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The eagerly awaited return of master American storyteller Rinker Buck, Life on the Mississippi is an...
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Movie Metropolis (309 KP) rated Focus (2015) in Movies
Jun 11, 2019
Reasonably Accomplished
Will Smith desperately needed a film to catapult him back onto the silver screen A-list after M. Night Shyamalan’s critical and commercial disaster After Earth.
The Hollywood favourite recently spoke about how the movie bruised his ego and made him reassess his position as a serious actor. His latest film Focus, is the first after a brief hiatus, but does it mark a return to form?
Focus follows the story of Nicky Spurgeon (Smith), a seasoned con-man who becomes romantically involved with a young woman, played by Margot Robbie. Naturally, life manages to get in the way and years later Nicky is in Buenos Aires trying to carry out his biggest scam yet – but it doesn’t all run smoothly.
The story is reasonably accomplished but struggles to discern just what genre it is trying to be. There’s a tinge of romantic comedy, a drop of
hard-hitting drama and the occasional slice of Taken-esque thrills which all mix together and leave a rather sour taste in the mouth.
Focusing on one particular theme would have been a better prospect for directors Glenn Ficarra and John Requa, but it wasn’t meant to be and what the audience is left with is a mish-mash of genres which doesn’t quite gel like it was clearly intended.
The film relies heavily on the stunning locations of Buenos Aires and New Orleans, as well as the charisma and chemistry from its two leads rather than delving into character developments and this works well. Smith is a commanding presence and dominates every scene demonstrating just why we fell in love with him all those years ago.
Moreover, Robbie is a force to be reckoned with and comes up against the attitude of Smith’s character very well. Her steely, yet vulnerable persona is one of the main highlights in the film.
Focus starts off slowly with nothing of any real significance happening in the opening hour and this is disappointing given the film’s well-worn genre. Many similar films, Oceans Eleven as a prime example, wear their themes with much more confidence.
Apart from a few cleverly choreographed shots showing the con-artists in action during the first 20 minutes, Focus comes across as rather half-baked, almost dull.
However, fast-forward to the final third and it finally kicks into gear. As we follow Smith try and pull off a hugely risky scam, the audience is thrown numerous red herrings with the story never settling until the end credits roll.
Overall, Focus was a test of Will Smith’s prowess as an actor following on from After Earth’s failings and thankfully he shows how versatile he is. Margot Robbie is also engaging to watch and their on-screen chemistry is positively sizzling, but when a film has such an identity crisis, it’s hard to focus on anything else.
https://moviemetropolis.net/2015/03/01/reasonably-accomplished-focus-review/
The Hollywood favourite recently spoke about how the movie bruised his ego and made him reassess his position as a serious actor. His latest film Focus, is the first after a brief hiatus, but does it mark a return to form?
Focus follows the story of Nicky Spurgeon (Smith), a seasoned con-man who becomes romantically involved with a young woman, played by Margot Robbie. Naturally, life manages to get in the way and years later Nicky is in Buenos Aires trying to carry out his biggest scam yet – but it doesn’t all run smoothly.
The story is reasonably accomplished but struggles to discern just what genre it is trying to be. There’s a tinge of romantic comedy, a drop of
hard-hitting drama and the occasional slice of Taken-esque thrills which all mix together and leave a rather sour taste in the mouth.
Focusing on one particular theme would have been a better prospect for directors Glenn Ficarra and John Requa, but it wasn’t meant to be and what the audience is left with is a mish-mash of genres which doesn’t quite gel like it was clearly intended.
The film relies heavily on the stunning locations of Buenos Aires and New Orleans, as well as the charisma and chemistry from its two leads rather than delving into character developments and this works well. Smith is a commanding presence and dominates every scene demonstrating just why we fell in love with him all those years ago.
Moreover, Robbie is a force to be reckoned with and comes up against the attitude of Smith’s character very well. Her steely, yet vulnerable persona is one of the main highlights in the film.
Focus starts off slowly with nothing of any real significance happening in the opening hour and this is disappointing given the film’s well-worn genre. Many similar films, Oceans Eleven as a prime example, wear their themes with much more confidence.
Apart from a few cleverly choreographed shots showing the con-artists in action during the first 20 minutes, Focus comes across as rather half-baked, almost dull.
However, fast-forward to the final third and it finally kicks into gear. As we follow Smith try and pull off a hugely risky scam, the audience is thrown numerous red herrings with the story never settling until the end credits roll.
