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Kristy H (1252 KP) rated The Jetsetters in Books
Mar 19, 2020
Charlotte Perkins is 71, and her best friend has just died. Long single, she longs to be touched and loved again, so she writes an essay (a rather racy one at that) to the "Become a Jetsetter" contest to win a trip for her entire family (and to perhaps meet someone). Charlotte is shocked and elated when she actually wins, earning the the chance to take her three children to Athens, Greece and on a nine-day cruise to Barcelona, Spain. Lee, a struggling actress who has just returned home on a "break" from acting (and from her famous ex-boyfriend) figures she has nothing better to do. Cord, her son, a wealthy New Yorker, isn't thrilled about being trapped on a ship while he struggles with his sobriety. And Regan, an exhausted mother of two daughters, can't believe it when her irritating husband Matt joins the group. This will be a particularly fun trip since Lee and Regan haven't spoken in ten years. Trapped on this adventure together, secrets come out and the Perkins family suddenly learns more than they ever wanted to know about each one another.
It took me a while to process this one. I really enjoy Amanda Eyre Ward's writing, and I have such a soft spot for her book, The Same Sky, which is one of my absolute favorite novels. This book is very different from that one, and it took me some time to warm to the pacing and the characters. Charlotte turned me off in the beginning, and I was just slow to get into the book. We learn that the Perkins kids had a rough childhood, but one that also bonded them together. Yet when the book opens, none of them are particularly close to each other--or their mother.
"This day, and the two more excruciating days that followed--days of sand and beer-scented misery--would be the last time Lee went on vacation with her mother and siblings. Until thirty-two years later, when they became jetsetters."
The book presents the story from not only Charlotte's point of view, but that of each of her wayward children. None of the kids are easy to like at first, but Ward's prose makes them come to life before our eyes. They are fallible, for sure, and it's hard not to feel a bit sorry for everyone. I for one am not sure I could handle being trapped on a cruise ship with a group of unhappy family members.
"Oh. Charlotte's children. To her great sadness and bewilderment, Charlotte's three adult children were lost to her, and perhaps to themselves."
The novel does an excellent job at portraying all the difficult relationships in the book, giving us an in-depth portrait of a complicated family. While the story is told solely over the span of their trip, we learn all about Charlotte's life--much of it hidden away from her children--and the lives of her three kids, even bits and pieces of their childhood and backstories. No one has had an easy go of it, for sure. How much do parents, and their actions, affect their kids, the book asks. How do families in general influence the people we become. They have so much power: both to help and to hurt.
It's funny, this wasn't always a story I enjoyed, even though there are humorous and touching moments, but I recognized its powerful parts too. Overall, I would rate this at 3.75 stars, rounded up to 4 stars here. It's worth a read.
It took me a while to process this one. I really enjoy Amanda Eyre Ward's writing, and I have such a soft spot for her book, The Same Sky, which is one of my absolute favorite novels. This book is very different from that one, and it took me some time to warm to the pacing and the characters. Charlotte turned me off in the beginning, and I was just slow to get into the book. We learn that the Perkins kids had a rough childhood, but one that also bonded them together. Yet when the book opens, none of them are particularly close to each other--or their mother.
"This day, and the two more excruciating days that followed--days of sand and beer-scented misery--would be the last time Lee went on vacation with her mother and siblings. Until thirty-two years later, when they became jetsetters."
The book presents the story from not only Charlotte's point of view, but that of each of her wayward children. None of the kids are easy to like at first, but Ward's prose makes them come to life before our eyes. They are fallible, for sure, and it's hard not to feel a bit sorry for everyone. I for one am not sure I could handle being trapped on a cruise ship with a group of unhappy family members.
"Oh. Charlotte's children. To her great sadness and bewilderment, Charlotte's three adult children were lost to her, and perhaps to themselves."
The novel does an excellent job at portraying all the difficult relationships in the book, giving us an in-depth portrait of a complicated family. While the story is told solely over the span of their trip, we learn all about Charlotte's life--much of it hidden away from her children--and the lives of her three kids, even bits and pieces of their childhood and backstories. No one has had an easy go of it, for sure. How much do parents, and their actions, affect their kids, the book asks. How do families in general influence the people we become. They have so much power: both to help and to hurt.
