Search
Search results
ArtStudio for iPad -Paint&Draw
Photo & Video and Entertainment
App
Now with iPad Pro And Pencil support. ArtStudio is the most comprehensive, sketching, painting and...
TeleMe - free phone calls & messages
Social Networking and Utilities
App
TeleMe turns your iPad/iPod touch to an iPhone! With TeleMe it becomes convenient to make global...
Private School Days
Games and Education
App
* Although universal, this version is primarily for iPhones and will appear large on an iPad. Those...
Raw Food Diet Pro - Healthy Organic Food Recipes and Diet Tracker
Food & Drink and Health & Fitness
App
New year, new you! Raw Food Diet Pro provides hundreds of healthy raw food recipes to help you detox...
Merissa (12053 KP) rated Will (The Books of the Five #2) in Books
Apr 12, 2023
You know when you read the first book in a series, fall in love with it, and presume that the next book won't be anywhere near as good... just because?! That's how I felt when I started Will. I had loved Eleanor and devoured every word. There was no way that Will could be that good, could it? OMG, yes it could be that good and even better. This book completely surpassed my expectations and took me on a poignant, raw and intense journey alongside the main character.
This lady is simply amazing as an author because she will make you dislike a character intensely and yet, within a few phrases, you will feel sorry for or like the same character. There is so much detail in her writing that you are left in no doubt as to the surroundings, expressions or feelings.
Now, it was a while ago that I read Eleanor so a few things were lost to me when I started but I quickly picked up again and proceeded to thoroughly enjoy this story. Because of the time delay though, it was unclear to me just what the problem was with Will. I was almost hoping that it wasn't simply his age because every time he said about being old, I winced as I am older than he is! This story actually hit me hard when all the secrets are revealed and I was sobbing big, ugly tears. I just can't tell you how good this story is, to have it affect me in that way.
One thing I will add though is that if you visit the author's website - http://www.mydren.com/ - you will find information about Eleanor and Will plus loads of other interesting snippets so you quickly come up to speed.
S.F. Burgess has put the Epic back into Fantasy. This book is worth every moment of your time and I can't imagine it being any shorter. Every word is needed and used with great effect.
One warning I will give and it's the same reason I have put Dark down as one of the genres - this book deals with some dark subjects, torture being one of them, and there is violence. None of this is gratuitous though and is definitely needed to make the story a better one.
HIGHLY RECOMMENDED for all Epic Fantasy fans out there who like a darker tale. If you want all glitter and rainbows then maybe you should try something else. For me personally, I will be waiting with bated breath for the release of Amelia, book 3. I really can't wait!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 30, 2016
This lady is simply amazing as an author because she will make you dislike a character intensely and yet, within a few phrases, you will feel sorry for or like the same character. There is so much detail in her writing that you are left in no doubt as to the surroundings, expressions or feelings.
Now, it was a while ago that I read Eleanor so a few things were lost to me when I started but I quickly picked up again and proceeded to thoroughly enjoy this story. Because of the time delay though, it was unclear to me just what the problem was with Will. I was almost hoping that it wasn't simply his age because every time he said about being old, I winced as I am older than he is! This story actually hit me hard when all the secrets are revealed and I was sobbing big, ugly tears. I just can't tell you how good this story is, to have it affect me in that way.
One thing I will add though is that if you visit the author's website - http://www.mydren.com/ - you will find information about Eleanor and Will plus loads of other interesting snippets so you quickly come up to speed.
S.F. Burgess has put the Epic back into Fantasy. This book is worth every moment of your time and I can't imagine it being any shorter. Every word is needed and used with great effect.
One warning I will give and it's the same reason I have put Dark down as one of the genres - this book deals with some dark subjects, torture being one of them, and there is violence. None of this is gratuitous though and is definitely needed to make the story a better one.
HIGHLY RECOMMENDED for all Epic Fantasy fans out there who like a darker tale. If you want all glitter and rainbows then maybe you should try something else. For me personally, I will be waiting with bated breath for the release of Amelia, book 3. I really can't wait!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 30, 2016
BankofMarquis (1832 KP) rated Napoleon (2023) in Movies
Dec 6, 2023
Whole Does Not Equal The Sum of it's Parts
The new Epic Motion Picture NAPOLEON is the perfect example of the term “the whole does not equal the sum of the parts”. There are some very, very good items in this film, they just don’t combine to make a Motion Picture above the average.
Directed by Ridley Scott (GLADIATOR), NAPOLEON tells the tale of the titular Frenchman who rises to great power only to fall to great defeat. It is a story ripe for a fascinating film, this just isn’t that film.
There are many, many things that work in this movie, like the performance of Oscar Winner Joaquin Phoenix (THE JOKER) as Napoleon. He plays him as an enigmatic figure who is over-compensating for a lack of…something. Bravery? Self-Confidence? Height? That’s the problem, the film never delves into it, it just gives us a quirky character - strongly played by Phoenix - who is, obviously, using his power and skills as a General to cover up a flaw…whatever that is.
