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Hazel (1853 KP) rated Clover Moon in Books
May 24, 2017
A Victorian Story
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Although now in her seventies, the Nation’s favourite children’s author, Dame Jacqueline Wilson, is continuing to write after surpassing one hundred novels. Many children (mostly girls) grow up reading her stories, myself being amongst that number. Even my sister, who hated reading, purchased a number of her books. It has been well over a decade since I last read a Jacqueline Wilson, however after seeing her latest novel was available for review, I thought I would give it a go.
Clover Moon is set in poverty-stricken Victorian London, where eleven-year-old Clover, the eldest of six siblings, lives with her father and stepmother. Like many stepmother’s in children’s literature, Clover’s treats her like a slave – a position she is destined to stay in unless she gets a job in a factory. With no school to attend, Clover becomes a second mother to her younger brother’s and sisters, yet nothing can prepare her for the devastating impact a wave of Scarlet Fever brings. With only an old doll maker who cares about her, Clover is desperate to get out of her situation; so after a chance meeting with an artist who tells her about a home for destitute girls, Clover decides to seek out the help and life she deserves.
Although only eleven, Clover has the responsibilities of someone of a more mature age. It is hard to imagine sending a child out to work, or trusting them to look after a newborn baby. Children reading this book will learn the difference between their lives and the life of a child in the 1800s.
As always, Jacqueline Wilson gives her main character a happy ending – although in this instance it still remains a bit uncertain. Despite the horrible circumstances, Wilson manages to pump her story full of enthusiastic optimism, thus portraying Clover as a strong, determined heroine.
Most of Jacqueline Wilson’s earlier books were set in the present day; there were still unhappy situations, but the settings were based on ideas the reader would be familiar with. In the case of Clover Moon, unless children have been educated about the poor in Victorian England, it is unlikely that they will be able to fully comprehend Clover’s predicament. As a result, the book is more suitable for young teenagers than the usual target audience of eight to twelve year olds.
Comparing my memories of Jacqueline Wilson books I read as a child with her latest publication, Clover Moon felt like something different; a new direction. As I have not read any of her work between the early 2000s and now, I am not sure when this change occurred, but it feels as though Wilson is delving deeper into her main character’s thoughts and feelings, and creating a more insightful storyline. On the other hand, I may simply be more intuitive as an adult than I was a child.
Although Clover Moon did not turn out to be the style of writing I was expecting I thoroughly enjoyed it. In fact, this difference made it possible to distance myself from the author’s renown, and treat it as an individual story. Clover is an admirable character who, through her narration, provides both an entertaining story and brief historical education. Fans of Jacqueline Wilson will not be disappointed with this latest publication; and if you are a new reader, Clover Moon is a great place to start.
Although now in her seventies, the Nation’s favourite children’s author, Dame Jacqueline Wilson, is continuing to write after surpassing one hundred novels. Many children (mostly girls) grow up reading her stories, myself being amongst that number. Even my sister, who hated reading, purchased a number of her books. It has been well over a decade since I last read a Jacqueline Wilson, however after seeing her latest novel was available for review, I thought I would give it a go.
Clover Moon is set in poverty-stricken Victorian London, where eleven-year-old Clover, the eldest of six siblings, lives with her father and stepmother. Like many stepmother’s in children’s literature, Clover’s treats her like a slave – a position she is destined to stay in unless she gets a job in a factory. With no school to attend, Clover becomes a second mother to her younger brother’s and sisters, yet nothing can prepare her for the devastating impact a wave of Scarlet Fever brings. With only an old doll maker who cares about her, Clover is desperate to get out of her situation; so after a chance meeting with an artist who tells her about a home for destitute girls, Clover decides to seek out the help and life she deserves.
Although only eleven, Clover has the responsibilities of someone of a more mature age. It is hard to imagine sending a child out to work, or trusting them to look after a newborn baby. Children reading this book will learn the difference between their lives and the life of a child in the 1800s.
As always, Jacqueline Wilson gives her main character a happy ending – although in this instance it still remains a bit uncertain. Despite the horrible circumstances, Wilson manages to pump her story full of enthusiastic optimism, thus portraying Clover as a strong, determined heroine.
Most of Jacqueline Wilson’s earlier books were set in the present day; there were still unhappy situations, but the settings were based on ideas the reader would be familiar with. In the case of Clover Moon, unless children have been educated about the poor in Victorian England, it is unlikely that they will be able to fully comprehend Clover’s predicament. As a result, the book is more suitable for young teenagers than the usual target audience of eight to twelve year olds.
Comparing my memories of Jacqueline Wilson books I read as a child with her latest publication, Clover Moon felt like something different; a new direction. As I have not read any of her work between the early 2000s and now, I am not sure when this change occurred, but it feels as though Wilson is delving deeper into her main character’s thoughts and feelings, and creating a more insightful storyline. On the other hand, I may simply be more intuitive as an adult than I was a child.
