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Bob Mann (459 KP) rated Ocean’s 8 (2018) in Movies
Sep 29, 2021
Can 8 women do the work of 11, 12 or even 13 men?
The female empowerment #SheToo implications of the title are clearly writ large for this movie! The answer of course…. is a major spoiler, so we won’t go there.
Debbie Ocean (Sandra Bullock, “Gravity“), the previously unreferenced sister of arch-scoundrel Danny Ocean (George Clooney) from the reboot trilogy, is released from prison after a 5 year stretch. This has given her plenty of time to plan her next job – a jewellry heist from the New York Met – in intricate detail. She recruits biker-chick Lou (Cate Blanchett , “Carol“) as her partner and they then proceed to recruit a team of expert crimimals: well… some are not criminals, but soon will be! Will they succeed, or will Debbie have an even longer time to plan her next heist?
Stiff as planks…. Sandra Bullock and Cate Blanchett.
The movie unfortunately is rather like watching paint dry. It’s very glossy and expensive paint, I grant you, but compared to certainly Ocean’s 11 and even Ocean’s 13 it’s not in the premier league. There’s virtually nothing about the plot that leaves you surprised. Even the twists are merely “oh”s rather than “OH!’s”.
Stylistically the film attempts to model the Soderbergh split-screen visuals of his films, doing it quite well, and is accompanied by a similar jazz-style soundtrack which works effectively. Arguably, the well-chosen music by Daniel Pemberton (“King Arthur: Legend of the Sword“) is the best thing in the film.
When they said they were stealing from the Met…. perhaps I misunderstood?
Otherwise though, that’s where most of the similarities end, with there being limited character development to make you really care all that much whether the team win or lose. The script, by director Gary Ross (“The Hunger Games”) and Olivia Milch had a few clever lines that made me smile: but it’s not laugh-out-loud territory. So the story had better be good. Unfortunately, here Gary Ross’s story has so many implausible coincidences and incredulous leaps of intuition – “yeah, I’m from the hood innit but I have a grasp of magnetic resonance couplings learnt the hard way, from the street up!” – that belief is less suspended and more hung, drawn and quartered. This is not saying that the Ocean’s trilogy was without a few similar issues – reaching its nadir with Julia Roberts pretending to be Julia Roberts in “Ocean’s 12” – but this film is more consistently bonkers.
Hang on… I only count seven here?
I have to admit that the build up to the heist through the first half of the film left me sufficiently entertained, but that momentum suddenly fizzles out and the final reel becomes quite tedious. I also expected something to happen at the end, cameo-wise, that never did!
Acting wise, the best turn comes from Anne Hathaway (“Colossal“, “Les Miserables”) as a vainglorious actress but Helena Bonham Carter (“Suffragette“, “Harry Potter”) is also good value as the quirky fashion expert, coming across like some sort of ditzy Fatima Blush.
Good value – Anne Hathaway and Helena Bonham Carter.
I also liked Rihanna’s ‘Nine Ball’ character. Less successful for me was Bullock, who I felt came across as very wooden, and Blanchett, slightly less so. There are also some ‘B-list’ celebrities attending the Met-gala that are fun to watch out for, as well as two members of the earlier films’ cast.
After Diamonds but with nowhere to store an Umbrella: Rihanna knocks them dead on the red carpet.
So, it’s a disappointing effort from Gary Ross. All glitz and glamour but with little substance.
Debbie Ocean (Sandra Bullock, “Gravity“), the previously unreferenced sister of arch-scoundrel Danny Ocean (George Clooney) from the reboot trilogy, is released from prison after a 5 year stretch. This has given her plenty of time to plan her next job – a jewellry heist from the New York Met – in intricate detail. She recruits biker-chick Lou (Cate Blanchett , “Carol“) as her partner and they then proceed to recruit a team of expert crimimals: well… some are not criminals, but soon will be! Will they succeed, or will Debbie have an even longer time to plan her next heist?
Stiff as planks…. Sandra Bullock and Cate Blanchett.
The movie unfortunately is rather like watching paint dry. It’s very glossy and expensive paint, I grant you, but compared to certainly Ocean’s 11 and even Ocean’s 13 it’s not in the premier league. There’s virtually nothing about the plot that leaves you surprised. Even the twists are merely “oh”s rather than “OH!’s”.
Stylistically the film attempts to model the Soderbergh split-screen visuals of his films, doing it quite well, and is accompanied by a similar jazz-style soundtrack which works effectively. Arguably, the well-chosen music by Daniel Pemberton (“King Arthur: Legend of the Sword“) is the best thing in the film.
When they said they were stealing from the Met…. perhaps I misunderstood?
Otherwise though, that’s where most of the similarities end, with there being limited character development to make you really care all that much whether the team win or lose. The script, by director Gary Ross (“The Hunger Games”) and Olivia Milch had a few clever lines that made me smile: but it’s not laugh-out-loud territory. So the story had better be good. Unfortunately, here Gary Ross’s story has so many implausible coincidences and incredulous leaps of intuition – “yeah, I’m from the hood innit but I have a grasp of magnetic resonance couplings learnt the hard way, from the street up!” – that belief is less suspended and more hung, drawn and quartered. This is not saying that the Ocean’s trilogy was without a few similar issues – reaching its nadir with Julia Roberts pretending to be Julia Roberts in “Ocean’s 12” – but this film is more consistently bonkers.
Hang on… I only count seven here?
I have to admit that the build up to the heist through the first half of the film left me sufficiently entertained, but that momentum suddenly fizzles out and the final reel becomes quite tedious. I also expected something to happen at the end, cameo-wise, that never did!
Acting wise, the best turn comes from Anne Hathaway (“Colossal“, “Les Miserables”) as a vainglorious actress but Helena Bonham Carter (“Suffragette“, “Harry Potter”) is also good value as the quirky fashion expert, coming across like some sort of ditzy Fatima Blush.
Good value – Anne Hathaway and Helena Bonham Carter.
I also liked Rihanna’s ‘Nine Ball’ character. Less successful for me was Bullock, who I felt came across as very wooden, and Blanchett, slightly less so. There are also some ‘B-list’ celebrities attending the Met-gala that are fun to watch out for, as well as two members of the earlier films’ cast.
After Diamonds but with nowhere to store an Umbrella: Rihanna knocks them dead on the red carpet.
So, it’s a disappointing effort from Gary Ross. All glitz and glamour but with little substance.
Bob Mann (459 KP) rated Denial (2016) in Movies
Sep 29, 2021
Jewry Trial.
It’s the mid-90’s and Deborah Lipstadt (Rachael Weisz, “The Lobster“), an American professor of Holocaust studies at a US university has written a book naming and shaming David Irving (Timothy Spall, “Mr Turner”) as a Nazi-apologist who denies that the Holocaust ever happened. Filing a law suit against Penguin Books and Lipstadt in the UK, Lipstadt chooses to fight rather than settle and takes the case to the High Courts in a much publicised trial.
Help is required and Lipstadt is assigned a hot-shot solicitor (if that’s not an oxymoron) in the form of Anthony Julius (Andrew Scott, “Sherlock”) and top barrister Richard Rampton (Tom Wilkinson, “Selma“). The stage is set for an epic legal battle that will establish not just legal precedent but also historical precedent affecting the entire Jewish people.
This film’s trailer really appealed to me, and I was looking forward to this film. And that view clearly also got through to people of my age bracket (and older) since the cinema was pretty full. But ultimately I was disappointed by the film.
But first the good points.
The cinematography by Haris Zambarloukos (“Thor”, “Mamma Mia”) is memorable, particularly for the Auschwitz tour which is done in an impressively bleak way on an astoundingly bleak winter’s day.
Andrew Scott, so woefully miscast as “C” in “Spectre“, here is a nice shoo-in for the cocksure but aloof expert. And Tom Wilkinson, who can seldom put a movie foot wrong, is also perfectly cast as the claret-swigging defence-lead: passionless and analytical even when facing the horrors of a trip to Auschwitz.
Timothy Spall’s Irving is well portrayed as the intelligent and articulate – albeit deluded – eccentric he no doubt is.
There are also some nice cameo performances, including John Sessions (“Florence Foster Jenkins“) as an Oxbridge history boffin and Mark Gatiss (“Sherlock”) as an Auschwitz expert.
However, these positives don’t outweigh the big negative that the broader ensemble cast never really gels together well. The first time this is evident is in an office meeting of the defence team where the interactions have a sheen of falseness about them that is barely hidden behind some weak script and forced nervous laughter. Tea can’t help.
In particular, attractive Kiwi actress Caren Pistorius (“The Light Between Oceans“) seems to have been given a poor hand to play with as the junior member of the team. A late night interaction with her boyfriend, who whinges at her for having to work late, seems to be taken from a more sexist age: “the 70’s called and they want their script back”.
None of this is helped by Rachel Weisz, who I’m normally a fan of, but here she is hindered by some rather dodgy lines by David Hare (“The Reader”) and an unconvincing (well, to me at least) New York accent. For me I’m afraid she just doesn’t seem to adequately convey her passion for the cause.