It's funny, this wasn't always a story I enjoyed, even though there are humorous and touching moments, but I recognized its powerful parts too. Overall, I would rate this at 3.75 stars, rounded up to 4 stars here. It's worth a read.
Connor Sheffield (293 KP) rated Pirates of the Caribbean: At Worlds End (2007) in Movies
Jun 5, 2017
Great Action (2 more)
Beautiful Visuals
Great Humour
Doesn't quite entertain as much as the others (1 more)
Too many characters to really care for anyone other than the original cast
Probably my least favourite installment
At World's End is not a bad film, but it's not great either. It's a necessary installment to the franchise to finish of the story of Davey Jones, and to lead the franchise to the latest installment, 'Salazar's Revenge'.
I was excited to see the finale to the Davey Jones chapter of this fantasy film franchise, but was somewhat disappointed to find this film lacking something special, and not quite living up to the previous installments.
The action is thrilling, and the visuals are ever improving with each film, which still makes this film a good addition to the franchise, and I will always watch them as a franchise and leave none unwatched in a marathon of the films. However it would not be a first choice when recommending a pirate film to anyone.
The brilliant cast of the previous two films return, joined by many new faces from the pirates of Singapore to the Pirate Lords of Shipwreck Cove. Some of which are memorable but not all. This is where the film drifts from being as good as it could have been. With so many characters it is hard to care for anyone we haven't already spent two films caring for.
Overall this film will be the one you watch, only if you are having a marathon. It won't be the most memorable of the franchise, but it shouldn't be forgotten.
I was excited to see the finale to the Davey Jones chapter of this fantasy film franchise, but was somewhat disappointed to find this film lacking something special, and not quite living up to the previous installments.
The action is thrilling, and the visuals are ever improving with each film, which still makes this film a good addition to the franchise, and I will always watch them as a franchise and leave none unwatched in a marathon of the films. However it would not be a first choice when recommending a pirate film to anyone.
The brilliant cast of the previous two films return, joined by many new faces from the pirates of Singapore to the Pirate Lords of Shipwreck Cove. Some of which are memorable but not all. This is where the film drifts from being as good as it could have been. With so many characters it is hard to care for anyone we haven't already spent two films caring for.
Overall this film will be the one you watch, only if you are having a marathon. It won't be the most memorable of the franchise, but it shouldn't be forgotten.
Nick Friesen (96 KP) rated Baby Driver (2017) in Movies
Jul 18, 2017
Ansel Elgort's Baby is Compelling and Well Acted (3 more)
The Criminals Each Have Interesting & Distinct Personalities
The Movie Drives to the Infectious Soundtrack
Punchy & Skillfuly Edited Cinematography
So-so Love Interest (1 more)
Ends With a Stereotypical Action Movie Climax
Edgar Wright Goes Fast & Furious (In a Good Way)
Edgar Wright has yet to direct a bad movie. Baby Driver doesn't ruin his streak, but it doesn't quite raise the bar. It does do something new, for Wright at least, in transposing his humor and musicality on top of more mature and serious subject matter. The issue is that the story isn't as original or creative as his previous works. Instead, the creativity and originality exists in the way the movie is executed. Bank heists, a getaway driver, and the shadowy mastermind are all well-worn tropes; but Wright sets it all to an eclectic and rhythmic soundtrack that drives the movie forward. Baby Driver is masterfully edited to sync up with the rhythm of the music, for the first two-thirds at least, until it devolved into a bit of a frantic mess. I almost wonder if that was intentional, however, as it perfectly mirrors Baby's situation. In the first two acts he is calm, in control, and driving to the music on his many iPods. In the third act, his predicament devolves into a disaster beyond his control, and he is knocked out of the rhythm he normally operates in. In the end, none of Baby Driver is bad or poorly done, it just isn't quite as memorable as the Cornetto Trilogy or Scott Pilgrim.