Although Clover Moon did not turn out to be the style of writing I was expecting I thoroughly enjoyed it. In fact, this difference made it possible to distance myself from the author’s renown, and treat it as an individual story. Clover is an admirable character who, through her narration, provides both an entertaining story and brief historical education. Fans of Jacqueline Wilson will not be disappointed with this latest publication; and if you are a new reader, Clover Moon is a great place to start.
Hazel (1853 KP) rated Clover Moon in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Although now in her seventies, the Nation’s favourite children’s author, Dame Jacqueline Wilson, is continuing to write after surpassing one hundred novels. Many children (mostly girls) grow up reading her stories, myself being amongst that number. Even my sister, who hated reading, purchased a number of her books. It has been well over a decade since I last read a Jacqueline Wilson, however after seeing her latest novel was available for review, I thought I would give it a go.
<i>Clover Moon</i> is set in poverty-stricken Victorian London, where eleven-year-old Clover, the eldest of six siblings, lives with her father and stepmother. Like many stepmother’s in children’s literature, Clover’s treats her like a slave – a position she is destined to stay in unless she gets a job in a factory. With no school to attend, Clover becomes a second mother to her younger brother’s and sisters, yet nothing can prepare her for the devastating impact a wave of Scarlet Fever brings. With only an old doll maker who cares about her, Clover is desperate to get out of her situation; so after a chance meeting with an artist who tells her about a home for destitute girls, Clover decides to seek out the help and life she deserves.
Although only eleven, Clover has the responsibilities of someone of a more mature age. It is hard to imagine sending a child out to work, or trusting them to look after a newborn baby. Children reading this book will learn the difference between their lives and the life of a child in the 1800s.
As always, Jacqueline Wilson gives her main character a happy ending – although in this instance it still remains a bit uncertain. Despite the horrible circumstances, Wilson manages to pump her story full of enthusiastic optimism, thus portraying Clover as a strong, determined heroine.
Most of Jacqueline Wilson’s earlier books were set in the present day; there were still unhappy situations, but the settings were based on ideas the reader would be familiar with. In the case of <i>Clover Moon</i>, unless children have been educated about the poor in Victorian England, it is unlikely that they will be able to fully comprehend Clover’s predicament. As a result, the book is more suitable for young teenagers than the usual target audience of eight to twelve year olds.
Comparing my memories of Jacqueline Wilson books I read as a child with her latest publication, <i>Clover Moon</i> felt like something different; a new direction. As I have not read any of her work between the early 2000s and now, I am not sure when this change occurred, but it feels as though Wilson is delving deeper into her main character’s thoughts and feelings, and creating a more insightful storyline. On the other hand, I may simply be more intuitive as an adult than I was a child.
Although <i>Clover Moon</i> did not turn out to be the style of writing I was expecting I thoroughly enjoyed it. In fact, this difference made it possible to distance myself from the author’s renown, and treat it as an individual story. Clover is an admirable character who, through her narration, provides both an entertaining story and brief historical education. Fans of Jacqueline Wilson will not be disappointed with this latest publication; and if you are a new reader, <i>Clover Moon</i> is a great place to start.
Although now in her seventies, the Nation’s favourite children’s author, Dame Jacqueline Wilson, is continuing to write after surpassing one hundred novels. Many children (mostly girls) grow up reading her stories, myself being amongst that number. Even my sister, who hated reading, purchased a number of her books. It has been well over a decade since I last read a Jacqueline Wilson, however after seeing her latest novel was available for review, I thought I would give it a go.
<i>Clover Moon</i> is set in poverty-stricken Victorian London, where eleven-year-old Clover, the eldest of six siblings, lives with her father and stepmother. Like many stepmother’s in children’s literature, Clover’s treats her like a slave – a position she is destined to stay in unless she gets a job in a factory. With no school to attend, Clover becomes a second mother to her younger brother’s and sisters, yet nothing can prepare her for the devastating impact a wave of Scarlet Fever brings. With only an old doll maker who cares about her, Clover is desperate to get out of her situation; so after a chance meeting with an artist who tells her about a home for destitute girls, Clover decides to seek out the help and life she deserves.
Although only eleven, Clover has the responsibilities of someone of a more mature age. It is hard to imagine sending a child out to work, or trusting them to look after a newborn baby. Children reading this book will learn the difference between their lives and the life of a child in the 1800s.
As always, Jacqueline Wilson gives her main character a happy ending – although in this instance it still remains a bit uncertain. Despite the horrible circumstances, Wilson manages to pump her story full of enthusiastic optimism, thus portraying Clover as a strong, determined heroine.
