Search
Lee (2222 KP) rated Cloak & Dagger in TV
Aug 10, 2018
While I'm a massive fan of the Marvel Cinematic Universe, I never really seem to get on so well with the Marvel TV shows. I get bored, frustrated or just run out of patience with the TV format, with Luke Cage being my longest run so far at 8 episodes. I decided to give Cloak and Dagger a shot, knowing absolutely nothing about about it, and with low expectations after reading the synopsis. I was pleasantly surprised.
The show begins with two young children, following very different lives. Tandy is returning from a ballet class in the back of her fathers car, Tyrone hanging out with his older brother and a gang of boys looking to steal a car radio. As Tyrone and his brother flee from the cops and Tandy and her father are crossing a bridge, fate leads them down a similar path. A drilling platform off the coast of New Orleans explodes, sending the car crashing into the ocean, and causing one of the cops chasing the boys to panic, shooting Tyrones brother dead while Tyrone escapes into the ocean. Unfortunately, Tandy's father doesn't make it, and both Tandy and Tyrone are suddenly caught in a mysterious wave of energy which ripples out from the collapsing platform.
8 years later and both kids are alive and still leading very different lives. They begin to discover that they have abilities, although it's not clear for much of the season exactly what those abilities are and how well they can be used. Tandy can generate bright white daggers from her hands and Tyrone can teleport randomly. Also, when Tandy touches somebody, she can see their hopes. When Tyrone touches somebody, he can see their fears. It all seems a bit pointless for a while, so luckily for us the rest of the story, along with the supporting cast, is all pretty strong. Tandy is investigating Roxxon, the company responsible for the exploding platform. Her father also worked for Roxxon, who seem determined to tarnish his good name and do anything possible to cover up whatever it is they're up to. Meanwhile Tyrone is out to see the cop who shot his brother, and was never punished for it, finally brought to justice.
Along the way, their paths cross, and it becomes clear that their powers are more effective when they're together. This all comes to a head in episode 7, where they both enter the mind of a man who has been in a comatose state since working on the drilling platform eight years ago. They must repeatedly relive the few minutes before the explosion until they can figure out what happened and how to stop it in order to free the man. It's the kind of plot I absolutely love, and one which gets used a lot in TV shows, most recently in the last season of Star Trek Discovery. I loved it then, and I loved it now.
While the season finale was a bit of a strange mish-mash, it didn't matter for me as I loved the rest of the season so much. A bit of a slow burn at times, but with a good story and characters to keep things moving nicely. Nice to know that season 2 has been given the go ahead too.
The show begins with two young children, following very different lives. Tandy is returning from a ballet class in the back of her fathers car, Tyrone hanging out with his older brother and a gang of boys looking to steal a car radio. As Tyrone and his brother flee from the cops and Tandy and her father are crossing a bridge, fate leads them down a similar path. A drilling platform off the coast of New Orleans explodes, sending the car crashing into the ocean, and causing one of the cops chasing the boys to panic, shooting Tyrones brother dead while Tyrone escapes into the ocean. Unfortunately, Tandy's father doesn't make it, and both Tandy and Tyrone are suddenly caught in a mysterious wave of energy which ripples out from the collapsing platform.
8 years later and both kids are alive and still leading very different lives. They begin to discover that they have abilities, although it's not clear for much of the season exactly what those abilities are and how well they can be used. Tandy can generate bright white daggers from her hands and Tyrone can teleport randomly. Also, when Tandy touches somebody, she can see their hopes. When Tyrone touches somebody, he can see their fears. It all seems a bit pointless for a while, so luckily for us the rest of the story, along with the supporting cast, is all pretty strong. Tandy is investigating Roxxon, the company responsible for the exploding platform. Her father also worked for Roxxon, who seem determined to tarnish his good name and do anything possible to cover up whatever it is they're up to. Meanwhile Tyrone is out to see the cop who shot his brother, and was never punished for it, finally brought to justice.
Along the way, their paths cross, and it becomes clear that their powers are more effective when they're together. This all comes to a head in episode 7, where they both enter the mind of a man who has been in a comatose state since working on the drilling platform eight years ago. They must repeatedly relive the few minutes before the explosion until they can figure out what happened and how to stop it in order to free the man. It's the kind of plot I absolutely love, and one which gets used a lot in TV shows, most recently in the last season of Star Trek Discovery. I loved it then, and I loved it now.
While the season finale was a bit of a strange mish-mash, it didn't matter for me as I loved the rest of the season so much. A bit of a slow burn at times, but with a good story and characters to keep things moving nicely. Nice to know that season 2 has been given the go ahead too.
Goddess in the Stacks (553 KP) rated The Book of M in Books
Sep 7, 2018
What defines a person? Your experiences? Your personality? The emotional bonds you forge? What happens when you forget? Are you still you if you don't remember who that is? The Book of M tackles these questions and takes an intimate look at what happens when some people forget but others remember.
We enter on Max and Ory in an abandoned hotel, running out of food and supplies. Max has lost her shadow, which means she will soon start forgetting. Everything. (There are rumors that Shadowless have died because they forgot to breathe or eat.) We learn it's been a few years since the phenomenon started happening, and flashbacks tell us the story of those early months. Like any good dystopia, it is a world-altering process. Governments are gone because no one remembered to run them. Food and other supplies are dwindling because farmers, shippers, manufacturers forgot what they were doing and how to do it.
But with the forgetting comes - magic, of a sort. Ory comes across a deer in the forest that instead of antlers, has wings sprouting from its forehead. Because someone forgot that deer shouldn't have wings - and so it happened. Forgetting that something can be destroyed can make it indestructible. Forgetting that you left a place can take you back to that place. Forgetting a place exists can make that place no longer exist. It's not a very controllable kind of magic. And it's dangerous - you can never be quite sure what you'll forget, and you can affect other people with it.
And the forgetting starts with losing your shadow. Ory gives Max a tape recorder, so she can record things she might forget. He posts signs around their hideout to remind her of things, like "Let no one in. Ory has a key." and "Don't touch the guns or the knives." But Max knows she is a danger to Ory, and so while she can still remember enough to function, she runs away.
