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BookwormLea (3034 KP) rated I'm a Therapist and my Patient is a Vegan Terrorist in Books
Jan 3, 2021
Contains spoilers, click to show
So definitely wasn't my favourite in the Trilogy but who doesn't love a happy ending??? I seriously love Noah and it was amazing to see James get the life he deserves. I loved the twist at the end when I really thought he had gone with Zach to the hospital and he had killed Kierra and I was really suprised when it twisted and he was a horror writer, which yes, I would read those if they were real! I loved the links to the social media parts, very believable and as much of an asshole as he is, Dr Harper really did help people, especially Shaun. Great ending, sad to see it over...
Whatchareadin (174 KP) rated The Murder House in Books
May 10, 2018
7 Ocean Drive also known as The Murder House, gives Detective Jenna Murphy the creeps. She used to play on the beaches right outside this house when she was little. Since she has been away from Southhampton Township for so long, she can't recall why. When two dead bodies are found in the house, Detective Murphy is on the case to find the killer. The number one suspect, Noah Walker has strong ties to the house and is known for his past crimes. The story behind the house is a good setting for any haunted house, but this house isn't exactly haunted as it is just strange for all the death in encapsulates.
The Murder House is a book that will keep you on the edge of your seat. You get to a point where you think you know what is going to happen next, and chances are you will be wrong. You don't know who to route for to be the bad guy or the good guy. I found myself yelling at the book and gasping on a few occasions because I couldn't believe what was happening. I thought I had it all figured out from the beginning. It's been a while since I've read a James Patterson book where I was wrong about who the killer was going to be. I was really stumped on this one. I was truly immersed in the story. I have always been a big James Patterson fan and this book I will have to say will be one of my favorites. It has everything you want from a good thriller. I always will recommend a book by James Patterson, they are usually quick to read and entertaining, but this one is highly recommended.
The Murder House is a book that will keep you on the edge of your seat. You get to a point where you think you know what is going to happen next, and chances are you will be wrong. You don't know who to route for to be the bad guy or the good guy. I found myself yelling at the book and gasping on a few occasions because I couldn't believe what was happening. I thought I had it all figured out from the beginning. It's been a while since I've read a James Patterson book where I was wrong about who the killer was going to be. I was really stumped on this one. I was truly immersed in the story. I have always been a big James Patterson fan and this book I will have to say will be one of my favorites. It has everything you want from a good thriller. I always will recommend a book by James Patterson, they are usually quick to read and entertaining, but this one is highly recommended.
LeftSideCut (3776 KP) rated Hubie Halloween (2020) in Movies
Oct 9, 2020
I would class Happy Gilmore as a good Adam Sandler comedy. I would class Jack & Jill as a straight up abomination of cinema. Hubie Halloween sits somewhere comfortably in the middle.
It's pretty much follows the formula of what's come before - Adam Sandler portrays a loser that falls over a lot and talks in a silly voice, there's some sort of heart-warming redemption plot that results in him not being a loser and getting the girl. It's ball achingly predictable, but is wrapped up in a very Halloween-y package, so that's nice I guess.
The main issue is that I just didn't laugh. There are a few amusing lines here and there (June Squibb wearing vulgar novelty t-shirts is always a good shour) but most of the humour falls flat. Adam Sandler talking in a silly voice has never been funny, and you can't change my mind.
The supporting cast is a fairly impressive collection of names - Steve Buschemi, Julie Bowen, Ray Liotta, Maya Rudolph, Noah Schnapp from Stranger Things, Tim Meadows, Michael Chiklis, Ben Stiller, goddam Shaquille O'Neal (legit probably the best part of the whole movie) - even Kenan Thompson of Kenan & Kel fame. And of course Kevin James, this being a Sandler film and all....
There's not much really to say. The mystery aspect of the plot doesn't really feel intriguing at any part, and it's honestly just another run of the mill Adam Sandler comedy. Relatively entertaing as a seasonal watch, and I'm sure kids will love it, but ultimately, pretty damn average.
It's pretty much follows the formula of what's come before - Adam Sandler portrays a loser that falls over a lot and talks in a silly voice, there's some sort of heart-warming redemption plot that results in him not being a loser and getting the girl. It's ball achingly predictable, but is wrapped up in a very Halloween-y package, so that's nice I guess.
The main issue is that I just didn't laugh. There are a few amusing lines here and there (June Squibb wearing vulgar novelty t-shirts is always a good shour) but most of the humour falls flat. Adam Sandler talking in a silly voice has never been funny, and you can't change my mind.