Most of Jacqueline Wilson’s earlier books were set in the present day; there were still unhappy situations, but the settings were based on ideas the reader would be familiar with. In the case of <i>Clover Moon</i>, unless children have been educated about the poor in Victorian England, it is unlikely that they will be able to fully comprehend Clover’s predicament. As a result, the book is more suitable for young teenagers than the usual target audience of eight to twelve year olds.
Comparing my memories of Jacqueline Wilson books I read as a child with her latest publication, <i>Clover Moon</i> felt like something different; a new direction. As I have not read any of her work between the early 2000s and now, I am not sure when this change occurred, but it feels as though Wilson is delving deeper into her main character’s thoughts and feelings, and creating a more insightful storyline. On the other hand, I may simply be more intuitive as an adult than I was a child.
Although <i>Clover Moon</i> did not turn out to be the style of writing I was expecting I thoroughly enjoyed it. In fact, this difference made it possible to distance myself from the author’s renown, and treat it as an individual story. Clover is an admirable character who, through her narration, provides both an entertaining story and brief historical education. Fans of Jacqueline Wilson will not be disappointed with this latest publication; and if you are a new reader, <i>Clover Moon</i> is a great place to start.
Gareth von Kallenbach (980 KP) rated Unfriended (2014) in Movies
Jun 19, 2019
In the modern age of electronic media, cyber stalking and cyber bullying have driven several young people to take drastic actions including suicide. Bullying has always been an issue in schools but with the ability for tormentors to cyber stalk individuals as well as encourage others to take part in the harassment, it can be hard to find any escape from the relentless attacks. In new film “Unfriended”, the audience learns through video clip that a young student named Laura committed suicide in an attempt to escape a never-ending wave of torment after an unflattering video of her was posted online. One year later the group of friends gather online as is their custom to discuss their lives as well as note the anniversary of Laura’s passing. As the group gathers on Skype may notice a mysterious and unknown person has joined their conference. Despite their attempts they’re unable to get rid of this unknown and so far silent intruder, but one of the girls named Claire starts to receive Facebook messages from Laura’s personal account. Unable to block, ignore, or remove this unwanted individual despite their best efforts, as the group soon find the tables have turned when they’re told that if they should leave the chat dire consequences will follow. At first dismissed as a very tasteless practical joke, when tragedy does strike it begins to give a new level of credence to the significant threat that their unknown chat partner provides.
When the unknown guest reveals that she is indeed Laura and begins to force the remaining students to play a series of games which in turn bring their darkest and deepest secrets to light as well as turning them against one another, the despair and eventually body count begins to rise. While there are moments you can ask questions such as where are the adults in the film which are never really addressed aside from a few police officers, the film does keep you interested even though it is presented entirely through a computer screen with each individual appearing as their own individual windows with other social media applications and computer screens coming and going as the plot dictates.
The film is neither as scary nor violent as one may indicate although it is definitely an R-rated film due to language and subject matter. Much of the graphic nature is shown through quick cutting and low-quality WebCam video that cuts out frequently or lags. The main strength of the film is that it takes an interesting concept to the approach of a killer looking for revenge. The fact that the characters remain in the same room in which they began and never once have any direct contact with each other is an interesting microcosm of how many young people today socialize more through electronics than they do in a face-to-face setting. However is anybody who grew up in the 70s and 80s will tell you, teens tying up phone lines for hours was a common occurrence in many homes throughout the world.
With the cast comprised mostly of unknowns, the film does the best with its premise but never fully develops the scares and suspense that one would expect from such an intriguing premise.
In the end the film can be a difficult watch but at least provides some entertainment for fans provided you can sit through the unusual visual presentation of the film and show patience with some of the leaps of faith that the audience is asked to undergo.
http://sknr.net/2015/04/17/unfriended/
When the unknown guest reveals that she is indeed Laura and begins to force the remaining students to play a series of games which in turn bring their darkest and deepest secrets to light as well as turning them against one another, the despair and eventually body count begins to rise. While there are moments you can ask questions such as where are the adults in the film which are never really addressed aside from a few police officers, the film does keep you interested even though it is presented entirely through a computer screen with each individual appearing as their own individual windows with other social media applications and computer screens coming and going as the plot dictates.
The film is neither as scary nor violent as one may indicate although it is definitely an R-rated film due to language and subject matter. Much of the graphic nature is shown through quick cutting and low-quality WebCam video that cuts out frequently or lags. The main strength of the film is that it takes an interesting concept to the approach of a killer looking for revenge. The fact that the characters remain in the same room in which they began and never once have any direct contact with each other is an interesting microcosm of how many young people today socialize more through electronics than they do in a face-to-face setting. However is anybody who grew up in the 70s and 80s will tell you, teens tying up phone lines for hours was a common occurrence in many homes throughout the world.
With the cast comprised mostly of unknowns, the film does the best with its premise but never fully develops the scares and suspense that one would expect from such an intriguing premise.