The book mostly concerns Ory and Max's journeys across the country; Max trying to find something she's forgotten, and Ory trying to find Max. The adventure is gripping, heartbreaking, and at times confusing. (Mostly on Max's end, as magic warps things around her.) There are a few side characters who also have viewpoint chapters. Naz Ahmadi is an Iranian girl training for the Olympics in the US - in archery, which comes in quite handy. We also have The One Who Gathers, a mysterious man in New Orleans who has gathered a flock of shadowless.
If you ever played the roleplaying game Mage: the Ascension, and remember the concept of Paradox, this book reminds me of that a lot. (Is it a surprise that I'm a tabletop RPG geek? It shouldn't be. I own almost all of the old World of Darkness books, and currently play in a D&D game, and hopefully soon a second D&D game!) Anyway. Paradox. Where doing magic too far outside the bounds of acceptable reality punishes you, so you have to weigh the potential consequences against the magic you want to do.
I really enjoyed this debut novel; it is a very original take on a dystopia, and raised a lot of questions about personality, memories, and what makes a person the person you remember.
You can find all my reviews at http://goddessinthestacks.com
We enter on Max and Ory in an abandoned hotel, running out of food and supplies. Max has lost her shadow, which means she will soon start forgetting. Everything. (There are rumors that Shadowless have died because they forgot to breathe or eat.) We learn it's been a few years since the phenomenon started happening, and flashbacks tell us the story of those early months. Like any good dystopia, it is a world-altering process. Governments are gone because no one remembered to run them. Food and other supplies are dwindling because farmers, shippers, manufacturers forgot what they were doing and how to do it.
But with the forgetting comes - magic, of a sort. Ory comes across a deer in the forest that instead of antlers, has wings sprouting from its forehead. Because someone forgot that deer shouldn't have wings - and so it happened. Forgetting that something can be destroyed can make it indestructible. Forgetting that you left a place can take you back to that place. Forgetting a place exists can make that place no longer exist. It's not a very controllable kind of magic. And it's dangerous - you can never be quite sure what you'll forget, and you can affect other people with it.
And the forgetting starts with losing your shadow. Ory gives Max a tape recorder, so she can record things she might forget. He posts signs around their hideout to remind her of things, like "Let no one in. Ory has a key." and "Don't touch the guns or the knives." But Max knows she is a danger to Ory, and so while she can still remember enough to function, she runs away.
The book mostly concerns Ory and Max's journeys across the country; Max trying to find something she's forgotten, and Ory trying to find Max. The adventure is gripping, heartbreaking, and at times confusing. (Mostly on Max's end, as magic warps things around her.) There are a few side characters who also have viewpoint chapters. Naz Ahmadi is an Iranian girl training for the Olympics in the US - in archery, which comes in quite handy. We also have The One Who Gathers, a mysterious man in New Orleans who has gathered a flock of shadowless.
If you ever played the roleplaying game Mage: the Ascension, and remember the concept of Paradox, this book reminds me of that a lot. (Is it a surprise that I'm a tabletop RPG geek? It shouldn't be. I own almost all of the old World of Darkness books, and currently play in a D&D game, and hopefully soon a second D&D game!) Anyway. Paradox. Where doing magic too far outside the bounds of acceptable reality punishes you, so you have to weigh the potential consequences against the magic you want to do.
I really enjoyed this debut novel; it is a very original take on a dystopia, and raised a lot of questions about personality, memories, and what makes a person the person you remember.
You can find all my reviews at http://goddessinthestacks.com
Chris Sawin (602 KP) rated The Curious Case of Benjamin Button (2008) in Movies
Jun 19, 2019
Caroline is visiting her mother, Daisy, in the hospital while her mom is basically on her deathbed. We are in New Orleans and Katrina is well on its way to making landfall in the next few hours. Daisy tells Caroline to get a book out of the bag she brought to the hospital. This book winds up being the diary of a man named Benjamin Button; a man with an unusual condition of aging backwards. This is the extraordinary story of a man who wasn't expected to live to see his childhood, the people he met and grew to love, the challenging obstacles he had to face, his eventual adulthood, and beyond.
This was my favorite film of 2008. I found it fascinating from the very first frame. It has a running length of two hours and forty eight minutes, but it certainly doesn't feel that long. There were a few times when I wanted to look to see how long the movie had been going, but I'd put it off and then wind up forgetting about it. The film length is not a factor as the events that unfold go by rather quickly.
This film is magic. I don't mean that in the hocus pocus kind of sense. It made me feel things I wasn't aware could be felt after seeing a film. I almost cried. More than once. That's rare in itself, but on more than one occasion during the same film is pretty much unheard of for me. It was the first film I had ever seen that had made me feel better about myself after the credits rolled. On the way home, I wound up not turning the radio on or anything just so I could reflect on the movie for that much longer and keep this rare, warm, fuzzy feeling for as long as I could.
This is arguably Brad Pitt's best role, at least from the films of his I've seen. Making something like having the mind of a seven year old while having the body of an eighty year old man believable is probably not an easy task, but he pulls it off rather flawlessly. The make-up effects are something to behold, as well. The way these effects are used to show people aging in this film is just remarkable.
I've heard a lot of people compare The Curious Case of Benjamin Button to Forrest Gump. The truth of the matter is that other than both films being told in a narrative style and that characters sit on a bench at some point in both films during the time this story is being told, there really isn't much the two films have in common. I for one prefer Benjamin Button over Forrest Gump, but I'm not taking anything away from either film.
As superb of a film this is, its one downside is its length. That will probably turn a lot of people off. I was a bit weary when I first realized how long it was, but once I was finally in the theater watching the film, it all went by so quickly. My eyes were literally glued to the screen the entire time. The story is sad overall, but it moved me in ways no film has ever done before in the past. It's well worth whatever price you pay for the ticket and it's well worth sitting through the close to three hour duration. I wouldn't tell you it was the best movie of 2008 if I meant otherwise.
This was my favorite film of 2008. I found it fascinating from the very first frame. It has a running length of two hours and forty eight minutes, but it certainly doesn't feel that long. There were a few times when I wanted to look to see how long the movie had been going, but I'd put it off and then wind up forgetting about it. The film length is not a factor as the events that unfold go by rather quickly.
