Lee (2222 KP) rated Queen & Slim (2019) in Movies
Dec 4, 2019
Queen (Jodie Turner-Smith) and Slim (Daniel Kaluuya) are at a diner for their first Tinder date and they seem to be getting along, although a second date isn't exactly a definite just yet. As they drive home afterwards, they are pulled over by a white cop for driving erratically (Slim was quickly reaching to grab his phone back from Queen at the time) and for failure to execute a turn signal. There are clearly some racial motives behind the actions of the police officer though, not helped by Slim's impatience as the officer checks through the contents of his car, and the questioning coming from Queen, who works as a defense attorney and knows their rights. Following a heated exchange, a shot is fired and Queen is left with a flesh wound to her leg. An angered Slim then brawls with the cop and, in what is clearly self defense, shoots and kills the officer. Fearing what will happen to them next and the likelihood of further injustice, they decide to go on the run.
What follows is around 40 minutes of pretty tense drama, unexpectedly peppered with some moments of real humour when as the pair find themselves getting into even more difficult situations. As dash-cam footage from the vehicle of the deceased police officer goes viral, there's a real sense of urgency and intensity to their predicament, making for a really intense and gripping roller-coaster of a ride. They make it to New Orleans, and a brief stopover at the home of Queen's Uncle Earl (Bokeem Woodbine), and it's around this point in the movie that momentum gets lost somewhat, never really recovering until the finale.
Written by Lena Waithe (Master of None and Ready Player One), Queen & Slim is clearly a relevant and important movie, boasting a great look and style from director Melina Matsoukas. Daniel Kaluuya is a great choice for Slim too, no stranger to portraying strong emotions with his eyes and facial expressions, as he did so perfectly in his iconic Get Out role. While I wasn't so keen on Jodie Turner-Smith, the pair did work well together, despite making some questionable character choices at times. When a photo of the pair goes viral, they become a kind of modern day Bonnie & Clyde, hailed as heroes and legends by many as they make their way down towards Florida, where they hope to be able catch a flight to freedom in Cuba. Along the way, their relationship develops and they occasionally find support among the black community in each town they stop at.
But, following that stopover in New Orleans, Queen & Slim becomes much more of a slow meander towards the finish line, and it's a real noticeable tonal shift and change of pacing from those first 40 minutes or so. People in the cinema became fidgety (including me), some gave up on the movie completely and left the cinema (I've done that before, vowed never to do it again though) and all I could think about when they get help from some old friends of Queen's Uncle was "Is that Needles, from Back to the Future?" (it was).
All of this shouldn't detract from how important this movie is though, highlighting racial injustice and delving into real issues unashamedly. While Queen & Slim didn't quite work for me overall, it is certainly a story which deserves to be told and seen by many, getting people talking and hopefully instigating some real change. I'm glad I had the chance to see it, and glad I stuck with it right until the end.
Gareth von Kallenbach (980 KP) rated Now You See Me (2013) in Movies
Aug 7, 2019
Not knowing that “the closer you look, the less you see as you become older you become less and less convinced that magic exists.
From French director Louis Leterrier who has brought us films like “The Transporter” and ” Unleashed” comes an “Ocean’s Eleven” style film about four magicians who pull off one of the biggest heists the world has ever seen by using magic.
Calling themselves The Four Horseman, four magicians with very different abilities come together as one to pull off something no other magician has ever attempted.
The leader of the pack is J. Daniel Atlas (Jesse Eisenberg), who is a master at sleight-of-hand and blatant arrogance. A mentalist who specializes in hypnosis and is no stranger to being devious himself is Merritt McKinney (Woody Harrelson). The very talented pickpocket Jack Wilder (Dave Franco) not only steals the audience’s hearts but also can pick a lock blindfolded if he had to.
Last but by no means least is Henley Reeves (Isla Fisher), the sexy escape artist who can even escape a tank full of piranhas without a scratch.
The story follows The Four Horseman embarking on a journey of teleporting and robbing a Parisian bank and reining it over the cheering Las Vegas audience at their first venue.
They don’t stop there. There show takes them from Vegas to the renewed city of New Orleans and then to New York where the grand finally takes place whilst spreading the wealth of their heists to the deserving audience members in grand Robin Hood fashion.
This film is excellent! It doesn’t leave you hanging and answers all your questions. The elaborate tricks performed proved to be very entertaining and exciting!
A neat touch was adding a woman to the mix as you don’t really see any women magicians out there other than the assistants who get sawed in half.
The cast was great and had great chemistry however I would have liked to see a bit more of character backstory. Morgan Freeman, Michael Caine and Mark Ruffalo are also a part of the seemingly big cast. The special effects were not only entertaining but extremely appealing to the eye.
Though the storyline is a little scatterbrained it is anything but a bore and leaves you wanting to experience more. After seeing the film, I had an overwhelming need to watch other magician movies like “The Great Houdini”, “The Prestige”, and “The Illusionist”. It also brought back those same feelings I had as a child experiencing the magic and mystery a true magician can provide. This film left me wanting to see it for a second time.
Gareth von Kallenbach (980 KP) rated Bullet to the Head (2013) in Movies
Aug 7, 2019
Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.
Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.
Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.
While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
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Lee (2222 KP) Dec 4, 2019
Sarah (7800 KP) Dec 4, 2019