Overall, Focus was a test of Will Smith’s prowess as an actor following on from After Earth’s failings and thankfully he shows how versatile he is. Margot Robbie is also engaging to watch and their on-screen chemistry is positively sizzling, but when a film has such an identity crisis, it’s hard to focus on anything else.
https://moviemetropolis.net/2015/03/01/reasonably-accomplished-focus-review/
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Gareth von Kallenbach (980 KP) rated Escape Plan (2013) in Movies
Jun 19, 2019
80s action stars Arnold Schwarzenegger and Sylvester Stallone have teamed up to power a 21st century prison break in the new film “Escape Plan”. The film was originally to be called “The Tomb” but underwent a title change during production.
Stallone plays Ray Breslin, a former prosecutor who now runs a company that evaluates the security of maximum security installations throughout the country. As such Ray has himself incarcerated under an assumed identity and devices ways to escape from the institutions so they can better understand flaws in their security systems.
Ray is very good at what he does and has been able to escape from every facility that he has tested. While this does not make him popular with Warden’s he is in high demand and as such charges a premium for his services.
Following his most recent escape, Ray and his associated are approached by the government to test a new ultra security facility, one that houses the most dangerous and undesirable elements the world has to offer. Ray is told that the inmates in the facility are there to essential disappear as they would be game changers to security if they should ever find freedom.
Despite the concerns of his staff, and buoyed by the double his usual fee payment, Ray agrees to be taken to the facility under the guise of an explosives maker.
Ray is soon captured in New Orleans and has his tracking chip removed before he blacks out and awakens in a glass walled prison with no windows to locate his position.
During his orientation with a brutal guard named Drake (Vinnie Jones) who killed an inmate during his trip to the facility and sadistic warden named Hobbs (Jim Caviezel), Ray learns that he is in serious trouble as he attempts to trigger his removal from the facility by uttering his extraction code to the Warden. What should have resulted in an immediate removal from the prison is instead greeted by scoffs as Ray is informed that he is there as the people who put him there do not want him ever to see the light of day again.
Enter Emil Rottmayer (Arnold Schwarzenegger), a fellow inmate who takes an interest in Ray and eventually wins over his skepticism. Emil is in the facility as he was a top lieutenant for a crime figure and the Warden is convinced that if he leans on Emil hard enough, he will give up the location of his boss and former associates and thus usher in a huge payday for the Warden.
Despite the bleak, brutal, and seemingly hopeless life in the prison, Ray and Emil work with one another to devise a plan to escape from the facility and the dangerous Warden and his minions before it is too late.
What follows is a tense thriller with some good action in the final act as the two veterans deliver what they have been known for. The film is more a drama than an action film as aside from a few prison fights, there is not much action until the finale when the guns come out.
Faran Tahir does some very good supporting work to the film as a fellow inmate named Javed and it was refreshing to see a person of Middle Eastern origins play a criminal for something other than terrorism. He is a very interesting character who despite having a past and a dangerous side to him is a man of faith who never lets the bleakness of his situation undermine his faith.
Caviezel is very good as the cold and evil Warden who places profits over the lives of his inmates as he is truly a loathsome individual who is every bit the match for the stars.
Stallone and Schwarzenegger seem to be having a great time working with one another and there is some humor filled moments in the film especially during some of their disagreements where jokes are bantered back and forth which seem to also play upon their age and action images.
The audience went crazy during the finale when in trademark style; Schwarzenegger grabbed a massive gun in slow motion, and with a knowing smirk, mowed down waves of bad guys. He is very aware of what audiences expect from his characters and he wanted to ensure that he is still up to the task of piling up the body count.
Sam Neill is sadly underused in the film as the facilities doctor. He has a small part and my wife and I had to wonder why he took the part when an actor of his stature would likely not be interested in something that small.
While action fans may be disappointed with having to wait for the big guns to come out, the film is a very good drama than gets good performances from its stars and supporting cast and is a very enjoyable outing which shows that the two stars still have gas left in the tank.
http://sknr.net/2013/10/18/escape-plan/
Stallone plays Ray Breslin, a former prosecutor who now runs a company that evaluates the security of maximum security installations throughout the country. As such Ray has himself incarcerated under an assumed identity and devices ways to escape from the institutions so they can better understand flaws in their security systems.
Ray is very good at what he does and has been able to escape from every facility that he has tested. While this does not make him popular with Warden’s he is in high demand and as such charges a premium for his services.
