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Hazel (1853 KP) rated The Winner's Crime (The Winner's Trilogy, #2) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
The second book in <i>The Winner’s Trilogy</i> continues with the story of Kestrel and Arin, two characters from totally different backgrounds. In <i>The Winner’s Crime</i>, Kestrel is engaged to Prince Verex and in line to rule the Valorian Empire. Arin, however, is in Herran and no longer has anything to do with Kestrel.
Previously in <i>The Winner’s Curse</i> some sort of relationship seemed to be building between the two teenagers despite their contrasting lives. However with Kestrel now being someone of importance it is impossible for the two to be together. Kestrel denies her feelings for Arin and, although she does not wish to marry the prince, goes along with the emperor’s plans. Arin on the other hand believes Kestrel is acting this way because she wants to and so grows to despise her.
As the story goes on the reader gets to experience both Kestrel and Arin’s point of views on the situation. Kestrel secretly tries to side with the Herrani, however Arin misunderstands her motives. But with such a powerful Emperor in charge, everything Kestrel does is at a great risk of her own life and can only end badly.
I must admit that I had forgotten a lot of what occurred in <i>The Winner’s Curse</i> and therefore it was difficult at first to understand what was happening in the book. Personally I think <i>The Winner’s Crime</i> was the better of the two books so far as it was clearer from the readers point of view what was happening in the lead up to Kestrel and Prince Verex’s wedding. It was the characters that were misunderstanding each other, but who slowly began to realize each other’s intentions towards the end of the novel. The book ended on a cliffhanger and hopefully the two main characters will view each other in a better light in the next in the series.
Overall this series has not gripped me in the way that I would have hoped. The setting is similar to books set in the distant past however women appear to have similar rights to men, such as fighting in the army, which makes it difficult to get your head around as the two ideas conflict with themselves. <i>Goodreads</i> has the series listed as fantasy, however this is slightly misleading as there are none of the typical feature associated with this genre – e.g. magic.
The second book in <i>The Winner’s Trilogy</i> continues with the story of Kestrel and Arin, two characters from totally different backgrounds. In <i>The Winner’s Crime</i>, Kestrel is engaged to Prince Verex and in line to rule the Valorian Empire. Arin, however, is in Herran and no longer has anything to do with Kestrel.
Previously in <i>The Winner’s Curse</i> some sort of relationship seemed to be building between the two teenagers despite their contrasting lives. However with Kestrel now being someone of importance it is impossible for the two to be together. Kestrel denies her feelings for Arin and, although she does not wish to marry the prince, goes along with the emperor’s plans. Arin on the other hand believes Kestrel is acting this way because she wants to and so grows to despise her.
As the story goes on the reader gets to experience both Kestrel and Arin’s point of views on the situation. Kestrel secretly tries to side with the Herrani, however Arin misunderstands her motives. But with such a powerful Emperor in charge, everything Kestrel does is at a great risk of her own life and can only end badly.
I must admit that I had forgotten a lot of what occurred in <i>The Winner’s Curse</i> and therefore it was difficult at first to understand what was happening in the book. Personally I think <i>The Winner’s Crime</i> was the better of the two books so far as it was clearer from the readers point of view what was happening in the lead up to Kestrel and Prince Verex’s wedding. It was the characters that were misunderstanding each other, but who slowly began to realize each other’s intentions towards the end of the novel. The book ended on a cliffhanger and hopefully the two main characters will view each other in a better light in the next in the series.
Overall this series has not gripped me in the way that I would have hoped. The setting is similar to books set in the distant past however women appear to have similar rights to men, such as fighting in the army, which makes it difficult to get your head around as the two ideas conflict with themselves. <i>Goodreads</i> has the series listed as fantasy, however this is slightly misleading as there are none of the typical feature associated with this genre – e.g. magic.
Kristy H (1252 KP) rated The Poison Garden in Books
Oct 24, 2019
Elise is heading back to Chinook Island, preparing to celebrate her first wedding anniversary with her husband, Dr. Kieran Lund. They seem to have an ideal, loving marriage, living in Elise's childhood home. Once a pharmacist, she now runs her late mother's herbal boutique. But upon her arrival to the island, Elise makes a shocking discovery, causing her to doubt all she thought about Kieran and their marriage. Soon she finds herself doubting everyone--even her own memories.
"On the ferry ride home, I was not yet planning to kill anyone. I was still full of hope, eager to land on Chinook Island..."
