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What Once Was Mine
What Once Was Mine
Liz Braswell | 2021 | Young Adult (YA)
8
8.0 (1 Ratings)
Book Rating
๐‘พ๐’‰๐’‚๐’• ๐’Š๐’‡ ๐‘น๐’‚๐’‘๐’–๐’๐’›๐’†๐’โ€™๐’” ๐’Ž๐’๐’•๐’‰๐’†๐’“ ๐’…๐’“๐’‚๐’๐’Œ ๐’‚ ๐’‘๐’๐’•๐’Š๐’๐’ ๐’‡๐’“๐’๐’Ž ๐’•๐’‰๐’† ๐’˜๐’“๐’๐’๐’ˆ ๐’‡๐’๐’๐’˜๐’†๐’“?

As you will all know by now, I am in love with the Twisted Tales series and have to read each installment as they are released. What Once was Mine is the 12th Twisted Tale book and the 7th written by Liz Braswell so to say I was excited would be an understatement.

As always, TT books come with a tag line to lure you in and this one is โ€œWhat if Rapunzelโ€™s mother drank a potion from the wrong flower?โ€ Yes, instead of the golden Sundrop flower, the ailing pregnant queen is mistakenly given a potion using the Moondrop flower, resulting in a silver-haired princess whose power kills rather than heals!

Of course, that casts the whole locking the princess in a tower concept into an entirely new light! However, many of the other elements remain the same as Disneyโ€™s โ€˜Tangledโ€™ movie: Gothel is Rapunzelโ€™s captor and โ€œmotherโ€, Flynn steals a crown and is on the run from the Stabbington brothers and Rapunzel is desperate to see the floating lights.

What Liz Braswell manages to do (very well, in my opinion) is to maintain all these similarities, keeping her readers rooted to the original story but also to bend the original fairytale into something a bit more mature, a bit darker and, in some cases, a bit more real.


โ€œ๐™๐™๐™š ๐™ฉ๐™ง๐™ช๐™ฉ๐™ ๐™–๐™—๐™ค๐™ช๐™ฉ ๐™ฎ๐™ค๐™ช ๐™ž๐™จ ๐™–๐™ก๐™ก ๐™ฉ๐™–๐™ฃ๐™œ๐™ก๐™š๐™™, ๐™ก๐™ž๐™ ๐™š ๐™ฎ๐™ค๐™ช๐™ง ๐™—๐™ง๐™–๐™ž๐™™๐™จ, ๐™๐™–๐™ฅ๐™ช๐™ฃ๐™ฏ๐™š๐™กโ€

What Once was Mine is written from Rapunzelโ€™s perspective. Now, this may be an obvious choice, but it also gives Braswell the opportunity to show her protagonist in a slightly more mature light than we are used to. Yes, Rapunzel is scatty, enthusiastic and teeth-grittingly cheerful about everything but she also believes she is dangerous and that she belongs in the tower for the safety of others.

Rapunzel has always been told that her hair killed her parents and that Gothel has been charged with her care and protection. However, what I really enjoyed about Braswellโ€™s Rapunzel is that, although she begins with the same blind faith in Gothel as she has in the movie, she soon develops an inner turmoil of emotions with regards to her captor, questioning where she spends her days and recognising the little digs often made at the daughterโ€™s expense.

As her journey continues, Rapunzel observes other mother-daughter relationships and her doubt and distrust of Gothel begins to build as a result. Lords, ladies and bandits alike are hunting for Rapunzel in order to claim her as their prize but this couldnโ€™t be orchestrated by her mother, the only family she has ever known, could it?

โ€œ๐˜ฝ๐™š๐™œ๐™ž๐™ฃ ๐™ฎ๐™ค๐™ช๐™ง ๐™ฃ๐™ž๐™ฃ๐™š๐™ฉ๐™š๐™š๐™ฃ๐™ฉ๐™ ๐™ฎ๐™š๐™–๐™ง ๐™—๐™ฎ ๐™›๐™ค๐™ง๐™œ๐™ž๐™ซ๐™ž๐™ฃ๐™œ ๐™ฎ๐™ค๐™ช๐™ง๐™จ๐™š๐™ก๐™›, ๐™๐™–๐™ฅ๐™ช๐™ฃ๐™ฏ๐™š๐™ก. ๐™๐™๐™–๐™ฉโ€™๐™จ ๐™– ๐™›๐™–๐™ง ๐™—๐™š๐™ฉ๐™ฉ๐™š๐™ง ๐™œ๐™ž๐™›๐™ฉ ๐™ฉ๐™๐™–๐™ฃ ๐™›๐™ก๐™ค๐™–๐™ฉ๐™ž๐™ฃ๐™œ ๐™ก๐™–๐™ฃ๐™ฉ๐™š๐™ง๐™ฃ๐™จ.โ€

I have conflicting feelings when it comes to the darker elements of What Once Was Mine. The inclusion of the very real Countess Bathory took me by surprise and was quite gruesome in places: not a problem for a grown-up Disney nerd but Iโ€™m not sure whether I will be passing this one along to the Mini Bookworm any time soon.

There is also the narrator of the story: a brother making up an alternative Rapunzel story for his sister while she is undergoing chemo. I understand this is an emotive topic for the author and I almost got it as a tool for the story-telling, enabling the use of quite modern, colloquial terms such as โ€œmurderhairโ€ and enabling the creative inclusion of characters such as Maximus.

I really wanted this technique to be profound and make the story mean more, such as fairytales having an important place in the modern world for example. Unfortunately, it fell a little flat for me: it was an interesting tweak but it didnโ€™t make me feel as much as I wanted it to.

It is not all doom and gloom though, Rapunzelโ€™s perspective of the world provides comic moments: her (limited) knowledge of the world comes from the 37 books that she owns, leading to a moose that is definitely a squirrel and a cat which acts suspiciously like a fox. We are also not deprived of the regulars of The Snuggly Duckling, indeed all of your favourites from the film turn up for this novel.

