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AnnieW (23 KP) rated Fortitude in TV

Dec 13, 2018  
Fortitude
Fortitude
2013 | Drama, Thriller
8
7.1 (17 Ratings)
TV Show Rating
Interesting storylines, kept me watching and wanting next episode (0 more)
Can be a bit confusing in places (0 more)
Gets weirder each series
I loved the first series of Fortitude. The setting, Arctic Norway, was beautiful. The town of Fortitude has a selection of characters from different countries, all of whom seem to have some kind of secret, and who are played by a great cast. It can be quite slow moving at times, but there is a lot to take in. This is not a show to watch half-heartedly. There's mystery, intrigue and a bit of gore thrown in, too. I've seen comparisons to Twin Peaks - that might give you a bit of an idea of what to expect. If you like scandi-noir and a bit of dark humour, you'll like Fortitude.

(SLIGHT SPOILERS AHEAD)
In series one, a mammoth is found under the ice, threatening the development of a new hotel and Fortitude's first murders occur. There are many potential suspects but it turns out it's not just a straightforward case of finding who is responsible.

Throughout the three series' there are scientific discoveries and experiments, a shaman, missing persons, people possessed by parasites, a schoolteacher with a feeding fetish and many, many questions.



The first series was superb. The second series was just as good but started to get a little weirder. The third series is shorter than the previous two at only four episodes, but managed to fit in a whole lot more weirdness. (Dance with a burnt corpse, anyone?)

Series three is reported to be the last, and I think that's the right choice, but the ending does leave the possibility of the cause of Fortitude's 'problems' starting again somewhere else.
  
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Phil Leader (619 KP) rated The Last City in Books

Nov 18, 2019  
The Last City
The Last City
Nathan Hystad, Robert M. Campbell, Scott Moon, Jo Zebedee, Juliana Spink Mills, Jane Jago, E.M. Swift-Hook, Rosie Oliver, Chris Guillory, Samanda R. Primeau, Thaddeus White, Stewart Hotston | 2018 | Science Fiction/Fantasy
9
9.0 (1 Ratings)
Book Rating
In the far future humankind has spread into space but a series of wars together with the harsh realities of living beyond the solar system has taken its toll. Amongst the scattering of colonies the Last City is the final bastion against extinction. Ruled over by the autocratic and ruthless Toros Strand, society exists in a rigid hierarchy defined by which level they occupy. From Strand himself on the 100th floor down to those who live in the lower levels - and below - the city there are many stories to be told.

The simple setup allows a number of current science fiction authors to stretch their imagination as they investigate the workings of the Last City. Each story looks at a different aspect - although most of them concentrate on the lower levels. A very noir private detective who is more than he seems. A secret route through the city for those who wish to disappear. Hunting for lost areas to loot and claim. A dangerous race across the outside where the stakes are high. There are also a couple of tales which show how the city appears to those who are beyond it.

The standard is high and every new story feels as fresh and interesting as the one before. All are packed with great ideas, enabling not only some stories dealing with straight forward science fiction themes but also ones covering social hierarchies and injustice, intolerance of 'outsiders' and the harsh tactics employed by totalitarian regimes to keep their populace in check.

I've tried to think of a science fiction short story collection I've enjoyed more, but there simply isn't one. I'd say there were plenty more stories to be told in this universe, perhaps another short story collection or novella wouldn't go amiss. Authors willing of course...
  
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Karina Longworth recommended Caught (2015) in Movies (curated)

 
Caught (2015)
Caught (2015)
2015 | Mystery
(0 Ratings)
Movie Favorite

"It was was directed Max Ophuls and it stars Robert Ryan as a character who was intended to be based on Howard Hughes. Max Ophuls had been hired by Hughes’ production company, RKO, early to make the film that was actually supposed to be Faith Domergue’s big starring vehicle, and that movie just turned into a disaster. The production of it dragged along over five or six years with many different directors. After Ophuls got fired from it, he got hired to make an adaptation by another company of a novel called Wild Calendar. He told the screenwriter that he was paired with that he didn’t want to actually adapt the novel; he wanted to use the structure of the novel to make a film about how terrible he thought Howard Hughes was. They basically culled the notes of everything that they’d ever heard about Howard Hughes and Ophuls’ personal experiences, and the screenwriter, Arthur Laurents, went out and he met women who had had encounters with Hughes and then put it all together in this film which is about a shop girl who gets involved with a mysterious millionaire. The mysterious millionaire’s played by Robert Ryan, who was an actor who made a lot of different kinds of movies, and to a lot of film noir fans and B-Movie, genre film fans, he’s considered a great star, but he really looks like Howard Hughes in a lot of ways. They’re both very tall and lanky and have kind of a similar jaw. Even though Hughes knew this movie was being made – he insisted that he be sent dailies – he asked for some changes so that people wouldn’t think it’s him. The character and the performance are a lot like him. Nowadays, especially given everything we know about Howard Hughes, the similarities are impossible to ignore."

Source
  
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Kirk Bage (1775 KP) rated Alphaville (1965) in Movies

Jan 28, 2021  
Alphaville (1965)
Alphaville (1965)
1965 | Mystery, Sci-Fi
7
8.3 (3 Ratings)
Movie Rating
This is one of the best bad films I have ever seen. It looks cheap (at one point the camera-man is clearly entirely visible in a mirror), the story is preposterous, the dialogue is insane, the characters behave like no one in reality ever, and it is sci-fi in name only, as no attempt whatsoever has been made to stretch the budget to anything remotely futuristic – and yet, I loved it! Perhaps it reminded me of Blake’s 7 and Doctor Who, and therefore my happy childhood relationship with cheap sci-fi? Or it could have been that there are so many essential ideas and tropes that exist in my favourite big budget sci-fi films, such as Blade Runner (for which it is an obvious influence), that it felt familiar and friendly from the start. Part hard boiled detective story and part pulp fiction fantasy, as with most Godard, I am discovering, it is all about mood and chic, not remotely about the plot.

Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.