While the execution of the court scenes are well done, the film is hampered by its opening five words: “Based on a True Story”. This is something of a disease at the moment in the movies, and whilst in many films (the recent “Lion” for example) the story is in the journey rather than the result, with “Denial” the story is designed to build to a tense result that unfortunately lacks any sort of tension – since the result is pre-ordained.
This is all a great shame, since director Mick Jackson (“LA Story”, in his first feature for nearly 15 years) has the potential here for a great movie. Perhaps a more fictionalised version (“vaguely based on a true story”) might have provided more of a foundation for a better film?
Help is required and Lipstadt is assigned a hot-shot solicitor (if that’s not an oxymoron) in the form of Anthony Julius (Andrew Scott, “Sherlock”) and top barrister Richard Rampton (Tom Wilkinson, “Selma“). The stage is set for an epic legal battle that will establish not just legal precedent but also historical precedent affecting the entire Jewish people.
This film’s trailer really appealed to me, and I was looking forward to this film. And that view clearly also got through to people of my age bracket (and older) since the cinema was pretty full. But ultimately I was disappointed by the film.
But first the good points.
The cinematography by Haris Zambarloukos (“Thor”, “Mamma Mia”) is memorable, particularly for the Auschwitz tour which is done in an impressively bleak way on an astoundingly bleak winter’s day.
Andrew Scott, so woefully miscast as “C” in “Spectre“, here is a nice shoo-in for the cocksure but aloof expert. And Tom Wilkinson, who can seldom put a movie foot wrong, is also perfectly cast as the claret-swigging defence-lead: passionless and analytical even when facing the horrors of a trip to Auschwitz.
Timothy Spall’s Irving is well portrayed as the intelligent and articulate – albeit deluded – eccentric he no doubt is.
There are also some nice cameo performances, including John Sessions (“Florence Foster Jenkins“) as an Oxbridge history boffin and Mark Gatiss (“Sherlock”) as an Auschwitz expert.
However, these positives don’t outweigh the big negative that the broader ensemble cast never really gels together well. The first time this is evident is in an office meeting of the defence team where the interactions have a sheen of falseness about them that is barely hidden behind some weak script and forced nervous laughter. Tea can’t help.
In particular, attractive Kiwi actress Caren Pistorius (“The Light Between Oceans“) seems to have been given a poor hand to play with as the junior member of the team. A late night interaction with her boyfriend, who whinges at her for having to work late, seems to be taken from a more sexist age: “the 70’s called and they want their script back”.
None of this is helped by Rachel Weisz, who I’m normally a fan of, but here she is hindered by some rather dodgy lines by David Hare (“The Reader”) and an unconvincing (well, to me at least) New York accent. For me I’m afraid she just doesn’t seem to adequately convey her passion for the cause.
While the execution of the court scenes are well done, the film is hampered by its opening five words: “Based on a True Story”. This is something of a disease at the moment in the movies, and whilst in many films (the recent “Lion” for example) the story is in the journey rather than the result, with “Denial” the story is designed to build to a tense result that unfortunately lacks any sort of tension – since the result is pre-ordained.
This is all a great shame, since director Mick Jackson (“LA Story”, in his first feature for nearly 15 years) has the potential here for a great movie. Perhaps a more fictionalised version (“vaguely based on a true story”) might have provided more of a foundation for a better film?
Charlie Cobra Reviews (1840 KP) rated Tom and Jerry (2021) in Movies
Mar 11, 2021 (Updated Mar 27, 2021)
The animation looks nice (2 more)
Decent laughs
Gets the Tom and Jerry part of the movie right
Too predictable (2 more)
Bad plot
Barely above average movie overall
Visually Pleasing With Decent Laughs Sprinkled Throughout
Tom and Jerry is a 2021 live-action/CGI animated comedy movie directed by Tim Story and written by Kevin Costello. The film was produced by Chris DeFaria and Warner Animation Group, The Story Company, and Turner Entertainment Co. and distributed by Warner Bros. Pictures. The movie stars Chloe Grace Moretz, Michael Pena, Colin Jost, Robe Delaney and Ken Jeong.
Kayla Forester (Chloe Grace Moretz) is a street smart woman doing odd jobs in Manhattan when she bumps into Tom while he's chasing Jerry in Central Park. Jerry, who picked a fight with Tom during a impromptu piano performance is also house hunting and in search of a new home. Kayla, is fortuitous when she goes to the Royal Gate Hotel for a "free" breakfast and presents a stolen resume as her own. She's given a position with helping event manager Terence Mendoza (Michael Pena) with a high profile wedding the very day that Jerry takes up residence in the hotel. Tom and Jerry's usual shenanigans ensue when Kayla hires Tom to "exterminate" him when Jerry begins stealing food and items causing concern about Ben (Colin Jost) and Preeta's (Pallavi Sharda) wedding and for the hotel's reputation to Mr. Dubros (Rob Delaney) the hotel's owner and general manager.
This was a movie that I watched on a whim and didn't have any expectations going into other than the animation looking really nice in the trailer when I first saw it. Also trying to get into the groove of getting back on doing my reviews on the regular again. I'm also a fan of both Chloe Grace Moretz from the Kick-Ass movies and Michael Pena from just about everything he comes out in. Plus I've always been a fan of Tom and Jerry, watching the cartoons as a kid was always fun and it's something that I can still enjoy anytime even though it's something that is really old. But enough of that and let's get to what I thought about the movie. I liked how the movie setup the Tom and Jerry character's similar to how it would in an episode. It showed both of them individually with their own goals before bringing them together. Tom is shown to have aspirations of becoming an accomplished pianist and Jerry is shown house hunting and looking for a new home to live in. That's when Jerry finds Tom pulling a scam in Central Park conning people as a "blind" piano player. Jerry tries to "cash in" on Tom's scheme and begins trying to get in on the action and adding himself and a little flair to the performance. That's when their usual antics ruin the opportunity for both of them. This was a pretty decent opening and I really liked how their animation looked and how the live-action aspect interacted with them, it was very visually pleasing. I really didn't like how it seemed Jerry was the agitator between the two or at least the one who starts the "rivalry" in this movie but I think I've always looked at him through rose colored glasses if you will since he is the smaller and more vulnerable of the two. The comedic antics were very spot on emulating a lot of classic moments from the cartoon with most not all working fairly well in a "real-world" setting. I think where this movie lost me the most was not the backdrop of the New York City being the setting or even the live-action part and actors like Chloe Grace Moretz and Michael Pena but the whole wedding plot being a primary focus of the film. I mean I can totally see it as a catalyst to the whole plot but for it to be the main focus didn't really thrill me. I thought the acting was decent and comedy was good but this movie didn't really strike me as a super funny movie, though it did have me laughing out loud at a couple of parts. I was happy that they also added Spike and the pretty white cat whose name is Toots which are regulars in the cartoon and a host of other cats as part of the alley cat gang who many of which looked familiar. The music soundtrack was good too and had a bunch of popular artists from music of today which didn't really go with the whole "vibe" of Tom and Jerry but didn't take a way from the movie either. Droopy the dog's cameo was also a nice added touch. All-in-all this movie was barely above average for me and I think that's me mainly having nostalgia for the characters and what the show used to be. Definitely not something I would see at theaters but if you have HBO Max you should give it a shot. I give this movie a 6/10.
-------------------------------------------------------
Spoiler Section Review:
So I gave this movie a 6/10 which for me is above average but this movie barely met that criteria. It started off pretty good and funny with Jerry looking for a new place to live and dealing with a dodgy real estate rat. It was also cool to see Tom having dreams or aspirations of becoming a pianist and then seeing how they collide when Jerry tries to own in on his action on the whole blind piano player scheme. That was all classic Tom and Jerry. I also enjoyed the way they interacted with the whole live-action aspect of the film and how the people reacted to them and the environments and how that all worked out was pretty good to me in my opinion. The pigeon singing opening was also pretty funny and cool and when he sings again later in the movie was awesome. I really like Chloe Grace Moretz as Kayla Forester and thought that she did a pretty good job for acting with what was probably people wearing green screen costumes or props and Michael Pena was pretty funny as the event manager. The movie was pretty predictable except for one thing that I guess I would have known about if I bothered to see the second trailer but I never did, and that's the whole sub-plot of the wedding being such a big focus for the film. I don't have anything against weddings except for when it comes to Tv shows and how if any of them run long enough then there's going to be a wedding episode somewhere. But I really felt that it kind of took a way from the whole vibe of it being a Tom and Jerry movie. It was cool how they brought Spike and Toots into the picture by them being the pets of Ben and Preeta. It was pretty obvious when they introduced the bartend character Cameron that he would be Kayla's love interest but I'm kind of glad that they didn't lean too hard into that. I thought that it was pretty funny how Kayla made Tom and Jerry be friends and go out on the town on their own and it was kind of fun to see them get a long for a while but I knew it would never last. I also thought it was pretty messed up that Kayla let Terence take the blame for Spike, Tom and Jerry tearing up the hotel when it all started with Jerry who returned when she said Tom had taken care of him already. I could totally tell that Terence would become the villain of the movie after that but most of the movie is predictable anyways. There was surprisingly an after credits scene where Ben is charged for two different weddings by the hotel which is pretty funny too. Not a great movie by no means and definitely barely above average but if you have HBO Max you should give it a watch for nostalgia's sake especially if your an old Tom and Jerry fan. I gave it a 6/10.