The supporting cast is a fairly impressive collection of names - Steve Buschemi, Julie Bowen, Ray Liotta, Maya Rudolph, Noah Schnapp from Stranger Things, Tim Meadows, Michael Chiklis, Ben Stiller, goddam Shaquille O'Neal (legit probably the best part of the whole movie) - even Kenan Thompson of Kenan & Kel fame. And of course Kevin James, this being a Sandler film and all....
There's not much really to say. The mystery aspect of the plot doesn't really feel intriguing at any part, and it's honestly just another run of the mill Adam Sandler comedy. Relatively entertaing as a seasonal watch, and I'm sure kids will love it, but ultimately, pretty damn average.
Darren (1599 KP) rated Eminence Hill (2019) in Movies
Oct 31, 2019
Characters – Noah is the leader of a religious group, he takes it into his own hands to play judge jury and executioner in his community and doesn’t take to lightly towards the Tullis Gang coming into his territory. Royce Tullis is the leader of the gang with his love Gretchen, they have been targeting jurors who sentenced his brother to death and now finishing their killing spree, they look to escape, only they both find themselves questioning their actions while being held captive by Noah. Quincy is the lawman that is trying to track down the Tullis Gang, he is uses his gun skills when needed and can read a person through any conversation.
Performances – Barry Corbin does bring his character to life in this film to change the tone of what we had seen. Clint James and Dominique Swain are both strong as the outlaw figures, not being full blown crazy evil like members of their gang. Owen Conway is the star of the show with his calm calculated character.
Story – The story here follows an US Marshall tracking down a group of outlaws, who have fallen into the hands of a religion community that want to make them pay for their sins. We do follow three different sides of the stories unfold, we get the outlaws planning their escape, they have US Marshall planning his way of capturing them and the religious group wanting to stay out of world’s view. We do get to see each side develop and with secrets behind certain ones being held back long enough. We do get to see just how every does feel like a chapter in a Red Dead Redemption chapter, where the outlaws meet a random group which will be the problem they need to overcome, while avoiding a fate coming for them.
Western – The western side of the film is well designed, showing us the outlaws, bounty hunter and strange groups that could have been built up not knowing too much more outside their comfort zones.
Settings – The settings are well crafted sets for the town, while the open plains represent the world in the era the film would be set in.
Scene of the Movie – Noah’s dinner offer.
That Moment That Annoyed Me – We could have spent more time on the Royce hunting down jurors.
Final Thoughts – This is a western that plays everything out well, without being as edgy as the subject matter wants to be, the religious group could have gone a lot darker, with plenty of signs of this, while the Marshall is the most interesting characters of the whole cast.
Overall: Western by the book.
Performances – Barry Corbin does bring his character to life in this film to change the tone of what we had seen. Clint James and Dominique Swain are both strong as the outlaw figures, not being full blown crazy evil like members of their gang. Owen Conway is the star of the show with his calm calculated character.
Story – The story here follows an US Marshall tracking down a group of outlaws, who have fallen into the hands of a religion community that want to make them pay for their sins. We do follow three different sides of the stories unfold, we get the outlaws planning their escape, they have US Marshall planning his way of capturing them and the religious group wanting to stay out of world’s view. We do get to see each side develop and with secrets behind certain ones being held back long enough. We do get to see just how every does feel like a chapter in a Red Dead Redemption chapter, where the outlaws meet a random group which will be the problem they need to overcome, while avoiding a fate coming for them.
Western – The western side of the film is well designed, showing us the outlaws, bounty hunter and strange groups that could have been built up not knowing too much more outside their comfort zones.
Settings – The settings are well crafted sets for the town, while the open plains represent the world in the era the film would be set in.
Scene of the Movie – Noah’s dinner offer.
That Moment That Annoyed Me – We could have spent more time on the Royce hunting down jurors.
Final Thoughts – This is a western that plays everything out well, without being as edgy as the subject matter wants to be, the religious group could have gone a lot darker, with plenty of signs of this, while the Marshall is the most interesting characters of the whole cast.
Overall: Western by the book.
Darren (1599 KP) rated Running with the Devil (2019) in Movies
Oct 31, 2019
Characters – Noah is the leader of a religious group, he takes it into his own hands to play judge jury and executioner in his community and doesn’t take to lightly towards the Tullis Gang coming into his territory. Royce Tullis is the leader of the gang with his love Gretchen, they have been targeting jurors who sentenced his brother to death and now finishing their killing spree, they look to escape, only they both find themselves questioning their actions while being held captive by Noah. Quincy is the lawman that is trying to track down the Tullis Gang, he is uses his gun skills when needed and can read a person through any conversation.
Performances – Barry Corbin does bring his character to life in this film to change the tone of what we had seen. Clint James and Dominique Swain are both strong as the outlaw figures, not being full blown crazy evil like members of their gang. Owen Conway is the star of the show with his calm calculated character.
