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An Encyclopaedia of Contemporary Nordic Culture
Helena Forsas-Scott, Mary Hilson and Titus Hjelm
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What is 'Nordic noir' and why is it so popular? What are the Nordic societies really like? What do...
True Story
8.0
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After a college party, two boys drive a girl home: drunk and passed out in the back seat. Rumours...
Sheridan (209 KP) rated Life (2017) in Movies
Jul 9, 2017
Highly Intelligent Characters (4 more)
A Fresh Feel to Sci Fi Horror
Highly Intelligent Alien Species with an Unconventional Look
Fast Pace
1950s Noir Ending
Holy S**t!
Contains spoilers, click to show
Many people didn't like this movie, but I freaking loved it! Here's why: The most popular character kicks the bucket first: This for me was a huge deal, you always expect the highest billing actor to be the main character but no, first to die, it was excellent because it gave a tone to the movie that absolutely anything could happen. Another reason to love it: The pure claustrophobia you are trapped in a metal tube in the middle of the vacuum of space with a highly intelligent killer alien, some people may say it's already been done which yes it has but the pace of the movie kept it interesting, in the first half of the movie the majority of the characters are either injured or dead, you barely have time to process each death before someone else is gone, it's exciting. The occasional glimmer of hope: Every time you think they are going to make it something else goes wrong. You know a regular horror you usually spend half the time yelling at the characters for being utter morons, but this movie, these people are highly intelligent and do everything possible to stop the alien without being utterly dumb, it's truly chilling to watch. The ending was a work of art: You get your hopes built up only to realise at the last possible second that everything has gone to s**t and the world is doomed. It was a beautiful 1950s noir film feel which was perfectly executed. No happy ending and endless speculations as to what would happen to the human race. Will it reproduce? How quickly? Just how evolved will it get with endless water and food supplies? Will conventional weapons work on it or will humanity be helpless? A perfect mix of science fiction, thriller, and horror. Will definitely watch again!
Andy K (10823 KP) rated Blade Runner (1982) in Movies
Jul 24, 2019
Sci Fi Film Noir Masterpiece
When film scholars debate whether Alien or Blade Runner is director Ridley Scott's best film it is hard to make an argument against each as both are masterpieces It's funny that although they are both science fiction films, they are completely different in tone, style and action.
The art direction and cinematography are almost unmatched even under today's standards and then consider this movie is from 1982 and it is just astonishing. I won't argue with someone who says the film is slow developing or style or substance; however, I do not consider that a negative whatsoever. Consider it just another way to tell a story. Why do movies always have to follow the same formula to be considered a acceptable?
It is hard to believe the film only managed US box office of $27 million upon its original theatrical release. It's cult status was almost immediate along with the rise of home video and eventually DVD. The various cuts of the film and the vast and minor differences between them can make the meaning of the film quite different depending on how you interpret it.
The argument whether or not Deckard is a replicant could really depend on which version of the film you have seen or what you choose to believe.
Nevertheless, the film still stands the test of time as a sci fi classic and one of the most visually stunning films ever made!
The art direction and cinematography are almost unmatched even under today's standards and then consider this movie is from 1982 and it is just astonishing. I won't argue with someone who says the film is slow developing or style or substance; however, I do not consider that a negative whatsoever. Consider it just another way to tell a story. Why do movies always have to follow the same formula to be considered a acceptable?
It is hard to believe the film only managed US box office of $27 million upon its original theatrical release. It's cult status was almost immediate along with the rise of home video and eventually DVD. The various cuts of the film and the vast and minor differences between them can make the meaning of the film quite different depending on how you interpret it.
The argument whether or not Deckard is a replicant could really depend on which version of the film you have seen or what you choose to believe.
Nevertheless, the film still stands the test of time as a sci fi classic and one of the most visually stunning films ever made!
The Teleportation Accident
Book
LONGLISTED FOR THE 2012 MAN BOOKER PRIZE AN OBSERVER BOOK OF THE YEAR A DAILY TELEGRAPH BOOK OF THE...