https://youtu.be/nrdsTy_KpwQ
Kayla Forester (Chloe Grace Moretz) is a street smart woman doing odd jobs in Manhattan when she bumps into Tom while he's chasing Jerry in Central Park. Jerry, who picked a fight with Tom during a impromptu piano performance is also house hunting and in search of a new home. Kayla, is fortuitous when she goes to the Royal Gate Hotel for a "free" breakfast and presents a stolen resume as her own. She's given a position with helping event manager Terence Mendoza (Michael Pena) with a high profile wedding the very day that Jerry takes up residence in the hotel. Tom and Jerry's usual shenanigans ensue when Kayla hires Tom to "exterminate" him when Jerry begins stealing food and items causing concern about Ben (Colin Jost) and Preeta's (Pallavi Sharda) wedding and for the hotel's reputation to Mr. Dubros (Rob Delaney) the hotel's owner and general manager.
This was a movie that I watched on a whim and didn't have any expectations going into other than the animation looking really nice in the trailer when I first saw it. Also trying to get into the groove of getting back on doing my reviews on the regular again. I'm also a fan of both Chloe Grace Moretz from the Kick-Ass movies and Michael Pena from just about everything he comes out in. Plus I've always been a fan of Tom and Jerry, watching the cartoons as a kid was always fun and it's something that I can still enjoy anytime even though it's something that is really old. But enough of that and let's get to what I thought about the movie. I liked how the movie setup the Tom and Jerry character's similar to how it would in an episode. It showed both of them individually with their own goals before bringing them together. Tom is shown to have aspirations of becoming an accomplished pianist and Jerry is shown house hunting and looking for a new home to live in. That's when Jerry finds Tom pulling a scam in Central Park conning people as a "blind" piano player. Jerry tries to "cash in" on Tom's scheme and begins trying to get in on the action and adding himself and a little flair to the performance. That's when their usual antics ruin the opportunity for both of them. This was a pretty decent opening and I really liked how their animation looked and how the live-action aspect interacted with them, it was very visually pleasing. I really didn't like how it seemed Jerry was the agitator between the two or at least the one who starts the "rivalry" in this movie but I think I've always looked at him through rose colored glasses if you will since he is the smaller and more vulnerable of the two. The comedic antics were very spot on emulating a lot of classic moments from the cartoon with most not all working fairly well in a "real-world" setting. I think where this movie lost me the most was not the backdrop of the New York City being the setting or even the live-action part and actors like Chloe Grace Moretz and Michael Pena but the whole wedding plot being a primary focus of the film. I mean I can totally see it as a catalyst to the whole plot but for it to be the main focus didn't really thrill me. I thought the acting was decent and comedy was good but this movie didn't really strike me as a super funny movie, though it did have me laughing out loud at a couple of parts. I was happy that they also added Spike and the pretty white cat whose name is Toots which are regulars in the cartoon and a host of other cats as part of the alley cat gang who many of which looked familiar. The music soundtrack was good too and had a bunch of popular artists from music of today which didn't really go with the whole "vibe" of Tom and Jerry but didn't take a way from the movie either. Droopy the dog's cameo was also a nice added touch. All-in-all this movie was barely above average for me and I think that's me mainly having nostalgia for the characters and what the show used to be. Definitely not something I would see at theaters but if you have HBO Max you should give it a shot. I give this movie a 6/10.
-------------------------------------------------------
Spoiler Section Review:
So I gave this movie a 6/10 which for me is above average but this movie barely met that criteria. It started off pretty good and funny with Jerry looking for a new place to live and dealing with a dodgy real estate rat. It was also cool to see Tom having dreams or aspirations of becoming a pianist and then seeing how they collide when Jerry tries to own in on his action on the whole blind piano player scheme. That was all classic Tom and Jerry. I also enjoyed the way they interacted with the whole live-action aspect of the film and how the people reacted to them and the environments and how that all worked out was pretty good to me in my opinion. The pigeon singing opening was also pretty funny and cool and when he sings again later in the movie was awesome. I really like Chloe Grace Moretz as Kayla Forester and thought that she did a pretty good job for acting with what was probably people wearing green screen costumes or props and Michael Pena was pretty funny as the event manager. The movie was pretty predictable except for one thing that I guess I would have known about if I bothered to see the second trailer but I never did, and that's the whole sub-plot of the wedding being such a big focus for the film. I don't have anything against weddings except for when it comes to Tv shows and how if any of them run long enough then there's going to be a wedding episode somewhere. But I really felt that it kind of took a way from the whole vibe of it being a Tom and Jerry movie. It was cool how they brought Spike and Toots into the picture by them being the pets of Ben and Preeta. It was pretty obvious when they introduced the bartend character Cameron that he would be Kayla's love interest but I'm kind of glad that they didn't lean too hard into that. I thought that it was pretty funny how Kayla made Tom and Jerry be friends and go out on the town on their own and it was kind of fun to see them get a long for a while but I knew it would never last. I also thought it was pretty messed up that Kayla let Terence take the blame for Spike, Tom and Jerry tearing up the hotel when it all started with Jerry who returned when she said Tom had taken care of him already. I could totally tell that Terence would become the villain of the movie after that but most of the movie is predictable anyways. There was surprisingly an after credits scene where Ben is charged for two different weddings by the hotel which is pretty funny too. Not a great movie by no means and definitely barely above average but if you have HBO Max you should give it a watch for nostalgia's sake especially if your an old Tom and Jerry fan. I gave it a 6/10.
https://youtu.be/nrdsTy_KpwQ
The Bandersnatch (199 KP) rated The Hunger Games in Books
Nov 7, 2019
The Hunger Games is a trilogy of YA dystopian novels written by American author Suzanne Collins. The story is set in an unspecified future, in a dystopian, post-apocalyptic nation of Panem located in North America. The country consists of the Wealthy Capital surrounded by the twelve (Originally thirteen) poorer districts, each one in various states of poverty. The story follows Katniss Everdeen as she takes her sisters place in the annual Hunger Games. The games are a televised event created as punishment for a past rebellion. Over the course of the books Katniss and the rest of Panem are plunged into Civil War thanks to Katniss inadvertently fuelling a hidden rebel fraction led by President Alma Coin of (the previously thought to be destroyed) District 13. After going through hell, loosing friends and the sister she tried to protect Katniss is eventually tried for killing Coin at the execution of Ex-President Snow and sent back to District 12. Katniss eventually marries fellow tribute Peeta Mellark (whom she was tied to during the games as the pair of star-crossed lovers) and eventually have two children a boy and a girl. Author Suzanne Collins stated that the inspiration for the story came to her after channel surfing through TV channels, having seen a reality show on one channel then saw footage of the Iraq invasion. The two began to blur in an unsettling way and the idea started to form. The Greek myth of Theseus also served as a basis for the story, with Collins saying that Katniss could be called a future Theseus and The Hunger Games being an interpretation of the old gladiatorial games.
The Hunger Games the titular book was released on September 14th 2008 under the publishing house Scholastic Press. The book had an initial print run of 50,00 copies eventually being bumped up twice to 200,000 copies. By February 2010 the book had sold 800,000 copies and rights to the novel have been sold in 38 territories. In November 2008 The Hunger Games was placed on the New York Times best seller list where it would remain for 100 weeks (just over three months). By the time the books film adaption released in march 2012 the book had been on USA Today's best seller list for 135 weeks (Four months) and sold over 17.5 million copies. The book received several awards and honours such as Publishers Weekley's “Best book of the year 2008”, the New York Times “Notable children's book 2008” and was the 2009 young adult fiction category winner of the Golden Duck award. The book also received the California Young Reader medal in 2011.
Catching Fire, the second book was published on September 1st 2009 under Scholastic. As the sequel to the Hunger Games book it continues the story of Katniss Everdeen and the post-apocalyptic nation of Panem as rebellion begins. The book received mixed reviews but was placed on Time Magazines Top 100 fiction list of 2009. Catching fire had an initial print of 350,00 copies but was (Like its predecessor) had grown to 750,00 by February 2010. The book has sold over 10 million copies.
Mocking-jay the third and final book in the Hunger Games Trilogy and was published August 24th 2010 by Scholastic. The book had a 1.2 million copy print that was bumped up from 750,000 copies and in its first week sold over 450,00 copies. Reviews were favourable with the book and notes that it thoroughly explores the themes of the other books.