Story – The story here follows an US Marshall tracking down a group of outlaws, who have fallen into the hands of a religion community that want to make them pay for their sins. We do follow three different sides of the stories unfold, we get the outlaws planning their escape, they have US Marshall planning his way of capturing them and the religious group wanting to stay out of world’s view. We do get to see each side develop and with secrets behind certain ones being held back long enough. We do get to see just how every does feel like a chapter in a Red Dead Redemption chapter, where the outlaws meet a random group which will be the problem they need to overcome, while avoiding a fate coming for them.
Western – The western side of the film is well designed, showing us the outlaws, bounty hunter and strange groups that could have been built up not knowing too much more outside their comfort zones.
Settings – The settings are well crafted sets for the town, while the open plains represent the world in the era the film would be set in.
Scene of the Movie – Noah’s dinner offer.
That Moment That Annoyed Me – We could have spent more time on the Royce hunting down jurors.
Final Thoughts – This is a western that plays everything out well, without being as edgy as the subject matter wants to be, the religious group could have gone a lot darker, with plenty of signs of this, while the Marshall is the most interesting characters of the whole cast.
Overall: Western by the book.
Performances – Barry Corbin does bring his character to life in this film to change the tone of what we had seen. Clint James and Dominique Swain are both strong as the outlaw figures, not being full blown crazy evil like members of their gang. Owen Conway is the star of the show with his calm calculated character.
Story – The story here follows an US Marshall tracking down a group of outlaws, who have fallen into the hands of a religion community that want to make them pay for their sins. We do follow three different sides of the stories unfold, we get the outlaws planning their escape, they have US Marshall planning his way of capturing them and the religious group wanting to stay out of world’s view. We do get to see each side develop and with secrets behind certain ones being held back long enough. We do get to see just how every does feel like a chapter in a Red Dead Redemption chapter, where the outlaws meet a random group which will be the problem they need to overcome, while avoiding a fate coming for them.
Western – The western side of the film is well designed, showing us the outlaws, bounty hunter and strange groups that could have been built up not knowing too much more outside their comfort zones.
Settings – The settings are well crafted sets for the town, while the open plains represent the world in the era the film would be set in.
Scene of the Movie – Noah’s dinner offer.
That Moment That Annoyed Me – We could have spent more time on the Royce hunting down jurors.
Final Thoughts – This is a western that plays everything out well, without being as edgy as the subject matter wants to be, the religious group could have gone a lot darker, with plenty of signs of this, while the Marshall is the most interesting characters of the whole cast.
Overall: Western by the book.
Gareth von Kallenbach (980 KP) rated Knives Out (2019) in Movies
Nov 28, 2019
Hoo boy. If you are a fan of “whodunit” movies, you are in for a real treat. Rian Johnson directs Knives Out, a film that that brings a great modern twist to the whodunit genre with an amazing all star cast.
Harlan Thrombey (Christopher Plummer) is an acclaimed mystery murder novelist who has committed suicide on the night of his birthday party. At least it seems so at first. A mysterious entity has hired the last of the southern gentlemen detectives, Benoit Blanc (Daniel Craig), to aid Lieutenant Elliot (LaKeith Stanfield) and Trooper Wagner (Noah Segan) in their investigation into what appeared to be a suicide. But soon, the stories of the party-goers starts to crumble, and you see there is something more afoot. Someone killed Mr. Thrombey, but who could it be? The list of suspects is long, and all are close to the deceased in their own way: his daughter, Linda Drysdale (Jamie Lee Curtis); her husband, Richard Drysdale (Don Johnson); or their son, Ransom Drysdale (Chris Evans)? Could it possibly be his son, Walt Thrombey (Michael Shannon); his wife Donna (Riki Lindhome); or their son Jacob (Jaeden Martell). Maybe it was Joni Thrombey (Toni Collette), his widowed daughter-in-law; or her daughter Meg (Katherine Langford). Or it could be Marta Cabrera (Ana de Armas), Mr. Thrombey’s nurse. It’s a large list of suspects who attended the party that night, and it could be any of them.
I am a huge fan of this genre of movie, and I will say that Knives Out, while predictable at some points, did have me guessing, and second-guessing, all the way to the very end. I can’t really give you a lot more without spoiling some major plot points, but the film is outstanding. It was a little slow to start, but I believe there was a purpose behind this. Each actor playing a part that is not their typical role (for the most part) ended up being the real selling point. They all did fantastic, even though it did take a little getting used to seeing James Bond with a southern accent, and Captain America as a bona fide jackass.
The movie gave us a perfect blend of humor, mystery, and even a little action in order to give us what could be a modern masterpiece in the genre. Flay me all you want if you disagree, but it’s been a while since a really good whodunit has been put out that wasn’t a period piece. There were some flaws, but the movie made you connect to these characters, as zany as they seemed. Definitely a good film to check out on a date night.
