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Lyndsey Gollogly (2893 KP) rated Broken ( Society 14) in Books
Jul 28, 2023
Contains spoilers, click to show
97 of 235
Kindle
Broken ( society book 14)
By Mason Sabre
⭐️⭐️⭐️⭐️⭐️
The war is just beginning. Is Helena ready to earn her stripes?
The next heart-pounding instalment in Mason Sabre's Paranormal and Urban Fantasy, Society Series.
Helena Carter isn’t like other Humans. She believes in rights for the Others—creatures of other races deemed vermin by all Humans.
The problem right now is she’s been captured for harbouring a criminal, Nick Mason, escaped convict and former heir to the Tiger Pack throne.
At first, Helena resigns herself to wait it out. They can’t keep her forever, but the Humans have a more sinister plan for her and her tiger. As the stakes rise for her and Nick, Helena must be stronger than she’s ever been, braver than she can imagine, and as fierce as any tigress in the war. It is time for Helena to get her own stripes.
I say it every time I read a Society book BUT this one is definitely my favourite. I miss Stephen and so glad the story has finally caught up with him! And now we have new babies too!!! I can not wait to see where this goes now he’s back and fighting! I love this series so much!
Kindle
Broken ( society book 14)
By Mason Sabre
⭐️⭐️⭐️⭐️⭐️
The war is just beginning. Is Helena ready to earn her stripes?
The next heart-pounding instalment in Mason Sabre's Paranormal and Urban Fantasy, Society Series.
Helena Carter isn’t like other Humans. She believes in rights for the Others—creatures of other races deemed vermin by all Humans.
The problem right now is she’s been captured for harbouring a criminal, Nick Mason, escaped convict and former heir to the Tiger Pack throne.
At first, Helena resigns herself to wait it out. They can’t keep her forever, but the Humans have a more sinister plan for her and her tiger. As the stakes rise for her and Nick, Helena must be stronger than she’s ever been, braver than she can imagine, and as fierce as any tigress in the war. It is time for Helena to get her own stripes.
I say it every time I read a Society book BUT this one is definitely my favourite. I miss Stephen and so glad the story has finally caught up with him! And now we have new babies too!!! I can not wait to see where this goes now he’s back and fighting! I love this series so much!
JT (287 KP) rated The Sweeney (2012) in Movies
Mar 10, 2020
Nick Love’s take on the ’70s TV cop show of the same name packs every bit a hard knuckled punch as you would expect it to. The director of such films as The Football Factory and The Business even manages to stay clear of Danny Dyer and cast a slick and talented bunch of individuals, led by Ray Winstone.
Regan (Winstone) and Carter (Drew) are a pair of detectives on the flying squad, they don’t play nice or appreciate authority and when it comes to nicking thieves they go in armed with an array of unique weapons including pick axe handles. Quite simply put they “do the things you can only dream of”.
The plot is a little thin on the ground at times, and centres on former villain Allen (Paul Anderson) making a return to Regan’s patch, of which he doesn’t take too kindly when he has to let Allen go after having pulled him in for questioning in relation to a bank job that ends with an execution.
Regan himself is under the watchful eye of not just his boss Frank Haskins (Damian Lewis) but internal watchdog Ivan Lewis (Steven Mackintosh) who has a greater reason than anyone to note Regan’s movements, with Regan sharing more than coffee with Lewis’s wife Nancy.
The action is well choreographed from the opening heist to a shootout through Trafalgar Square (of which annoyingly they can only hit innocent bystanders), the film’s climactic car chase is a bit of a let down however. After all that proceeded before it I was expecting something a little better than a blast around a caravan park.
The chemistry between Regan and Carter is good, a father and son styled relationship is pushed to breaking point at times, but beneath the hardened exterior lies a mutual respect for each other that is followed through to the very end.
Winstone looks battle weary and sounds more cockney than ever (if that could be at all possible), he’s like a bulldog that won’t let go of a bone or come when called. Drew is a fresh casting choice and I enjoyed his performance in Harry Brown, but here he seems to deliver his lines in a slow and laborious manner.
The sweeping landscape of London is painted in cold grey light, panels of sun laying across pavements and car windows trying to brighten the mood. It’s a violent mood, twinned with colourful dialogue that is more than to be expected. It’s a decent enough effort and certainly Love’s best film to date.
Regan (Winstone) and Carter (Drew) are a pair of detectives on the flying squad, they don’t play nice or appreciate authority and when it comes to nicking thieves they go in armed with an array of unique weapons including pick axe handles. Quite simply put they “do the things you can only dream of”.
The plot is a little thin on the ground at times, and centres on former villain Allen (Paul Anderson) making a return to Regan’s patch, of which he doesn’t take too kindly when he has to let Allen go after having pulled him in for questioning in relation to a bank job that ends with an execution.
Regan himself is under the watchful eye of not just his boss Frank Haskins (Damian Lewis) but internal watchdog Ivan Lewis (Steven Mackintosh) who has a greater reason than anyone to note Regan’s movements, with Regan sharing more than coffee with Lewis’s wife Nancy.
The action is well choreographed from the opening heist to a shootout through Trafalgar Square (of which annoyingly they can only hit innocent bystanders), the film’s climactic car chase is a bit of a let down however. After all that proceeded before it I was expecting something a little better than a blast around a caravan park.
The chemistry between Regan and Carter is good, a father and son styled relationship is pushed to breaking point at times, but beneath the hardened exterior lies a mutual respect for each other that is followed through to the very end.
Winstone looks battle weary and sounds more cockney than ever (if that could be at all possible), he’s like a bulldog that won’t let go of a bone or come when called. Drew is a fresh casting choice and I enjoyed his performance in Harry Brown, but here he seems to deliver his lines in a slow and laborious manner.
The sweeping landscape of London is painted in cold grey light, panels of sun laying across pavements and car windows trying to brighten the mood. It’s a violent mood, twinned with colourful dialogue that is more than to be expected. It’s a decent enough effort and certainly Love’s best film to date.