I really love the books and regularly read them. Whenever I do read them I tend to read all three of them in the space of a week. To be fair whilst I had heard of them before the first movie release I didn't start reading them until I'd seen the first movie. I did read Catching Fire and Mockingjay before their movie equivalents hit the screens. Whilst The Hunger Games was a brilliant opener and Mockingjay was a brilliant ender, I agree with a few reviewers that Catching fire had a delayed start and it took a bit of time to get into the action of the story at large.
Suzanne Collins was born in Hartford Connecticut on the 10th of August 1962 as the youngest fourth child to Jane Bradley Collins and Lt. Col. Michael Jon Collins a decorated U. S. Air Force officer. As a daughter of a military man she was constantly moving with her family and spent her childhood in the eastern united states. Collins went to the Alabama school of fine arts in Birmingham 1980 as a theatre arts Major. Collins went on to complete a Bachelor of arts from Indiana University in 1985 and telecommunications and in 1989 Collins earned her M. F. A. in dramatic writing from NYU Tisch school of arts. Collins began her career in 1991 as a writer for children's television shows and won a nomination in animation for co-writing the critically acclaimed Christmas special Santa, Baby!. Collins after meeting James Proimos whilst working on a children's show felt the urge to write children's books and spent the early 2000's writing five books of the Underland Chronicles; Gregor the Overlander, Gregor and the Prophecy of Bane, Gregor and the curse of the Warmbloods, Gregor and the Marks of Secret and Gregor and the Code of Claw. The influence for those books came from Alice in Wonderland. During the late 2000's she ends up writing the Hunger Games trilogy which went onto a famous movie trilogy. As the result of the hunger games trilogy popularity Collins was named one of Times Magazine's most Influential people of 2010. On June 17th 2019 Collins announced she was writing a prequel to the Hunger Games and is scheduled to be released on 19th May 2020, the book is to focus on the failed rebellion 64 years before the Hunger Games trilogy.
I highly respect the Author Suzanne Collins for both her work as a writer of Children's media and for her creativity in creating both the Hunger Games and the Underland Chronicles. Her creativity has been awarded with her books popularity and being announced amongst Time Magazine's 2010's most influential people and Amazons best selling Kindle author in 2012.
In March 2009 Lions Gate Entertainment entered into a co-production agreement with Nina Jacobson's Production company Color Force for the Hunger Games. Novel writer Suzanne Collins adapted the book in collaboration with screenwriter Billy Ray and Director Gary Ross. Actors Jennifer Lawrence, Josh Hutchinson and Liam Hemsworth were hired for the roles of Katniss, Peeta and Gale respectively. Lawrence was four years older than Katniss was in the books but Collins said she would rather the actress be older than the character since it demanded a certain maturity and power. Collins also liked Lawrence stating she was the “only one who truly captured the character I wrote in the book”. The Hunger Games Movie was released on march 23rd 2012. The Hunger Games: Catching Fire was released on November 22nd 2013 with Francis Lawrence being hired as Director and actors Phillip Seymour Hoffman, Jena Malone and Sam Claflin being hired as Plutarch Heavensbee, Johanna Mason and Finneck Odair respectively. The Hunger Games: Mockingjay was split into 2 and Part 1 was released on November 21st 2014 and part 2 on November 20th 2015 Francis Lawrence remained Director for the final movies with Actor Julianne Moore joining the cast as President Alma Coin.
I loved the movies point blank and whilst it has its flaws like most movies often do I think its redeeming quality has been it faithfulness in sticking to the books as closely as possible and the actors representation of Suzanne Collins characters such as Jennifer Lawrence as Katniss, Donald Sunderland and President Snow, Stanley Tucci as Ceaser Flickerman, Woody Harrelson as Haymich Abernathy and Elizabeth Banks as Effie Trinkett. Whilst all the actors were very good and were chosen well for their characters. These actors in particular I feel did exceptionally well in bringing their characters to life especially Elizabeth Banks, Stanley Tucci and Woody Harrelson but then I am a very big fan of theirs so I may be a little biased.
The Hunger Games the titular book was released on September 14th 2008 under the publishing house Scholastic Press. The book had an initial print run of 50,00 copies eventually being bumped up twice to 200,000 copies. By February 2010 the book had sold 800,000 copies and rights to the novel have been sold in 38 territories. In November 2008 The Hunger Games was placed on the New York Times best seller list where it would remain for 100 weeks (just over three months). By the time the books film adaption released in march 2012 the book had been on USA Today's best seller list for 135 weeks (Four months) and sold over 17.5 million copies. The book received several awards and honours such as Publishers Weekley's “Best book of the year 2008”, the New York Times “Notable children's book 2008” and was the 2009 young adult fiction category winner of the Golden Duck award. The book also received the California Young Reader medal in 2011.
Catching Fire, the second book was published on September 1st 2009 under Scholastic. As the sequel to the Hunger Games book it continues the story of Katniss Everdeen and the post-apocalyptic nation of Panem as rebellion begins. The book received mixed reviews but was placed on Time Magazines Top 100 fiction list of 2009. Catching fire had an initial print of 350,00 copies but was (Like its predecessor) had grown to 750,00 by February 2010. The book has sold over 10 million copies.
Mocking-jay the third and final book in the Hunger Games Trilogy and was published August 24th 2010 by Scholastic. The book had a 1.2 million copy print that was bumped up from 750,000 copies and in its first week sold over 450,00 copies. Reviews were favourable with the book and notes that it thoroughly explores the themes of the other books.
I really love the books and regularly read them. Whenever I do read them I tend to read all three of them in the space of a week. To be fair whilst I had heard of them before the first movie release I didn't start reading them until I'd seen the first movie. I did read Catching Fire and Mockingjay before their movie equivalents hit the screens. Whilst The Hunger Games was a brilliant opener and Mockingjay was a brilliant ender, I agree with a few reviewers that Catching fire had a delayed start and it took a bit of time to get into the action of the story at large.
Suzanne Collins was born in Hartford Connecticut on the 10th of August 1962 as the youngest fourth child to Jane Bradley Collins and Lt. Col. Michael Jon Collins a decorated U. S. Air Force officer. As a daughter of a military man she was constantly moving with her family and spent her childhood in the eastern united states. Collins went to the Alabama school of fine arts in Birmingham 1980 as a theatre arts Major. Collins went on to complete a Bachelor of arts from Indiana University in 1985 and telecommunications and in 1989 Collins earned her M. F. A. in dramatic writing from NYU Tisch school of arts. Collins began her career in 1991 as a writer for children's television shows and won a nomination in animation for co-writing the critically acclaimed Christmas special Santa, Baby!. Collins after meeting James Proimos whilst working on a children's show felt the urge to write children's books and spent the early 2000's writing five books of the Underland Chronicles; Gregor the Overlander, Gregor and the Prophecy of Bane, Gregor and the curse of the Warmbloods, Gregor and the Marks of Secret and Gregor and the Code of Claw. The influence for those books came from Alice in Wonderland. During the late 2000's she ends up writing the Hunger Games trilogy which went onto a famous movie trilogy. As the result of the hunger games trilogy popularity Collins was named one of Times Magazine's most Influential people of 2010. On June 17th 2019 Collins announced she was writing a prequel to the Hunger Games and is scheduled to be released on 19th May 2020, the book is to focus on the failed rebellion 64 years before the Hunger Games trilogy.
I highly respect the Author Suzanne Collins for both her work as a writer of Children's media and for her creativity in creating both the Hunger Games and the Underland Chronicles. Her creativity has been awarded with her books popularity and being announced amongst Time Magazine's 2010's most influential people and Amazons best selling Kindle author in 2012.
In March 2009 Lions Gate Entertainment entered into a co-production agreement with Nina Jacobson's Production company Color Force for the Hunger Games. Novel writer Suzanne Collins adapted the book in collaboration with screenwriter Billy Ray and Director Gary Ross. Actors Jennifer Lawrence, Josh Hutchinson and Liam Hemsworth were hired for the roles of Katniss, Peeta and Gale respectively. Lawrence was four years older than Katniss was in the books but Collins said she would rather the actress be older than the character since it demanded a certain maturity and power. Collins also liked Lawrence stating she was the “only one who truly captured the character I wrote in the book”. The Hunger Games Movie was released on march 23rd 2012. The Hunger Games: Catching Fire was released on November 22nd 2013 with Francis Lawrence being hired as Director and actors Phillip Seymour Hoffman, Jena Malone and Sam Claflin being hired as Plutarch Heavensbee, Johanna Mason and Finneck Odair respectively. The Hunger Games: Mockingjay was split into 2 and Part 1 was released on November 21st 2014 and part 2 on November 20th 2015 Francis Lawrence remained Director for the final movies with Actor Julianne Moore joining the cast as President Alma Coin.