Harlan Thrombey (Christopher Plummer) is an acclaimed mystery murder novelist who has committed suicide on the night of his birthday party. At least it seems so at first. A mysterious entity has hired the last of the southern gentlemen detectives, Benoit Blanc (Daniel Craig), to aid Lieutenant Elliot (LaKeith Stanfield) and Trooper Wagner (Noah Segan) in their investigation into what appeared to be a suicide. But soon, the stories of the party-goers starts to crumble, and you see there is something more afoot. Someone killed Mr. Thrombey, but who could it be? The list of suspects is long, and all are close to the deceased in their own way: his daughter, Linda Drysdale (Jamie Lee Curtis); her husband, Richard Drysdale (Don Johnson); or their son, Ransom Drysdale (Chris Evans)? Could it possibly be his son, Walt Thrombey (Michael Shannon); his wife Donna (Riki Lindhome); or their son Jacob (Jaeden Martell). Maybe it was Joni Thrombey (Toni Collette), his widowed daughter-in-law; or her daughter Meg (Katherine Langford). Or it could be Marta Cabrera (Ana de Armas), Mr. Thrombey’s nurse. It’s a large list of suspects who attended the party that night, and it could be any of them.
I am a huge fan of this genre of movie, and I will say that Knives Out, while predictable at some points, did have me guessing, and second-guessing, all the way to the very end. I can’t really give you a lot more without spoiling some major plot points, but the film is outstanding. It was a little slow to start, but I believe there was a purpose behind this. Each actor playing a part that is not their typical role (for the most part) ended up being the real selling point. They all did fantastic, even though it did take a little getting used to seeing James Bond with a southern accent, and Captain America as a bona fide jackass.
The movie gave us a perfect blend of humor, mystery, and even a little action in order to give us what could be a modern masterpiece in the genre. Flay me all you want if you disagree, but it’s been a while since a really good whodunit has been put out that wasn’t a period piece. There were some flaws, but the movie made you connect to these characters, as zany as they seemed. Definitely a good film to check out on a date night.
BankofMarquis (1832 KP) rated Knives Out (2019) in Movies
Jan 3, 2020
Original and Quirky...enough
KNIVES OUT was one of the films I had circled on my calendar as a "must see". It seemed to be a perfect antidote to the CGI-Fest films that are very prevalent in the multi-plex today. So...when life got in the way and I couldn't get to this film for about a month, I tried (and succeeded) in not getting this movie spoiled for me in my various Social Media feeds.
And I'm glad I went to such lengths, for I found KNIVES OUT to be a truly original and entertaining film that kept me guessing throughout the length of the film - right up to the "big reveal."
So...if you haven't seen this film...stop reading this now...go see it...and come back.
Still here (or are you back)? Okay...let's continue...
Directed by Rian Johnson (known by many as the Director of THE LAST JEDI, but I think this movie owes more of it's heritage to his breakthrough film BRICK or his Sci-Fi action flick, LOOPER), KNIVES OUT is an old-fashioned, Agatha Christie-type murder mystery complete with an oddball Detective trying to figure out "whodunnit" that features an All-Star cast of suspects as well as an Oscar winning murder victim.
As I stated above, Johnson has traversed a murder mystery-type film before in his neo-noir homage BRICK, but in this film he really let's his wings fly as he plays, marvelously, with the drawing room murder mystery pastiche. Johnson wrote and directed this film and the twists and turns and originality of his vision is apparent on screen, playing with expectations without being too clever.
He has assembled an All-Star cast of actors playing interesting characters. Jamie Lee Curtis, Michael Shannon, Chris Evans, Toni Colette, Don Johnson and Jacob Trombley all bring star power and charisma to their roles and each one COULD have been the murderer. As often happens in these types of films, each one gets A scene to shine, but only the one "whodunnit" really gets to step out.
As the Law Enforcement on their trail, Lakeith Stanfield (GET OUT) and Noah Segan (LOOPER) play off each other well and they play off of Daniel Craig (James Bond, of course) very well. Craig plays Private Detective Benoit Blanc with some sort of Cajun-type accent that works more than it doesn't, I enjoyed his performance enough to find it charming and not annoying.
Special notice needs to be made of the performances of Christopher Plummer - as the murder victim (I'm not spoiling anything here, it's in the trailer) and Frank Oz (the famous Muppeteer and Director). Both are "old pros" who bring a grounding to the proceedings. Their performances are almost down to earth commentaries on the other characters/performances and they both helped out this film tremendously.
Finally, the film revolves around the journey that Ana de Armas' character, Maria Cabrera, is on in this film. She is the audience's eyes and ears into this story, having clues and plot points revealed to her as we, the audience, have them revealed to us. I fell in love with de Armas when she played Joi in BLADE RUNNER: 2049 and she is pleasant enough company here to search out this mystery with.