Merissa (11830 KP) rated This Ain't Love (Harry Dukes #1) in Books
Feb 15, 2019
This Ain't Love (Harry Dukes #1) by AJ Love
This Ain't Love is the first book in the Harry Dukes series, and we start off with Blake being told SHE is living with five different fellas! She's none too happy about this, but manages to make her niche. She wants to avoid Cameron because he is everything she falls for, and she just hasn't got the time for that! Of course, things don't go according to plan, which is what made this book such a delight to read.
One part deserves a mention all of its own - and that is when the five men are afraid to go into the living room due to female 'personal' reasons ? Every woman who reads this book will empathise with how both Blake and Ria are feelings. And if any men read it, I am 100% sure they will be able to relate to our men. I read through this part laughing out loud, and loving every moment.
This is a light-hearted book, with a story that moves at a fair pace. The world-building is spot on, with the college being completely believable. The characters are well-rounded out, and although we concentrate on Blake and Cameron in this one, the others certainly make their mark.
I thoroughly enjoyed this book, and I can't wait to continue the series. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
One part deserves a mention all of its own - and that is when the five men are afraid to go into the living room due to female 'personal' reasons ? Every woman who reads this book will empathise with how both Blake and Ria are feelings. And if any men read it, I am 100% sure they will be able to relate to our men. I read through this part laughing out loud, and loving every moment.
This is a light-hearted book, with a story that moves at a fair pace. The world-building is spot on, with the college being completely believable. The characters are well-rounded out, and although we concentrate on Blake and Cameron in this one, the others certainly make their mark.
I thoroughly enjoyed this book, and I can't wait to continue the series. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mark @ Carstairs Considers (2119 KP) rated Murder at the Palace in Books
Jun 14, 2019
First Days are Murder
When Nora Paige’s movie star husband is caught having an affair with a co-star, she decides it is time to start over. Fortunately, Nora’s friend Robbie needs someone to manage the Palace Theater up in San Francisco. However, Nora’s first day doesn’t go as planned. She’s barely met the staff when she finds a dead body in the backup ice maker in the basement. Naturally, she doesn’t recognize the victim, but none of the staff know who he is either. Could his murder be tied to the death of the previous manager? And, if that shock weren’t enough, Nora starts to see a hallucination that just might be the ghost of an usherette named Trixie from the 1930’s. Is Nora going crazy? Can she figure out what is going on?
Since I rarely do paranormal cozies, I almost skipped this book, but I was so drawn to the classic movies theme that I had to give it a try. I’m very glad I did because it was fun. While we find the body early on, the set up, including introducing Trixie to the mix, does slow thing down at the beginning, but there is a strong mystery for Nora to solve. Nora, Trixie, and the rest of the cast are a hoot, and I can’t wait to hang out with all of them again. And there is plenty of talk about old movies. While I haven’t seen many of the movies mentioned yet, the discussion certainly made me want to fix that. I’m already buying my ticket for the next entry in this series.
Since I rarely do paranormal cozies, I almost skipped this book, but I was so drawn to the classic movies theme that I had to give it a try. I’m very glad I did because it was fun. While we find the body early on, the set up, including introducing Trixie to the mix, does slow thing down at the beginning, but there is a strong mystery for Nora to solve. Nora, Trixie, and the rest of the cast are a hoot, and I can’t wait to hang out with all of them again. And there is plenty of talk about old movies. While I haven’t seen many of the movies mentioned yet, the discussion certainly made me want to fix that. I’m already buying my ticket for the next entry in this series.
Awix (3310 KP) rated Gods Of Egypt (2016) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Set Piece Defence
Not-quite-as-bad-as-its-reputation knockabout fantasy that does a serious number on the wonders of Egyptian mythology. Evil god Set (Gerard Butler in shouty mode) takes over the kingdom and sets about harvesting the signature body-parts of his fellow immortals; hapless mortal Brenton Thwaites must persuade wronged heir-to-the-throne Horus (Nicolaj Coster-Waldau) to help get rid of him.