I loved the movies point blank and whilst it has its flaws like most movies often do I think its redeeming quality has been it faithfulness in sticking to the books as closely as possible and the actors representation of Suzanne Collins characters such as Jennifer Lawrence as Katniss, Donald Sunderland and President Snow, Stanley Tucci as Ceaser Flickerman, Woody Harrelson as Haymich Abernathy and Elizabeth Banks as Effie Trinkett. Whilst all the actors were very good and were chosen well for their characters. These actors in particular I feel did exceptionally well in bringing their characters to life especially Elizabeth Banks, Stanley Tucci and Woody Harrelson but then I am a very big fan of theirs so I may be a little biased.
Lee (2222 KP) rated Okja (2017) in Movies
Jul 14, 2017
Seo-Hyun Ahn (1 more)
Seamless, beautiful effects
Should have stuck at being a family movie (1 more)
Jake Gyllenhaal
Plays as though it should be a family movie, but it definitely isn't
Okja created a fair bit of buzz at Cannes recently, when it was revealed that it had been picked up by Netflix, resulting in boos from some of the snobby traditionalists that were present for its screening. Okja was written and directed by Bong Joon Ho, a Korean filmmaker who also wrote and directed one of my favourite movies of recent years, Snowpiercer. That movie failed to receive a UK release, despite starring Chris Evans in-between his Captain America/Avengers duties, so I’m more than happy if a movie that’s just a little bit different from the norm manages to find an audience through modern, ‘non-traditional’ routes.
And Okja certainly is a bit different. We’re first introduced to CEO of Mirando Corporation, Lucy Mirando (Tilda Swinton) who has ‘bred’ superpigs, in an effort to help with world hunger. 26 of these superpigs are being sent to farmers at various locations around the world and in 10 years time a competition is planned to determine who has raised the largest superpig. Lucy is clearly a bit strange (the perfect role for Tilda Swinton), and her company spokesperson, TV zoologist Johnny Wilcox (Jake Gyllenhaal) is even stranger. They’re determined to put a friendly, happy gloss over the fact that these animals have been genetically modified for slaughter and profit. So, time for us to get to know, and fall in love with one of them…
It’s now 10 years later and we’re with Mija, a young girl living in the mountains of Korea with her grandfather and Okja, the large hippo-like superpig who has become her close friend. They spend their time together out in the forest, with Okja helping to catch fish for dinner, and proving to be a faithful companion for Mija. And when disaster strikes, Okja even demonstrates the intelligence required to work out how to save Mija’s life. Okja is beautifully rendered in CGI, interacting perfectly with the surroundings and actors and is thoroughly convincing. It’s an enchanting and beautiful half hour or so – but we know it’s not going to last.
A small team from the Miranda Corporation arrives, along with Johnny Wilcox, who is just hugely annoying. They’re here to check up on how Okja is doing and, unbeknown to Mija, take her back to New York as the winner of the superpig contest. While Mija is in the forest with her grandfather she discovers what they’re planning and heads off to rescue Okja. What follows is an entertaining and thrilling chase to get Okja before she heads onto a plane. Mija is fearless and determined, a strong young heroine and probably the best thing about this movie. Along the way she is joined by the Animal Liberation Front, a young team that includes Steven Yeun, Paul Dano and Lily Collins. They know where Okja is headed and what her fate will be and they plan to stop it, with the help of Mija.
Much of Okja plays as though it should be a family movie and I wish that’s how they’d made it. With a large, friendly creature companion that needs to be rescued from the bad guys, much of this reminded me of the 2016 live action remake of Pete’s Dragon, which I enjoyed a lot. However, the final hour or so turns distinctly dark as we venture into the slaughterhouse and that, along with regular use of bad language, has given this movie a 15 certificate. It’s a strange variation of styles that just didn’t sit right with me overall. As mentioned before, Gyllenhaals character is seriously annoying and would have been much better suited as the wacky comic relief if this were a family movie. Tilda Swinton soon becomes boring too and it’s left to Mija and Okja to save the movie from becoming a total disaster.
Entertaining and enjoyable at times, but the wild variation of styles and characters just made the latter half of the movie drag.
And Okja certainly is a bit different. We’re first introduced to CEO of Mirando Corporation, Lucy Mirando (Tilda Swinton) who has ‘bred’ superpigs, in an effort to help with world hunger. 26 of these superpigs are being sent to farmers at various locations around the world and in 10 years time a competition is planned to determine who has raised the largest superpig. Lucy is clearly a bit strange (the perfect role for Tilda Swinton), and her company spokesperson, TV zoologist Johnny Wilcox (Jake Gyllenhaal) is even stranger. They’re determined to put a friendly, happy gloss over the fact that these animals have been genetically modified for slaughter and profit. So, time for us to get to know, and fall in love with one of them…
It’s now 10 years later and we’re with Mija, a young girl living in the mountains of Korea with her grandfather and Okja, the large hippo-like superpig who has become her close friend. They spend their time together out in the forest, with Okja helping to catch fish for dinner, and proving to be a faithful companion for Mija. And when disaster strikes, Okja even demonstrates the intelligence required to work out how to save Mija’s life. Okja is beautifully rendered in CGI, interacting perfectly with the surroundings and actors and is thoroughly convincing. It’s an enchanting and beautiful half hour or so – but we know it’s not going to last.
A small team from the Miranda Corporation arrives, along with Johnny Wilcox, who is just hugely annoying. They’re here to check up on how Okja is doing and, unbeknown to Mija, take her back to New York as the winner of the superpig contest. While Mija is in the forest with her grandfather she discovers what they’re planning and heads off to rescue Okja. What follows is an entertaining and thrilling chase to get Okja before she heads onto a plane. Mija is fearless and determined, a strong young heroine and probably the best thing about this movie. Along the way she is joined by the Animal Liberation Front, a young team that includes Steven Yeun, Paul Dano and Lily Collins. They know where Okja is headed and what her fate will be and they plan to stop it, with the help of Mija.
Much of Okja plays as though it should be a family movie and I wish that’s how they’d made it. With a large, friendly creature companion that needs to be rescued from the bad guys, much of this reminded me of the 2016 live action remake of Pete’s Dragon, which I enjoyed a lot. However, the final hour or so turns distinctly dark as we venture into the slaughterhouse and that, along with regular use of bad language, has given this movie a 15 certificate. It’s a strange variation of styles that just didn’t sit right with me overall. As mentioned before, Gyllenhaals character is seriously annoying and would have been much better suited as the wacky comic relief if this were a family movie. Tilda Swinton soon becomes boring too and it’s left to Mija and Okja to save the movie from becoming a total disaster.
Entertaining and enjoyable at times, but the wild variation of styles and characters just made the latter half of the movie drag.
Kristy H (1252 KP) rated How to Make a Wish in Books
Apr 8, 2019
Sweet, funny, and heartbreaking at times
Grace has had to grow up too quickly, thanks to her unpredictable mom, Maggie. So when Grace returns from piano camp and realizes that the flighty, alcoholic Maggie has forced her to move in with yet another of her boyfriends, it feels like the last straw. Even worse, his son happens to be Grace's ex--the same ex who posted their sexts all over Tumblr after their breakup--and Maggie has no clue. It feels like the last straw. But then Grace meets Eva, who has moved in with Grace's best friend's family after her own tragedy. Eva and Grace form a fast friendship, and Grace feels her world shift slightly when Eva reveals to her that she's a lesbian. But there's still Maggie to deal with, and her erratic behavior. Grace feels tied to her mother above all, but those ties are preventing her from happiness. Can Grace find the strength to choose herself for once?
Ashley Herring Blake's HOW TO MAKE A WISH was one of the best books I read in 2018. It was gorgeous and heartbreaking and amazing. This book certainly had some echoes of that one; Blake is a wonderful writer, and I will be continuing my quest to track down all of her books.
So Grace is a tough character. I felt for her immensely: she's living the life of adult, basically, trying to care for and worry about her mother, who is a real piece of work. By doing so, she's essentially paralyzed and unable to live her own life. Grace is a talented pianist who dreams of moving to New York to study at a conservatory there, but she lives in fear of living her mom behind. Her mom manipulates this fear, leaning on her daughter at every turn. (She was really a terrible woman; I couldn't make myself feel sorry for her, even though she'd lost her husband when Grace was small.) Still, there were times when I wanted to shake Grace: you have a group of people who do love you and care about you! Go to them, use their support, stop defending your mom, you're not a child anymore! I took this as a sign of Blake's excellent writing abilities, as I was totally immersed in the book to the point that I was frustrated with and in love with her characters.
"I can't leave her. She's my mom; I'm her kid. We belong together."
I really, really loved the Grace/Eva relationship in this book. I mean, what is there not to love? For one thing, Eva is a biracial lesbian. Can we say hurray representation?! I adored this sweet, fragile, yet incredibly tough girl. She was so funny and real to me. And then we have Grace, who was such a realistic bisexual. It's just so heartening to see well-done bisexual relationships portrayed in YA books. Oh my goodness, I wish I had this to read when I was struggling with my bisexuality as a teen. And it makes me so happy to think about teens today reading this and seeing this representation as completely normal.
"But... well, I like who I like. I like the person."