Following his most recent escape, Ray and his associated are approached by the government to test a new ultra security facility, one that houses the most dangerous and undesirable elements the world has to offer. Ray is told that the inmates in the facility are there to essential disappear as they would be game changers to security if they should ever find freedom.
Despite the concerns of his staff, and buoyed by the double his usual fee payment, Ray agrees to be taken to the facility under the guise of an explosives maker.
Ray is soon captured in New Orleans and has his tracking chip removed before he blacks out and awakens in a glass walled prison with no windows to locate his position.
During his orientation with a brutal guard named Drake (Vinnie Jones) who killed an inmate during his trip to the facility and sadistic warden named Hobbs (Jim Caviezel), Ray learns that he is in serious trouble as he attempts to trigger his removal from the facility by uttering his extraction code to the Warden. What should have resulted in an immediate removal from the prison is instead greeted by scoffs as Ray is informed that he is there as the people who put him there do not want him ever to see the light of day again.
Enter Emil Rottmayer (Arnold Schwarzenegger), a fellow inmate who takes an interest in Ray and eventually wins over his skepticism. Emil is in the facility as he was a top lieutenant for a crime figure and the Warden is convinced that if he leans on Emil hard enough, he will give up the location of his boss and former associates and thus usher in a huge payday for the Warden.
Despite the bleak, brutal, and seemingly hopeless life in the prison, Ray and Emil work with one another to devise a plan to escape from the facility and the dangerous Warden and his minions before it is too late.
What follows is a tense thriller with some good action in the final act as the two veterans deliver what they have been known for. The film is more a drama than an action film as aside from a few prison fights, there is not much action until the finale when the guns come out.
Faran Tahir does some very good supporting work to the film as a fellow inmate named Javed and it was refreshing to see a person of Middle Eastern origins play a criminal for something other than terrorism. He is a very interesting character who despite having a past and a dangerous side to him is a man of faith who never lets the bleakness of his situation undermine his faith.
Caviezel is very good as the cold and evil Warden who places profits over the lives of his inmates as he is truly a loathsome individual who is every bit the match for the stars.
Stallone and Schwarzenegger seem to be having a great time working with one another and there is some humor filled moments in the film especially during some of their disagreements where jokes are bantered back and forth which seem to also play upon their age and action images.
The audience went crazy during the finale when in trademark style; Schwarzenegger grabbed a massive gun in slow motion, and with a knowing smirk, mowed down waves of bad guys. He is very aware of what audiences expect from his characters and he wanted to ensure that he is still up to the task of piling up the body count.
Sam Neill is sadly underused in the film as the facilities doctor. He has a small part and my wife and I had to wonder why he took the part when an actor of his stature would likely not be interested in something that small.
While action fans may be disappointed with having to wait for the big guns to come out, the film is a very good drama than gets good performances from its stars and supporting cast and is a very enjoyable outing which shows that the two stars still have gas left in the tank.
http://sknr.net/2013/10/18/escape-plan/
Lee (2222 KP) rated Cloak & Dagger in TV
Aug 10, 2018
While I'm a massive fan of the Marvel Cinematic Universe, I never really seem to get on so well with the Marvel TV shows. I get bored, frustrated or just run out of patience with the TV format, with Luke Cage being my longest run so far at 8 episodes. I decided to give Cloak and Dagger a shot, knowing absolutely nothing about about it, and with low expectations after reading the synopsis. I was pleasantly surprised.
The show begins with two young children, following very different lives. Tandy is returning from a ballet class in the back of her fathers car, Tyrone hanging out with his older brother and a gang of boys looking to steal a car radio. As Tyrone and his brother flee from the cops and Tandy and her father are crossing a bridge, fate leads them down a similar path. A drilling platform off the coast of New Orleans explodes, sending the car crashing into the ocean, and causing one of the cops chasing the boys to panic, shooting Tyrones brother dead while Tyrone escapes into the ocean. Unfortunately, Tandy's father doesn't make it, and both Tandy and Tyrone are suddenly caught in a mysterious wave of energy which ripples out from the collapsing platform.