This film is magic. I don't mean that in the hocus pocus kind of sense. It made me feel things I wasn't aware could be felt after seeing a film. I almost cried. More than once. That's rare in itself, but on more than one occasion during the same film is pretty much unheard of for me. It was the first film I had ever seen that had made me feel better about myself after the credits rolled. On the way home, I wound up not turning the radio on or anything just so I could reflect on the movie for that much longer and keep this rare, warm, fuzzy feeling for as long as I could.
This is arguably Brad Pitt's best role, at least from the films of his I've seen. Making something like having the mind of a seven year old while having the body of an eighty year old man believable is probably not an easy task, but he pulls it off rather flawlessly. The make-up effects are something to behold, as well. The way these effects are used to show people aging in this film is just remarkable.
I've heard a lot of people compare The Curious Case of Benjamin Button to Forrest Gump. The truth of the matter is that other than both films being told in a narrative style and that characters sit on a bench at some point in both films during the time this story is being told, there really isn't much the two films have in common. I for one prefer Benjamin Button over Forrest Gump, but I'm not taking anything away from either film.
As superb of a film this is, its one downside is its length. That will probably turn a lot of people off. I was a bit weary when I first realized how long it was, but once I was finally in the theater watching the film, it all went by so quickly. My eyes were literally glued to the screen the entire time. The story is sad overall, but it moved me in ways no film has ever done before in the past. It's well worth whatever price you pay for the ticket and it's well worth sitting through the close to three hour duration. I wouldn't tell you it was the best movie of 2008 if I meant otherwise.
Kayleigh (12 KP) rated Dead Letter Office in Books
Jan 2, 2019
Before I start, please note that this book was given to me free by the publisher in exchange for a review. What I have written is my honest opinion.
This is the first 'Active Fiction' e-book I've read. It gives the reader an option of the direction they want the plot to take. The last time I read a book (let alone an e-book!) in any way similar to that was when I was about 10, reading an Enid Blyton <i>Famous Five</i> 'red herring' book. I was therefore really intrigued as to what to expect. Would there be red herrings? Would it make the book worse? Well, no and no, as it turns out. I'll get to that in a bit.
This is a brilliantly written story that centres around Celia, who has just lost her father and moved to New Orleans with her mum so she can get to know her father's side of the family. Celia soon has 3 friends (2 of which are potential love interests) and bounces well off the other characters. Snyder has included the obligatory 'popular crowd', but added unusual details to a few of the group's members that makes it interesting, and slightly more dangerous than your average 'death-by-gossip' group.
Starting from the beginning, this was one of those books I knew would capture my interest as soon as I read the first line:
<blockquote>"The dead man smiles at me."</blockquote>
The rest of this page draws me in further, and I went from there. An odd thing I liked (and noticed fairly early on) is that Celia doesn't ruin the first person narrative she's got going on by telling us what she looks like. It's good enough for me to know she's pretty enough to have a surfer dude boyfriend before she moves away, haha!
Coming back to the reader choices, I was a little startled when the first one came up, but that's just me not being used to it! I liked the sense of power I got from helping Celia make the 'right' choice. They were also placed really well within the story, at pivotal plot moments, so there wasn't too much or too little of them. There was only one (right at the end) that I thought was pointless, although having re-read the description on Goodreads, I now know that it's a vote the author wanted so as to establish reader preference on Celia's love interests. Lucky Cee!
I must admit, I did read all the alternative versions, so I can say that there are no 'red herrings'. Some choices lead you to the answer faster than others, and sometimes there'll be a quirky scene that comes with one choice, but is barely mentioned in the other. Without wanting to spoil anything, something key to the background knowledge of Donovan and Peyton's relationship is only mentioned in one of the choices. I haven't quite decided if this is a good thing yet - that little piece of knowledge was good to know, I thought!
Overall, Kira Snyder has built a great sense of anticipation between the main characters, and has set the foundation for future crime/mystery-solving. It was a brilliant book and I'll definitely be reading the next in the series.
This is the first 'Active Fiction' e-book I've read. It gives the reader an option of the direction they want the plot to take. The last time I read a book (let alone an e-book!) in any way similar to that was when I was about 10, reading an Enid Blyton <i>Famous Five</i> 'red herring' book. I was therefore really intrigued as to what to expect. Would there be red herrings? Would it make the book worse? Well, no and no, as it turns out. I'll get to that in a bit.
This is a brilliantly written story that centres around Celia, who has just lost her father and moved to New Orleans with her mum so she can get to know her father's side of the family. Celia soon has 3 friends (2 of which are potential love interests) and bounces well off the other characters. Snyder has included the obligatory 'popular crowd', but added unusual details to a few of the group's members that makes it interesting, and slightly more dangerous than your average 'death-by-gossip' group.
Starting from the beginning, this was one of those books I knew would capture my interest as soon as I read the first line:
<blockquote>"The dead man smiles at me."</blockquote>
The rest of this page draws me in further, and I went from there. An odd thing I liked (and noticed fairly early on) is that Celia doesn't ruin the first person narrative she's got going on by telling us what she looks like. It's good enough for me to know she's pretty enough to have a surfer dude boyfriend before she moves away, haha!
Coming back to the reader choices, I was a little startled when the first one came up, but that's just me not being used to it! I liked the sense of power I got from helping Celia make the 'right' choice. They were also placed really well within the story, at pivotal plot moments, so there wasn't too much or too little of them. There was only one (right at the end) that I thought was pointless, although having re-read the description on Goodreads, I now know that it's a vote the author wanted so as to establish reader preference on Celia's love interests. Lucky Cee!
I must admit, I did read all the alternative versions, so I can say that there are no 'red herrings'. Some choices lead you to the answer faster than others, and sometimes there'll be a quirky scene that comes with one choice, but is barely mentioned in the other. Without wanting to spoil anything, something key to the background knowledge of Donovan and Peyton's relationship is only mentioned in one of the choices. I haven't quite decided if this is a good thing yet - that little piece of knowledge was good to know, I thought!
Overall, Kira Snyder has built a great sense of anticipation between the main characters, and has set the foundation for future crime/mystery-solving. It was a brilliant book and I'll definitely be reading the next in the series.
Darren (1599 KP) rated Until Death (2007) in Movies
Jul 25, 2019
Story: Until Death starts as we see how Anthony Stowe (Van Damme) operates under his own addictions of heroin, sex alcohol which has put his career on the edge, his marriage in the drain and his enemy Gabriel Callaghan (Rea) is getting away with the crimes he wants.