Braswellโ€™s characterisation when it came to Flynn was spot on in my opinion. The observation by Rapunzel that there is the โ€œrealโ€ Flynn and then there is the charming, roguish mask he uses was perfect! Gina was also a great addition, desperately trying to be an adventurer/criminal and not being taken seriously just because she is a girl. The relationship between her and Flynn was adorable and, of course, Ginaโ€™s mother is just legendary.

โ€œ๐™Ž๐™๐™š ๐™ฌ๐™–๐™จ๐™ฃโ€™๐™ฉ ๐™˜๐™๐™–๐™จ๐™ž๐™ฃ๐™œ ๐™™๐™ž๐™จ๐™ฉ๐™–๐™ฃ๐™ฉ ๐™ก๐™ž๐™œ๐™๐™ฉ๐™จ; ๐™จ๐™๐™š ๐™ฌ๐™–๐™จ ๐™ฅ๐™ช๐™ง๐™จ๐™ช๐™ž๐™ฃ๐™œ ๐™–๐™ฃ ๐™ช๐™ฃ๐™ง๐™š๐™–๐™ก๐™ž๐™ฏ๐™š๐™™ ๐™™๐™ง๐™š๐™–๐™ข ๐™ค๐™› ๐™ฃ๐™ค๐™ง๐™ข๐™–๐™ก๐™˜๐™ฎโ€

The writing style isnโ€™t for everyone and, I must admit, this is the twisted tale which I have probably put down and walked away from the most. However, if you can stick it through the slow sections the story is really worth it and provides a much-admired evolution of the Disney Princess.

Donโ€™t get me wrong - in the animated movie Rapunzel is great and all but by the end she is a princess with a haircut and a smouldering husband. Braswellโ€™s Rapunzel has magic that she needs to study, understand and control, she is a future Queen in the making and simply has more of a purpose than her animated counterpart.

โ€œ๐™Ž๐™๐™š ๐™๐™–๐™™ ๐™ฅ๐™ค๐™ฌ๐™š๐™ง ๐™–๐™ฃ๐™™ ๐™ฌ๐™ž๐™ก๐™ก ๐™–๐™ฃ๐™™ ๐™– ๐™จ๐™ฉ๐™ช๐™—๐™—๐™ค๐™ง๐™ฃ ๐™™๐™ž๐™จ๐™ฅ๐™ค๐™จ๐™ž๐™ฉ๐™ž๐™ค๐™ฃโ€


What Once Was Mine brings a whole new depth to the characters of Disneyโ€™s Tangled. It gives us a new (frankly, disgusting) villain alongside all our favourite characters and definitely presents a creative twist on the traditional story. Donโ€™t worry, Rapunzel still gets her Happily Ever After, but she fought a little harder for it this time around!
  
The Girl in the Spider's Web (2018)
The Girl in the Spider's Web (2018)
2018 | Crime, Drama, Thriller
There has definitely been a shift in the characters that women are portraying in the movies. No longer happy to be relegated to the damsel in distress who is looking for their Prince Charming to rescue them, they become bad-ass avengers who arenโ€™t afraid to kick-butt and take names. There is no better example of this than Lisbeth Salander, everyoneโ€™s favorite goth super-hacker and vigilante. In The Girl in the Spiderโ€™s Web, based on the best-selling novel of the same name, we see Lisbeth at her finest and it is an action packed, butt kicking good time.

 

Lisbeth (Claire Foy) leads a life as a vigilante who targets men that abuse woman ensuring they pay for their evil deeds. Sheโ€™s not afraid to play hardball and threaten their very existence to ensure that justice is served. In the middle of punishing all the right people, Lisbeth receives a hacking opportunity that she canโ€™t refuse, involving an application where simply logging in allows you to take over the worldโ€™s nuclear weapons. This super application was originally created and sold to the NSA in Washington and Lisbeth is tasked with stealing it back and returning it to the original creator so that it can be properly destroyed. Lisbeth successfully steals the application but that then makes her the target of not only the NSA whom she had stolen it from originally, but also another secretive group who has their own nefarious plans.

 

The film quickly goes from Lisbeth and her โ€œsimpleโ€ vigilante ways to becoming a global thriller that spans multiple countries and agencies. Not only does the plot change quickly but Lisbethโ€™s character also morphโ€™s from being a Black Canary type vigilante to becoming a female version of Mission Impossibleโ€™s Ethan Hunt. Even though playing a female Ethan Hunt is different from Lisbethโ€™s usual trope her skills fit nicely into her new role. Her ability to hack into any computer system comes in handy quite a few times and lets us have a tie to the Lisbeth we know and love, but we also get to see her flex her wits and general bad-assery a bit deeper during her โ€œimpossible missionโ€. The film was definitely not what I expected but I was still pleasantly surprised.

 

The Swedish setting where the movie takes place was gorgeous and varies from desolate abandoned buildings to chases in the middle of sprawling cities. It utilizes the snow-covered landscape and decrepit buildings to create a sense of isolation, even when the streets themselves are packed with cars. Along with the isolation from the setting we also see the use of both old and new technology, which gives a low-tech feel to what is an otherwise a high stakes mission. Both the setting and the technology allows us to see that Lisbeth is a force to be reckoned with no matter what type of adversity she faces.