8 years later and both kids are alive and still leading very different lives. They begin to discover that they have abilities, although it's not clear for much of the season exactly what those abilities are and how well they can be used. Tandy can generate bright white daggers from her hands and Tyrone can teleport randomly. Also, when Tandy touches somebody, she can see their hopes. When Tyrone touches somebody, he can see their fears. It all seems a bit pointless for a while, so luckily for us the rest of the story, along with the supporting cast, is all pretty strong. Tandy is investigating Roxxon, the company responsible for the exploding platform. Her father also worked for Roxxon, who seem determined to tarnish his good name and do anything possible to cover up whatever it is they're up to. Meanwhile Tyrone is out to see the cop who shot his brother, and was never punished for it, finally brought to justice.
Along the way, their paths cross, and it becomes clear that their powers are more effective when they're together. This all comes to a head in episode 7, where they both enter the mind of a man who has been in a comatose state since working on the drilling platform eight years ago. They must repeatedly relive the few minutes before the explosion until they can figure out what happened and how to stop it in order to free the man. It's the kind of plot I absolutely love, and one which gets used a lot in TV shows, most recently in the last season of Star Trek Discovery. I loved it then, and I loved it now.
While the season finale was a bit of a strange mish-mash, it didn't matter for me as I loved the rest of the season so much. A bit of a slow burn at times, but with a good story and characters to keep things moving nicely. Nice to know that season 2 has been given the go ahead too.
The show begins with two young children, following very different lives. Tandy is returning from a ballet class in the back of her fathers car, Tyrone hanging out with his older brother and a gang of boys looking to steal a car radio. As Tyrone and his brother flee from the cops and Tandy and her father are crossing a bridge, fate leads them down a similar path. A drilling platform off the coast of New Orleans explodes, sending the car crashing into the ocean, and causing one of the cops chasing the boys to panic, shooting Tyrones brother dead while Tyrone escapes into the ocean. Unfortunately, Tandy's father doesn't make it, and both Tandy and Tyrone are suddenly caught in a mysterious wave of energy which ripples out from the collapsing platform.
8 years later and both kids are alive and still leading very different lives. They begin to discover that they have abilities, although it's not clear for much of the season exactly what those abilities are and how well they can be used. Tandy can generate bright white daggers from her hands and Tyrone can teleport randomly. Also, when Tandy touches somebody, she can see their hopes. When Tyrone touches somebody, he can see their fears. It all seems a bit pointless for a while, so luckily for us the rest of the story, along with the supporting cast, is all pretty strong. Tandy is investigating Roxxon, the company responsible for the exploding platform. Her father also worked for Roxxon, who seem determined to tarnish his good name and do anything possible to cover up whatever it is they're up to. Meanwhile Tyrone is out to see the cop who shot his brother, and was never punished for it, finally brought to justice.
Along the way, their paths cross, and it becomes clear that their powers are more effective when they're together. This all comes to a head in episode 7, where they both enter the mind of a man who has been in a comatose state since working on the drilling platform eight years ago. They must repeatedly relive the few minutes before the explosion until they can figure out what happened and how to stop it in order to free the man. It's the kind of plot I absolutely love, and one which gets used a lot in TV shows, most recently in the last season of Star Trek Discovery. I loved it then, and I loved it now.
While the season finale was a bit of a strange mish-mash, it didn't matter for me as I loved the rest of the season so much. A bit of a slow burn at times, but with a good story and characters to keep things moving nicely. Nice to know that season 2 has been given the go ahead too.
Goddess in the Stacks (553 KP) rated The Book of M in Books
Sep 7, 2018
What defines a person? Your experiences? Your personality? The emotional bonds you forge? What happens when you forget? Are you still you if you don't remember who that is? The Book of M tackles these questions and takes an intimate look at what happens when some people forget but others remember.
We enter on Max and Ory in an abandoned hotel, running out of food and supplies. Max has lost her shadow, which means she will soon start forgetting. Everything. (There are rumors that Shadowless have died because they forgot to breathe or eat.) We learn it's been a few years since the phenomenon started happening, and flashbacks tell us the story of those early months. Like any good dystopia, it is a world-altering process. Governments are gone because no one remembered to run them. Food and other supplies are dwindling because farmers, shippers, manufacturers forgot what they were doing and how to do it.
But with the forgetting comes - magic, of a sort. Ory comes across a deer in the forest that instead of antlers, has wings sprouting from its forehead. Because someone forgot that deer shouldn't have wings - and so it happened. Forgetting that something can be destroyed can make it indestructible. Forgetting that you left a place can take you back to that place. Forgetting a place exists can make that place no longer exist. It's not a very controllable kind of magic. And it's dangerous - you can never be quite sure what you'll forget, and you can affect other people with it.