When Gabriel catches up with Anthony, he puts a bullet in his skull leaving him for dead, only to leave him in a coma in which he shouldn’t recover from. 6 months later he awakens from his coma and is left to the care of his estranged wife Valerie (Giles), as he recovers it turns out he has changed becoming a better person and even more determined to track down Gabriel.
Thoughts on Until Death
Characters – Anthony Stowes is a dirty cop, hooked on heroin with enemies in the force and on the streets, the methods have made his hard to work with and his long running pursuit of Callaghan puts him in the firing line. After he gets shot and left for dead, he must recover, a process which see him changing to become a better man. Valerie is the wife that is about to divorce Anthony after years of problems between the two, after his injury she takes him in even though she has moved on with her life. Gabriel Callaghan is the ruthless mobster trying to get ahead in the city, he disposes of anyone that gets in his way and won’t let Stowe stop his plan.
Performances – We watch Van Damme movies to watch him kick ass, not because of his acting standards, he is good through the film as does give us a chance to work on his serious reactions, he doesn’t get to show the fighting enough though. Selina Giles does struggle with her role though, you never believe her acting in this role. Stephen Rea does seem to enjoy this villainous role where he can become darker as the film unfolds.
Story – The story follows a dirty cop that goes head to head with a crime boss only for his crashing life to be turned around by a near death experience. The pacing of the story is slow for my liking, we spend too much time with the bad version of Stowe and not enough on the reborn versions road to redemption, which is by the book. Granted we don’t need the deepest story here because we know what we are getting going into the film.
Action/Crime – The action is held back for the final act of the movie, which is fine, but when you have Van Damme in the leading role, you would expect more. The crime side of the film does play into the bigger picture of what is going on which give the characters the biggest part of the development they get.
Settings – The film uses New Orleans as the setting which is always a city used for dirty cop locations, it works well without being over used for the films backdrop.
Scene of the Movie – Final act is the saving grace of the film.
That Moment That Annoyed Me – The damn camera turns.
Final Thoughts – This is a typical Van Damme action movie, it tries to give us a serious side without being able to capture this and we are saved by a final act action sequence which is entertaining to watch.
Overall: Van Damme 101
When Gabriel catches up with Anthony, he puts a bullet in his skull leaving him for dead, only to leave him in a coma in which he shouldn’t recover from. 6 months later he awakens from his coma and is left to the care of his estranged wife Valerie (Giles), as he recovers it turns out he has changed becoming a better person and even more determined to track down Gabriel.
Thoughts on Until Death
Characters – Anthony Stowes is a dirty cop, hooked on heroin with enemies in the force and on the streets, the methods have made his hard to work with and his long running pursuit of Callaghan puts him in the firing line. After he gets shot and left for dead, he must recover, a process which see him changing to become a better man. Valerie is the wife that is about to divorce Anthony after years of problems between the two, after his injury she takes him in even though she has moved on with her life. Gabriel Callaghan is the ruthless mobster trying to get ahead in the city, he disposes of anyone that gets in his way and won’t let Stowe stop his plan.
Performances – We watch Van Damme movies to watch him kick ass, not because of his acting standards, he is good through the film as does give us a chance to work on his serious reactions, he doesn’t get to show the fighting enough though. Selina Giles does struggle with her role though, you never believe her acting in this role. Stephen Rea does seem to enjoy this villainous role where he can become darker as the film unfolds.
Story – The story follows a dirty cop that goes head to head with a crime boss only for his crashing life to be turned around by a near death experience. The pacing of the story is slow for my liking, we spend too much time with the bad version of Stowe and not enough on the reborn versions road to redemption, which is by the book. Granted we don’t need the deepest story here because we know what we are getting going into the film.
Action/Crime – The action is held back for the final act of the movie, which is fine, but when you have Van Damme in the leading role, you would expect more. The crime side of the film does play into the bigger picture of what is going on which give the characters the biggest part of the development they get.
Settings – The film uses New Orleans as the setting which is always a city used for dirty cop locations, it works well without being over used for the films backdrop.
Scene of the Movie – Final act is the saving grace of the film.
That Moment That Annoyed Me – The damn camera turns.
Final Thoughts – This is a typical Van Damme action movie, it tries to give us a serious side without being able to capture this and we are saved by a final act action sequence which is entertaining to watch.
Overall: Van Damme 101
Carma (21 KP) rated My Best Friend's Mardi Gras Wedding (Boys of the Bayou, #1) in Books
Jun 17, 2019
I have never wanted to move to Louisiana, ever. The bugs, the swamps, the heat and humidity, ugh. But after reading this latest installment by Ms Nicholas, I may just have to pack my bags and head south. Ohhhweeee this is a scorcher.
Tori was in New Orleans for Mardi Gras last year, her first vacation in a very long time. While in town she went to a bar where she met Josh. Josh was a typical southern boy, sweet talking, flirt that knew his way around a woman. Thinking his interest in her was just a game he was playing made flirting with him easy as she knew it would go no where, but it was too quick to have these kinds of feelings right? When he suggests meeting back in the same spot in one year if they were both still interested, to show her it wasnt just about a one-night stand, she accepts. Now it is Mardi Gras one year later and she is in town for her best friend Andrews wedding. Should she expose herself and see if he shows?
Josh has been mooning over Tori for a year and is making his way to the bar he worked at last year to see if she shows. He hopes she shows up, she has to, there is no other option. Making his way down Bourbon Street is another story though. At this rate he is going to use up his whole break just making it the few short blocks he needs to walk. Please be there!!!
Tori heads to the bar, with her Mardi Gras mask in place and sees who she thinks is Josh also with a mask on. He sees her and heads her way, calling out to her just before she kisses him. But wait, the kiss though familiar isnt the spark fire kiss that Josh gave her last year. She pulls back to find Andrew under the mask. After apologizing and explaining who she was looking for she finds out the Josh doesnt work there anymore but the let her know where she can find him. She heads out the next day to see if he is still interested in her.
Josh never imagined Tori would come looking for him after she failed to show up at the bar last night. When she arrives at his business he realizes she did show but they missed each other. He also learns about the mistaken kiss and why she is really in town. He doesnt care either way, he is just beyond the moon that Tori is back. He will do whatever it takes to make sure she never goes back to Iowa again.