 

Which brings me to the one of the best parts of the movie and that is Claire Foyโ€™s absolutely amazing portrayal of Lisbeth. We already knew she did a great job playing a royal in The Crown and as the wife of astronaut Neil Armstrong in First Man but relinquishing her usual elegant and classy portrayals to spectacularly play one of the biggest, baddest female characters around shows the true depth of her talent. She is definitely the star of the show and now I am an even bigger fan of hers than I already was. I was also impressed with the other main characters, including investigative journalist Mikael Blomkvist (Sverrir Gudnason), who plays less of role than in the original The Girl with the Dragon Tattoo but does a great job nonetheless, and the young boy, August Balder (Christopher Convery) that holds the key to the entire mission excellently played by Christopher Convery. The trio make an unusual team, but how the characters (and actors) play on each otherโ€™s strengths and weaknesses to complement each other brings heart to a movie that could have easily been 100% an action adventure.

 

The one aspect I feel could (and should) have been fleshed out more, was Lisbethโ€™s character as a battered womanโ€™s vigilante. The movie started off with a very strong vigilante scene, but the vigilante theme is quickly forgotten until the very end of the film where we find out it was the sole catalyst of the main adversary. This oversight sadly turned what could have been a womanโ€™s justice vigilante movie into a more run-of-the-mill super spy movie. Thatโ€™s not necessarily bad, it is still action packed and full of twists and turns, but itโ€™s definitely a missed opportunity to show more of who Lisbeth is.

 

The Girl in the Spiderโ€™s Web is filled with action, gadgets, and car chases though beautiful scenery and it is an excellent movie to see if you are looking for something different than green grinches and Nazi zombies. Itโ€™s not the movie I went in expecting to see, but Iโ€™m not complaining as it is still a solid film. Even though it diverts away from the more artistic The Girl with the Dragon Tattoo it is a very good action-packed thriller that would stack up nicely next to the Mission Impossible movies it is reminiscent of. Itโ€™s definitely a movie I recommend to action movie fans everywhere.
  
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Lee (2222 KP) rated Pet Sematary (2019) in Movies

Apr 2, 2019 (Updated Apr 5, 2019)  
Pet Sematary (2019)
Pet Sematary (2019)
2019 | Horror
Not only have I not read the Stephen King book that Pet Sematary is based on, I haven't even seen the original 1989 movie either. As much as I feel ashamed for completely missing out on both of those, it also meant that I was able to head into this movie with nothing to compare it to and no idea of what to expect, other than a bit of creepy-burial-ground-raising-the-dead type stuff that the first trailer covered. One quick note on the trailers before I begin though - the most recent one, which luckily I only saw after I had seen the movie, pretty much gives away the entire plot. Granted, if you're a fan of Stephen Kings work, or even the original movie, then you're going to know what to expect anyway. But, if you're like me - someone who enjoys a good horror movie, but doesn't read books and has gaping holes in his movie viewing history, then try and give the trailers a miss on this occasion before heading into the cinema.

Louis Creed (Jason Clarke) is a Boston doctor who moves his family to the (hopefully) less chaotic setting of rural Maine - wife Rachel (Amy Seimetz), 8 year old daughter Ellie (Jetรฉ Laurence), toddler Gage and friendly family cat Church. However, the family soon discover that their house is located right alongside a road which is prone to noisy trucks suddenly speeding past - our first jump scare and something already given away by the trailers! Those trucks also have a tendency to end the lives of any local pets who might happen to wander out in front of them, so it's pretty handy that there happens to be a Native American graveyard out in the woods at the back of the Creed's new house.

The local children make good use of the area, carrying out a funeral procession while wearing masks before burying deceased pets there, and they have also erected a sign - "Pet Sematary", which is nailed to one of the trees outside of it. Unfortunately, it's not too long before Church falls victim to a passing truck, at which point friendly neighbour Jud (John Lithgow) tells Louis of a special burial ritual which can be carried out on an area of ground located even further into the forest. It's a ritual that can bring the dead back to life so, in order to avoid upsetting daughter Ellie, Louis keeps the death a secret until he and Jud can head out late that night to perform the ritual with Church. Sure enough, Church is back with the family the next morning - alive, but looking very disheveled and in a seriously grumpy mood. He's not quite the cute little bundle of joy he once was - as Jud puts it, "Sometimes dead is better".

After banging on earlier about spoilers for movies, I feel it would be wrong of me to go and do the same thing here. If you're familiar with the story, then you'll know what happens anyway, although there is a moderate change of detail in this particular version which has already had a few die hard Stephen King fans up in arms. I'll just say that the special properties of the burial ground get used on a few more occasions during the course of the movie, with increasingly devastating consequences, and I personally felt that the change to the source material totally worked within the confines of this version of the story.

Ok, so what did I think of the movie overall? Well, I found Pet Sematary to be pretty intense, even more so than 'Us' recently. There were a couple of guys to the side of me in the cinema who were sitting forward on the edge of their seat for the majority of the movie just hyperventilating - I thought they were going to have a heart attack at one point! Yes, there are some jump scares, but this was more the kind of nightmare horror that I loved while watching 'Us' and it had me gripped to my seat for a good 80% or so of its run-time. Everyone involved in the movie is on top form - the children are outstanding, as is Jason Clarke, John Lithgow, even the cat! The dread-filled atmosphere, the tragedy and the horror of it all, it really resonated with me and I came away from this exhausted but happy!
  
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Sarah (7798 KP) Apr 2, 2019

Did the trailer ruin the film at all? I've just seen the trailer for the first time before a showing of Us, and it looked like it spoilt the whole thing!

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Lee (2222 KP) Apr 3, 2019

@Sarah yes, it does! Luckily I only watched the latest trailer after seeing the movie, I don't think the first trailer, which was the only one I'd seen, had any spoilers in it. Unbelievable really, maybe they think everybody already knows the exact plot so they can just happily reference all the plot points in the trailer

Friday the 13th (2009)
Friday the 13th (2009)
2009 | Horror
7
6.6 (22 Ratings)
Movie Rating
In the 1980โ€™s the so- called slasher film genre was in full swing. When Michael Myers and the โ€œHalloweenโ€ franchise became the highest grossing independent film in cinema history, the studios scrambled to get in on the booming genre and unleashed a flood of psycho killers on the viewing public, for the better part of a decade and a half.