This is one of those thrillers where you have to go in willing to suspend a little disbelief. It's a bit crazy and a little preposterous, sure. But I have to admit, this was a fun one. I was a little hesitant for a while, pretty sure I had it all figured out and it wasn't going to surprise me. But, I'll gladly admit, I was wrong! This turned out to be a very enthralling read, and I consumed the last half breathlessly, quite intrigued to find out what happened with Elise and Keiran.
I was doubtful about this one in the beginning because it relies on the somewhat overused unreliable narrator trope: can we trust Elise? It seems she's been a sleepwalker in the past, and now, stressed once again, has turned back to her old habits. (At least she wasn't an alcoholic.) I didn't really love Elise, but I admire a book that can keep me engaged even when I'm not 100% behind our protagonist.
"Was I going mad? Padding around in the dark, my subconscious alter ego seizing control?
In fact none of our cast of characters is a real winner: Elise's new husband; her ex, who seems a bit stalkery; her flirtatious neighbor... There is a lot of focus on herbs and medicinal plants, which Elise's mom used in her store. You're never really sure where or why some of the details are thrown in.
But... where this book succeeds and what makes it worth reading is its unpredictability. All of those details are, in fact, quite important. By the end, when it all came together, I was quite surprised (a little mad at myself for not putting more together sooner) and impressed. This one kept me guessing and outwitted me. It was a very easy read and a fun, different thriller. 3.75 stars--rounded to 4 here.
"On the ferry ride home, I was not yet planning to kill anyone. I was still full of hope, eager to land on Chinook Island..."
This is one of those thrillers where you have to go in willing to suspend a little disbelief. It's a bit crazy and a little preposterous, sure. But I have to admit, this was a fun one. I was a little hesitant for a while, pretty sure I had it all figured out and it wasn't going to surprise me. But, I'll gladly admit, I was wrong! This turned out to be a very enthralling read, and I consumed the last half breathlessly, quite intrigued to find out what happened with Elise and Keiran.
I was doubtful about this one in the beginning because it relies on the somewhat overused unreliable narrator trope: can we trust Elise? It seems she's been a sleepwalker in the past, and now, stressed once again, has turned back to her old habits. (At least she wasn't an alcoholic.) I didn't really love Elise, but I admire a book that can keep me engaged even when I'm not 100% behind our protagonist.
"Was I going mad? Padding around in the dark, my subconscious alter ego seizing control?
In fact none of our cast of characters is a real winner: Elise's new husband; her ex, who seems a bit stalkery; her flirtatious neighbor... There is a lot of focus on herbs and medicinal plants, which Elise's mom used in her store. You're never really sure where or why some of the details are thrown in.
But... where this book succeeds and what makes it worth reading is its unpredictability. All of those details are, in fact, quite important. By the end, when it all came together, I was quite surprised (a little mad at myself for not putting more together sooner) and impressed. This one kept me guessing and outwitted me. It was a very easy read and a fun, different thriller. 3.75 stars--rounded to 4 here.
Goddess in the Stacks (553 KP) rated With the Fire on High in Books
Jul 25, 2019
With this book, Elizabeth Acevedo has solidified her position as one of my must-read authors. The Poet X was EXCELLENT, and this one is every bit as good, which is awesome, considering the wildly different formats of the two books. The Poet X was a novel in poem form, being the collected poems of a teenage girl. This book is a more traditional novel, written in prose. It loses none of the lyrical, enchanting quality of Acevedo's writing, however.
With The Fire On High centers on Emoni Santiago, a teenage mother struggling to graduate from high school on time. When a culinary arts elective is offered during her senior year of school, she takes it despite feeling like she should be spending her energy on her daughter's future instead of realizing her own dreams. The elective opens up an entire world for her, however, taking her from whipping up magic alone in her own kitchen to being recognized by talented chefs as having something special. The added hours spent on cooking begin to affect her other responsibilities, however, and Emoni struggles to balance everything in her life, a fight that is very nearly upended by the new, very cute boy who just transferred to her school.
Emoni deals admirably with the vast responsibilities of being a parent, the complications of her own somewhat unusual home life (she's been raised by her grandmother after her mother's death and her father's absence), and the pressures of high school. Especially a school where she spent freshman year pregnant. Rather luckily, her daughter's father goes to a different school, so at least she doesn't have to deal with him every day.