Tori is used to being handled by Andrew, she tends to be irrational and embarrassing (well at least according to Andrew and her father) so when he tries to reign her in she goes along with it. Knowing Paisley (Andrews fiancé) has it in for her as well thinking she is secretly in love with Andrew isnt helping the situation at all. I wont go in to too much with Paisley and Andrew but I wanted to jump in the book and punch them both. Andrew preys on Toris vulnerability and makes her doubt herself constantly throughout the book. Josh knows he will need to make a big declaration to get Tori to just be herself and accept him and the life he wants to give her.
This book starts a new series, Boys of the Bayou which spins off from Boys of the Big Easy. You do not have to read these books in any order, they are good as standalones but there are character overlaps and some back stories mentioned that if you like to keep things in chronological order may irk you if read out of order. Once again the author give me a 5 star book to consume in rapid fashion. There are so many laugh out loud and real life moments in this book I couldnt even start listing them or this review would be 10 pages long. Just know that the secondary characters are all hysterical and I would love to follow them around in real life 24/7/365. I voluntarily read and advance reader copy without expectations for review. Any and all opinions expressed are my own. You are doing yourself a great disservice by not adding this to your bookshelf, ebook or however you get your next great reads in your hands. Go, go now, go quickly and enjoy.
Tori was in New Orleans for Mardi Gras last year, her first vacation in a very long time. While in town she went to a bar where she met Josh. Josh was a typical southern boy, sweet talking, flirt that knew his way around a woman. Thinking his interest in her was just a game he was playing made flirting with him easy as she knew it would go no where, but it was too quick to have these kinds of feelings right? When he suggests meeting back in the same spot in one year if they were both still interested, to show her it wasnt just about a one-night stand, she accepts. Now it is Mardi Gras one year later and she is in town for her best friend Andrews wedding. Should she expose herself and see if he shows?
Josh has been mooning over Tori for a year and is making his way to the bar he worked at last year to see if she shows. He hopes she shows up, she has to, there is no other option. Making his way down Bourbon Street is another story though. At this rate he is going to use up his whole break just making it the few short blocks he needs to walk. Please be there!!!
Tori heads to the bar, with her Mardi Gras mask in place and sees who she thinks is Josh also with a mask on. He sees her and heads her way, calling out to her just before she kisses him. But wait, the kiss though familiar isnt the spark fire kiss that Josh gave her last year. She pulls back to find Andrew under the mask. After apologizing and explaining who she was looking for she finds out the Josh doesnt work there anymore but the let her know where she can find him. She heads out the next day to see if he is still interested in her.
Josh never imagined Tori would come looking for him after she failed to show up at the bar last night. When she arrives at his business he realizes she did show but they missed each other. He also learns about the mistaken kiss and why she is really in town. He doesnt care either way, he is just beyond the moon that Tori is back. He will do whatever it takes to make sure she never goes back to Iowa again.
Tori is used to being handled by Andrew, she tends to be irrational and embarrassing (well at least according to Andrew and her father) so when he tries to reign her in she goes along with it. Knowing Paisley (Andrews fiancé) has it in for her as well thinking she is secretly in love with Andrew isnt helping the situation at all. I wont go in to too much with Paisley and Andrew but I wanted to jump in the book and punch them both. Andrew preys on Toris vulnerability and makes her doubt herself constantly throughout the book. Josh knows he will need to make a big declaration to get Tori to just be herself and accept him and the life he wants to give her.
This book starts a new series, Boys of the Bayou which spins off from Boys of the Big Easy. You do not have to read these books in any order, they are good as standalones but there are character overlaps and some back stories mentioned that if you like to keep things in chronological order may irk you if read out of order. Once again the author give me a 5 star book to consume in rapid fashion. There are so many laugh out loud and real life moments in this book I couldnt even start listing them or this review would be 10 pages long. Just know that the secondary characters are all hysterical and I would love to follow them around in real life 24/7/365. I voluntarily read and advance reader copy without expectations for review. Any and all opinions expressed are my own. You are doing yourself a great disservice by not adding this to your bookshelf, ebook or however you get your next great reads in your hands. Go, go now, go quickly and enjoy.
Bong Mines Entertainment (15 KP) rated Good Thing by Leon Bridges in Music
Jun 7, 2019
Leon Bridges is a talented R&B/soul singer outta Fort Worth, Texas. Not too long ago, he released his second studio album, entitled, “Good Thing”.
BET AIN’T WORTH THE HAND
The artist sings a beautiful ballad about leaving a rocky relationship. He doesn’t want to leave because he still sees hope in making it work.
The Natalie Rae-directed video begins with Bridges walking the street. He’s hurt. The following scenes show him relating to other people going through the same emotional pain he’s experiencing.
The artist knows that’s a risky move staying in a broken relationship. Also, he looks at the cards he’s dealt with and realizes his best is to move on.
BAD BAD NEWS
The artist switches speed and takes listeners on a funky ride. It’s disco time and he celebrates on the dancefloor. Also, being there isn’t easy. So, he has to fight his way through the crowd to make it to the front.
The Natalie Rae-directed video begins with a voluptuous woman walking inside a train station. She hears someone whistling so she heads in that direction, following the whistler.
Somehow, Bridges’ music overtakes her soul and she begins to follow its funky rhythm. In the end, it leads her to the guy who was whistling in the beginning.
The artist sings a triumphant song. He questions people trying to hold him in the back. But that’s not where he belongs. So, he moves up front and kills them with style and grace.
SHY
The artist addresses a shy woman that he’s in love with. Also, he assures her that it doesn’t matter if she’s shy. He doesn’t care about her shyness because he’s into her.
BEYOND
Bridges is deep in love with the shy woman. Everything is moving fast. Also, he wants to slow things down but he can’t. Because of that, he’s scared to death that she might be the one.
FORGIVE YOU
The artist sings the blues. He admits he played the fool in the relationship where his girl took advantage of his kindness. But he forgives her even though it’s hard to. Also, his friends warned him not to be so gullible.
LIONS
The aftermath of experiencing bad love has Bridges feeling like a thirsty lion. But through his trials and tribulations, he remains true to himself. Also, he refuses to conform to who the woman wants him to be.
