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LeftSideCut (3776 KP) rated Sin City (2005) in Movies
Jan 7, 2021 (Updated Jan 11, 2021)
I absolutely adored Sin City when it first released way back in 2005, and I still do to a point, albeit a little less than I used to.
The main positives are of course the cast, and the style.
The cast is stacked - Bruce Willis, Rosario Dawson, Benicio Del Toro, Brittany Murphy, Michael Madsen, Clive Owen, Micky Rourke, Jessica Alba, Elijah Wood, Powers Boothe, Devon Aoki, Rutger Hauer, Michael Clarke Duncan, Carla Gugino, Jaime King... that's a fair ensemble if you ask me.
The style is of course a huge part of Sin City. It's neo noir black and white with splashes of colour translate perfectly from page to screen. 15 years later, the effects still look pretty decent and the overall look of the film is practically watching the graphic novels come to life, a strength that is bolstered by the cast involved.
It has a cheesy yet engaging screenplay - the runtime clocks in at over two hours, but never gets boring (just about), and the constant growly voiceovers and on the nose script beats could have potentially been laughable in anyone else's hands, but Robert Rodriguez somehow gets away with it.
The comics ultraviolence is well realised - the movie doesn't shy away from the grimness of proceedings. Some of the content however feels a little problematic in this day and age. The whole thing is plagued by a steady stream of misogyny, which would have probably been toned down if released today, but in my opinion, it's never glamorised. 95% of the male characters are grim shitbags, and the audience know it well.
I understand why a fair few people have an issue with Sin City and it's content, but personally, I find it to be a unique film with plenty of positives, a project that respects it's source material, and just about manages to avoid falling inside of its own arse.
The main positives are of course the cast, and the style.
The cast is stacked - Bruce Willis, Rosario Dawson, Benicio Del Toro, Brittany Murphy, Michael Madsen, Clive Owen, Micky Rourke, Jessica Alba, Elijah Wood, Powers Boothe, Devon Aoki, Rutger Hauer, Michael Clarke Duncan, Carla Gugino, Jaime King... that's a fair ensemble if you ask me.
The style is of course a huge part of Sin City. It's neo noir black and white with splashes of colour translate perfectly from page to screen. 15 years later, the effects still look pretty decent and the overall look of the film is practically watching the graphic novels come to life, a strength that is bolstered by the cast involved.
It has a cheesy yet engaging screenplay - the runtime clocks in at over two hours, but never gets boring (just about), and the constant growly voiceovers and on the nose script beats could have potentially been laughable in anyone else's hands, but Robert Rodriguez somehow gets away with it.
The comics ultraviolence is well realised - the movie doesn't shy away from the grimness of proceedings. Some of the content however feels a little problematic in this day and age. The whole thing is plagued by a steady stream of misogyny, which would have probably been toned down if released today, but in my opinion, it's never glamorised. 95% of the male characters are grim shitbags, and the audience know it well.
I understand why a fair few people have an issue with Sin City and it's content, but personally, I find it to be a unique film with plenty of positives, a project that respects it's source material, and just about manages to avoid falling inside of its own arse.
BookInspector (124 KP) rated Watching You (Berger & Blom #1) in Books
Sep 24, 2020
This the first book in Berger and Blom series, and it was my first encounter with Swedish noir.
At the beginning of this book, I had no idea what was going on and what are they trying to figure out. There were only little clues, that a 15-year-old girl is missing. As the story progressed, I started to see, that Sam Berger, is the main detective, trying to solve this case. The characters in this book are really entwined with each other and very mysterious at the same time. There is a lot of secret work going on, which is uncovered throughout the book, and it was very pleasantly unexpected for me.
The narrative is told from multiple perspectives, and the events keep traveling to the past, to share some of the secrets with a reader. Even though the beginning of this book is quite dull, once it reaches around 40 % it spikes up drastically. The whole narrative gets a different perspective and is way more interesting, so do not give up on this book, wait for those juicy twists. The main issue discussed in this book is bullying, and how it can scar people for life.
The setting of this book is very dark and gloomy, giving this book this cold and shadowy feeling. The writing style is pleasant to read, however, it has these Swedish place and street names which were kind of hard to read… (So I just skipped them) The chapters are a decent length and did not bore me. I really liked the suspense in this novel and I really loved the culmination as well. Even though there are clues of where it is headed and who the “Bad guy “ is, the reasoning behind it, was what really got my curiosity. So, to conclude, it was a very dark and intriguing read for me, filled with plot changing turns and very unique events. I do recommend to give this book a try if you have enough patience. It’s worth a wait, I think. Enjoy
At the beginning of this book, I had no idea what was going on and what are they trying to figure out. There were only little clues, that a 15-year-old girl is missing. As the story progressed, I started to see, that Sam Berger, is the main detective, trying to solve this case. The characters in this book are really entwined with each other and very mysterious at the same time. There is a lot of secret work going on, which is uncovered throughout the book, and it was very pleasantly unexpected for me.
