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Urban Food Planning: Seeds of Transition in the Global North

Rositsa T. Ilieva

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Book

This highly original work examines the rise of the urban food planning movement in the Global North...

METAL SLUG 2

Games and Entertainment

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App

The second chapter of the acclaimed run-and-gun action shooting series, "METAL SLUG 2" launches on...

The Newcomers: Finding Refuge, Friendship, and Hope in an American Classroom

Helen Thorpe

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Book

From the award-winning author of Soldier Girls and Just Like Us, a "fascinating" (The New York...

Darren (1599 KP) rated Toy Story 4 (2019) in Movies

Jun 22, 2019

Toy Story 4 (2019)

2019 | Animation, Comedy, Sci-Fi

8.2

(89 Ratings)

Movie Rating Watch

Thoughts on Toy Story 4

Characters – Woody is struggling with not being in control of the room anymore, he still wants to help make Bonnie happy, which sees him acting selfishly, he does try to fix his own mistakes which will see him facing a second chance, meeting an old friend and distancing himself from his current friends. Woody is the key figure in this film, this is very much his story. Forky is the newly created toy out of a spork and is learning everything as it unfolds even though he believes he is trash. Buzz Lightyear is trying to step up when Woody goes off, he does feel like a bigger idiot than we are used to, using his voice commands to help him, which seems like a huge step back on his character. Bo Peep coming back to the franchise is fun, she shows Woody a new life away from kids, where she helps toys, she is Woody’s big love in life too, kick ass fighter too. Gabby Gabby is an older toy like Woody, she has been damaged and is searching for something to hope she can be taken home one day, she is painted as the villain, though she is the weakest villain in the franchise. Duke Caboom is the best addition to the film a stuntman that has failed as a toy, he is always up for trying something new and is filled with confidence.
Story – The story here follows Woody trying to find himself a place in the world after becoming a smaller part in the life of his new owner Bonnie, he gets too involved and spends most of the story trying to make up for his mistake of letting Bonnie create a new toy, caught in the middle saving the day or breaking free. Now this is the 4th part of the franchise which did tie up nicely after the third one. The supporting characters do take a big back burner in the story which even sees Buzz getting less screen time, this is a full Woody story trying to figure out where his life is going on next. We do try to play on the heart strings, though it just doesn’t get to the levels it could have and has been there before. The new characters to bring the bright spark to the story, but we do end up going down the road, where this is becoming too unbelievable that these toys are acting like this.
Adventure/Comedy – The adventure side of this film comes from the idea that Woody will need to go on a new adventure to save Forky, only to see Buzz on his own adventure which does cross paths with Woody, only his feels like a simple side to everything. the comedy from the new characters hits very well, its just old character seem to fall short.
Settings – Having the film use an Antique story is great idea because we get to see known toys that could add comedy in places, the carnival also adds potential new characters too.
Animation – The animation is Pixar at its very best, it looks perfect like we know they are used to bring us, bringing us larger scale environment to everything going on.

Scene of the Movie – Duke Caboom.
That Moment That Annoyed Me – Buzz seems to be dumber.
Final Thoughts – This does end up feeling like a cash grab sequel, it doesn’t have the heart the previous films do and fails to use the original characters well enough.

Overall: By the book sequel.

Kudos

JT (287 KP) rated Let Me In (2010) in Movies

Mar 10, 2020

Let Me In (2010)

2010 | Drama, Horror, Sci-Fi

7.3

(11 Ratings)

Movie Rating

t’s a hard thing remaking or rebooting a classic, whatever you want to call it, you have to make sure of one thing…don’t balls it up! Thankfully director Matt Reeves doesn’t do that, in fact he takes a brilliant original and puts his own spin on it.

The story of course is very much the same, Owen (Kodi Smit-McPhee) is a shy and slightly reclusive young boy who is struggling to come to terms with his parents impending divorce. On top of that he is viciously bullied at school and has no one to turn to but the imaginations of his own doing and personality.

When he befriends Abby (Chloë Grace Moretz) who is equally as shy as him a friendship blossoms between them against the backdrop of a cold and at times sinister winter. Abby is not quite what she seems deep down, that much is clear from the outset as her father (Richard Jenkins) goes out on nightly rampages to forage for the one thing that will keep her alive, blood.

Reeves does well to take the story in some new subtle directions such as the revelation that her so called father might well have started out as a mere boy himself and is purely by Abby’s side through need rather than wanting.

It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity

There are some scenes however that stay true to Let the Right One In which of course would be lost if not included, but also the addition of new ones that are very much welcomed.

The acting is exceptional from the young leading man and woman. Smit-McPhee whose run out in the apocalyptic journey The Road only showcased his acting stature, and Moretz proves that she has a great future, if not already, having made her mark.

Reeves keeps this film focused on the young pairing with Owen’s mother being reduced to a mere blur even when she stands only a few feet away, his Dad just a voice on the end of the phone. Unlike the original Let Me In is very much a horror flick for the blood thirsty millennial generation, and the gore is well used and timed to perfection. It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity.

There is no reason to compare this film with the original, despite the story and protagonists all being the same Reeves conducts his approach with originality that makes this equally brilliant.

We should all applaud Reeves for doing something that is incredibly hard in a fast changing industry that craves money from remaking or rebooting films to satisfy a new generation of film goers. He’s made a remake that was actually good!