With all these pieces - and characters - to put together and move around, I did find that this film suffered a bit by "too much" and "too fast" at times that caused me not to care about certain people and circumstances (especially at the beginning), but that was quickly forgotten/forgiven as the film progressed and I was engrossed in the mystery - a mystery that I did not know how it was going to end.
And that, is unique and rare enough for me.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
And I'm glad I went to such lengths, for I found KNIVES OUT to be a truly original and entertaining film that kept me guessing throughout the length of the film - right up to the "big reveal."
So...if you haven't seen this film...stop reading this now...go see it...and come back.
Still here (or are you back)? Okay...let's continue...
Directed by Rian Johnson (known by many as the Director of THE LAST JEDI, but I think this movie owes more of it's heritage to his breakthrough film BRICK or his Sci-Fi action flick, LOOPER), KNIVES OUT is an old-fashioned, Agatha Christie-type murder mystery complete with an oddball Detective trying to figure out "whodunnit" that features an All-Star cast of suspects as well as an Oscar winning murder victim.
As I stated above, Johnson has traversed a murder mystery-type film before in his neo-noir homage BRICK, but in this film he really let's his wings fly as he plays, marvelously, with the drawing room murder mystery pastiche. Johnson wrote and directed this film and the twists and turns and originality of his vision is apparent on screen, playing with expectations without being too clever.
He has assembled an All-Star cast of actors playing interesting characters. Jamie Lee Curtis, Michael Shannon, Chris Evans, Toni Colette, Don Johnson and Jacob Trombley all bring star power and charisma to their roles and each one COULD have been the murderer. As often happens in these types of films, each one gets A scene to shine, but only the one "whodunnit" really gets to step out.
As the Law Enforcement on their trail, Lakeith Stanfield (GET OUT) and Noah Segan (LOOPER) play off each other well and they play off of Daniel Craig (James Bond, of course) very well. Craig plays Private Detective Benoit Blanc with some sort of Cajun-type accent that works more than it doesn't, I enjoyed his performance enough to find it charming and not annoying.
Special notice needs to be made of the performances of Christopher Plummer - as the murder victim (I'm not spoiling anything here, it's in the trailer) and Frank Oz (the famous Muppeteer and Director). Both are "old pros" who bring a grounding to the proceedings. Their performances are almost down to earth commentaries on the other characters/performances and they both helped out this film tremendously.
Finally, the film revolves around the journey that Ana de Armas' character, Maria Cabrera, is on in this film. She is the audience's eyes and ears into this story, having clues and plot points revealed to her as we, the audience, have them revealed to us. I fell in love with de Armas when she played Joi in BLADE RUNNER: 2049 and she is pleasant enough company here to search out this mystery with.
With all these pieces - and characters - to put together and move around, I did find that this film suffered a bit by "too much" and "too fast" at times that caused me not to care about certain people and circumstances (especially at the beginning), but that was quickly forgotten/forgiven as the film progressed and I was engrossed in the mystery - a mystery that I did not know how it was going to end.
And that, is unique and rare enough for me.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 20, 2019
Damon, Bale and fast cars (1 more)
Epic technical film making - cinematography, editing and sound - Oscar bait
A linear story on a circular track - but beautifully done.
Despite the love affair cinema has had with cars over the years, the sport of motor racing on film has been patchy. Too often the drama on the track has been deluged with melodrama off the track, as in John Frankenheimer's "Grand Prix" from 1966. While recent efforts such as Ron Howard's "Rush" have brought modern filming techniques to better convey the speed and excitement, it is Steve McQueen's "Le Mans" from 1971 that had previously set the bar for realism in the sport. But even there, there were a few off-track love stories to interweave into the action.
I wouldn't hesitate to suggest that "Le Mans '66" is a strong contender for the motor racing high-water mark.
The film was marketed as "Ford v Ferrari" in the US. (What... do the American distributors think their film-goers are so stupid that if "Le" is in the title they will think it sub-titled foreign language??). But it's a valid title, since the movie tells the true story of when Henry Ford... the second... (Tracy Letts) throws his toys out of the pram at Ford's faltering progress. ("James Bond does not drive a Ford". "That's because he's a degenerate!" snaps back Ford, which kind of typifies the problem"). Marketing man Lee Iacocca (Jon Bernthal) persuades retired hot-shot racer Carroll Shelby (Matt Damon) to take Ford's blank-cheque to build a car to win the Le Mans 24 hour race.
Shelby enlists maverick Brit racer Ken Miles (Christian Bale) to help design and drive the next-generation machine. But neither had banked on the interference of the hoards of Ford suits, led by VP Leo Beebe (Josh Lucas). An explosion is imminent! And its not just from the over-heated brake pads!