The narrative is told from multiple perspectives, and the events keep traveling to the past, to share some of the secrets with a reader. Even though the beginning of this book is quite dull, once it reaches around 40 % it spikes up drastically. The whole narrative gets a different perspective and is way more interesting, so do not give up on this book, wait for those juicy twists. The main issue discussed in this book is bullying, and how it can scar people for life.
The setting of this book is very dark and gloomy, giving this book this cold and shadowy feeling. The writing style is pleasant to read, however, it has these Swedish place and street names which were kind of hard to read… (So I just skipped them) The chapters are a decent length and did not bore me. I really liked the suspense in this novel and I really loved the culmination as well. Even though there are clues of where it is headed and who the “Bad guy “ is, the reasoning behind it, was what really got my curiosity. So, to conclude, it was a very dark and intriguing read for me, filled with plot changing turns and very unique events. I do recommend to give this book a try if you have enough patience. It’s worth a wait, I think. Enjoy
BookInspector (124 KP) rated The Unmaking of Ellie Rook in Books
Sep 24, 2020
The protagonist in this novel was Ellie, and the whole story was told from her perspective. Ellie comes back to her hometown after the news, that her mother drowned. But as I was going through the pages, it was clear, that Rook family is a very dysfunctional one, hiding many horrible secrets. I really liked the way the author chose her characters, they all have a story to tell, they all are interesting and play very important parts in this book. I liked the way Ellie opened up and shared her story throughout the pages. She seemed fearless but used to crumble after her father’s words. I think she represents many of those, who grew up with abusive, controlling parent.
The narrative was very fast paced, and every chapter allowed to see a little bit more of Ellie’s past, and what shaped her to be the way she is now. The topics covered in this book were emotional and physical abuse, bullying, teenage romance, controlling behaviour and many more. This book has some very cleverly written surprises and twists and was an easy and pleasant read for me.
The atmosphere of this book is very dark, gloomy and messy, filled with scrap cars, crows, and violence. I liked the writing style of this novel, it was complex and layered. The chapters were short, and the ending of this book left me very satisfied indeed. Even though a single perspective was sufficient for me, I would’ve liked to read Imelda’s thoughts as well. I don’t really know how I feel about all that folk story about Finella, it adds a nice touch to the story, but making it a core of this book wasn’t really necessary.
So, to conclude, it is a really good domestic noir, filled with complex characters and difficult situations. I really enjoyed this book and the topics it discussed, and I recommend it to people who are looking for a quick but important read. I hope you will enjoy it as much as I did. 🙂
The narrative was very fast paced, and every chapter allowed to see a little bit more of Ellie’s past, and what shaped her to be the way she is now. The topics covered in this book were emotional and physical abuse, bullying, teenage romance, controlling behaviour and many more. This book has some very cleverly written surprises and twists and was an easy and pleasant read for me.
The atmosphere of this book is very dark, gloomy and messy, filled with scrap cars, crows, and violence. I liked the writing style of this novel, it was complex and layered. The chapters were short, and the ending of this book left me very satisfied indeed. Even though a single perspective was sufficient for me, I would’ve liked to read Imelda’s thoughts as well. I don’t really know how I feel about all that folk story about Finella, it adds a nice touch to the story, but making it a core of this book wasn’t really necessary.
So, to conclude, it is a really good domestic noir, filled with complex characters and difficult situations. I really enjoyed this book and the topics it discussed, and I recommend it to people who are looking for a quick but important read. I hope you will enjoy it as much as I did. 🙂
Joe Goodhart (27 KP) rated Rocket: The Blue River Score in Books
Nov 30, 2020
I have to confess: I went into this one with low expectations, largely due to trying to read the previous Rocket outing, Matthew Rosenberg's ROCKET RACCOON: GROUNDED! That book was just depressing as hell, and every character in it just felt wholly out-of-character, as if Rosenberg no flarking clue as to who the characters actually were and how they were SUPPOSED to behave! Fortunately, my pre-"low expectations" were ill-placed, as Trash Panda's outing was as far from the depressing wreck that Rosenberg churned out!
Yes, first and foremost, it was a Rocket Raccoon story, but it was also so much more. It felt not unlike SMOKIN' ACES or SNATCH...only on another planet, with aliens and an augmented raccoon! Writer Al Ewing is clearly a fan of pulp noir novels, and it shows throughout. Ah, if only Marvel would realize what a great film this mini would make!
If you like the wise-cracking, sometimes edgy wit of RR - basically, the RR of the MCU - then this is a book for you! Rocket has a great scheme in here, as well as some good intentions, all of which amounts to a double-cross and an ending that effectively resolves everything with a somewhat bittersweet ending. Bravo, Mr. Ewing! I truly hope Marvel lets him helm another RR solo mini!
And, if that does happen, allowed for another Ewing-helmed outing with RR, I hope that brings along artist Adam Gorham and colorist Michael Garland. Those two brought this fun li'l space heist to life ever so well! I was a big fan of Sara Pichelli's GOTG art for Rocket, but as good as she was, I feel these two were just as good, if not better! Definitely artists (and colorists) to keep an eye out for!