Well, the plot is nothing special and the film often seems to be on the verge of sending itself up, but on the other hand it's visually interesting and the choice to treat the weirder bits of Egyptian mythology as being literally true (boss-god Ra is obliged to drag the sun around the Earth every day, on a length of chain attached to the back of his flying boat) means the story is at least a bit different.
You can, I suppose, complain that none of the people playing Egyptians in this film are actually Egyptian; many did, and I suppose I must have missed them complaining in a similar vein when Japanese and coloured actors were cast as inhabitants of Scandinavian fantasyland in the Thor movies. But c'mon, guys, it's a film about Gerard Butler in a flying space chariot pulled by giant beetles - it is possible to take this sort of thing a bit too seriously. (I look forward to retiring to my bunker and listening to the flaming-torch-wielding mob as they mill around outside.)
Anyway, not a great movie by any stretch of the imagination, but hardly terrible, either, and at least it is pleasing to the eye and has a certain novelty.
Well, the plot is nothing special and the film often seems to be on the verge of sending itself up, but on the other hand it's visually interesting and the choice to treat the weirder bits of Egyptian mythology as being literally true (boss-god Ra is obliged to drag the sun around the Earth every day, on a length of chain attached to the back of his flying boat) means the story is at least a bit different.
You can, I suppose, complain that none of the people playing Egyptians in this film are actually Egyptian; many did, and I suppose I must have missed them complaining in a similar vein when Japanese and coloured actors were cast as inhabitants of Scandinavian fantasyland in the Thor movies. But c'mon, guys, it's a film about Gerard Butler in a flying space chariot pulled by giant beetles - it is possible to take this sort of thing a bit too seriously. (I look forward to retiring to my bunker and listening to the flaming-torch-wielding mob as they mill around outside.)
Anyway, not a great movie by any stretch of the imagination, but hardly terrible, either, and at least it is pleasing to the eye and has a certain novelty.
Kevin Wilson (179 KP) rated The Victim (2012) in Movies
Jul 21, 2018
Horrible acting (4 more)
Boring plot
Long talking scenes that add nothing
No likable characters
Predictable
Was this still worth £1?
So I paid £1 for this on blu ray from Poundland. You can't argue with that price even if you are going to just watch it once.
The tone confused me a lot at first. I wasn't sure what it was supposed to be. The lighting felt terrible and the plot was terrible.
Michael Beihn was pretty much the only good part. He's a great actor but not a good director sadly. Mostly the acting was just horrible.
None of the characters were particularly likable. Despite all this, I felt there was going to be a lot more to the story than I was led to believe at the beginning so I stuck with it expecting some kind of twist. Sadly the whole thing isn't like this and just has a predictable ending.
It is badly paced with boring scenes that go on far too long and a sex scene that feels too out of place. It is a movie that tries to rely on hot girls and sex (not much might I add) with flashbacks to tell a lot of the story. This does not work and takes away whatever suspense there was.
The movie was too predictable with no surprises. I wouldn't waste your time with it to be honest. You can't even laugh at it but for £1 I can't really argue. Somehow it ain't even worth that but at least I watched it so you don't have to.
The tone confused me a lot at first. I wasn't sure what it was supposed to be. The lighting felt terrible and the plot was terrible.
Michael Beihn was pretty much the only good part. He's a great actor but not a good director sadly. Mostly the acting was just horrible.
None of the characters were particularly likable. Despite all this, I felt there was going to be a lot more to the story than I was led to believe at the beginning so I stuck with it expecting some kind of twist. Sadly the whole thing isn't like this and just has a predictable ending.
It is badly paced with boring scenes that go on far too long and a sex scene that feels too out of place. It is a movie that tries to rely on hot girls and sex (not much might I add) with flashbacks to tell a lot of the story. This does not work and takes away whatever suspense there was.
The movie was too predictable with no surprises. I wouldn't waste your time with it to be honest. You can't even laugh at it but for £1 I can't really argue. Somehow it ain't even worth that but at least I watched it so you don't have to.