Along with the aforementioned Michael Myers, and the later Freddy Krueger from the โ€œNightmare on Elm Streetโ€ series, Jason Voorhees of the โ€œFriday The 13Thโ€ series has become a cultural landmark. He has appeared in over ten movies (eleven if you count โ€œFreddy Vs. Jasonโ€) and unleashed havoc on countless oversexed and loaded teens, as well as those unfortunate enough to cross his path.
While the series, to many fans, become stale and largely self mocking with the Jason-in-space themed โ€œJason Xโ€, the character rebounded nicely with โ€œFreddy Vs. Jasonโ€ and had many fans clamoring for a second match up between the two iconic bad guys.

Eventually the powers-that-be decided to go the remake route, which had proven successful with โ€œHalloweenโ€ and โ€œMy Bloody Valentineโ€, and have crafted a new โ€œFriday the 13thโ€ which they hope will re-energize the series.

The film opens with a modern re-telling of what was part of the finale of the original film, and hits the ground running with an impressive opening sequence that has Jason menacing a group of teens camping in the woods. The intense first twenty minutes of the film had the audience at the test screening gasping and cheering as the events set the stage for the body of the film, which revolves around another group of young adults taking a trip into the woods for a scenic getaway.

As the group stops for supplies, they encounter a young man who is looking for his sister who vanished in the area six weeks earlier. Despite little luck in his search, and the insistence by the local police that his sister is not anywhere in the area, he remains undaunted and continues his search.
At the same time, the group of young adults embarks on a frenzy of sex, drinking, drugs, and carefree living in the woods unaware that they are about to gain the attention of Camp Crystal Lakeโ€™s most infamous former camper.

As the film unfolds, Jason soon unleashes his customary brutality on the group as well as any townies that come across him, and the film deftly mixes some humor with classic horror mayhem. In the time honored formula, a group of survivors soon finds themselves under siege by Jason and must find a way to survive Jasonโ€™s wrath.

While the film lacks much in the way of plot and is loaded with a cast of largely unknowns, the film is a refreshing update to the series, knowing what the fans have come to expect and providing plenty of gore and scares. Since the cast exists to be little more than fodder for Jason, there is little effort devoted to fleshing them out as characters other than to provide excuses for most of the ladies in the film to shed their clothes, and a few of the male cast to establish themselves as comic relief, or the jerk who is destined for something special.

Director Marcus Nispel who has a solid pedigree with the recent โ€œThe Texas Chainsaw Massacreโ€, viral videos of Resident Evil 5, as well as the pending โ€œAlice.โ€ He clearly knows his subject matter and working with Producer Michael Bay and a script from Damian Shannon and Mark Swift (the duo behind โ€œFreddy vs. Jasonโ€), produced a solid by the numbers horror film.

Fans of the series will note clever references to the past films such as Jasonโ€™s original mask and will find themselves yelling at the screen over the constant stupidity of the victims as well as the inventive way Jason dispatches his victims. I found myself enjoying the updated Jason because while the movie is faithful to the character, it revitalized him to show a more cunning predator who is not above using traps, bait, and plotting to achieve his means. There was a plot thread in the film that did not really get developed as much as I had hoped, but in the end, the film delivered the goods and sets the stage well for future outings of the machete-wielding Jason.
  
Star Wars: Episode IX - The Rise of Skywalker (2019)
Star Wars: Episode IX - The Rise of Skywalker (2019)
2019 | Action, Adventure, Fantasy
John Williams Score. (0 more)
Asks more questions than it answers. (3 more)
Fails to recover from the damages of The Last Jedi.
No sense to the narrative.
Some acting is appalling.
Goodbye, Star Wars.
Almost six months from its release, I finally sat down and treated myself to Episode IX: The Rise of Skywalker. Ever since Disney took over the Star Wars brand, I've been sceptical of their intentions with the property, and so far I've been massively disappointed. I enjoyed the Mandalorian, and still believe Rogue One: A Star Wars Story is easily as good as the original trilogy. Controversial, I know. But the newest trilogy has dropped my interest in Star Wars altogether, as they've so far been bogged down by awful writing, humongous plot holes, and the butchering of beloved characters to make way for wooden new ones. The Force Awakens was a step in the right direction, but the nostalgia factor was what drew me in. Eight years on, it hasn't aged well at all. The Last Jedi became my Stopping point in the Galaxy far, far away. Yes it has flair and popped visually, but the story was an insult to all the fans who had cherished Star Wars back in the days of the Original trilogy. After countless rewrites, multiple directors, and suspicions of actors within feeling disheartened with the over arc of their characters (looking at you, John Boyega), The Rise of Skywalker is finally here to cap of Disney's first trilogy.

What a disaster.

The Rise of Skywalker is an incoherent, messy and boring experience to chug through. Time and time again throughout the two and a half hours, I face palmed in absolute cringe and embarrassment at what Disney have done to this once celebrated franchise. The film feels rushed, on edge to get to the next destination for the newest plot point, without explaining or finishing the previous one, pointing even more towards those rewritten scripts. The film feels like multiple entries, crammed into one sprawling narrative that can't be resolved in the time given, this is especially the case with characters like Poe and Finn, who's arcs have been destroyed to make way for Rey, and that is the biggest issue. Rey has been written as the central moving force of this trilogy, but she never undergoes any development. Sure, she learns a few things about herself in this film, and challenges the idea of who she is for a brief moment, but sheโ€™s been made the perfect Jedi without trying. Its poor and lazy writing, and fans have began to feel an agenda is presenting itself. Whilst the women feel strong, wise, intelligent, the men are all morons, blundering their way through the story and often bickering with each other. Its an observation as a critic and fan, and its made me loath almost every character introduced since The Force Awakens. It became clear how little I cared about anything that was happening when a moment of embrace for the three main heroes once the final act ended. It should feel emotional, impactful, but it feels hollow, even forced. Much like most of the decision making of the film itself.