This book definitely sucks you into the characters' lives. It's quite well-written, and I really liked the supporting characters, especially Grace's best friend, Luca and his mom. He's a good friend. These poor kids are dealing with a lot, and your heart goes out to them, watching them struggle. At the same time, Grace and Eva's relationship is so lovely.
"I know a lot of people on this godforsaken waste of space and a lot of people know me. But no one really knows me... I've had a handful of friends here and there, but with the ebb and flow of my existence, it was easier to keep my world as small as possible. Less explaining. Less lying to cover up why I'd moved again. Less worrying about what totally messed-up situation I'd encounter when I brought a friend home."
Overall, I really enjoyed this book. It features intricate characters and a great relationship in Eva and Grace. It's sweet, funny, and heartbreaking at times.
Ashley Herring Blake's HOW TO MAKE A WISH was one of the best books I read in 2018. It was gorgeous and heartbreaking and amazing. This book certainly had some echoes of that one; Blake is a wonderful writer, and I will be continuing my quest to track down all of her books.
So Grace is a tough character. I felt for her immensely: she's living the life of adult, basically, trying to care for and worry about her mother, who is a real piece of work. By doing so, she's essentially paralyzed and unable to live her own life. Grace is a talented pianist who dreams of moving to New York to study at a conservatory there, but she lives in fear of living her mom behind. Her mom manipulates this fear, leaning on her daughter at every turn. (She was really a terrible woman; I couldn't make myself feel sorry for her, even though she'd lost her husband when Grace was small.) Still, there were times when I wanted to shake Grace: you have a group of people who do love you and care about you! Go to them, use their support, stop defending your mom, you're not a child anymore! I took this as a sign of Blake's excellent writing abilities, as I was totally immersed in the book to the point that I was frustrated with and in love with her characters.
"I can't leave her. She's my mom; I'm her kid. We belong together."
I really, really loved the Grace/Eva relationship in this book. I mean, what is there not to love? For one thing, Eva is a biracial lesbian. Can we say hurray representation?! I adored this sweet, fragile, yet incredibly tough girl. She was so funny and real to me. And then we have Grace, who was such a realistic bisexual. It's just so heartening to see well-done bisexual relationships portrayed in YA books. Oh my goodness, I wish I had this to read when I was struggling with my bisexuality as a teen. And it makes me so happy to think about teens today reading this and seeing this representation as completely normal.
"But... well, I like who I like. I like the person."
This book definitely sucks you into the characters' lives. It's quite well-written, and I really liked the supporting characters, especially Grace's best friend, Luca and his mom. He's a good friend. These poor kids are dealing with a lot, and your heart goes out to them, watching them struggle. At the same time, Grace and Eva's relationship is so lovely.
"I know a lot of people on this godforsaken waste of space and a lot of people know me. But no one really knows me... I've had a handful of friends here and there, but with the ebb and flow of my existence, it was easier to keep my world as small as possible. Less explaining. Less lying to cover up why I'd moved again. Less worrying about what totally messed-up situation I'd encounter when I brought a friend home."
Overall, I really enjoyed this book. It features intricate characters and a great relationship in Eva and Grace. It's sweet, funny, and heartbreaking at times.
Lucy Buglass (45 KP) rated Greta (2019) in Movies
Jun 20, 2019
Trust No One
It felt like I’d been waiting an eternity for Greta, and the suspense was killing me. I’d seen plenty of feedback from those who attended TIFF, and the trailer had played before so many films I’d seen in the cinema. The concept had intrigued me from day one, as I find myself very drawn to thrillers such as this one. Being stalked is a very real, very genuine fear, and it’s that sense of realism that makes it so terrifying.
The film follows widowed, lonely Greta (Isabelle Huppert) as she befriends Frances (Chloe Grace Moretz) when she returns her handbag that was left on the New York Subway. The two form a bond rather quickly, but things take a sinister turn when Frances realises Greta is harbouring a dark secret. As it happens, this handbag was planted by Greta, who lay in wait hoping someone would bring it back to her. Unfortunately for Frances, she did.
Despite the fact the trailer for Greta spoils some key moments, it was still an incredibly gripping watch. The lead characters are very well acted, and I have significant praise for Isabelle Huppert, whose performance absolutely blew me away. The way she shifts from a kind, friendly old lady into a cold, deceptive psychopath is incredible to witness. As the titular character and film’s antagonist, she absolutely steals the show and the audience starts to fear her just as much as Frances. No one knows what she’s going to do next.
Chloe Grace Moretz’ character Frances is bubbly and kind, which ultimately leads to her downfall in the hustle and bustle of Manhattan. She is originally from Boston, and moved in with her friend following the death of her mother. Frances is haunted by this incident, which Moretz portrays convincingly throughout the film. She is a very likeable character, which makes her encounter with Greta so much scarier. I was rooting for her throughout, not wanting any harm to come to such a kind-hearted person.
Unfortunately for Frances, her kindness makes her very naïve, which is why she is initially so trusting of Greta. Her flat mate Erica (Maika Monroe) is much more street smart, even if she is a little annoying, and Frances makes the mistake of not listening to her warnings. When Frances finds a bag she thinks of returning it, when Erica finds one, she calls the bomb squad. The two have very different attitudes when it comes to life in the Big Apple.
Despite having some slow moments, it’s the performances given by these three leading ladies that made the film so enjoyable for me. They have very different backgrounds and attitudes, constantly clashing with each other and creating some great tension throughout. Greta will stop at nothing to win the affections of Frances, causing her to do some truly disturbing and almost unspeakable things.
The film knows how to give you that sense of dread, even when you know Greta is elsewhere, you can’t help but anticipate her round every corner Frances turns. This is a testament to the film’s camerawork, which purposely hides certain areas from the viewer, keeping you on edge throughout. The use of shadows and darkness helps with this too. Once Greta’s intentions are revealed, you don’t feel safe. However exaggerated and unrealistic they may be, they definitely make for an entertaining thriller.
It’s a solid thriller with a runtime of 1 hr 38 minutes, enough to provide sufficient exposition and amp up the tension when it needs to. Whilst it isn’t the strongest thriller I’ve seen, it is entertaining throughout and doesn’t need to rely on excessive violence in order to make its point. The film is certainly elevated by the character of Greta, who has quickly gone up in my list of favourite female villains. The film’s plot is completely and utterly crazy, but an enjoyable day out at the cinema nonetheless. This is the first Neil Jordan film I’ve seen, and I must say, I’m impressed.
https://lucygoestohollywood.com/2019/04/23/trust-no-one-my-thoughts-on-thriller-greta/
The film follows widowed, lonely Greta (Isabelle Huppert) as she befriends Frances (Chloe Grace Moretz) when she returns her handbag that was left on the New York Subway. The two form a bond rather quickly, but things take a sinister turn when Frances realises Greta is harbouring a dark secret. As it happens, this handbag was planted by Greta, who lay in wait hoping someone would bring it back to her. Unfortunately for Frances, she did.
Despite the fact the trailer for Greta spoils some key moments, it was still an incredibly gripping watch. The lead characters are very well acted, and I have significant praise for Isabelle Huppert, whose performance absolutely blew me away. The way she shifts from a kind, friendly old lady into a cold, deceptive psychopath is incredible to witness. As the titular character and film’s antagonist, she absolutely steals the show and the audience starts to fear her just as much as Frances. No one knows what she’s going to do next.
Chloe Grace Moretz’ character Frances is bubbly and kind, which ultimately leads to her downfall in the hustle and bustle of Manhattan. She is originally from Boston, and moved in with her friend following the death of her mother. Frances is haunted by this incident, which Moretz portrays convincingly throughout the film. She is a very likeable character, which makes her encounter with Greta so much scarier. I was rooting for her throughout, not wanting any harm to come to such a kind-hearted person.
Unfortunately for Frances, her kindness makes her very naïve, which is why she is initially so trusting of Greta. Her flat mate Erica (Maika Monroe) is much more street smart, even if she is a little annoying, and Frances makes the mistake of not listening to her warnings. When Frances finds a bag she thinks of returning it, when Erica finds one, she calls the bomb squad. The two have very different attitudes when it comes to life in the Big Apple.
Despite having some slow moments, it’s the performances given by these three leading ladies that made the film so enjoyable for me. They have very different backgrounds and attitudes, constantly clashing with each other and creating some great tension throughout. Greta will stop at nothing to win the affections of Frances, causing her to do some truly disturbing and almost unspeakable things.
The film knows how to give you that sense of dread, even when you know Greta is elsewhere, you can’t help but anticipate her round every corner Frances turns. This is a testament to the film’s camerawork, which purposely hides certain areas from the viewer, keeping you on edge throughout. The use of shadows and darkness helps with this too. Once Greta’s intentions are revealed, you don’t feel safe. However exaggerated and unrealistic they may be, they definitely make for an entertaining thriller.