What's really odd about this film is how linear the story is. While we get to see the family life of Miles (to add necessary context to what follows) these are merely minor diversions. There are no sub-plots or flashback scenes. It just relates the history from beginning to end, enlivened by some of the best and most exciting motor-racing footage put to celluloid.
At a bladder-testing 152 minutes, this really shouldn't have worked. I should have got bored and restless. But I really didn't.
In many ways - bladders aside - I think this will appeal in particular to an older breed of movie-goer. It's a 100% 'sit back in your seat and enjoy' cinema treat.
This is the first film Matt Damon and Christian Bale have made together, and I understand that Damon specifically signed on since he wanted to work with Bale. And there is palpable chemistry there. The movie includes one of the best 'bad-fights' since Colin Firth and Hugh Grant locked horns in the Bridget Jones films. And Damon - never one of the most expressive actors in the world - here really shines.
Bale also appears to be having a whale of a time. Not having to adopt a US accent suits him, as he blasts and swears his way through various UK-specific expletives that probably passed the US-censors by! He often tends to play characters in movies that are difficult to warm to, but here - although suitably spiky and irascible - the family man really shines through and you feel a real warmth for the guy.
There's a strong supporting cast behind the leads, with Tracy Letts' fast-driving breakdown being a standout moment. I wonder how many takes they needed on that for Damon to keep a semi-straight face?! Also impressive as the son Peter Miles is Noah Jupe. If you're wondering where the hell you've seen him before, he was young (Marcus in "A Quiet Place").
Where the film comes alive is on the track, and a particular shout out should to to the technical teams. Cinematography is by Phedon Papamichael ("Walk the Line"), film editing is led by Andrew Buckland and Michael McCusker. And sound mixing - which to my ear was piston-valve perfect - is by Steven Morrow. Also worthy of note is a kick-ass driving soundtrack by Marco Beltrami that genuinely excited. These categories are fearsomly hard to predict in awards season, but you might like to listen out for those names.
If I was going to pick at any faults in the film, it would be that Ford exec Leo Beebe is painted a little too much as a "boo-hiss" pantomime villain in the piece. It could have been perhaps toned down 20% or so.
James Mangold ("Logan"; "Walk the Line") directs in style. From the rather po-faced trailer, you might think this is a "car movie that's not for me". But it really is a tremendously fun movie, with some genuinely laugh-out-loud moments mixed in with edge-of-your-seat action and some heart-rending moments.
Above all, this is a film that really benefits from the wide-screen and sound-system that only a big cinema can provide. As such this goes on my "get out and see it" list without any hesitation! It's going to make my movies of the year: and I'm off to see it again on Saturday!
Read the full review here - https://bob-the-movie-man.com/2019/11/20/one-manns-movies-film-review-le-mans-66-2019/
I wouldn't hesitate to suggest that "Le Mans '66" is a strong contender for the motor racing high-water mark.
The film was marketed as "Ford v Ferrari" in the US. (What... do the American distributors think their film-goers are so stupid that if "Le" is in the title they will think it sub-titled foreign language??). But it's a valid title, since the movie tells the true story of when Henry Ford... the second... (Tracy Letts) throws his toys out of the pram at Ford's faltering progress. ("James Bond does not drive a Ford". "That's because he's a degenerate!" snaps back Ford, which kind of typifies the problem"). Marketing man Lee Iacocca (Jon Bernthal) persuades retired hot-shot racer Carroll Shelby (Matt Damon) to take Ford's blank-cheque to build a car to win the Le Mans 24 hour race.
Shelby enlists maverick Brit racer Ken Miles (Christian Bale) to help design and drive the next-generation machine. But neither had banked on the interference of the hoards of Ford suits, led by VP Leo Beebe (Josh Lucas). An explosion is imminent! And its not just from the over-heated brake pads!
What's really odd about this film is how linear the story is. While we get to see the family life of Miles (to add necessary context to what follows) these are merely minor diversions. There are no sub-plots or flashback scenes. It just relates the history from beginning to end, enlivened by some of the best and most exciting motor-racing footage put to celluloid.
At a bladder-testing 152 minutes, this really shouldn't have worked. I should have got bored and restless. But I really didn't.
In many ways - bladders aside - I think this will appeal in particular to an older breed of movie-goer. It's a 100% 'sit back in your seat and enjoy' cinema treat.
This is the first film Matt Damon and Christian Bale have made together, and I understand that Damon specifically signed on since he wanted to work with Bale. And there is palpable chemistry there. The movie includes one of the best 'bad-fights' since Colin Firth and Hugh Grant locked horns in the Bridget Jones films. And Damon - never one of the most expressive actors in the world - here really shines.