Similar to The Poet X, the book deals with the intersection of black American culture and Puerto Rican culture, a combination I've been seeing more and more in Young Adult. (Well, The Poet X was Dominican, but they have very similar worries, mostly revolving around feeling "not black enough.")
I loved Emoni, I loved Malachi (the cute transfer student), I loved Abuela and Baby Girl/Emma. I even didn't mind Tyrone too much. For being a player, he was trying to do right by his daughter. Acevedo has such a talent for characters. Angelica (Emoni's best friend) and her girlfriend were a delight, too.
If you see a book by Elizabeth Acevedo, pick it up. You won't be disappointed. I can't wait to pick up her next book, which appears to be another novel in verse called Clap When You Land, due out next year!
You can find all my reviews and more at http://goddessinthestacks.com
With The Fire On High centers on Emoni Santiago, a teenage mother struggling to graduate from high school on time. When a culinary arts elective is offered during her senior year of school, she takes it despite feeling like she should be spending her energy on her daughter's future instead of realizing her own dreams. The elective opens up an entire world for her, however, taking her from whipping up magic alone in her own kitchen to being recognized by talented chefs as having something special. The added hours spent on cooking begin to affect her other responsibilities, however, and Emoni struggles to balance everything in her life, a fight that is very nearly upended by the new, very cute boy who just transferred to her school.
Emoni deals admirably with the vast responsibilities of being a parent, the complications of her own somewhat unusual home life (she's been raised by her grandmother after her mother's death and her father's absence), and the pressures of high school. Especially a school where she spent freshman year pregnant. Rather luckily, her daughter's father goes to a different school, so at least she doesn't have to deal with him every day.
Similar to The Poet X, the book deals with the intersection of black American culture and Puerto Rican culture, a combination I've been seeing more and more in Young Adult. (Well, The Poet X was Dominican, but they have very similar worries, mostly revolving around feeling "not black enough.")
I loved Emoni, I loved Malachi (the cute transfer student), I loved Abuela and Baby Girl/Emma. I even didn't mind Tyrone too much. For being a player, he was trying to do right by his daughter. Acevedo has such a talent for characters. Angelica (Emoni's best friend) and her girlfriend were a delight, too.
If you see a book by Elizabeth Acevedo, pick it up. You won't be disappointed. I can't wait to pick up her next book, which appears to be another novel in verse called Clap When You Land, due out next year!
You can find all my reviews and more at http://goddessinthestacks.com
365Flicks (235 KP) rated Dead Rising: Endgame (2016) in Movies
Nov 20, 2019
There are a plethora of really shitty movies based on Games being released each year. None of them holding a candle to the source material it is based on. However each and every time I get suckered in because I want to be impressed by these attempts, as a movie fan and a gamer I need to be impressed. Lets be honest the premise of the Dead Rising games is just about absurd enough to work as a movie and with this being the second outing well have they learnt.
Based on the worldwide smash-hit video game series, Dead Rising: Endgame is the sequel to Dead Rising: Watchtower. Directed by Pat Williams (Continuum), written by Michael Ferris (Terminator Salvation) and Tim Carter (Mortal Kombat: Legacy) and starring Jesse Metcalfe, Marie Avgeropoulos and Dennis Haysbert.
Journalist Chase Carter Heads back into a quarantine zone to find the truth as to what happened to his partner. He and a small group of Journalists want to expose the creators of the outbreak. What he is going to find is a huge cover up that is going to threaten everything. General Lyons (Dennis Haysbert, President Palmer in 24 “Yaaaay”), is a Military officer who will never let anyone get in his way. Racing against the clock, Chase and crew must slice, hack and use any weapon at there disposal to find there way through the zombie hordes and out of the quarantine zone.
I really couldn’t figure out where I stood with this movie at first. I felt like I maybe should of been on the side of thinking it was hot trash. However the Dialogue all though Cheesy at times suits the world its in. The acting although not exactly Andrew Lincoln levels is pretty damn good for this type of flick. Budget and effects wise I had no complaints you could see they hadn’t cheaped out on the practical or the FX on the Zombies they were genuinely scary and brought a certain amount of originality.
I would recommend you see this movie. Go into expecting a fun action packed romp of a movie. Brad Pitts World War Z this movie is not, Zack Snyder’s Dawn of the Dead Remake this movie also is not, but the best thing is that it knows its not those movies, it knows its a Dead Rising tie-in and it brings all of that together in this glorious fun time at the movies. Who knew Jesse Metcalfe was a total Bad Ass????