Kirk Bage (1775 KP) rated Alphaville (1965) in Movies
Jan 28, 2021
This is one of the best bad films I have ever seen. It looks cheap (at one point the camera-man is clearly entirely visible in a mirror), the story is preposterous, the dialogue is insane, the characters behave like no one in reality ever, and it is sci-fi in name only, as no attempt whatsoever has been made to stretch the budget to anything remotely futuristic – and yet, I loved it! Perhaps it reminded me of Blake’s 7 and Doctor Who, and therefore my happy childhood relationship with cheap sci-fi? Or it could have been that there are so many essential ideas and tropes that exist in my favourite big budget sci-fi films, such as Blade Runner (for which it is an obvious influence), that it felt familiar and friendly from the start. Part hard boiled detective story and part pulp fiction fantasy, as with most Godard, I am discovering, it is all about mood and chic, not remotely about the plot.
Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.
Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.
Ivana A. | Diary of Difference (1171 KP) rated Quarry's Climax (Quarry #14) in Books
Aug 21, 2018
My full review can be found on this link as well: https://www.diaryofdifference.com/2018/05/15/quarrys-climax-max-allan-collins-book-review/
Quarry’s Climax is the 14th book of the Quarry series, and even though I only had the chance to read this one, the rest of the books are certainly something that I have put on my TBR list!
<img src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1498930963i/34014841._UY630_SR1200,630_.jpg"/>;
The plot is simple – until, of course, it gets complicated:
Quarry is a Hitman – he kills people for pleasure, I mean, money! He works for this guy ‘’the Broker’’ and his new mission is to protect a chairman of an underrated Porn magazine and strip club – The Climax. When this task might seem easy, suddenly everyone hides something and everyone has secrets. And then our man Quarry – who usually goes on the spot and just kills whoever he needs to, now has to play the role of a detective, find out what the hell is going on in this rat hole, and eliminate any danger.
Now - first things first - I am not usually a person that reads these types of books - Pulp fiction, hardboiled fiction, entangled harsh noir stories, but this book pleasantly surprised me with its light reading experience and admirable description of the characters.
Quarry – now that’s one interesting character! Quarry is what happens when you mix a Cowboy personality, with a bit of witty humour, no respect for ladies and egotistical appearance. I happened to actually kind of like this guy!
Though the part I didn’t like it how he treats women and talks about them as they are a piece of meat with no brain whatsoever. I am not a feminist, but I mean – you couldn’t have tried harder, I guess. He would just go to a scene, let us know how irrelevant and thick this lady is, he would sleep with her, never call her again, and then continue with his life as nothing happened. Wonderful, isn’t it?
This is one of a kind book for me, and even though I wouldn’t put it on my favourites pile, it has a special place in my heart. I greatly enjoyed it, and it made me smirk at times. I will definitely explore this genre in the future, and I am sure that Quarry’s Climax was a great beginning for me on that.
I received this book by winning a Goodreads Giveaway from Max Allan Collins and Hard Case Crime.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
Quarry’s Climax is the 14th book of the Quarry series, and even though I only had the chance to read this one, the rest of the books are certainly something that I have put on my TBR list!
<img src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1498930963i/34014841._UY630_SR1200,630_.jpg"/>;
The plot is simple – until, of course, it gets complicated:
Quarry is a Hitman – he kills people for pleasure, I mean, money! He works for this guy ‘’the Broker’’ and his new mission is to protect a chairman of an underrated Porn magazine and strip club – The Climax. When this task might seem easy, suddenly everyone hides something and everyone has secrets. And then our man Quarry – who usually goes on the spot and just kills whoever he needs to, now has to play the role of a detective, find out what the hell is going on in this rat hole, and eliminate any danger.
Now - first things first - I am not usually a person that reads these types of books - Pulp fiction, hardboiled fiction, entangled harsh noir stories, but this book pleasantly surprised me with its light reading experience and admirable description of the characters.
Quarry – now that’s one interesting character! Quarry is what happens when you mix a Cowboy personality, with a bit of witty humour, no respect for ladies and egotistical appearance. I happened to actually kind of like this guy!
Though the part I didn’t like it how he treats women and talks about them as they are a piece of meat with no brain whatsoever. I am not a feminist, but I mean – you couldn’t have tried harder, I guess. He would just go to a scene, let us know how irrelevant and thick this lady is, he would sleep with her, never call her again, and then continue with his life as nothing happened. Wonderful, isn’t it?