It’s a solid thriller with a runtime of 1 hr 38 minutes, enough to provide sufficient exposition and amp up the tension when it needs to. Whilst it isn’t the strongest thriller I’ve seen, it is entertaining throughout and doesn’t need to rely on excessive violence in order to make its point. The film is certainly elevated by the character of Greta, who has quickly gone up in my list of favourite female villains. The film’s plot is completely and utterly crazy, but an enjoyable day out at the cinema nonetheless. This is the first Neil Jordan film I’ve seen, and I must say, I’m impressed.
https://lucygoestohollywood.com/2019/04/23/trust-no-one-my-thoughts-on-thriller-greta/
Darren (1599 KP) rated The Amazing Spider-Man 2 (2014) in Movies
Jun 20, 2019
Story: This follows up from the first one so we have to remember unlike the Avengers and Dark Knight we are dealing with a teenage superhero. He has different problems like whether he wants a girlfriend or whether to go to college, you know the serious stuff. We have him putting out all the cheesy lines against the person he fights not taking anything seriously. While Peter is trying to figure out what his life holds next, the people against him start their own stories. We have the generic loner scientist who ends up having an accident, gaining powers and using them for evil, been there seen that in every Spider-man film. We also have the Harry Osborn who wants Spider-Man’s blood to cure his sickness and when he can’t have it he goes on a rampage against Spider-Man. It would be fair this is a slow moving film and it really is building up for the next chapter. (7/10)
Actor Review
Andrew Garfield: Spider-Man/Peter Parker while trying to figure out what to do with his life he carries on fighting crime, he has to decide whether to keep with his girlfriend when her father’s dying wish was to leave her so she couldn’t get caught up in trouble. He does ends up having to face the biggest battle of his life after his battles with Electro and Green Goblin. Good performance in a character that develops as the film unfolds. (8/10)
spide
Emma Stone: Gwen Stacy ambitious girlfriend of Peter, who wants to excel in her studies and gets that chance to but with Peter in her life she will always be in danger. Good supporting performance, but I always find relationships for superheroes only get in the way and annoy. (7/10)
emma
Jamie Foxx: Electro lonely scientist who has helped the city design a better power source. He feels like everyone is against him but when Spider-Man saves him he gets a boost of confidence. Just when things look good for Max he ends up having an accident at work and turning into Electro, who starts off just wanting help but when he feels betrayed by Spider-Man he wants to take out the web-slinger and the city. Good performance playing a very difficult character that really looks the part. (8/10)
eletrco
Dane DeHaan: Green Goblin/Harry Osborn an old friend of Peter who wants him to find Spider-Man so he can use his blood to cure his terminal illness. After both Peter and Spider-Man refuse for safety reason he finds out his company secretly has some stored away and he uses it and becomes the Green Goblin out to stop Spider-Man. Good performance from the always solid Dane. (8/10)
harry
Director Review: Marc Webb – Great direction creating a story that really is building to something bigger, creating some very memorable fight scenes and a villain in Electro like nothing we have seen before. (8/10)
Action: When the action happens it is all very good, with some great camera spinning shots of Spider-Man in battle. (8/10)
Superhero: A solid entry in the superhero genre. (8/10)
Settings: New York makes a great setting because without all the building Spider-Man couldn’t swing as much. (9/10)
Special Effects: Great special effects used throughout the film. (10/10)
Suggestion: This must be watch by all the superhero fans out there, it is creating a big picture without having to use separate films to add to one of franchise. (Superhero Fans Watch)
Best Part: Spider-Man battles Electro round two.
Worst Part: It does start slow, nearly an hour before we meet Electro.
Action Scene Of The Film: The final battles
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one planned
Post Credits Scene: No
Oscar Chances: No
Box Office: $708 Million
Budget: $200 Million
Runtime: 2 Hours 22 Minutes
Tagline: His greatest battle begins
Overall: Solid Addition to Spider-Man Franchise
https://moviesreview101.com/2014/09/01/the-amazing-spider-man-2-2014/
Actor Review
Andrew Garfield: Spider-Man/Peter Parker while trying to figure out what to do with his life he carries on fighting crime, he has to decide whether to keep with his girlfriend when her father’s dying wish was to leave her so she couldn’t get caught up in trouble. He does ends up having to face the biggest battle of his life after his battles with Electro and Green Goblin. Good performance in a character that develops as the film unfolds. (8/10)
spide
Emma Stone: Gwen Stacy ambitious girlfriend of Peter, who wants to excel in her studies and gets that chance to but with Peter in her life she will always be in danger. Good supporting performance, but I always find relationships for superheroes only get in the way and annoy. (7/10)
emma
Jamie Foxx: Electro lonely scientist who has helped the city design a better power source. He feels like everyone is against him but when Spider-Man saves him he gets a boost of confidence. Just when things look good for Max he ends up having an accident at work and turning into Electro, who starts off just wanting help but when he feels betrayed by Spider-Man he wants to take out the web-slinger and the city. Good performance playing a very difficult character that really looks the part. (8/10)
eletrco
Dane DeHaan: Green Goblin/Harry Osborn an old friend of Peter who wants him to find Spider-Man so he can use his blood to cure his terminal illness. After both Peter and Spider-Man refuse for safety reason he finds out his company secretly has some stored away and he uses it and becomes the Green Goblin out to stop Spider-Man. Good performance from the always solid Dane. (8/10)
harry
Director Review: Marc Webb – Great direction creating a story that really is building to something bigger, creating some very memorable fight scenes and a villain in Electro like nothing we have seen before. (8/10)
Action: When the action happens it is all very good, with some great camera spinning shots of Spider-Man in battle. (8/10)
Superhero: A solid entry in the superhero genre. (8/10)
Settings: New York makes a great setting because without all the building Spider-Man couldn’t swing as much. (9/10)
Special Effects: Great special effects used throughout the film. (10/10)
Suggestion: This must be watch by all the superhero fans out there, it is creating a big picture without having to use separate films to add to one of franchise. (Superhero Fans Watch)
Best Part: Spider-Man battles Electro round two.
Worst Part: It does start slow, nearly an hour before we meet Electro.
Action Scene Of The Film: The final battles
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one planned
Post Credits Scene: No
Oscar Chances: No
Box Office: $708 Million
Budget: $200 Million
Runtime: 2 Hours 22 Minutes
Tagline: His greatest battle begins
Overall: Solid Addition to Spider-Man Franchise
https://moviesreview101.com/2014/09/01/the-amazing-spider-man-2-2014/
Sophie Wink (11 KP) rated It's Kind of a Funny Story in Books
Jun 20, 2019
"Insightful and utterly authentic... This is an important book." - The New York Times Book Review
I do very much agree with this comment as it is insightful reading about a mind that is depressed as it can be very hard to compute if you are not depressed yourself, even though this is just one story of an individual with depression it does give you a really good indication of what it's like. And from what I've just read, it sounds horrendous and I would never wish it on anybody.
I really like how the story is set out as even though it only takes place over a few days, the flashbacks convey the depth of the story and really show the development of the main character Craig. I love the way the novel helps the reader understand the mental illness with the little man in his stomach, the soldier in his head, over-sweating, his tentacles, and anchors, it is a clear projection of what it is like. Overall the portrayal of this increasingly common illness is beautifully done.
The character Craig is very likable, even the title immediately portrays the kind of guy that he is; funny and good yet complex. Correct me if I am wrong but he is kind of a walking contradiction as while he can be quite melodramatic he also plays things down, he can be very funny but inside his mind is cluttered with sadness. While he sometimes seems angry he can never actually convey that through his actions. The depth of this character is very thorough, it works really well as even though this character is so complex Vizzini portrays him in such an understandable way. The majority of the characters have two common traits; they're likable yet deeply troubled. I enjoyed reading about everyone in the hospital as there was something about the way they're described and portrayed that makes them, somehow familiar and very much likable. I think the development of the main character is truly fantastic and it made me smile, that's all I can really say without giving too much of the story away.
One thing I really did love within the book was the connection between school and stress with these illnesses as far too often it takes up a good portion of why the individual has a mental illness. From personal experience I know that it is beyond difficult to balance everything between, socialising, family time, the school itself, homework, revision, exams, hobbies, extracurricular activities and jobs and then within that you have to eat, drink and sleep. I definitely connected with the story and Craig himself considering this theme. Another aspect of the story I really love is him finding his love for art. That really made me smile, as it was sometimes my anchor too.
As for the movie... It was terrible. I feel bad for saying it but it really was awful. A lot of the acting in it was really bad, a lot of the plot taken from the story was wrong and mixed up which to an extent I understand as obviously you cannot have every detail of the book in the film but it was too muddled. I think the only character that I thought was portrayed quite well in the movie was Bobby, played by Zach Galifianakis as I connected with him and really felt sympathy and joy for him, there is also a lot of humour associated with him too that I liked and really did laugh out loud at. I thought that the guy who played Craig was really bad, I felt nothing for the character in the movie compared to the book, the acting overall was bad and his chemistry with the other actors wasn't all that great either. I apologise for the bad review of the movie but I have to be honest, as an aspiring actor myself I would want to know if I had done well or not.