IF IT FEELS GOOD (THEN IT MUST BE)
The artist removes the bad love aura and freshens the air with truth and honesty. Also, he perfumes the dancefloor with a splash of funkiness and rhythm and blues.
He wants the mysterious lady bad. So, he tells her to let her guards down and enjoy herself. He doesn’t want her to act so seriously.
YOU DON’T KNOW
The artist continues dancing in the name of love. He’s head over heels for the woman in his life and he wants the world to know that. Also, he wants her to stop thinking because their loving might not go down if she continues to do so.
MRS.
The artist addresses his love and hate relationship with his girl. When they’re good they’re good, but when they’re bad they’re really bad. Also, whenever she shows him affection, he remembers that she still loves him.
GEORGIA TO TEXAS
The artist sings about his mother carrying him in her womb, while his father drove them from Atlanta to Texas. But years later, he admits that adapting to his surrounding wasn’t easy.
Apparently, the 504 black girl is Bridges’ mother, Lisa Sawyer. The number 504 is the area code where she’s from in New Orleans, Lousiana.
CONCLUSION
Leon Bridges’ “Good Thing” is a classic album perfumed with soul ballads, spicy topics, and danceable tunes. Its soulful sound is the perfect soundtrack for those who have loved and lost, and those who are in love for the very first time. It’s romantic, celebratory, with lush experiences. Also, it takes listeners on an emotional journey through the hills and valleys where love dwells.
https://www.bongminesentertainment.com/leon-bridges-good-thing/
BET AIN’T WORTH THE HAND
The artist sings a beautiful ballad about leaving a rocky relationship. He doesn’t want to leave because he still sees hope in making it work.
The Natalie Rae-directed video begins with Bridges walking the street. He’s hurt. The following scenes show him relating to other people going through the same emotional pain he’s experiencing.
The artist knows that’s a risky move staying in a broken relationship. Also, he looks at the cards he’s dealt with and realizes his best is to move on.
BAD BAD NEWS
The artist switches speed and takes listeners on a funky ride. It’s disco time and he celebrates on the dancefloor. Also, being there isn’t easy. So, he has to fight his way through the crowd to make it to the front.
The Natalie Rae-directed video begins with a voluptuous woman walking inside a train station. She hears someone whistling so she heads in that direction, following the whistler.
Somehow, Bridges’ music overtakes her soul and she begins to follow its funky rhythm. In the end, it leads her to the guy who was whistling in the beginning.
The artist sings a triumphant song. He questions people trying to hold him in the back. But that’s not where he belongs. So, he moves up front and kills them with style and grace.
SHY
The artist addresses a shy woman that he’s in love with. Also, he assures her that it doesn’t matter if she’s shy. He doesn’t care about her shyness because he’s into her.
BEYOND
Bridges is deep in love with the shy woman. Everything is moving fast. Also, he wants to slow things down but he can’t. Because of that, he’s scared to death that she might be the one.
FORGIVE YOU
The artist sings the blues. He admits he played the fool in the relationship where his girl took advantage of his kindness. But he forgives her even though it’s hard to. Also, his friends warned him not to be so gullible.
LIONS
The aftermath of experiencing bad love has Bridges feeling like a thirsty lion. But through his trials and tribulations, he remains true to himself. Also, he refuses to conform to who the woman wants him to be.
IF IT FEELS GOOD (THEN IT MUST BE)
The artist removes the bad love aura and freshens the air with truth and honesty. Also, he perfumes the dancefloor with a splash of funkiness and rhythm and blues.
He wants the mysterious lady bad. So, he tells her to let her guards down and enjoy herself. He doesn’t want her to act so seriously.
YOU DON’T KNOW
The artist continues dancing in the name of love. He’s head over heels for the woman in his life and he wants the world to know that. Also, he wants her to stop thinking because their loving might not go down if she continues to do so.
MRS.
The artist addresses his love and hate relationship with his girl. When they’re good they’re good, but when they’re bad they’re really bad. Also, whenever she shows him affection, he remembers that she still loves him.
GEORGIA TO TEXAS
The artist sings about his mother carrying him in her womb, while his father drove them from Atlanta to Texas. But years later, he admits that adapting to his surrounding wasn’t easy.
Apparently, the 504 black girl is Bridges’ mother, Lisa Sawyer. The number 504 is the area code where she’s from in New Orleans, Lousiana.
CONCLUSION
Leon Bridges’ “Good Thing” is a classic album perfumed with soul ballads, spicy topics, and danceable tunes. Its soulful sound is the perfect soundtrack for those who have loved and lost, and those who are in love for the very first time. It’s romantic, celebratory, with lush experiences. Also, it takes listeners on an emotional journey through the hills and valleys where love dwells.
https://www.bongminesentertainment.com/leon-bridges-good-thing/
Cyn Armistead (14 KP) rated Moon Fever (Includes: Primes, #6.5) in Books
Mar 1, 2018
This was one of those "I finished the last thing I was reading and I'm bored, what's already loaded on the iTouch?" reads. It was on there because the anthology includes [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg]'s "Cobwebs Over the Moon" (Nightcreatures, #10) and I read all of that series a while back. I didn't care to read the rest of the anthology at the time, but I hadn't gotten around to deleting the book. Ah, happy digital packrat am I!
If I've read anything by [a:Susan Sizemore|88608|Susan Sizemore|http://photo.goodreads.com/authors/1254303347p2/88608.jpg] other than "Tempting Fate" (Primes #6.5), it was eminently forgettable. I'm absolutely sure that I haven't read anything else in her <a href="http://www.goodreads.com/series/41947-primes">Primes</a>; series, because I probably would have thrown said material firmly into the nearest hard surface (or whatever the equivalent is with bytes) because of the insanely annoying number of times Sizemore feels it necessary to remind us that her vampires are Primes! Alpha Primes! They are! Really! And that means they fight a lot! Especially over women! Otherwise, it's a Mary Jane story set in New Orleans. I have a strong feeling that most of the Primes series is Mary Jane-ish, but I may at some point be trapped and forced with the prospect of staring at the inside of my eyeballs or reading more of Sizemore's stuff. I'm not sure which would be worse right now. I'll get back to you on that.