Vanessa Kirby (Oscar Nominated for PIECES OF A WOMAN a few years back) is equally strong and enigmatic as Napoleon’s Empress, Josephine. Kirby’s performance is, probably, the strongest in the film as she plays Josephine as strong and independent, living by her own rules and knowing that she has the powerful Napoleon at her beck-and-call. But, again, we never really find out the person behind the facade and her scenes with Phoenix/Napoleon fall flat for there never is any really love or passion between the 2 of them, just a “baby boy” fawning all over Josephine and a manipulative (we think) social climber using this “baby boy”.
4x Oscar Nominee (but never a winner) Ridley Scott (GLADIATOR) knows how to produce an EPIC and he puts together some EPIC Battle Scenes and Napoleon’s Emperor Inauguration scene is one to behold (which is why you should see this film on the largest screen possible) but these scenes seem isolated and separated from the rest of the film.
And, there, is where the problem of the film is. We have an interesting performance by Phoenix, a strong performance by Kirby and EPIC scenes from Scott, but they all seem isolated and in their own film and never quite gel together to build any emotional connection. All seem cold, flat and calculated. There is none of the passion that Napoleon says he has for France.
Go to marvel at the craft of the film, leave feeling unfulfilled, emotionally by NAPOLEON.
Letter Grade: B-
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Directed by Ridley Scott (GLADIATOR), NAPOLEON tells the tale of the titular Frenchman who rises to great power only to fall to great defeat. It is a story ripe for a fascinating film, this just isn’t that film.
There are many, many things that work in this movie, like the performance of Oscar Winner Joaquin Phoenix (THE JOKER) as Napoleon. He plays him as an enigmatic figure who is over-compensating for a lack of…something. Bravery? Self-Confidence? Height? That’s the problem, the film never delves into it, it just gives us a quirky character - strongly played by Phoenix - who is, obviously, using his power and skills as a General to cover up a flaw…whatever that is.
Vanessa Kirby (Oscar Nominated for PIECES OF A WOMAN a few years back) is equally strong and enigmatic as Napoleon’s Empress, Josephine. Kirby’s performance is, probably, the strongest in the film as she plays Josephine as strong and independent, living by her own rules and knowing that she has the powerful Napoleon at her beck-and-call. But, again, we never really find out the person behind the facade and her scenes with Phoenix/Napoleon fall flat for there never is any really love or passion between the 2 of them, just a “baby boy” fawning all over Josephine and a manipulative (we think) social climber using this “baby boy”.
4x Oscar Nominee (but never a winner) Ridley Scott (GLADIATOR) knows how to produce an EPIC and he puts together some EPIC Battle Scenes and Napoleon’s Emperor Inauguration scene is one to behold (which is why you should see this film on the largest screen possible) but these scenes seem isolated and separated from the rest of the film.
And, there, is where the problem of the film is. We have an interesting performance by Phoenix, a strong performance by Kirby and EPIC scenes from Scott, but they all seem isolated and in their own film and never quite gel together to build any emotional connection. All seem cold, flat and calculated. There is none of the passion that Napoleon says he has for France.
Go to marvel at the craft of the film, leave feeling unfulfilled, emotionally by NAPOLEON.
Letter Grade: B-
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Merissa (12053 KP) rated Alpha's Fake Wife by Maria Warren in Books
Jun 23, 2022
ALPHA'S FAKE WIFE is the first book in a series that really does show potential but, unfortunately for me, I just didn't feel as though it lived up to that potential as it stands right now.
It is a slow-burn Reverse Harem romance with a mystery/romantic suspense element to it as someone is drugging and assaulting females in Drew's pack.
Our main female, Laura, is brought to a party by her not-so-likeable best friend, Brandon, before he abandons her for other women. After he leaves her, she is handed a drink, drinks it, is immediately drugged, and starts to be led away. She is able to free herself but feels ill - which is how she meets Drew. Lance is Drew's half-brother who acts completely out of character when he throws a party for the pack to celebrate the new Luna - even though he is only tolerated by most of them, and actually prefers to stay out of the limelight. Lance meets Laura the same night and mistakes her for one of Drew's usual floozies. We don't meet Xavier until about halfway through (or so it felt) although he is supposed to be Drew's bodyguard! I am told about these four having a connection - or rather, three having a connection to Laura, and her to the three - but I never see or feel it.
There are situations and circumstances left unexplained in here that, although may be explained in future books, could have done with at least something to be going on with. For example, what is with the intense dislike of cherries? There are some fruits I don't like, but hers is crazy. And seriously, if you've got someone going around assaulting women, stop going out by yourself when you've been asked not to (unless it's for a bloody good reason which none of hers were). And how many times are you going to be on the receiving end of a drugged drink and be able to pass it off as a mistake?