Bale also appears to be having a whale of a time. Not having to adopt a US accent suits him, as he blasts and swears his way through various UK-specific expletives that probably passed the US-censors by! He often tends to play characters in movies that are difficult to warm to, but here - although suitably spiky and irascible - the family man really shines through and you feel a real warmth for the guy.
There's a strong supporting cast behind the leads, with Tracy Letts' fast-driving breakdown being a standout moment. I wonder how many takes they needed on that for Damon to keep a semi-straight face?! Also impressive as the son Peter Miles is Noah Jupe. If you're wondering where the hell you've seen him before, he was young (Marcus in "A Quiet Place").
Where the film comes alive is on the track, and a particular shout out should to to the technical teams. Cinematography is by Phedon Papamichael ("Walk the Line"), film editing is led by Andrew Buckland and Michael McCusker. And sound mixing - which to my ear was piston-valve perfect - is by Steven Morrow. Also worthy of note is a kick-ass driving soundtrack by Marco Beltrami that genuinely excited. These categories are fearsomly hard to predict in awards season, but you might like to listen out for those names.
If I was going to pick at any faults in the film, it would be that Ford exec Leo Beebe is painted a little too much as a "boo-hiss" pantomime villain in the piece. It could have been perhaps toned down 20% or so.
James Mangold ("Logan"; "Walk the Line") directs in style. From the rather po-faced trailer, you might think this is a "car movie that's not for me". But it really is a tremendously fun movie, with some genuinely laugh-out-loud moments mixed in with edge-of-your-seat action and some heart-rending moments.
Above all, this is a film that really benefits from the wide-screen and sound-system that only a big cinema can provide. As such this goes on my "get out and see it" list without any hesitation! It's going to make my movies of the year: and I'm off to see it again on Saturday!
Read the full review here - https://bob-the-movie-man.com/2019/11/20/one-manns-movies-film-review-le-mans-66-2019/
BankofMarquis (1832 KP) rated Black Adam (2022) in Movies
Oct 25, 2022
About As Middle-Of-The-Road As You Can Get
The DC Extended Universe (DCEU) has been criticized by many (including the BankofMarquis) for being too dark, dour and somber. The powers-that-be at DC clearly have heard that criticism and with their latest installment - BLACK ADAM - they ditched that grim tone.
If only they would have spent time on character and plot development instead of blowing things up and dispatching nameless/faceless henchmen.
Based on a DC Comics character the BankofMarquis knew nothing about - and featuring SOME characters from DC that the BankofMarquis had heard of (o’k, one character, Hawkman), BLACK ADAM stars Dwayne “The Rock” Johnson as the titular anti-hero who comes out of hibernation after about 5,000 years to exact vengeance on those who wronged him.
It’s a tricky line to walk when you are working with an anti-hero bent on death and destruction, but it can be done if you bring some humanity and humility to the character and have this anti-hero character go on some sort of journey of discovery along the way.
While this film succeeds for the most part in bringing a lighter tone and some fun to the proceedings, it seems that Director Jaume Collet-Serra (Orphan) and the trio of writers that penned this weak script opted to play it safe and didn’t go too dark (at the beginning) or too “Super-Heroey” (if that is a word) at the end, so what you get is a safe, middle-of-the-road entertainment that is “good enough” and (this is damning with faint praise), one of the better offerings in the DCEU.
Let’s start with the Johnson in the titular role. The film (and film-makers) play down Johnson’s inherent charm throughout the film - to the detriment of all. Johnson plays Black Adam with a focus of purpose and a lack of awareness and humor. While this could have been played with great effect neither Johnson nor Director Collet-Serra leans into this enough to make it a strong part of the offering. True, Johnson’s inherent charisma and screen presence shines through no matter how much it is attempted to be tamped down, but the character just comes off as plain vanilla.
Of course, Johnson’s physical form has never looked better and he excels in the action sequences - which are plentiful and full of explosions and destruction (destruction that is never commented on). These scenes overwhelm the story and the plot - and is one of the reasons that this film doesn’t rise above decent. It has lots of blowing things up and SuperHeroes going “smashy-smashy” with no real emotional resonance or consequence to them.
As for the other actors in this film, Aldis Hodge (ONE NIGHT IN MIAMI) is strong as the only DC Character previous known to the BankofMarquis - Hawkman. He is a welcome addition to this universe and it would be great if he showed up in more DCEU films - including adding him to any Justice League films.
Sarah Shahi (PERSON OF INTEREST on TV) is always a welcome sight in a film - and she more than capably fills in as the representative of the filmgoing audience as the human who is wrapped up the proceedings of these SuperHeroes while Mohammed Amer (the TV series RAMY) provides strong comic relief as Shahi’s brother.