This is one of a kind book for me, and even though I wouldn’t put it on my favourites pile, it has a special place in my heart. I greatly enjoyed it, and it made me smirk at times. I will definitely explore this genre in the future, and I am sure that Quarry’s Climax was a great beginning for me on that.
I received this book by winning a Goodreads Giveaway from Max Allan Collins and Hard Case Crime.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
How To Get Filthy Rich in Rising Asia
Book
How to Get Filthy Rich in Rising Asia is Mohsin Hamid's spectacular, thought-provoking novel of...
Nick Friesen (96 KP) rated Blade Runner (1982) in Movies
Jul 13, 2017
Dark and gorgeous setting (4 more)
Harrison Ford
Thought-provoking premise
That moody Vangelis score
Rutger Hauer
Best in Class Cyberpunk Neo-Noir
Most Sci-Fi fans these days probably rank Blade Runner somewhere in their top five favorites. Its status and influence on Sci-Fi, especially in the Cyberpunk sub-genre, is undeniable. When it was first released in 1982, however, it was not so well appreciated. It was met with polarized reviews and underwhelming domestic box office figures. This was probably due to some misplaced expectations of the movie. The studio erroneously marketed Blade Runner as an action/adventure, and not to mention, Harrison Ford was riding the fame of another Sci-Fi franchise that was much more action-oriented. It's no surprise then, that audiences and critics alike were initially turned off by the slow-burn pacing of detective noir that Blade Runner pulled into a science fiction setting. Today, Blade Runner is a celebrated masterpiece of filmmaking and adored by fans around the world. However, with a sequel coming soon, those new to the franchise might be a little confused due to the existence of multiple versions of the film. Let's clear that up a bit.
Fast-forward ten years to 1992, when the world received the Director's Cut of the film. At the time, Blade Runner had picked up in popularity through video rental and the international market, and the studio was prompted to release an official Director's Cut after an unofficial version was being made available from a workprint. The Director's Cut was the first introduction to Blade Runner for a whole new generation, including myself.
Fast-forward fifteen more years to 2007, when Ridley Scott brought Blade Runner fans his definitive version of the movie, the Final Cut. Blade Runner: The Final Cut was digitally remastered and reworked by Ridley Scott with complete artistic freedom, whereas the Director's Cut was created by the studio without his involvement. This version fixes some technical problems that persisted from the theatrical version to the Director's Cut, and adds back a little story to better fulfill Ridley Scott's original vision for the film.
If you're looking to get into Blade Runner before Blade Runner 2049 hits theatres in October, the Final Cut is probably the best place to start. It offers the most cohesive viewing experience, complete with restored visuals. Believe me when I tell you there is no movie quite like Blade Runner. Watching Rick Deckard (Harrison Ford) track down and "retire" replicants on the streets of a dystopian Los Angeles awash in neon signs never ceases to fill me with awe. Rutger Hauer's performance as the main antagonist, Roy Batty, is both chilling and thought-provoking, making viewers question what being human truly means.
Blade Runner is now widely considered to be not just the first example of Cyberpunk in film, but also the best. And for good reason, as every frame is a work of art, and the philosophical questions it first posed 35 years ago are still being debated today. Us die-hard fans can only pray the upcoming sequel doesn't completely obliterate the mystery and pathos of the replicant condition.
Fast-forward ten years to 1992, when the world received the Director's Cut of the film. At the time, Blade Runner had picked up in popularity through video rental and the international market, and the studio was prompted to release an official Director's Cut after an unofficial version was being made available from a workprint. The Director's Cut was the first introduction to Blade Runner for a whole new generation, including myself.
Fast-forward fifteen more years to 2007, when Ridley Scott brought Blade Runner fans his definitive version of the movie, the Final Cut. Blade Runner: The Final Cut was digitally remastered and reworked by Ridley Scott with complete artistic freedom, whereas the Director's Cut was created by the studio without his involvement. This version fixes some technical problems that persisted from the theatrical version to the Director's Cut, and adds back a little story to better fulfill Ridley Scott's original vision for the film.