This brings me neatly onto the content of the film, if you can make any sense of it. If this is supposed to end the Skywalker saga once and for all, why add ridiculous plot threads and more pointless characters,that add no weight or purpose to the narrative? The ending is cut so quickly after the anti-climatic ending, that we donโ€™t even have an idea of any characters finishing point. This is just one example of how badly things have spiralled into a mish mash of ideas from different writers and directors. If The Last Jedi was the franchise jumping into a well, this film is trying it's best to climb out. The two previous entries at least connected, but this feels a stand alone chapter, with no context or reason for what happens, and what does happen makes you scratch your head all the more.

I feel sorry for the hardcore fanbase, it genuinely feels like a slap in the face to history George Lucas has created. Once you lose the interest of your core audience, I feel its time to cut your losses. And yet again, another franchise has seen its demise. It feels like a symptomatic failure that the entertainment industry still donโ€™t understand. You can buy any brand you want, but you canโ€™t buy the fans love. Whatever direction Star Wars goes into next, I will not be tuning in.
  
Sonic the Hedgehog 2 (2022)
Sonic the Hedgehog 2 (2022)
2022 | Action, Adventure, Comedy
Knuckles (3 more)
How detailed the special effects are
Most of the action sequences
Jim Carrey
Anything involving any human character that isn't Robotnik is just awful (0 more)
Sonic the Hedgehog 2 is a bit of a weird sequel. It improves upon the original film in just about every way, but it also features some of the most unbearable material in any film released so far this year.

Dr. Robotnik (Jim Carrey), who is now bald and sports a mustache that is almost 100% video game accurate, hatches a plan to escape The Mushroom Planet and return to Earth to get his revenge on Sonic. As his plan unfolds almost exactly as he planned, Robotnik encounters a red echidna named Knuckles (voiced by Idris Elba). With a deep rooted history, Knuckles also has Sonic in his vengeful sights but also believes Sonic knows where the Master Emerald is; the seven Chaos Emeralds unite to form the Master Emerald (they existed separately in the games).

Meanwhile, Sonic has been trying to use his super speed as a hero on Earth. As Robotnik and Knuckles arrive and gang up on him, Sonic is saved by a fox with two tails named Miles Prower; better known as Tails (voiced by Colleen Oโ€™Shaughnessey). Sonic and Tails team up to try to find the Master Emerald before Robotnik and Knuckles as they travel around the world searching for something that Sonic always believed was just a myth.

It seems like the general consensus about the original Sonic the Hedgehog film was that there wasnโ€™t enough Sonic. In the sequel, the Sonic sequences outweigh anything revolving around any human character that isnโ€™t Robotnik. However, this doesnโ€™t change the fact that just about anything that isnโ€™t entirely focused on Sonic, Tails, or Knuckles is just outright trash. Tom (James Marsden) and Maddie (Tika Sumpter) travel to Hawaii for Maddieโ€™s sister Rachelโ€™s (Natasha Rothwell) wedding. Tom spends most of his time trying to impress Rachelโ€™s fiancรฉ Randall (Shemar Moore) and his groomsmen; who are all generic machismo obsessed characters.

The two sisters, Maddie and Rachel, end up out classing an entire army of federal agents in the second half of the film with the only reason being that the bride was scorned on her wedding day. The human characters in these two Sonic films seem to be trying too hard. It may just be the way theyโ€™re written because Wade (Adam Pally) is seriously dumber than anything just because.

Thatโ€™s not to say the humans donโ€™t serve their purpose. Sonic the Hedgehog 2 is mostly about family; discovering that youโ€™ve been a part of one all along and figuring out that you can choose who is a part of your tight knit group whenever youโ€™re away from home. Most of the characters are trying to find their confidence; Sonic finding his footing as a hero and Tails learning to be a confident adventurer. Even though some may view you as a, โ€œweird freak,โ€ those unusual quirks that are unlike anyone else are what make you unique. It basically feels like Sonic is a teenager here. Heโ€™s technically still a kid, but heโ€™s at that age where he feels like heโ€™s an adult and wants to be treated as one.

The dance fight sequence is probably raising a few eyebrows here. The sequence begins as a train wreck since it seems to highlight the only reason they put people in movies where a CGI creature is the star; to act like a donkey thatโ€™s dressed as and acts like a clown to try to get laughs. Naturally the dance fight begins as a pile of puke with very few redeeming qualities until it suddenly isnโ€™t. Seeing Sonic and Tails together even if theyโ€™re just dancing to Bruno Mars just unlocks these pivotal moments of your childhood.

While this doesnโ€™t work for most, it is an element Jim Carrey has always thrived in. Carrey recently said in interviews that he is looking to retire from acting. If this is his last film or one of his last, then Robotnik is the perfect send off for the Canadian born actor. Carrey is completely hamming it up as Robotnik. His performance is over exaggerated, outrageous, and over the top and you can tell that Jim Carrey is having a blast the entire time.

Audiences are going to love Knuckles. He takes dialogue at face value and is far too serious, but his ignorance regarding how things work on Earth is what makes the character so entertaining. The entire snowboarding sequence down the mountain where Sonic is dodging lasers is pure cinematic bliss and the Sonic and Knuckles fight in the temple is straight out of the second and third Sonic the Hedgehog video games. The final twenty minutes of the film including the after credits sequence are stunning and goosebump-inducing. Robotnik is menacing, Sonic and his friends unite in a formidable way, and itโ€™s a visual feast with solid writing. Apart from a few sequences that were likely done during crunch time, the CGI in Sonic the Hedgehog 2 is top notch. Sonicโ€™s wet quills after he falls in the lake at the beginning of the film as well as the sand granules after him and Knuckles wash up on the beach near the end of the film are prime examples of how detailed the special effects can be.