"The Darkness Within" by [a:Maggie Shayne|17064|Maggie Shayne|http://photo.goodreads.com/authors/1215028948p2/17064.jpg] feels terribly familiar, although I'm sure I haven't read it before. I have, however, read other Shayne novellas in other anthologies, and this story follows a familiar pattern. Sexy gal who doesn't think she's attractive has had a run of hard luck and may lose the house she has bought relatively recently and loves. Said house has a spooky past that she didn't know about when she bought it. Stalwart too-sexy-for-her man gets involved somehow, preferably in a way that allows her to question his motives. They are inexplicably drawn to each other and screw like bunnies (or near as makes no difference), then blame their lapse in judgement on whatever weirdness is going on in the house. (Yep, that's what they all say - and no safer sex anywhere! Does paranormal activity preclude discussion of sexual history and prevent STD transmission?)
"Cobwebs Over the Moon" by [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg] (<a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>;, #10) isn't the most logical entry in that series. Neither is it the most illogical - but by the tenth entry, the series' mythology has gotten a bit ridiculous, so I don't know why I even bother bringing up something as irrelevant as logic. Silly me! In every book, we're introduced to a woman who is in some way tangled up with werewolves, then to a man who is tangled up with her and/or the creatures and, of course, whose loyalties are uncertain. There is always an element of danger to add spice to the romance that has to grow between the two. The formula never changes at all. There are always evil werewolves, but sometimes there are also good ones. If you like predictability in your paranormal romance, <a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>; is a great series for you.
I suppose [a:Caridad Piñeiro|2944621|Caridad Piñeiro|http://photo.goodreads.com/authors/1305975476p2/2944621.jpg]'s "Crazy for the Cat" isn't technically any better or worse than any of the other three stories. There's more variety in the shapeshifting and the main setting is the Amazon jungle. I couldn't get past the bigotry and colonialism, though. Dark is bad, light is good, of course! Those poor benighted natives couldn't possibly handle a few rogues without that white woman, could they? Spare me.
If I've read anything by [a:Susan Sizemore|88608|Susan Sizemore|http://photo.goodreads.com/authors/1254303347p2/88608.jpg] other than "Tempting Fate" (Primes #6.5), it was eminently forgettable. I'm absolutely sure that I haven't read anything else in her <a href="http://www.goodreads.com/series/41947-primes">Primes</a>; series, because I probably would have thrown said material firmly into the nearest hard surface (or whatever the equivalent is with bytes) because of the insanely annoying number of times Sizemore feels it necessary to remind us that her vampires are Primes! Alpha Primes! They are! Really! And that means they fight a lot! Especially over women! Otherwise, it's a Mary Jane story set in New Orleans. I have a strong feeling that most of the Primes series is Mary Jane-ish, but I may at some point be trapped and forced with the prospect of staring at the inside of my eyeballs or reading more of Sizemore's stuff. I'm not sure which would be worse right now. I'll get back to you on that.
"The Darkness Within" by [a:Maggie Shayne|17064|Maggie Shayne|http://photo.goodreads.com/authors/1215028948p2/17064.jpg] feels terribly familiar, although I'm sure I haven't read it before. I have, however, read other Shayne novellas in other anthologies, and this story follows a familiar pattern. Sexy gal who doesn't think she's attractive has had a run of hard luck and may lose the house she has bought relatively recently and loves. Said house has a spooky past that she didn't know about when she bought it. Stalwart too-sexy-for-her man gets involved somehow, preferably in a way that allows her to question his motives. They are inexplicably drawn to each other and screw like bunnies (or near as makes no difference), then blame their lapse in judgement on whatever weirdness is going on in the house. (Yep, that's what they all say - and no safer sex anywhere! Does paranormal activity preclude discussion of sexual history and prevent STD transmission?)
"Cobwebs Over the Moon" by [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg] (<a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>;, #10) isn't the most logical entry in that series. Neither is it the most illogical - but by the tenth entry, the series' mythology has gotten a bit ridiculous, so I don't know why I even bother bringing up something as irrelevant as logic. Silly me! In every book, we're introduced to a woman who is in some way tangled up with werewolves, then to a man who is tangled up with her and/or the creatures and, of course, whose loyalties are uncertain. There is always an element of danger to add spice to the romance that has to grow between the two. The formula never changes at all. There are always evil werewolves, but sometimes there are also good ones. If you like predictability in your paranormal romance, <a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>; is a great series for you.
I suppose [a:Caridad Piñeiro|2944621|Caridad Piñeiro|http://photo.goodreads.com/authors/1305975476p2/2944621.jpg]'s "Crazy for the Cat" isn't technically any better or worse than any of the other three stories. There's more variety in the shapeshifting and the main setting is the Amazon jungle. I couldn't get past the bigotry and colonialism, though. Dark is bad, light is good, of course! Those poor benighted natives couldn't possibly handle a few rogues without that white woman, could they? Spare me.
Purple Phoenix Games (2266 KP) rated Top Pop in Tabletop Games
Jul 22, 2021
THANK YOU, TALON STRIKES STUDIOS! I recently moved from Illinois to Tennessee (where things are mostly “Coke”) and I have always grown up calling soft drinks “pop,” so when I saw a group was creating a game using the proper terminology, I jumped at the chance. Stackable bottlecaps AND a bidding mechanic? I’m so in. This may not be everyone’s jam, but it’s working for me!
Top Pop is a 2-5 player (well, I would say 3-5) card game of market penetration and territory influence. In it, players are representatives of rival pop manufacturers bent on skyrocketing their company’s popularity in various major cities across the country. The winning rep is they who can diversify their influence and hit influential cities hard and often.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup a game of Top Pop, refer to the rulebook to determine the starting resources per number of players. Each game is setup differently depending on how many players are involved. Shuffle the deck of city cards, and if using the optional City Power or Scenario variants, place these cards on the table for all to access as well. Each player chooses a color, receives the appropriate starting resources and the game is ready to begin!
On the active player’s turn, they will complete the following steps: Collect City Cards, Play a City Card, Take Caps, Place Stacks, and then Draw a Card. The first turn of the game Collect City Cards is skipped, but after that, each card the active player owns the largest stack of tops on they will collect. Caps that were stacked on the card are redistributed depending on where the card was placed (in front of the active player or a rival player). Next, the player will Play a City Card from their hand either in front of themselves or in front of a rival player. This is an important step to consider because once a card has been claimed then caps are distributed according to card placement, as referenced in the first step. Also noteworthy here is that if a card is placed in front of a rival, the active player takes one of said rival’s caps (Take Caps) from the bank of caps in the middle of table as well as a cap of the active player’s choice.