In the end the film can be a difficult watch but at least provides some entertainment for fans provided you can sit through the unusual visual presentation of the film and show patience with some of the leaps of faith that the audience is asked to undergo.
http://sknr.net/2015/04/17/unfriended/
Gareth von Kallenbach (980 KP) rated 1968 Tunnel Rats (2009) in Movies
Aug 14, 2019
It is no secret that many films have often tried to convey the true horrors of war. Films ranging from “Platoon”, “Saving Private Ryan”, and “Apocalypse Now”, have attempted to convey the carnage and brutality of war by showing it through the eyes of individuals who were not prepared for the reality of combat.
In the film “1968 Tunnel Rats” controversial director Uwe Boll has crafted a solid and moving depiction of war, brutality, and how fragile the human psyche can be.
Set in 1968 Vietnam, the film tells the story of a group of soldiers who operate from a jungle camp under the command of LT. Hollowborn (Michael Pare).
The new arrivals are welcomed by their fellow soldiers and the early moments of the film focuses on the life in the camp, ranging from bad food and showers, gambling, smoking, their homes, and bibles. All of this of course is secondary to what the new arrivals really want to know, and that is how to survive. As the men bond we get to see the dreary nature of their lives, as they are surrounded by danger, and use faith and dreams of what life will be like when they return home to keep them going. One individual dreams of opening a hamburger franchise and sees this as the wave of the future.
The camp is not without issues as the execution of an enemy sniper draws the ire of some of the men, who see it as murder. Nonetheless, a squad sets off in the morning to patrol the jungle and investigate a newly discovered tunnel.
The Vietcong have hundreds of miles of tunnels in the countryside, and when discovered soldiers enter the tunnel and explore. Since the tunnels are trapped and rife with danger, the unit usually asks for volunteers to go first, and the newly discovered tunnel is no exception as the squad soon finds themselves under attack.
As events unfold, the survivors find themselves forced to seek refuge in the dark and claustrophobic tunnels and survive the constant dangers that face them both below and above ground in a desperate battle for survival.
Boll wrote, directed, and produced the film, and has crafted a solid war film that is easily his best work. While the characters are not all fleshed out, you see them as real people and their flaws make them all the more real.
The action scenes are solid if at times hampered by some jerky camera work, but the violence of the film is a stark contrast to the beauty of the African locale which substituted for Vietnam.
The story of the tunnels is a dimension of the war that has not been fully explored in many previous films, and Boll uses them in many ways as the main character of the film as the actions and outcomes of all the characters in the film are in some way related to the tunnels.
While more character development might would have been nice, the film is a solid effort that shows that Boll should focus his efforts on more original work than his customary video game adaptations, as “1968 Tunnel Rats”, is a not only his best film, but an effective war film.
In the film “1968 Tunnel Rats” controversial director Uwe Boll has crafted a solid and moving depiction of war, brutality, and how fragile the human psyche can be.
Set in 1968 Vietnam, the film tells the story of a group of soldiers who operate from a jungle camp under the command of LT. Hollowborn (Michael Pare).
The new arrivals are welcomed by their fellow soldiers and the early moments of the film focuses on the life in the camp, ranging from bad food and showers, gambling, smoking, their homes, and bibles. All of this of course is secondary to what the new arrivals really want to know, and that is how to survive. As the men bond we get to see the dreary nature of their lives, as they are surrounded by danger, and use faith and dreams of what life will be like when they return home to keep them going. One individual dreams of opening a hamburger franchise and sees this as the wave of the future.
The camp is not without issues as the execution of an enemy sniper draws the ire of some of the men, who see it as murder. Nonetheless, a squad sets off in the morning to patrol the jungle and investigate a newly discovered tunnel.
The Vietcong have hundreds of miles of tunnels in the countryside, and when discovered soldiers enter the tunnel and explore. Since the tunnels are trapped and rife with danger, the unit usually asks for volunteers to go first, and the newly discovered tunnel is no exception as the squad soon finds themselves under attack.
As events unfold, the survivors find themselves forced to seek refuge in the dark and claustrophobic tunnels and survive the constant dangers that face them both below and above ground in a desperate battle for survival.
Boll wrote, directed, and produced the film, and has crafted a solid war film that is easily his best work. While the characters are not all fleshed out, you see them as real people and their flaws make them all the more real.
The action scenes are solid if at times hampered by some jerky camera work, but the violence of the film is a stark contrast to the beauty of the African locale which substituted for Vietnam.
The story of the tunnels is a dimension of the war that has not been fully explored in many previous films, and Boll uses them in many ways as the main character of the film as the actions and outcomes of all the characters in the film are in some way related to the tunnels.
While more character development might would have been nice, the film is a solid effort that shows that Boll should focus his efforts on more original work than his customary video game adaptations, as “1968 Tunnel Rats”, is a not only his best film, but an effective war film.
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