Sonic the Hedgehog 2 embraces the nostalgia of Sega Genesis and the essence of the 90s with a film that is fun for absolutely everyone of all ages. Audiences will adore the new characters, the action is a memorable throwback to what we loved about the games the films are based on, and the special effects are top notch. Even with its flaws, Sonic the Hedgehog 2 may be the best video game adaptation ever.
  
Cartographers: A Roll Player Tale
Cartographers: A Roll Player Tale
2019 | Fantasy, Territory Building
I have often wondered how cartography actually works. How was it that people with primitive tools were able to grasp the lay of the land and sea? And are we complete in our mapping of Earth or are there more secrets we have yet to discover? Thankfully, in Cartographers we arenโ€™t really answering those questions, but other practical questions may arise.


Cartographers is a flip-and-write style game where players are competing to gain the queenโ€™s favor and become the royal cartographer. While the main game focuses on finishing with a greater score than your opponent(s) the solo game is more relaxed. The solo player will be competing against their previous scores and comparing against the queenโ€™s title matrix. Each game will be played over four seasons (rounds) and once the year is over the winner or title is claimed. Can you score 30 or more points to become a โ€œLegendary Cartographer?โ€
To setup, lay out the Queenโ€™s Edict cards that show A, B, C, and D. Shuffle each small deck of like-backed Scoring Cards and randomly place one from each deck underneath the Edict cards. Remove all the enemy Ambush Cards and shuffle one into the main deck of Explore Cards. Set the Season Cards in order: Spring, Summer, Fall, and Winter. Each player will receive one Map Sheet and a pencil. The game may now begin!

Each Season Card will feature a time threshold number that when met or exceeded will end the season. This corresponds to the time markings on each Explore Card drawn from the deck. For example, Spring allows 8 measures of time before it will switch to Summer. Explore Cards will usually show from 0-2 time measures on it, so seasons could change after four or more cards. At the start of each season, the player will flip an Explore Card to reveal which type of map element is requested and of which shape. The map elements are Forest, Farm, Water, Village, Mountain, and Monster. The shapes shown on the cards are reminiscent of Tetris-style shapes and also some others as well.

Once a card has been revealed, the player now will draw on their sheet the shape (or one of the shapes if more than one are shown) and fill it in with the matching symbol for map element type. If during this phase of the round the player surrounds the four sides of a pre-printed Mountain square they will score one coin and mark it at the bottom of their Map Sheet.

Should a Ruins card be revealed the player will flip another card to reveal the next card in line. Whatever shape and element is shown on the card AFTER the Ruins card will be used, with a twist. The shape shown on this card will now be required to encompass one of the pre-printed Ruins squares on the Map Sheet. If there are no legal spaces to place these shapes (or any shape on future cards) the player will be allowed to place a single 1ร—1 square on their Map Sheet anywhere they wish.

Should an enemy Ambush card be revealed the player will check which corner of the map the ambush takes place and will draw the provided monster shape in the closest area to the corner as possible. These are awarded negative points at the end of the seasons and can make large impacts on final scores.

After the elements have been drawn on the Map Sheet the player will check if the season ends. The season will end if the total number of revealed cardsโ€™ time measures equal or exceed the time printed on the Season Card (again, for example, Spring lasts 8 time). If not, then the player resumes another card reveal. If the time threshold has been met or exceeded then the player will score for the season by referencing the Scoring Cards that were placed under the Edicts at setup. For Spring the player scores Edict Cards A and B. Mark the score in the space provided at the bottom of the Scoring Sheet and flip the Season Card to the next season to begin a new round.


Play continues in this fashion until all four seasons have been played. At the end of the fourth season the game ends and the player will tally up their score to compare against the queenโ€™s title matrix at the back of the rulebook. Not to brag, but my first game scored over 30 points, so I began this journey as a Legendary Cartographer.
Components. This game is 100 double-sided Map Sheets, four golf pencils, and a bunch of cards. The sheets and pencils are just fine, and the cards are good quality. What I really enjoy about the components is that this is โ€œA Roll Player Tale,โ€ meaning that many of the components and art hearken back to the original Roll Player game. As I love Roll Playerโ€™s art style, I also love that of Cartographers. There isnโ€™t a ton of art in the game, more of graphic design, the art that IS provided is stellar Roll Player fare. I have no complaints about the components here except my wife thinks the pencil erasers could be better.

I skipped backing this one on Kickstarter and have only recently come to acquire it. I am definitely kicking myself in the rear for that decision because this is an excellent game. Obviously, anything that is enjoyable solo AND multiplayer is a huge boon (my wife scored it a 5!), and being able to play it multiple times in a row is a benefit as well.

We both love the decision-making in Cartographers, and when we first played together I had to shield my map sheet from my wife because she was copying! SHE was copying ME! She ended up handing me my booty in that game (of course) but we both had a great time plotting out our map elements. Determining where and which direction a shape should be placed can certainly be frustrating, but seeing your well-laid plans come to life is very rewarding. I am definitely seeing myself needing to download and print off more map sheets in the future because I have a feeling I am going to be playing the mess out of this one.

If you are looking for something special for your collection, check out Cartographers. If you already enjoy Roll Player, this will feel homey to you while offering a completely different style of game. My wife and I love it, and I am not sure I know anyone who would turn their nose up at it. Once we get into the Post-COVID era I plan to play this all the time at game nights.
  