And the forgetting starts with losing your shadow. Ory gives Max a tape recorder, so she can record things she might forget. He posts signs around their hideout to remind her of things, like "Let no one in. Ory has a key." and "Don't touch the guns or the knives." But Max knows she is a danger to Ory, and so while she can still remember enough to function, she runs away.
The book mostly concerns Ory and Max's journeys across the country; Max trying to find something she's forgotten, and Ory trying to find Max. The adventure is gripping, heartbreaking, and at times confusing. (Mostly on Max's end, as magic warps things around her.) There are a few side characters who also have viewpoint chapters. Naz Ahmadi is an Iranian girl training for the Olympics in the US - in archery, which comes in quite handy. We also have The One Who Gathers, a mysterious man in New Orleans who has gathered a flock of shadowless.
If you ever played the roleplaying game Mage: the Ascension, and remember the concept of Paradox, this book reminds me of that a lot. (Is it a surprise that I'm a tabletop RPG geek? It shouldn't be. I own almost all of the old World of Darkness books, and currently play in a D&D game, and hopefully soon a second D&D game!) Anyway. Paradox. Where doing magic too far outside the bounds of acceptable reality punishes you, so you have to weigh the potential consequences against the magic you want to do.
I really enjoyed this debut novel; it is a very original take on a dystopia, and raised a lot of questions about personality, memories, and what makes a person the person you remember.
You can find all my reviews at http://goddessinthestacks.com
We enter on Max and Ory in an abandoned hotel, running out of food and supplies. Max has lost her shadow, which means she will soon start forgetting. Everything. (There are rumors that Shadowless have died because they forgot to breathe or eat.) We learn it's been a few years since the phenomenon started happening, and flashbacks tell us the story of those early months. Like any good dystopia, it is a world-altering process. Governments are gone because no one remembered to run them. Food and other supplies are dwindling because farmers, shippers, manufacturers forgot what they were doing and how to do it.
But with the forgetting comes - magic, of a sort. Ory comes across a deer in the forest that instead of antlers, has wings sprouting from its forehead. Because someone forgot that deer shouldn't have wings - and so it happened. Forgetting that something can be destroyed can make it indestructible. Forgetting that you left a place can take you back to that place. Forgetting a place exists can make that place no longer exist. It's not a very controllable kind of magic. And it's dangerous - you can never be quite sure what you'll forget, and you can affect other people with it.
And the forgetting starts with losing your shadow. Ory gives Max a tape recorder, so she can record things she might forget. He posts signs around their hideout to remind her of things, like "Let no one in. Ory has a key." and "Don't touch the guns or the knives." But Max knows she is a danger to Ory, and so while she can still remember enough to function, she runs away.
The book mostly concerns Ory and Max's journeys across the country; Max trying to find something she's forgotten, and Ory trying to find Max. The adventure is gripping, heartbreaking, and at times confusing. (Mostly on Max's end, as magic warps things around her.) There are a few side characters who also have viewpoint chapters. Naz Ahmadi is an Iranian girl training for the Olympics in the US - in archery, which comes in quite handy. We also have The One Who Gathers, a mysterious man in New Orleans who has gathered a flock of shadowless.
If you ever played the roleplaying game Mage: the Ascension, and remember the concept of Paradox, this book reminds me of that a lot. (Is it a surprise that I'm a tabletop RPG geek? It shouldn't be. I own almost all of the old World of Darkness books, and currently play in a D&D game, and hopefully soon a second D&D game!) Anyway. Paradox. Where doing magic too far outside the bounds of acceptable reality punishes you, so you have to weigh the potential consequences against the magic you want to do.
I really enjoyed this debut novel; it is a very original take on a dystopia, and raised a lot of questions about personality, memories, and what makes a person the person you remember.
You can find all my reviews at http://goddessinthestacks.com
Chris Sawin (602 KP) rated The Curious Case of Benjamin Button (2008) in Movies
Jun 19, 2019
Caroline is visiting her mother, Daisy, in the hospital while her mom is basically on her deathbed. We are in New Orleans and Katrina is well on its way to making landfall in the next few hours. Daisy tells Caroline to get a book out of the bag she brought to the hospital. This book winds up being the diary of a man named Benjamin Button; a man with an unusual condition of aging backwards. This is the extraordinary story of a man who wasn't expected to live to see his childhood, the people he met and grew to love, the challenging obstacles he had to face, his eventual adulthood, and beyond.