End of the day, you could do a whole lot worse that reading ROCKET: THE BLUE RIVE SCORE. *cough* CIVIL WAR II *cough* Bendis' ALL-NEW X-MEN run *cough cough*
Yes, first and foremost, it was a Rocket Raccoon story, but it was also so much more. It felt not unlike SMOKIN' ACES or SNATCH...only on another planet, with aliens and an augmented raccoon! Writer Al Ewing is clearly a fan of pulp noir novels, and it shows throughout. Ah, if only Marvel would realize what a great film this mini would make!
If you like the wise-cracking, sometimes edgy wit of RR - basically, the RR of the MCU - then this is a book for you! Rocket has a great scheme in here, as well as some good intentions, all of which amounts to a double-cross and an ending that effectively resolves everything with a somewhat bittersweet ending. Bravo, Mr. Ewing! I truly hope Marvel lets him helm another RR solo mini!
And, if that does happen, allowed for another Ewing-helmed outing with RR, I hope that brings along artist Adam Gorham and colorist Michael Garland. Those two brought this fun li'l space heist to life ever so well! I was a big fan of Sara Pichelli's GOTG art for Rocket, but as good as she was, I feel these two were just as good, if not better! Definitely artists (and colorists) to keep an eye out for!
End of the day, you could do a whole lot worse that reading ROCKET: THE BLUE RIVE SCORE. *cough* CIVIL WAR II *cough* Bendis' ALL-NEW X-MEN run *cough cough*
A refreshing take on superheroes
I’ve never read the comics, so took a punt on this as it’s been recommended by a few of my friends, and i absolutely loved it.
It’s the perfect antidote to the homely, suitable for kids superhero films like Marvel that bombard our screens every year. Instead The Boys is rude, crude, dark and downright hilarious at times. It’s full of blood and gore too that you’d never find anywhere near any Marvel films. There’s something beyond refreshing watching a show with superheroes behaving badly like villains, and the take on superheroes being owned and represented by a massive corporation is rather brilliant. You can almost imagine that this is how superheroes would turn out if they lived in today’s society.
This has a great cast too, and there are some wonderful performances in this. I adore Karl Urban and he’s good in this, although I feel like he’s let down a little by the fact that they’ve made him a cliched cockney. Antony Starr is seriously creepy and yet charming as Homelander, and he was great to watch. Although my favourite had to be Chace Crawford as The Deep. I feel like he was a little under-utilised in the main plot, but he provided some of the funniest scenes in the entire series and I really wanted to see more of him.
The ending was good and a nice reveal, although I wanted more and felt like it ended maybe a little too abruptly. Aside from Karl Urban’s English accent, the superhero names grate a little after a while because they are super cheesy and cringey (which I’m assuming they’re meant to be). And I felt like the character of Black Noir was a complete mystery and whilst this may be intentional, I do there has been a little bit more of him.
Aside from these little niggles though, this is a refreshingly entertaining series. So much so I’d love to watch a second series, like now.
It’s the perfect antidote to the homely, suitable for kids superhero films like Marvel that bombard our screens every year. Instead The Boys is rude, crude, dark and downright hilarious at times. It’s full of blood and gore too that you’d never find anywhere near any Marvel films. There’s something beyond refreshing watching a show with superheroes behaving badly like villains, and the take on superheroes being owned and represented by a massive corporation is rather brilliant. You can almost imagine that this is how superheroes would turn out if they lived in today’s society.
This has a great cast too, and there are some wonderful performances in this. I adore Karl Urban and he’s good in this, although I feel like he’s let down a little by the fact that they’ve made him a cliched cockney. Antony Starr is seriously creepy and yet charming as Homelander, and he was great to watch. Although my favourite had to be Chace Crawford as The Deep. I feel like he was a little under-utilised in the main plot, but he provided some of the funniest scenes in the entire series and I really wanted to see more of him.
The ending was good and a nice reveal, although I wanted more and felt like it ended maybe a little too abruptly. Aside from Karl Urban’s English accent, the superhero names grate a little after a while because they are super cheesy and cringey (which I’m assuming they’re meant to be). And I felt like the character of Black Noir was a complete mystery and whilst this may be intentional, I do there has been a little bit more of him.
Aside from these little niggles though, this is a refreshingly entertaining series. So much so I’d love to watch a second series, like now.
Thimbleweed Park
Games and Entertainment
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A brand new adventure game from Ron Gilbert and Gary Winnick, creators of the classics Monkey Island...
Lady In The Lake
8.0
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Book
The revered New York Times bestselling author returns with a novel set in 1960s Baltimore that...
Sin City (2005)
7.5
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Movie Watch
Sin City (also known as Frank Miller's Sin City)[3] is a 2005 American neo-noir crime anthology film...
Sin City Frank Miller Robert Rodriguez Comic book