If you're looking to get into Blade Runner before Blade Runner 2049 hits theatres in October, the Final Cut is probably the best place to start. It offers the most cohesive viewing experience, complete with restored visuals. Believe me when I tell you there is no movie quite like Blade Runner. Watching Rick Deckard (Harrison Ford) track down and "retire" replicants on the streets of a dystopian Los Angeles awash in neon signs never ceases to fill me with awe. Rutger Hauer's performance as the main antagonist, Roy Batty, is both chilling and thought-provoking, making viewers question what being human truly means.
Blade Runner is now widely considered to be not just the first example of Cyberpunk in film, but also the best. And for good reason, as every frame is a work of art, and the philosophical questions it first posed 35 years ago are still being debated today. Us die-hard fans can only pray the upcoming sequel doesn't completely obliterate the mystery and pathos of the replicant condition.
Debbiereadsbook (1730 KP) rated Femme Faux Fatale (Dreamspun Desires #70) in Books
Nov 30, 2018
really rather enjoyed this
Independent reviewer for Divine Magazine, I was gifted my copy of this book.
Cain is hired by Ms Astor to find her husband, along with a Rodin statuette. But things don't add up to Cain, and he visits the club she works at to talk to her some more. Lily Lavender is on stage, and she pushes all kinds of buttons that Cain never knew he needed pushing. Riley, the man behind Lily, has a similar reaction to Cain. But Riley is keeping secrets, secrets that have gotten two people killed and Cain needs to know, if they are to get out of this alive.
I really rather enjoyed this!
It's got instant and powerful attraction, it's got steam and passion, it's got a nutty woman, it's got so many levels of secrets! It's deadly too.
Told from both Cain and Riley's point of view, in the third, so we get each and every reaction from both men. Reactions to each other, to the situation around them, to Riley's cross dressing and to Cain very unexpected reaction to that.
Loved Cain's reaction to Riley's cross dressing. It's clear Riley has been treated badly in the past because of that, but Cain is like, AND??? It's part of who Riley is, and Cain just takes it as it is, as Riley is. Cain does, admittedly, rather like Riley in his ladies knickers and stockings, so that helped!
There is a rather long winded conversation between Riley and Cain about pulp fiction and noir films (I think!) bit I got lost with that, mostly because I have no clue what they were talking about, so I glanced over that bit!
I did like the twist as to what was really in the statuettes, and where that led the plot, and just what Ms Astor had, rather that what she THOUGHT she had.
Not quite a one sitting read, but I did stay til after midnight to finish it, when I had a 6am get up!
I've read one other by Ms Laine, I'd like to read some more. She has a way of grabbing you and pulling you in.
4 solid stars
**same worded review will appear elsewhere**
Cain is hired by Ms Astor to find her husband, along with a Rodin statuette. But things don't add up to Cain, and he visits the club she works at to talk to her some more. Lily Lavender is on stage, and she pushes all kinds of buttons that Cain never knew he needed pushing. Riley, the man behind Lily, has a similar reaction to Cain. But Riley is keeping secrets, secrets that have gotten two people killed and Cain needs to know, if they are to get out of this alive.
I really rather enjoyed this!
It's got instant and powerful attraction, it's got steam and passion, it's got a nutty woman, it's got so many levels of secrets! It's deadly too.
Told from both Cain and Riley's point of view, in the third, so we get each and every reaction from both men. Reactions to each other, to the situation around them, to Riley's cross dressing and to Cain very unexpected reaction to that.
Loved Cain's reaction to Riley's cross dressing. It's clear Riley has been treated badly in the past because of that, but Cain is like, AND??? It's part of who Riley is, and Cain just takes it as it is, as Riley is. Cain does, admittedly, rather like Riley in his ladies knickers and stockings, so that helped!
There is a rather long winded conversation between Riley and Cain about pulp fiction and noir films (I think!) bit I got lost with that, mostly because I have no clue what they were talking about, so I glanced over that bit!
I did like the twist as to what was really in the statuettes, and where that led the plot, and just what Ms Astor had, rather that what she THOUGHT she had.
Not quite a one sitting read, but I did stay til after midnight to finish it, when I had a 6am get up!
I've read one other by Ms Laine, I'd like to read some more. She has a way of grabbing you and pulling you in.
4 solid stars
**same worded review will appear elsewhere**