Search
The Hanging Club
8.0
Rate It
Book
"Tony Parsons puts you right there in every scene he writes. I love that kind of storytelling and...
JT (287 KP) rated The Little Things (2021) in Movies
Feb 6, 2021
The opening of The Little Things promises a lot but ultimately the tension that is driven during the first ten minutes is nowhere to be seen for the rest of the run time.
With three Oscar-winning actors and a genre that I absolutely love I couldn’t have been more excited, but that excitement started to take a nosedive when ‘The Little Things‘ started to get a ‘little dull’. Joe ‘Deke’ Deacon (Denzel Washington) is former Los Angeles cop turned local county sheriff, whose content with chasing small-time criminals. When he is asked to go back to the city to pick up some evidence for another case he crosses paths with Jim Baxter (Rami Malek) who is on the hunt for a sadistic serial killer.
Baxter realising that he is in the presence of greatness asks Deacon to accompany him to a crime scene, at which point Deke’s instincts point to someone potentially far more dangerous. Set in the 90s this is raw police work and the use of technology is limited, this is about assessing a crime scene in-depth, or in this case why the killer posed his victims in specific ways or returned to the crime scene later to move them.
Director John Lee Hancock wrote the script 30 years ago which is where it has remained until now. At one point Steven Spielberg and Clint Eastwood were rumoured to direct. The film bears resemblance to such thrillers as Se7en and Zodiac, however, The Little Things might be 30 years too late. The atmosphere and ambience is a neo-noir, at one point Deke is lying on a bed in a run-down motel room starring at polaroid photos of past victims on the wall. An obsession burning inside to catch the killer, which during flashbacks, he has encountered before.
And then there is Albert Sparma (Jared Leto) the prime suspect, or is he? Such is the film’s ambiguity that the third act will leave you scratching your head, trying to piece the evidence together yourself in a bid to catch the killer. Sparma has all the tendencies of a serial killer, he certainly has the look and demeanour. But he may also be a self-obsessed crime buff, with a morbid fascination for death and crime scenes.
All three actors give a solid account of themselves, with Leto making the biggest impression. He’s creepy in a way that will get under your skin. The film is bursting with ideas and places to ramp up the tension but it falls short which is such a shame. As someone who is very fond of a good psychological thriller, this was definitely a missed opportunity.
With three Oscar-winning actors and a genre that I absolutely love I couldn’t have been more excited, but that excitement started to take a nosedive when ‘The Little Things‘ started to get a ‘little dull’. Joe ‘Deke’ Deacon (Denzel Washington) is former Los Angeles cop turned local county sheriff, whose content with chasing small-time criminals. When he is asked to go back to the city to pick up some evidence for another case he crosses paths with Jim Baxter (Rami Malek) who is on the hunt for a sadistic serial killer.
Baxter realising that he is in the presence of greatness asks Deacon to accompany him to a crime scene, at which point Deke’s instincts point to someone potentially far more dangerous. Set in the 90s this is raw police work and the use of technology is limited, this is about assessing a crime scene in-depth, or in this case why the killer posed his victims in specific ways or returned to the crime scene later to move them.
Director John Lee Hancock wrote the script 30 years ago which is where it has remained until now. At one point Steven Spielberg and Clint Eastwood were rumoured to direct. The film bears resemblance to such thrillers as Se7en and Zodiac, however, The Little Things might be 30 years too late. The atmosphere and ambience is a neo-noir, at one point Deke is lying on a bed in a run-down motel room starring at polaroid photos of past victims on the wall. An obsession burning inside to catch the killer, which during flashbacks, he has encountered before.
And then there is Albert Sparma (Jared Leto) the prime suspect, or is he? Such is the film’s ambiguity that the third act will leave you scratching your head, trying to piece the evidence together yourself in a bid to catch the killer. Sparma has all the tendencies of a serial killer, he certainly has the look and demeanour. But he may also be a self-obsessed crime buff, with a morbid fascination for death and crime scenes.
All three actors give a solid account of themselves, with Leto making the biggest impression. He’s creepy in a way that will get under your skin. The film is bursting with ideas and places to ramp up the tension but it falls short which is such a shame. As someone who is very fond of a good psychological thriller, this was definitely a missed opportunity.