This was my favorite film of 2008. I found it fascinating from the very first frame. It has a running length of two hours and forty eight minutes, but it certainly doesn't feel that long. There were a few times when I wanted to look to see how long the movie had been going, but I'd put it off and then wind up forgetting about it. The film length is not a factor as the events that unfold go by rather quickly.
This film is magic. I don't mean that in the hocus pocus kind of sense. It made me feel things I wasn't aware could be felt after seeing a film. I almost cried. More than once. That's rare in itself, but on more than one occasion during the same film is pretty much unheard of for me. It was the first film I had ever seen that had made me feel better about myself after the credits rolled. On the way home, I wound up not turning the radio on or anything just so I could reflect on the movie for that much longer and keep this rare, warm, fuzzy feeling for as long as I could.
This is arguably Brad Pitt's best role, at least from the films of his I've seen. Making something like having the mind of a seven year old while having the body of an eighty year old man believable is probably not an easy task, but he pulls it off rather flawlessly. The make-up effects are something to behold, as well. The way these effects are used to show people aging in this film is just remarkable.
I've heard a lot of people compare The Curious Case of Benjamin Button to Forrest Gump. The truth of the matter is that other than both films being told in a narrative style and that characters sit on a bench at some point in both films during the time this story is being told, there really isn't much the two films have in common. I for one prefer Benjamin Button over Forrest Gump, but I'm not taking anything away from either film.
As superb of a film this is, its one downside is its length. That will probably turn a lot of people off. I was a bit weary when I first realized how long it was, but once I was finally in the theater watching the film, it all went by so quickly. My eyes were literally glued to the screen the entire time. The story is sad overall, but it moved me in ways no film has ever done before in the past. It's well worth whatever price you pay for the ticket and it's well worth sitting through the close to three hour duration. I wouldn't tell you it was the best movie of 2008 if I meant otherwise.
This was my favorite film of 2008. I found it fascinating from the very first frame. It has a running length of two hours and forty eight minutes, but it certainly doesn't feel that long. There were a few times when I wanted to look to see how long the movie had been going, but I'd put it off and then wind up forgetting about it. The film length is not a factor as the events that unfold go by rather quickly.
This film is magic. I don't mean that in the hocus pocus kind of sense. It made me feel things I wasn't aware could be felt after seeing a film. I almost cried. More than once. That's rare in itself, but on more than one occasion during the same film is pretty much unheard of for me. It was the first film I had ever seen that had made me feel better about myself after the credits rolled. On the way home, I wound up not turning the radio on or anything just so I could reflect on the movie for that much longer and keep this rare, warm, fuzzy feeling for as long as I could.
This is arguably Brad Pitt's best role, at least from the films of his I've seen. Making something like having the mind of a seven year old while having the body of an eighty year old man believable is probably not an easy task, but he pulls it off rather flawlessly. The make-up effects are something to behold, as well. The way these effects are used to show people aging in this film is just remarkable.
I've heard a lot of people compare The Curious Case of Benjamin Button to Forrest Gump. The truth of the matter is that other than both films being told in a narrative style and that characters sit on a bench at some point in both films during the time this story is being told, there really isn't much the two films have in common. I for one prefer Benjamin Button over Forrest Gump, but I'm not taking anything away from either film.
As superb of a film this is, its one downside is its length. That will probably turn a lot of people off. I was a bit weary when I first realized how long it was, but once I was finally in the theater watching the film, it all went by so quickly. My eyes were literally glued to the screen the entire time. The story is sad overall, but it moved me in ways no film has ever done before in the past. It's well worth whatever price you pay for the ticket and it's well worth sitting through the close to three hour duration. I wouldn't tell you it was the best movie of 2008 if I meant otherwise.
Kayleigh (12 KP) rated Dead Letter Office in Books
Jan 2, 2019
Before I start, please note that this book was given to me free by the publisher in exchange for a review. What I have written is my honest opinion.
This is the first 'Active Fiction' e-book I've read. It gives the reader an option of the direction they want the plot to take. The last time I read a book (let alone an e-book!) in any way similar to that was when I was about 10, reading an Enid Blyton <i>Famous Five</i> 'red herring' book. I was therefore really intrigued as to what to expect. Would there be red herrings? Would it make the book worse? Well, no and no, as it turns out. I'll get to that in a bit.
