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Karina Longworth recommended Caught (2015) in Movies (curated)

 
Caught (2015)
Caught (2015)
2015 | Mystery
(0 Ratings)
Movie Favorite

"It was was directed Max Ophuls and it stars Robert Ryan as a character who was intended to be based on Howard Hughes. Max Ophuls had been hired by Hughes’ production company, RKO, early to make the film that was actually supposed to be Faith Domergue’s big starring vehicle, and that movie just turned into a disaster. The production of it dragged along over five or six years with many different directors. After Ophuls got fired from it, he got hired to make an adaptation by another company of a novel called Wild Calendar. He told the screenwriter that he was paired with that he didn’t want to actually adapt the novel; he wanted to use the structure of the novel to make a film about how terrible he thought Howard Hughes was. They basically culled the notes of everything that they’d ever heard about Howard Hughes and Ophuls’ personal experiences, and the screenwriter, Arthur Laurents, went out and he met women who had had encounters with Hughes and then put it all together in this film which is about a shop girl who gets involved with a mysterious millionaire. The mysterious millionaire’s played by Robert Ryan, who was an actor who made a lot of different kinds of movies, and to a lot of film noir fans and B-Movie, genre film fans, he’s considered a great star, but he really looks like Howard Hughes in a lot of ways. They’re both very tall and lanky and have kind of a similar jaw. Even though Hughes knew this movie was being made – he insisted that he be sent dailies – he asked for some changes so that people wouldn’t think it’s him. The character and the performance are a lot like him. Nowadays, especially given everything we know about Howard Hughes, the similarities are impossible to ignore."

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Alphaville (1965)
Alphaville (1965)
1965 | Mystery, Sci-Fi
7
8.3 (3 Ratings)
Movie Rating
This is one of the best bad films I have ever seen. It looks cheap (at one point the camera-man is clearly entirely visible in a mirror), the story is preposterous, the dialogue is insane, the characters behave like no one in reality ever, and it is sci-fi in name only, as no attempt whatsoever has been made to stretch the budget to anything remotely futuristic – and yet, I loved it! Perhaps it reminded me of Blake’s 7 and Doctor Who, and therefore my happy childhood relationship with cheap sci-fi? Or it could have been that there are so many essential ideas and tropes that exist in my favourite big budget sci-fi films, such as Blade Runner (for which it is an obvious influence), that it felt familiar and friendly from the start. Part hard boiled detective story and part pulp fiction fantasy, as with most Godard, I am discovering, it is all about mood and chic, not remotely about the plot.

Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.
  
Nasty Little Cuts
Nasty Little Cuts
Tina Baker | 2022 | Contemporary, Fiction & Poetry, Thriller
10
10.0 (1 Ratings)
Book Rating
I learnt a new phrase today: Domestic Noir. My ignorance is probably down to the fact that I would never normally read a book in this category. I’d avoid it. I’m glad that I didn’t let it put me off this time though, and after reading Tina’s previous book ‘Call Me Mummy’, I knew that I was going to be in for one hell of a good read.

This book is phenomenal. It’s read-it-thorough-your-fingers-with-your-eyes-shut kind of phenomenal.

Reading it on The Pigeonhole, one stave a day for 10 days was a feat of endurance - the wait between staves was tortuous. This is NOT an easy read, and should probably come with some sort of trigger warning. It’s dark, emotional, visceral. It’s violent and frankly traumatic.

Debs and Marc should probably have never got together, never mind got married and had children. They’re both emotionally scarred from terrible childhoods and have never confronted, or been treated for, these psychological and physical injuries. And now they just seem to vent their feelings on one another with physical violence.

There’s loads of backstory that explains why they are in their current predicament, and honestly, I did feel some sympathy for them. But then, and Tina Baker does this so well, she gives with one hand, and snatches away with the other. Every past revelation of abuse or trauma, is bookended by domestic violence.

Honestly, it sounds horrendous, doesn’t it? But I couldn’t stop reading. As I said on The Pigeonhole: What a reading experience this has been. I’ll leave a review, but what can I say that will do this book justice?

Well, I can say this: Read It.