Now that the active player presumably has some caps with which to play, they Place Stacks on any City Card(s) they wish. The stacks of caps need to be the tallest stack on the card, must include a cap of the same color of the player who currently owns the highest stack, and must also be topped with a cap of the active player’s color. Any amount of caps may be added to a City Card in order to achieve these requirements, and the active player may place stacks on any number of City Cards in play. Once the active player has placed all caps they wish, they must then Draw a Card and prepare for their next turn.
As City Cards are played, caps placed out in stacks, and players winning bids on cards, players are jockeying for endgame points. The game ends after a player collects their sixth City Card and every other player has a chance to spend their remaining caps to claim cards. At the end of the game, points are awarded for having simple majority in each city as well as points for collecting a more diversified set of City Cards. The player with the most points scored at the end of the game wins!
Components. Again, this is a prototype copy of the game, so components are in no way final. Most notably, the final copies of Top Pop will include nice plastic stackable bottlecaps that look way better than the painted wooden discs (which for a prototype, are actually quite nice). The City Cards look and feel complete to me, and are pretty impressive. I like the art quite a bit and the game’s style is spot on. I am very excited to see how this one ends up, and I think gamers will love handling the finished bottlecaps.
There is a lot going on here that is hard to put into words. I played this solely three-player and included the City Powers with a few Scenarios (Kickstarter exclusives, I understand). I found the base game to be very good, but adding in those optional rules really makes it pop for me (I know you saw what I did there). Every player is constantly engaged throughout, and the tactical play always has me considering tons of options. I would not necessarily want to play this with extremely AP-prone players, but it is quick enough to include them as well from time to time.
What I like most about Top Pop, in addition to the overall aesthetic (even in the prototype), is the tactics in watching what other players are collecting, where the cards are placed, and cross-referencing all that with your personal bottlecap economy. There are just so many things to consider on each turn that makes me hungry for more and more plays. I say this a lot, but when I think about a game and ways I would attack it differently outside of the game session, that is a mark of a great game to me. And this one is a great game to me.
If you are looking for a uniquely-themed bidding card game with (promised) excellent components, I urge you to check out the Kickstarter campaign, which ends August 7, 2021. And on a personal note, I’m so excited to have both Chicago and New Orleans in this game. Two of my favorite cities in the world!
Top Pop is a 2-5 player (well, I would say 3-5) card game of market penetration and territory influence. In it, players are representatives of rival pop manufacturers bent on skyrocketing their company’s popularity in various major cities across the country. The winning rep is they who can diversify their influence and hit influential cities hard and often.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup a game of Top Pop, refer to the rulebook to determine the starting resources per number of players. Each game is setup differently depending on how many players are involved. Shuffle the deck of city cards, and if using the optional City Power or Scenario variants, place these cards on the table for all to access as well. Each player chooses a color, receives the appropriate starting resources and the game is ready to begin!
On the active player’s turn, they will complete the following steps: Collect City Cards, Play a City Card, Take Caps, Place Stacks, and then Draw a Card. The first turn of the game Collect City Cards is skipped, but after that, each card the active player owns the largest stack of tops on they will collect. Caps that were stacked on the card are redistributed depending on where the card was placed (in front of the active player or a rival player). Next, the player will Play a City Card from their hand either in front of themselves or in front of a rival player. This is an important step to consider because once a card has been claimed then caps are distributed according to card placement, as referenced in the first step. Also noteworthy here is that if a card is placed in front of a rival, the active player takes one of said rival’s caps (Take Caps) from the bank of caps in the middle of table as well as a cap of the active player’s choice.
Now that the active player presumably has some caps with which to play, they Place Stacks on any City Card(s) they wish. The stacks of caps need to be the tallest stack on the card, must include a cap of the same color of the player who currently owns the highest stack, and must also be topped with a cap of the active player’s color. Any amount of caps may be added to a City Card in order to achieve these requirements, and the active player may place stacks on any number of City Cards in play. Once the active player has placed all caps they wish, they must then Draw a Card and prepare for their next turn.
As City Cards are played, caps placed out in stacks, and players winning bids on cards, players are jockeying for endgame points. The game ends after a player collects their sixth City Card and every other player has a chance to spend their remaining caps to claim cards. At the end of the game, points are awarded for having simple majority in each city as well as points for collecting a more diversified set of City Cards. The player with the most points scored at the end of the game wins!
Components. Again, this is a prototype copy of the game, so components are in no way final. Most notably, the final copies of Top Pop will include nice plastic stackable bottlecaps that look way better than the painted wooden discs (which for a prototype, are actually quite nice). The City Cards look and feel complete to me, and are pretty impressive. I like the art quite a bit and the game’s style is spot on. I am very excited to see how this one ends up, and I think gamers will love handling the finished bottlecaps.
There is a lot going on here that is hard to put into words. I played this solely three-player and included the City Powers with a few Scenarios (Kickstarter exclusives, I understand). I found the base game to be very good, but adding in those optional rules really makes it pop for me (I know you saw what I did there). Every player is constantly engaged throughout, and the tactical play always has me considering tons of options. I would not necessarily want to play this with extremely AP-prone players, but it is quick enough to include them as well from time to time.
What I like most about Top Pop, in addition to the overall aesthetic (even in the prototype), is the tactics in watching what other players are collecting, where the cards are placed, and cross-referencing all that with your personal bottlecap economy. There are just so many things to consider on each turn that makes me hungry for more and more plays. I say this a lot, but when I think about a game and ways I would attack it differently outside of the game session, that is a mark of a great game to me. And this one is a great game to me.
If you are looking for a uniquely-themed bidding card game with (promised) excellent components, I urge you to check out the Kickstarter campaign, which ends August 7, 2021. And on a personal note, I’m so excited to have both Chicago and New Orleans in this game. Two of my favorite cities in the world!
Lee (2222 KP) Aug 12, 2018
NerdGeek (155 KP) Aug 12, 2018