Based on the worldwide smash-hit video game series, Dead Rising: Endgame is the sequel to Dead Rising: Watchtower. Directed by Pat Williams (Continuum), written by Michael Ferris (Terminator Salvation) and Tim Carter (Mortal Kombat: Legacy) and starring Jesse Metcalfe, Marie Avgeropoulos and Dennis Haysbert.
Journalist Chase Carter Heads back into a quarantine zone to find the truth as to what happened to his partner. He and a small group of Journalists want to expose the creators of the outbreak. What he is going to find is a huge cover up that is going to threaten everything. General Lyons (Dennis Haysbert, President Palmer in 24 “Yaaaay”), is a Military officer who will never let anyone get in his way. Racing against the clock, Chase and crew must slice, hack and use any weapon at there disposal to find there way through the zombie hordes and out of the quarantine zone.
I really couldn’t figure out where I stood with this movie at first. I felt like I maybe should of been on the side of thinking it was hot trash. However the Dialogue all though Cheesy at times suits the world its in. The acting although not exactly Andrew Lincoln levels is pretty damn good for this type of flick. Budget and effects wise I had no complaints you could see they hadn’t cheaped out on the practical or the FX on the Zombies they were genuinely scary and brought a certain amount of originality.
I would recommend you see this movie. Go into expecting a fun action packed romp of a movie. Brad Pitts World War Z this movie is not, Zack Snyder’s Dawn of the Dead Remake this movie also is not, but the best thing is that it knows its not those movies, it knows its a Dead Rising tie-in and it brings all of that together in this glorious fun time at the movies. Who knew Jesse Metcalfe was a total Bad Ass????
Phil Leader (619 KP) rated Storm Clouds Rolling In (Bregdan Chronicles #1) in Books
Nov 26, 2019
Describing this book makes it sound like it could be a tale of Southern romance set before the American Civil War; Carrie Cromwell is the teenage daughter of a plantation owner in Virginia and falls for the son of another plantation owner as the political and social storm of the events of the Civil War brew around them.
In reality however this is a far more complex work - yes the romance is there but it is very much overshadowed by the situation and events of the time. Firstly Carrie is not a Southern Belle happy to sit on the verandah and look after her hard working man - she wants to make something of herself and doesn't think that she will be happy running her father's plantation in later life. Secondly she has grave doubts about slavery, an institution that has become the basis of the plantation owner's very existence.
This novel then is far more an exploration of the confict the slave issue creates as well as the lack of opportunity for a bright woman to better herself in the nineteenth century.
The author does well with the slavery issue in presenting someone from the whole spectrum, from reactionary pro-slavery plantation owners to equally abhorrent abolitionlists who are in many ways just as bad. Carrie is very much undecided throughout the book and that is a good thing, we are essentially treated to a novel length essay on the causes of the civil war and the justifications for slavery that caused a lot of the friction, along with the North failing to take account of the depth of the pride of those in the South.
The characters are very well drawn, and although each more-or-less repesents one particular facet of the debate none are mere ciphers and indeed many of them evolve over time and change their outlook and opinions, not lease Carrie but also of note the slaves Rose and Moses, both young but who really grow during the course of the story. The author has necessarily put some perjorative terms for slaves in the mouths of some of her characters - for which she apologises in a brief forward - but this not only lends realism but underlines those characters attitudes towards the slaves.
The book does move at a relatively slow pace, and there are plenty of discussions around politics, society and slavery but it is quite immersive and acts to let each character become far more solid.
Overall a book I enjoyed and it provides a lot of insight into the state of America at the outbreak of war and why it happened
In reality however this is a far more complex work - yes the romance is there but it is very much overshadowed by the situation and events of the time. Firstly Carrie is not a Southern Belle happy to sit on the verandah and look after her hard working man - she wants to make something of herself and doesn't think that she will be happy running her father's plantation in later life. Secondly she has grave doubts about slavery, an institution that has become the basis of the plantation owner's very existence.
This novel then is far more an exploration of the confict the slave issue creates as well as the lack of opportunity for a bright woman to better herself in the nineteenth century.
The author does well with the slavery issue in presenting someone from the whole spectrum, from reactionary pro-slavery plantation owners to equally abhorrent abolitionlists who are in many ways just as bad. Carrie is very much undecided throughout the book and that is a good thing, we are essentially treated to a novel length essay on the causes of the civil war and the justifications for slavery that caused a lot of the friction, along with the North failing to take account of the depth of the pride of those in the South.
