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John Bailey recommended Paisan (Paisà) (1948) in Movies (curated)
John Bailey recommended Germany Year Zero (1948) in Movies (curated)
John Bailey recommended The Rules of the Game (1939) in Movies (curated)
Perry Larkin (8 KP) rated Rainbow by Kesha in Music
Dec 12, 2017
I wasn't sold on this album by my first listen, but with time every song grows on you as a favorite. Watching Kesha live really sold me a few songs I didn't understand. Learning that her mom is also a songwriter and that they wrote songs like Hymn together to talk about how Kesha felt growing up as an outsider gives a new appreciation. Praying is the anthem she needed to tell the world how she feels still waiting to triumph over her struggles. In a time of the "me too" wave, let's all just put on the song Woman and blast it. Boots and Boogie Feet are the songs a Kesha fan is looknig for when they want to shake it out and hit the dance floor. Learn To Let Go is also another anthem in Kesha's struggles, but it speaks to everyone for any daily pain or major life obstacle. Thank You Kesha, Rainbow in my top three albums of the year.
John Bailey recommended The 400 Blows (1959) in Movies (curated)
Young Jean Lee recommended Touki Bouki (1973) in Movies (curated)
Jeremy Workman recommended Blast of Silence (1961) in Movies (curated)
Awix (3310 KP) rated Seberg (2019) in Movies
Jan 14, 2020
Tonally awkward drama-thriller hybrid about the troubled life of 60s film star Jean Seberg (ask your grandparents, probably). Didn't know much about her (actually thought she was French), expected something arty and significant about the French New Wave - actually this borders on being another film about the Plight of Black America. Seberg (Kristen Stewart, watchable as usual) strives for significance, gets mixed up with the civil rights movement, finds herself surveilled and then tormented by the FBI.
Starts off quite interesting - Seberg is largely a forgotten figure nowadays, so the story is obscure - but as the thriller elements recede and it becomes more of a downbeat drama, the vitality and interest of the movie fades somewhat. If there is an irony in Stewart choosing to play a movie star looking to be more than just a pretty face in commercial schlock, the movie seems unaware of it. Pretty good performances, especially from Vince Vaughn (now quite well-established as a character heavy), but fizzles out a bit.
Starts off quite interesting - Seberg is largely a forgotten figure nowadays, so the story is obscure - but as the thriller elements recede and it becomes more of a downbeat drama, the vitality and interest of the movie fades somewhat. If there is an irony in Stewart choosing to play a movie star looking to be more than just a pretty face in commercial schlock, the movie seems unaware of it. Pretty good performances, especially from Vince Vaughn (now quite well-established as a character heavy), but fizzles out a bit.