Muppets Most Wanted (2014)
Muppets Most Wanted (2014)
2014 | Comedy, Family
7
8.0 (7 Ratings)
Movie Rating
It was nostalgia and curiousity that made the Muppets successful return to the big screen in 2011 such a hit. Parents wanted to introduce their kids to the dysfunctional entertainers of their childhood, and the adults who grew up on the Muppets wanted to see if the crazy bunch could still make them laugh. With the help of celebrity cameos and catchy parodies of popular songs, I remember thoroughly enjoying the Muppetsโ€™ comeback.

Three years in real time means just a few seconds in Muppet-land. Muppets Most Wanted begins where the last movie ended. Riding high on their successful return to stage, the Muppets are approached by a promoter named Dominic Badguy. played by Ricky Gervais, who convinces the Muppets to take their show on a worldwide tour. Despite his misgivings, Kermit agrees and soon the gang is traveling across the Atlantic.
Of course, no surprise Badguy has ulterior motives, which involve switching Kermit with an imprisoned doppelganger named Constantine, the wordโ€™s most dangerous frog. He and Kermit are identical, except for a mole Constantine must hide to trick Kermitโ€™s friends into believing heโ€™s Kermit, because his awkward American accent isnโ€™t a dead giveaway at all. With awful accents themselves, Ty Burrell and Tina Fey play a French detective and a Russian prison warden who provide some of the human comic relief.
Riddled with funny moments and entertaining musical numbers, this sequel meets the expectations of most sequels. Even the Muppets know sequels are rarely as good as the original โ€“ they even sing about it. The movie has the silly capers and signature acts the Muppets know how to deliver, which will keep the kids entertained. The curiousity factor may not motivate, and nostalgic feelings may have waned a bit, but like its predecessor, the revolving door of celebrity cameos is what will keep the adults interested.
3 out of 5
Review by Barnetty Kushner
Muppets Most Wanted is the eighth big screen Muppets adventure, which carries the warmth and charm that we come to find with the Jim Henson created lovable characters. What sets this film apart from the 2011 reboot โ€œMuppet Movie,โ€ is that the characters are the forefront of the entire story and their human counterparts serve as secondary.

This time they are no longer worried about reuniting or trying to reintroduce themselves, the Muppets are on a world tour with their new Tour Manager, Dominic Badguy (Ricky Gervais). Dominic arranges a European tour for the Muppets with the ulterior motive of trying to replace Kermit with a look-a-like frog named Constantine, a wanted criminal who escapes prison and uses the Muppet tour as a cover to stage a multi-national heist ultimately ending with stealing the crown jewels. While Constantine attempts to play the role of โ€˜head muppet โ€˜, poor Kermit gets whisked away to the gulag, a maximum security prison located in Siberia, Russia where he has to contend with the warden, Nadya (Tina Fey). Due to Kermitโ€™s good hearted nature and excellent stage show management skills, the prisoners and Nadya quickly realize that Kermit is not Constantine and forces him to direct the prisonโ€™s annual โ€œGulag Review.โ€

Even though the storyline is a bit drab, the production numbers are epic-from the โ€œeverybody knows a sequel is never quite as goodโ€ opener, the Miss Piggy/Celion Dion duet number, to the Siberian prisoners 1980โ€™s Chorus Line show stopping dance sequence. In true Muppets tradition, this movie is peppered with dozens of amusing celebrity cameos along with a spirited stew of wordplay, slapstick comedic jokes. You canโ€™t help but feel a sense of nostalgia back the days from your childhood of waking up Saturday mornings and watching โ€œThe Muppet Show.โ€ Kids will enjoy the movie, adults will laugh out loud at all the bad puns, and hopefully in the end they will have succeeded in connecting the new generation to the charm of the Muppets, in a world more that is more familiar with CGI and 3-D animation.
  
Terminator: Dark Fate (2019)
Terminator: Dark Fate (2019)
2019 | Action, Adventure, Sci-Fi
Thoughts on Terminator: Dark Fate

Characters โ€“ Dani is the sweet Mexican girl that keeps her family organized with everyday events, making sure her father gets to appointments and her brother joins her for work, her family means everything to her. When Grace turns up, she finds her perfect life ruined, when she needs to go on the run with her from a Terminator, not knowing why a normal young woman has been targeted, she will learn her importance to the future and learn skills alone the way. The only negative side for Dani, is that we donโ€™t learn enough about her before the events happen, it is hard to figure out just how old she is too. Sarah Connor hasnโ€™t stopped hunting Terminators, she is prepared for them all and saves the day, she knows how to stay off the radar, well for the most part one giant plot hole with her talk here, but is a bitter hard as nails woman. The Terminator has many surprises this time, he helps, gets plenty of laughs and as always will fight the superior model. The bad Terminator can fuse with anything it touches, being able to break into more than one threat and isnโ€™t going to stop for anything, he is relentless and on a similar mission focused level as the first two villainous Terminators. Grace is the enhanced soldier sent back to protect Dani, she does need to be kept alive with medicine, proving to be a different level of protection then we have seen before, she has all the human traits, she has lived, fought and battled through the future and knows why she is here and how important this mission is.
Performances โ€“ First we will go through the returning cast, Linda Hamilton is wonderful to watch, not only is she perfect here, she lets the new cast members shine, which was one of the weakness of a film that did the same trick, Halloween. Arnold Schwarzenegger gives his best action performance since his return to acting, not only does he still have the fighting down, he has got perfect dead pan comedy down too. Mackenzie Davis might well have just made her an action star for years to come here, giving a performance that could be a star making one. Natalia Reyes does everything right for her character, it isnโ€™t her performance that lets her down, it is certain developments in her character that hold her back. Gabriel Luna as the new Terminator is great too, it is nice they picked a lesser known actor, because a big name would have shifted focus on them instead of a faceless killer.
Story โ€“ The story here follows a young Mexican woman that has been targeted by a Terminator, for a reason she doesnโ€™t know, she has a super soldier and Sarah Connor to protect her, as she learns about a future, where like Sarah Connor, she will have a big part to play in the war against the machines. This is a sequel that feels like it has re-imagined the original, mixed with the second one, this is all good because having a new face that needs to learn their part in the future is what makes Terminator different in story, the idea that technology has moved on, also helps this story unfold nicely showing us just how much we are going to see. For a story that is 2 hours long, this barely feels that long if we are being honest and by the end you will be wanting to see more, because even though we have returning characters, they donโ€™t feel thrown in like Arnieโ€™s in the last film.
Action/Sci-Fi โ€“ The action here is massive, this shows some great teamwork from the stunt teams too, the fights are people bashing the hell out of an indestructible robot, which means we can hit harder and it not look stupid, while we might have a couple too many cuts during them though. The sci-fi idea has moved on from previous films, which shows us just how much could change in the future, the war will always be coming.
Settings โ€“ The film does use the settings are a plot point, where it is, we need to get here, then here, via here, all but the final battle seems simple enough locations.
Special Effects โ€“ The effects for the most part are wonderful, there are a few questionable moments, but when you see the Terminator get hit, the metal exposing, doesnโ€™t look out of place.