The characters are very well drawn, and although each more-or-less repesents one particular facet of the debate none are mere ciphers and indeed many of them evolve over time and change their outlook and opinions, not lease Carrie but also of note the slaves Rose and Moses, both young but who really grow during the course of the story. The author has necessarily put some perjorative terms for slaves in the mouths of some of her characters - for which she apologises in a brief forward - but this not only lends realism but underlines those characters attitudes towards the slaves.
The book does move at a relatively slow pace, and there are plenty of discussions around politics, society and slavery but it is quite immersive and acts to let each character become far more solid.
Overall a book I enjoyed and it provides a lot of insight into the state of America at the outbreak of war and why it happened
Lee (2222 KP) rated Knives Out (2019) in Movies
Nov 26, 2019 (Updated Nov 29, 2019)
The morning after his 85th birthday party, millionaire Harlan Thrombey (Christopher Plummer) is found dead in his study. The local police find no evidence of foul play and come to the conclusion that his death was a suicide. However, an anonymous person believes otherwise and has hired celebrity detective Benoit Blanc (Daniel Craig) to try and determine 'whodunit'. When Blanc arrives at the Thrombey residence, it's been a week since Harlan's death, and all members of his large eccentric family have been assembled for further questioning by the police while Blanc looks on, quietly digesting their stories.
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.
JT (287 KP) rated Dredd (2012) in Movies
Mar 10, 2020
From the opening slow motion bullet to the face and exit wound that leaves a spray of deep red across the screen, it’s clear to see that this Dredd reboot is all about eradicating the memory of Stallone. It also does its best to stay true to the graphic novels in which this Judge Dredd leaves his helmet on for the entirety.
Karl Urban steps into the boots for this outing and complete with grizzled voice that echoes of Clint Eastwood’s Dirty Harry he goes up against female villain Ma-Ma (Headey) who is as nasty as she is ruthless.
Mega City one, set on the East Coast and running from Boston to Washington DC is the Judges stomping ground and its being overrun by a new drug called SLO-MO in which users experience reality at a fraction of the speed. When a routine homicide leads Dredd and rookie Judge Cassandra Anderson (Thirlby) to The Peach Trees, a 200-storey slum tower block (wait, another tower block?), they must fight their way through the scum to get to the top and bring down the prostitute turned drug lord.
The film is certainly grittier and bloodier than its almost comic predecessor, and director Travis does not shy away from this.
An early encounter in which Dredd and Anderson infiltrate a drug house is slowed right down, maybe in some way to mirror the feeling the SLO-MO drug has on its users. Bullets and blood fly as the casualties and body count rise significantly, Dredd quips the occasional one liner with deadpan expression “negotiation’s over. Sentence is death.”
Those that saw The Raid would have been mesmerized by the action which was none stop from start to finish, sadly Dredd doesn’t live up to those high expectations but does its best to stay with mainstream carnage, of which there is plenty to satisfy.
It’s all about the facial expression
Thirlby’s psychic abilities prove useful but almost disappointing that she can second guess her opponents, a mutant, she’d probably fit in well with the X-Men. She’s the sense of reason to Dredd’s brute force, although most of the time he’s right in what he does, after all he is the law. The film is stripped back, humour is used when needed, and the action set pieces are exceptional. Urban a long time supporting actor now gets a chance to be front and centre in a franchise that can really go places.
Karl Urban steps into the boots for this outing and complete with grizzled voice that echoes of Clint Eastwood’s Dirty Harry he goes up against female villain Ma-Ma (Headey) who is as nasty as she is ruthless.
Mega City one, set on the East Coast and running from Boston to Washington DC is the Judges stomping ground and its being overrun by a new drug called SLO-MO in which users experience reality at a fraction of the speed. When a routine homicide leads Dredd and rookie Judge Cassandra Anderson (Thirlby) to The Peach Trees, a 200-storey slum tower block (wait, another tower block?), they must fight their way through the scum to get to the top and bring down the prostitute turned drug lord.
The film is certainly grittier and bloodier than its almost comic predecessor, and director Travis does not shy away from this.
An early encounter in which Dredd and Anderson infiltrate a drug house is slowed right down, maybe in some way to mirror the feeling the SLO-MO drug has on its users. Bullets and blood fly as the casualties and body count rise significantly, Dredd quips the occasional one liner with deadpan expression “negotiation’s over. Sentence is death.”
