel's perspective in the main, with a few chapters from Sam, where we get insight into his world. Sam is struggling with leading the life he knows is set out before him and these new feelings that he has for Laurel. The more he stays away the more he is drawn to be there when she finds herself in trouble.
There is an undeniable attraction between Laurel and Sam, which the author beautifully introduces at their first meeting, and builds each time they meet. They share some sensual scenes although there is nothing too "adult" in nature in this teenage/ young adult novel. I will not give any more of the story away but it is not a straightforward new adult romance.
This book will appeal to anyone who enjoys the mystery of a sexy, dangerous story and although it is not a thriller it is certainly a thrilling read. I can't wait to read the second book, Sacrifice, which is due for release in 2017 with the third and final part, Ambrosia, following on from that.
I would like to thank the author, Beatrice Sand, for the opportunity to read and review this book prior to its release date.
Hazel (1853 KP) rated What Light in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Almost a decade after Jay Asher wowed readers with his debut novel, he returns to the literary scene with a brand new young adult romance. <i>What Light</i> focuses on the life of a good-natured girl living a complicated life. It is almost as if the teenaged Sierra is living two lives: eleven months on a Christmas tree farm in Oregon, followed by a month selling them in California. Due to the struggling business, this year may be the last time Sierra spends Christmas in California; however it is also the first year she meets the boy of her dreams.
Knowing that a romantic relationship is unlikely to survive the long distance between the two states, Sierra cannot help her developing feelings towards the handsome Caleb. Using his own money to purchase Christmas trees for families who cannot afford them, Caleb seems like the perfect guy; however rumours suggest he has a rather dubious history. Struggling to convince everyone that Caleb is a good person, Sierra suffers the consequences of strained relationships with her friends back home. The big issue is: should she continue to support Caleb even though in a couple of weeks she may never see him again?
As young adult romance novels go, <i>What Light</i> is fairly typical. Girl and boy meet; there are various issues to resolve; but things turn out all right in the end. If you are into those types of stories then this is the book for you, sadly, Asher does not bring anything new to the genre.
After reading several of these types of predictable novels, it becomes noticeable how unrealistic they are. The amount of youngsters in committed relationships is rather suspicious, especially the ones that seems to happen as if by accident or fate – although, from the readers perspective, are so obvious from the very beginning.
There is nothing deep or meaningful within this narrative – not a criticism of <i>What Light</i>, rather an observation of the genre – but it is sufficient for a quick read to pass the time, particularly over the upcoming Christmas period. There is nothing to disappoint the reader in terms of conclusion – it could be described as what some would call a “fluffy read”.
Overall, <i>What Light</i> is a novel that maintains the status quo of young adult romance, providing brief entertainment for those seeking a happy love story. With beautiful (in terms of personality) characters and settings, Jay Asher is likely to win back all the fans that had given up waiting for his next book to be written.
Almost a decade after Jay Asher wowed readers with his debut novel, he returns to the literary scene with a brand new young adult romance. <i>What Light</i> focuses on the life of a good-natured girl living a complicated life. It is almost as if the teenaged Sierra is living two lives: eleven months on a Christmas tree farm in Oregon, followed by a month selling them in California. Due to the struggling business, this year may be the last time Sierra spends Christmas in California; however it is also the first year she meets the boy of her dreams.
Knowing that a romantic relationship is unlikely to survive the long distance between the two states, Sierra cannot help her developing feelings towards the handsome Caleb. Using his own money to purchase Christmas trees for families who cannot afford them, Caleb seems like the perfect guy; however rumours suggest he has a rather dubious history. Struggling to convince everyone that Caleb is a good person, Sierra suffers the consequences of strained relationships with her friends back home. The big issue is: should she continue to support Caleb even though in a couple of weeks she may never see him again?
As young adult romance novels go, <i>What Light</i> is fairly typical. Girl and boy meet; there are various issues to resolve; but things turn out all right in the end. If you are into those types of stories then this is the book for you, sadly, Asher does not bring anything new to the genre.
After reading several of these types of predictable novels, it becomes noticeable how unrealistic they are. The amount of youngsters in committed relationships is rather suspicious, especially the ones that seems to happen as if by accident or fate – although, from the readers perspective, are so obvious from the very beginning.
There is nothing deep or meaningful within this narrative – not a criticism of <i>What Light</i>, rather an observation of the genre – but it is sufficient for a quick read to pass the time, particularly over the upcoming Christmas period. There is nothing to disappoint the reader in terms of conclusion – it could be described as what some would call a “fluffy read”.
Overall, <i>What Light</i> is a novel that maintains the status quo of young adult romance, providing brief entertainment for those seeking a happy love story. With beautiful (in terms of personality) characters and settings, Jay Asher is likely to win back all the fans that had given up waiting for his next book to be written.
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Movie Metropolis (309 KP) rated The Girl on the Train (2016) in Movies
Jun 10, 2019
A Victim of its marketing
It’s always refreshing to see a film released primarily for the adult market. We all loved The Hunger Games, but imagine what the series could’ve been like had the franchise been given a 15 or even an 18 certification.
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
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