Overall the novel is incredibly insightful and beautifully written.
I do very much agree with this comment as it is insightful reading about a mind that is depressed as it can be very hard to compute if you are not depressed yourself, even though this is just one story of an individual with depression it does give you a really good indication of what it's like. And from what I've just read, it sounds horrendous and I would never wish it on anybody.
I really like how the story is set out as even though it only takes place over a few days, the flashbacks convey the depth of the story and really show the development of the main character Craig. I love the way the novel helps the reader understand the mental illness with the little man in his stomach, the soldier in his head, over-sweating, his tentacles, and anchors, it is a clear projection of what it is like. Overall the portrayal of this increasingly common illness is beautifully done.
The character Craig is very likable, even the title immediately portrays the kind of guy that he is; funny and good yet complex. Correct me if I am wrong but he is kind of a walking contradiction as while he can be quite melodramatic he also plays things down, he can be very funny but inside his mind is cluttered with sadness. While he sometimes seems angry he can never actually convey that through his actions. The depth of this character is very thorough, it works really well as even though this character is so complex Vizzini portrays him in such an understandable way. The majority of the characters have two common traits; they're likable yet deeply troubled. I enjoyed reading about everyone in the hospital as there was something about the way they're described and portrayed that makes them, somehow familiar and very much likable. I think the development of the main character is truly fantastic and it made me smile, that's all I can really say without giving too much of the story away.
One thing I really did love within the book was the connection between school and stress with these illnesses as far too often it takes up a good portion of why the individual has a mental illness. From personal experience I know that it is beyond difficult to balance everything between, socialising, family time, the school itself, homework, revision, exams, hobbies, extracurricular activities and jobs and then within that you have to eat, drink and sleep. I definitely connected with the story and Craig himself considering this theme. Another aspect of the story I really love is him finding his love for art. That really made me smile, as it was sometimes my anchor too.
As for the movie... It was terrible. I feel bad for saying it but it really was awful. A lot of the acting in it was really bad, a lot of the plot taken from the story was wrong and mixed up which to an extent I understand as obviously you cannot have every detail of the book in the film but it was too muddled. I think the only character that I thought was portrayed quite well in the movie was Bobby, played by Zach Galifianakis as I connected with him and really felt sympathy and joy for him, there is also a lot of humour associated with him too that I liked and really did laugh out loud at. I thought that the guy who played Craig was really bad, I felt nothing for the character in the movie compared to the book, the acting overall was bad and his chemistry with the other actors wasn't all that great either. I apologise for the bad review of the movie but I have to be honest, as an aspiring actor myself I would want to know if I had done well or not.
Overall the novel is incredibly insightful and beautifully written.
Gareth von Kallenbach (968 KP) rated Sky Captain and the World of Tomorrow (2004) in Movies
Aug 14, 2019
Harkening back to the days of episodic serials, “Sky Captain and the World of Tomorrow” attempts to blend the thrills of the old adventure films and serials with the high tech computer effects of the modern age.
The film stars Gwyneth Paltrow and Jude Law as reporter Polly Prince and Aviator Sky Captain, who are reunited during a surprise attack on New York by an army of robot . Polly has been investigating a recent wake of scientists who have vanished under mysterious circumstances, and when the robots attack, Polly sees a connection and gets in contact with her old flame the Sky Captain.
Sky Captain is not thrilled to see Polly as he does not trust her, especially when they last parted under a difficult situation where the Sky Captain was left in a dangerous situation as a result of Polly’s ambition. Nevertheless, the duo team up and investigate the cause of the attacks. No sooner does the duo start the investigation, then Sky Captain’s base is attacked and his friend and gadget creator Dex (Giovanni Ribisi), has been kidnapped.
In a race against time to save Dex and stop the evil Dr. Totenkoph from destroying the world, Sky Captain and Polly must travel the globe meeting all manner of deadly and bizarre resistance in some of the most remote locations on the planet. Eventually the team meets up with Captain Franky Cook, (Angelina Jolie), who also has a past with Sky Captain, and her legion of flying forces help stage an attack on the good doctors compound in a lavish display of FX and action as they attempt to gain entry to a hidden fortress.
With the clock ticking, and the situation growing tense, Sky Captain and his crew must traverse the exotic and deadly location of the hidden location before it is to late if they are to stop the doctor and his henchmen (Bai Ling), and save Dex, the missing scientists, and the world.
While ambitious “Sky Captain” suffers from a lack of focus as the film tries to do too much. Writer/Director Kerry Conran does a good job in his first feature, as he is able to blend lavish visuals in a unique and creative way to create and populate the world of the film. Sadly though, the performances of Paltrow and Law are remarkably understated and the talented cast often comes across as bland. This causes the audience to have little connection with the characters and any real tension or chemistry is sadly lacking. We know there was some history between the two lead characters but it is mostly glossed over in favor of the action that after a while comes across as more of the same and becomes bland. Only the Franky character stands out as Jollie plays her with a sultry charm and flair that hides her devilish streak, yet emphasizes the strength of her character and her loyalty to the captain.
I had really wanted to like this film, as I found the premise to be interesting, however the action sequences were rather under whelming and to me it was very obvious that the film was filmed entirely against screens and used CGI for everything from buildings to sets. While ambitious, it became overwhelming after a while and in more than one instance the backgrounds were obviously false and did not match up well with the actors.
While this can be excused, what cant be a pedestrian plot that borrows heavily from other works, and while they like this film were inspired by the serials of old, and pulp comics, I could not help but see the “Indiana Jones”, “Star Wars”, and “Jurassic Park”, over and over in the film. Law, Jolie and Paltrow are talented actors but they are given little to do aside from run around and spout stale dialogue from a story that is already muddled down by a lackluster plot, lack of tension, pacing, and average special effects.
Conran is a director with promise and it should be noted that despite the film’s faults, the film was a daunting task as it was shot in just 29 days, which would strain even the most seasoned of directors. As it stands “Sky Captain” is an average film that could have been much better with just a little more time in the hangar.
The film stars Gwyneth Paltrow and Jude Law as reporter Polly Prince and Aviator Sky Captain, who are reunited during a surprise attack on New York by an army of robot . Polly has been investigating a recent wake of scientists who have vanished under mysterious circumstances, and when the robots attack, Polly sees a connection and gets in contact with her old flame the Sky Captain.
Sky Captain is not thrilled to see Polly as he does not trust her, especially when they last parted under a difficult situation where the Sky Captain was left in a dangerous situation as a result of Polly’s ambition. Nevertheless, the duo team up and investigate the cause of the attacks. No sooner does the duo start the investigation, then Sky Captain’s base is attacked and his friend and gadget creator Dex (Giovanni Ribisi), has been kidnapped.
In a race against time to save Dex and stop the evil Dr. Totenkoph from destroying the world, Sky Captain and Polly must travel the globe meeting all manner of deadly and bizarre resistance in some of the most remote locations on the planet. Eventually the team meets up with Captain Franky Cook, (Angelina Jolie), who also has a past with Sky Captain, and her legion of flying forces help stage an attack on the good doctors compound in a lavish display of FX and action as they attempt to gain entry to a hidden fortress.
With the clock ticking, and the situation growing tense, Sky Captain and his crew must traverse the exotic and deadly location of the hidden location before it is to late if they are to stop the doctor and his henchmen (Bai Ling), and save Dex, the missing scientists, and the world.
While ambitious “Sky Captain” suffers from a lack of focus as the film tries to do too much. Writer/Director Kerry Conran does a good job in his first feature, as he is able to blend lavish visuals in a unique and creative way to create and populate the world of the film. Sadly though, the performances of Paltrow and Law are remarkably understated and the talented cast often comes across as bland. This causes the audience to have little connection with the characters and any real tension or chemistry is sadly lacking. We know there was some history between the two lead characters but it is mostly glossed over in favor of the action that after a while comes across as more of the same and becomes bland. Only the Franky character stands out as Jollie plays her with a sultry charm and flair that hides her devilish streak, yet emphasizes the strength of her character and her loyalty to the captain.
I had really wanted to like this film, as I found the premise to be interesting, however the action sequences were rather under whelming and to me it was very obvious that the film was filmed entirely against screens and used CGI for everything from buildings to sets. While ambitious, it became overwhelming after a while and in more than one instance the backgrounds were obviously false and did not match up well with the actors.
While this can be excused, what cant be a pedestrian plot that borrows heavily from other works, and while they like this film were inspired by the serials of old, and pulp comics, I could not help but see the “Indiana Jones”, “Star Wars”, and “Jurassic Park”, over and over in the film. Law, Jolie and Paltrow are talented actors but they are given little to do aside from run around and spout stale dialogue from a story that is already muddled down by a lackluster plot, lack of tension, pacing, and average special effects.
Conran is a director with promise and it should be noted that despite the film’s faults, the film was a daunting task as it was shot in just 29 days, which would strain even the most seasoned of directors. As it stands “Sky Captain” is an average film that could have been much better with just a little more time in the hangar.