Scene of the Movie โ€“ Opening Chase.
That Moment That Annoyed Me โ€“ There is one on the nose reference to gun control in America.
Final Thoughts โ€“ This is an enjoyable action movie that brings the Terminator back to life for everybody to enjoy, this is bar far the best Terminator movie since Judgement Day.

Overall: Excellent Movie.
Rating
  
Maneater
Maneater
2019 | Action/Adventure, Role-Playing
Talking Maneater With Bill Munk โ€“ Game Director at Tripwire Interactive
Recently I spoke with Bill Munk โ€“ Game Director at Tripwire Interactive about their pending game Maneater. I saw the game at E3 and it looks like a promising game indeed.
 
What is the background and setting for the game?
 
Maneater is a single-player, open world, action RPG set in a fictionalized version of the US Gulf Coast. Players take on the role of a baby bull shark torn from its motherโ€™s belly. Your only tools are your wits, your jaws, and an uncanny ability to evolve as you feed. Anything and everything is on the menuโ€ฆ provided you kill it before it kills you.
How did the idea to play as a Shark come about?
 
The concept for Maneater originally came from Alex Quick, the creator of Depth and director for the original Killing Floor. Tripwire Interactive loved the over-the-top and new approach to the action RPG and open world genres so much, they decided to bring the project in-house, increasing the development staff and budget to bring the teamโ€™s concept to life.
How many levels and areas are planned for the game at release?
 
Players should expect a vast variety of environments to explore, including, swamps, beach resorts, sunken ship wrecks, all the way out to the deep blue sea.
What are some of the customizations that will be available and how will players be able to upgrade their character?
 
As players continue to eat and explore, theyโ€™ll acquire key nutrients, which can be used to help them evolve. This is where the โ€œRPGโ€ progression systems in Maneater really come into play. Players can choose from a variety of evolutions, that may help with increased biting power, more maneuverability, armor, and more.
What are some of the moves players will be able to do and will new moves unlock later in the game?
 
We really want to make sure the act of swimming and feeding feels satisfying and meaty. During our E3 demo, you saw players knifing along the surface of the water, breaching onto land, barrel rolling and charging shark bounty hunters, and diving deep into the water to gain momentum for large leaps.
What can you tell us about the enemies that players will face in the game?
 
Each region in the game has an Apex Predator. As you battle smaller predators and consume food in each region, the apex will do whatever it takes to protect their food source. Maneater also features a bounty system. As you wreak havoc along the coast, your infamy level will rise. This causes local bounty hunters to search for you while trying to end your feeding frenzy. Depending on your infamy level, the bounty hunters will become more difficult ranging from hunters on small skiffs, all the way up to bringing out the coast guard.
The gameplay we saw at E3 looked like fun but I was curious about how the story will advance and how do you avoid the issue of repetition in the gameplay?
 
Maneater is a โ€œdueling tales of revengeโ€ story featuring Scaly Pete, who we revealed in our newest E3 trailer. Without revealing too much, Scaly Pete is responsible for tearing you from your motherโ€™s belly, and you manage to escape into the open waters of the gulf. Thatโ€™s where our story begins. Maneater is presented through the lens of a reality TV show called โ€œShark Hunters vs. Maneatersโ€ that follows the adventures of Scaly Pete as heโ€™s hunting you throughout our world. This also allows us to follow our player shark and give a voice to the actions of the player through the showโ€™s narrator, who is voiced by Chris Parnell.
 
Will the game offer multiplayer or DLC?
 
Right now, we want to focus on making Maneater a fantastic single-player Action RPG experience.
What are some of your favorite moves in the game?
 
Breaching is one of the most satisfying shark moves weโ€™ve been working on. Breaching out of shallow waters to feed on unsuspecting beach goers on land or even on a large shark bounty hunter boat captures the over-the-top fun and ridiculousness weโ€™re aiming for with Maneater. Weโ€™re also working really hard on what we call the โ€œwhip-shotโ€, where you can tail whip anything thatโ€™s in your mouth, turning objects into weaponized projectiles.
 
 
 
What can you tell us about the music and sound effects in the game?
 
Weโ€™ve been working really hard on our dynamic music system, that is constantly adapting to what the player is doing throughout the game. Itโ€™s also been an interesting challenge creating sound effects for above the water with boats, explosions and civilians and then creating a whole new set of sound effects for the underwater world, including for the underwater wildlife, underwater sounds of the boats and swimmers and so much more.
Are you planning on being at PAX West with the game?
 
We canโ€™t wait to tell you more about our plans for Maneater at future shows. In the meantime, weโ€™d recommend your readers follow @maneatergame on Twitter for the latest.