This is a brilliantly written story that centres around Celia, who has just lost her father and moved to New Orleans with her mum so she can get to know her father's side of the family. Celia soon has 3 friends (2 of which are potential love interests) and bounces well off the other characters. Snyder has included the obligatory 'popular crowd', but added unusual details to a few of the group's members that makes it interesting, and slightly more dangerous than your average 'death-by-gossip' group.
Starting from the beginning, this was one of those books I knew would capture my interest as soon as I read the first line:
<blockquote>"The dead man smiles at me."</blockquote>
The rest of this page draws me in further, and I went from there. An odd thing I liked (and noticed fairly early on) is that Celia doesn't ruin the first person narrative she's got going on by telling us what she looks like. It's good enough for me to know she's pretty enough to have a surfer dude boyfriend before she moves away, haha!
Coming back to the reader choices, I was a little startled when the first one came up, but that's just me not being used to it! I liked the sense of power I got from helping Celia make the 'right' choice. They were also placed really well within the story, at pivotal plot moments, so there wasn't too much or too little of them. There was only one (right at the end) that I thought was pointless, although having re-read the description on Goodreads, I now know that it's a vote the author wanted so as to establish reader preference on Celia's love interests. Lucky Cee!
I must admit, I did read all the alternative versions, so I can say that there are no 'red herrings'. Some choices lead you to the answer faster than others, and sometimes there'll be a quirky scene that comes with one choice, but is barely mentioned in the other. Without wanting to spoil anything, something key to the background knowledge of Donovan and Peyton's relationship is only mentioned in one of the choices. I haven't quite decided if this is a good thing yet - that little piece of knowledge was good to know, I thought!
Overall, Kira Snyder has built a great sense of anticipation between the main characters, and has set the foundation for future crime/mystery-solving. It was a brilliant book and I'll definitely be reading the next in the series.
This is the first 'Active Fiction' e-book I've read. It gives the reader an option of the direction they want the plot to take. The last time I read a book (let alone an e-book!) in any way similar to that was when I was about 10, reading an Enid Blyton <i>Famous Five</i> 'red herring' book. I was therefore really intrigued as to what to expect. Would there be red herrings? Would it make the book worse? Well, no and no, as it turns out. I'll get to that in a bit.
This is a brilliantly written story that centres around Celia, who has just lost her father and moved to New Orleans with her mum so she can get to know her father's side of the family. Celia soon has 3 friends (2 of which are potential love interests) and bounces well off the other characters. Snyder has included the obligatory 'popular crowd', but added unusual details to a few of the group's members that makes it interesting, and slightly more dangerous than your average 'death-by-gossip' group.
Starting from the beginning, this was one of those books I knew would capture my interest as soon as I read the first line:
<blockquote>"The dead man smiles at me."</blockquote>
The rest of this page draws me in further, and I went from there. An odd thing I liked (and noticed fairly early on) is that Celia doesn't ruin the first person narrative she's got going on by telling us what she looks like. It's good enough for me to know she's pretty enough to have a surfer dude boyfriend before she moves away, haha!
Coming back to the reader choices, I was a little startled when the first one came up, but that's just me not being used to it! I liked the sense of power I got from helping Celia make the 'right' choice. They were also placed really well within the story, at pivotal plot moments, so there wasn't too much or too little of them. There was only one (right at the end) that I thought was pointless, although having re-read the description on Goodreads, I now know that it's a vote the author wanted so as to establish reader preference on Celia's love interests. Lucky Cee!
I must admit, I did read all the alternative versions, so I can say that there are no 'red herrings'. Some choices lead you to the answer faster than others, and sometimes there'll be a quirky scene that comes with one choice, but is barely mentioned in the other. Without wanting to spoil anything, something key to the background knowledge of Donovan and Peyton's relationship is only mentioned in one of the choices. I haven't quite decided if this is a good thing yet - that little piece of knowledge was good to know, I thought!
Overall, Kira Snyder has built a great sense of anticipation between the main characters, and has set the foundation for future crime/mystery-solving. It was a brilliant book and I'll definitely be reading the next in the series.
Darren (1599 KP) rated Until Death (2007) in Movies
Jul 25, 2019
Story: Until Death starts as we see how Anthony Stowe (Van Damme) operates under his own addictions of heroin, sex alcohol which has put his career on the edge, his marriage in the drain and his enemy Gabriel Callaghan (Rea) is getting away with the crimes he wants.