Unfortunately, the film felt the need to put in 2 teenage Superheroes (I guess to appeal to their target audience) in the guise of Atom Smasher, Noah Centineo (THE PERFECT DATE) and Cyclone, Quintessa Swindell (the TV Series IN TREATMENT). These are both decent enough - and good looking enough - performers to put on screen, and they both would look good in a CW TV Series like THE FLASH, but their characters are pointless in this film. They are add-ons that don’t really add anything to the events.
And then there is good ol’ former James Bond Pierce Brosnan as Dr. Fate, a character the BankofMarquis knew nothing about before this film, but now am clamoring for a standalone movie for Brosnan and this character. He was the best thing in this move and this veteran actor understood the assignment, bringing humor and gravitas when needed while doling out sage advice - Obi-Wan style - to both Hawkman and Black Adam throughout the film.
All-in-all, a decent time at the theater (the DCEU has certainly done worse), but, in the end, BLACK ADAM is as disposable as Cotton Candy, fun while it lasts, but not anything that will stay with you for any length of time.
Letter Grade: B (the most solid “B” that a film can have).
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
If only they would have spent time on character and plot development instead of blowing things up and dispatching nameless/faceless henchmen.
Based on a DC Comics character the BankofMarquis knew nothing about - and featuring SOME characters from DC that the BankofMarquis had heard of (o’k, one character, Hawkman), BLACK ADAM stars Dwayne “The Rock” Johnson as the titular anti-hero who comes out of hibernation after about 5,000 years to exact vengeance on those who wronged him.
It’s a tricky line to walk when you are working with an anti-hero bent on death and destruction, but it can be done if you bring some humanity and humility to the character and have this anti-hero character go on some sort of journey of discovery along the way.
While this film succeeds for the most part in bringing a lighter tone and some fun to the proceedings, it seems that Director Jaume Collet-Serra (Orphan) and the trio of writers that penned this weak script opted to play it safe and didn’t go too dark (at the beginning) or too “Super-Heroey” (if that is a word) at the end, so what you get is a safe, middle-of-the-road entertainment that is “good enough” and (this is damning with faint praise), one of the better offerings in the DCEU.
Let’s start with the Johnson in the titular role. The film (and film-makers) play down Johnson’s inherent charm throughout the film - to the detriment of all. Johnson plays Black Adam with a focus of purpose and a lack of awareness and humor. While this could have been played with great effect neither Johnson nor Director Collet-Serra leans into this enough to make it a strong part of the offering. True, Johnson’s inherent charisma and screen presence shines through no matter how much it is attempted to be tamped down, but the character just comes off as plain vanilla.
Of course, Johnson’s physical form has never looked better and he excels in the action sequences - which are plentiful and full of explosions and destruction (destruction that is never commented on). These scenes overwhelm the story and the plot - and is one of the reasons that this film doesn’t rise above decent. It has lots of blowing things up and SuperHeroes going “smashy-smashy” with no real emotional resonance or consequence to them.
As for the other actors in this film, Aldis Hodge (ONE NIGHT IN MIAMI) is strong as the only DC Character previous known to the BankofMarquis - Hawkman. He is a welcome addition to this universe and it would be great if he showed up in more DCEU films - including adding him to any Justice League films.
Sarah Shahi (PERSON OF INTEREST on TV) is always a welcome sight in a film - and she more than capably fills in as the representative of the filmgoing audience as the human who is wrapped up the proceedings of these SuperHeroes while Mohammed Amer (the TV series RAMY) provides strong comic relief as Shahi’s brother.
Unfortunately, the film felt the need to put in 2 teenage Superheroes (I guess to appeal to their target audience) in the guise of Atom Smasher, Noah Centineo (THE PERFECT DATE) and Cyclone, Quintessa Swindell (the TV Series IN TREATMENT). These are both decent enough - and good looking enough - performers to put on screen, and they both would look good in a CW TV Series like THE FLASH, but their characters are pointless in this film. They are add-ons that don’t really add anything to the events.
And then there is good ol’ former James Bond Pierce Brosnan as Dr. Fate, a character the BankofMarquis knew nothing about before this film, but now am clamoring for a standalone movie for Brosnan and this character. He was the best thing in this move and this veteran actor understood the assignment, bringing humor and gravitas when needed while doling out sage advice - Obi-Wan style - to both Hawkman and Black Adam throughout the film.
All-in-all, a decent time at the theater (the DCEU has certainly done worse), but, in the end, BLACK ADAM is as disposable as Cotton Candy, fun while it lasts, but not anything that will stay with you for any length of time.
Letter Grade: B (the most solid “B” that a film can have).
7 stars (out of 10) and you can take that to the Bank(ofMarquis)