Those that saw The Raid would have been mesmerized by the action which was none stop from start to finish, sadly Dredd doesn’t live up to those high expectations but does its best to stay with mainstream carnage, of which there is plenty to satisfy.
It’s all about the facial expression
Thirlby’s psychic abilities prove useful but almost disappointing that she can second guess her opponents, a mutant, she’d probably fit in well with the X-Men. She’s the sense of reason to Dredd’s brute force, although most of the time he’s right in what he does, after all he is the law. The film is stripped back, humour is used when needed, and the action set pieces are exceptional. Urban a long time supporting actor now gets a chance to be front and centre in a franchise that can really go places.
Gareth von Kallenbach (971 KP) rated Alvin and the Chipmunks: Chipwrecked (2011) in Movies
Aug 7, 2019
Alvin and the Chipmunks are back in an all new adventure along with Dave and the Chipettes. Directed by Mike Mitchell, this is the third installment in the new Chipmunk franchise. The voices of the Chipmunks and Chipettes include none other than Justin Long (Alvin), Matthew Gray Gubler (Simon), Jesse McCartney (Theodore), Amy Poehler (Eleanor), Anna Faris (Jeanette), Christina Applegate (Brittany), Alan Tudyk (Simone), David Cross (Ian ) and of course we can’t forget Jason Lee (Dave) . This installment, like the other two, are jam-packed with great actors and comedians who together have made an entertaining film not only for children but for adults as well.
The Chipmunks and the Chipettes are on their way to performing at the International Music Awards and are taking a small vacation before their big show to relax. At least that is what the plan was, until good ol’ Alvin, who always has to be the risk taker, changes the plans. Because of his crazy antics he ends up causing himself, his brothers, the Chipettes, Dave and the ships pelican mascot to go over board and get subsequently marooned on a deserted island. Dave and the pelican mascot end up on a different part of the island than the Chipmunks and Chipettes and both groups think they are doomed and will never be found. As luck would have it, they meet Zoe (Jenne Slate). Zoe has been on the island for quite a few years after being marooned herself and has made it her home. When the island is in trouble when a sleeping volcano begins to wake up; it is up to everybody to get over their inhibitions and help each other get to safety. Along the way everybody learns some life lessons but will Dave ever get to see the Chipmunks again and make it to the music awards?
The plot of this film is very simple and a bit short, but you have to remember that it is geared mainly to children. I still enjoy the Chipmunks and it is such a treat after having grown up watching the cartoons and seeing what modern filmmaking offers a new generation of kids. Most adults may not like the new songs and may find it annoying. I on the other hand love it, with some of the songs being performed better by chipmunks than the actual artists. This movie is recommended for families and the young at heart for a great afternoon movie. Although the first two movies in the franchise are my favorite, this installment is entertaining and will for sure put a smile on your face.
The Chipmunks and the Chipettes are on their way to performing at the International Music Awards and are taking a small vacation before their big show to relax. At least that is what the plan was, until good ol’ Alvin, who always has to be the risk taker, changes the plans. Because of his crazy antics he ends up causing himself, his brothers, the Chipettes, Dave and the ships pelican mascot to go over board and get subsequently marooned on a deserted island. Dave and the pelican mascot end up on a different part of the island than the Chipmunks and Chipettes and both groups think they are doomed and will never be found. As luck would have it, they meet Zoe (Jenne Slate). Zoe has been on the island for quite a few years after being marooned herself and has made it her home. When the island is in trouble when a sleeping volcano begins to wake up; it is up to everybody to get over their inhibitions and help each other get to safety. Along the way everybody learns some life lessons but will Dave ever get to see the Chipmunks again and make it to the music awards?
The plot of this film is very simple and a bit short, but you have to remember that it is geared mainly to children. I still enjoy the Chipmunks and it is such a treat after having grown up watching the cartoons and seeing what modern filmmaking offers a new generation of kids. Most adults may not like the new songs and may find it annoying. I on the other hand love it, with some of the songs being performed better by chipmunks than the actual artists. This movie is recommended for families and the young at heart for a great afternoon movie. Although the first two movies in the franchise are my favorite, this installment is entertaining and will for sure put a smile on your face.
Cristiano Ronaldo: Kick'n'Run
Games
App
How would you like to be in the shoes of Cristiano Ronaldo – one of the world’s top football...
Opodo - Flights, Hotels & Cars
Travel, Business and Stickers
App
Hi there! If you're checking out this app, we know you love to travel and furthermore you love a...