When Gabriel catches up with Anthony, he puts a bullet in his skull leaving him for dead, only to leave him in a coma in which he shouldn’t recover from. 6 months later he awakens from his coma and is left to the care of his estranged wife Valerie (Giles), as he recovers it turns out he has changed becoming a better person and even more determined to track down Gabriel.
Thoughts on Until Death
Characters – Anthony Stowes is a dirty cop, hooked on heroin with enemies in the force and on the streets, the methods have made his hard to work with and his long running pursuit of Callaghan puts him in the firing line. After he gets shot and left for dead, he must recover, a process which see him changing to become a better man. Valerie is the wife that is about to divorce Anthony after years of problems between the two, after his injury she takes him in even though she has moved on with her life. Gabriel Callaghan is the ruthless mobster trying to get ahead in the city, he disposes of anyone that gets in his way and won’t let Stowe stop his plan.
Performances – We watch Van Damme movies to watch him kick ass, not because of his acting standards, he is good through the film as does give us a chance to work on his serious reactions, he doesn’t get to show the fighting enough though. Selina Giles does struggle with her role though, you never believe her acting in this role. Stephen Rea does seem to enjoy this villainous role where he can become darker as the film unfolds.
Story – The story follows a dirty cop that goes head to head with a crime boss only for his crashing life to be turned around by a near death experience. The pacing of the story is slow for my liking, we spend too much time with the bad version of Stowe and not enough on the reborn versions road to redemption, which is by the book. Granted we don’t need the deepest story here because we know what we are getting going into the film.
Action/Crime – The action is held back for the final act of the movie, which is fine, but when you have Van Damme in the leading role, you would expect more. The crime side of the film does play into the bigger picture of what is going on which give the characters the biggest part of the development they get.
Settings – The film uses New Orleans as the setting which is always a city used for dirty cop locations, it works well without being over used for the films backdrop.
Scene of the Movie – Final act is the saving grace of the film.
That Moment That Annoyed Me – The damn camera turns.
Final Thoughts – This is a typical Van Damme action movie, it tries to give us a serious side without being able to capture this and we are saved by a final act action sequence which is entertaining to watch.
Overall: Van Damme 101
When Gabriel catches up with Anthony, he puts a bullet in his skull leaving him for dead, only to leave him in a coma in which he shouldn’t recover from. 6 months later he awakens from his coma and is left to the care of his estranged wife Valerie (Giles), as he recovers it turns out he has changed becoming a better person and even more determined to track down Gabriel.
Thoughts on Until Death
Characters – Anthony Stowes is a dirty cop, hooked on heroin with enemies in the force and on the streets, the methods have made his hard to work with and his long running pursuit of Callaghan puts him in the firing line. After he gets shot and left for dead, he must recover, a process which see him changing to become a better man. Valerie is the wife that is about to divorce Anthony after years of problems between the two, after his injury she takes him in even though she has moved on with her life. Gabriel Callaghan is the ruthless mobster trying to get ahead in the city, he disposes of anyone that gets in his way and won’t let Stowe stop his plan.
Performances – We watch Van Damme movies to watch him kick ass, not because of his acting standards, he is good through the film as does give us a chance to work on his serious reactions, he doesn’t get to show the fighting enough though. Selina Giles does struggle with her role though, you never believe her acting in this role. Stephen Rea does seem to enjoy this villainous role where he can become darker as the film unfolds.
Story – The story follows a dirty cop that goes head to head with a crime boss only for his crashing life to be turned around by a near death experience. The pacing of the story is slow for my liking, we spend too much time with the bad version of Stowe and not enough on the reborn versions road to redemption, which is by the book. Granted we don’t need the deepest story here because we know what we are getting going into the film.
Action/Crime – The action is held back for the final act of the movie, which is fine, but when you have Van Damme in the leading role, you would expect more. The crime side of the film does play into the bigger picture of what is going on which give the characters the biggest part of the development they get.
Settings – The film uses New Orleans as the setting which is always a city used for dirty cop locations, it works well without being over used for the films backdrop.
Scene of the Movie – Final act is the saving grace of the film.
That Moment That Annoyed Me – The damn camera turns.
Final Thoughts – This is a typical Van Damme action movie, it tries to give us a serious side without being able to capture this and we are saved by a final act action sequence which is entertaining to watch.
Overall: Van Damme 101