There are a couple of Not-So-Big Bads here that didn't come as a surprise at all, but there are clues given to a Big Bad called The Alchemist who I guess will be the overall story arc going forward.
If this book went through a severe editing process, dropped a few thousand unnecessary words, tightened up the story as a whole, made a connection between the characters, and made said characters more relatable, then I would continue with it, but as it stands, I won't be reading this series any further.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
It is a slow-burn Reverse Harem romance with a mystery/romantic suspense element to it as someone is drugging and assaulting females in Drew's pack.
Our main female, Laura, is brought to a party by her not-so-likeable best friend, Brandon, before he abandons her for other women. After he leaves her, she is handed a drink, drinks it, is immediately drugged, and starts to be led away. She is able to free herself but feels ill - which is how she meets Drew. Lance is Drew's half-brother who acts completely out of character when he throws a party for the pack to celebrate the new Luna - even though he is only tolerated by most of them, and actually prefers to stay out of the limelight. Lance meets Laura the same night and mistakes her for one of Drew's usual floozies. We don't meet Xavier until about halfway through (or so it felt) although he is supposed to be Drew's bodyguard! I am told about these four having a connection - or rather, three having a connection to Laura, and her to the three - but I never see or feel it.
There are situations and circumstances left unexplained in here that, although may be explained in future books, could have done with at least something to be going on with. For example, what is with the intense dislike of cherries? There are some fruits I don't like, but hers is crazy. And seriously, if you've got someone going around assaulting women, stop going out by yourself when you've been asked not to (unless it's for a bloody good reason which none of hers were). And how many times are you going to be on the receiving end of a drugged drink and be able to pass it off as a mistake?
There are a couple of Not-So-Big Bads here that didn't come as a surprise at all, but there are clues given to a Big Bad called The Alchemist who I guess will be the overall story arc going forward.
If this book went through a severe editing process, dropped a few thousand unnecessary words, tightened up the story as a whole, made a connection between the characters, and made said characters more relatable, then I would continue with it, but as it stands, I won't be reading this series any further.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sass Perilla (36 KP) rated The Master and Margarita in Books
Aug 9, 2019
Worth a read? Yes. Worth a reread? Maybe not.
Contains spoilers, click to show
The Master and Magarita: Mikhail Bulgakov
Firstly, I didn’t intend to write an essay on this novel. However, once started I found I had a lot to say, and the more I thought about the plot and characters, the more ideas and parallels were sparked, so I am hopeful that the verbosity of this review can be forgiven.
At the risk of sounding both ignorant and uncultured, I found this novel (at least at first) bloody hard slog; not least because the Russian characters have three names, plus a nickname, plus a pun on their name (none of which work particularly well in translation and all of which sound rather similar to the English untrained ear). As an example- Ivan Nikolaevich Ponyrev (who seems to be referred to by any and all of these names) is also known as “Homeless” and “the poet” is a key character in the opening section of the novel. To further demonstrate: there are 17 different names that start with A that are used to refer to 15 different characters with Andreyevich used as the middle name of a bereaved uncle, who makes a journey from Kiev after his nephew is beheaded in a freak tram accident- and Andrey the buffet manager at a Moscow theatre. Clear as mud right? And that is before starting on similarly named characters with the initials M, P, L and S! At my last count there were 45 distinct characters, and I am fairly sure there will be some that I have missed. Hence, I did a lot of re-reading to work out exactly who was doing what to whom.
Additionally, I would suggest you need to be wary of the different translations. The distinct changes in meaning are subtle but important. To triangulate I had three versions at my disposal: Hugh Aplin’s translation (available for free on Kindle), the audiobook version translated by Richard Pevear and Larissa Volokhonsky (which I listened to simultaneously when reading the book to come to my own interpretation, and the subtitles for the Russian TV miniseries from 2005 when I gave up trying to work out who was who from name alone!
So those were my “technical” issues (if you like) with engaging with this novel, and this lack of clarity and understanding (and my own lack of contextual knowledge of Stalinist Russia) meant I missed many of the (what I am sure are hysterically funny to those in the know) satirical jokes in the opening section. That said, the random action and quick changes of focus, undercurrent of chaos in Moscow despite entrenched hierarchal structures and clear threat that (any) one could go missing at any time, for an unclear reason gave a clear insight into the mind and fears of a 1930s Russian citizen. No wonder it was available only in censored form for so long.
Despite these hardships, there were some genuinely laugh out loud moments in the first Moscow based part of the novel. The citizens have not lost their individuality, as they scrabble and fight for bank notes in the theatre, which are later revealed to be worthless. Nor have they lost their sense of pride and vanity, which we see in the female theatre goers, so desperate to attain the fashionable French couture (which later literally disappears from their bodies leaving semi-naked citizenesses desperately trying to cover themselves in a scene reminiscent of “Allo Allo” meets “Benny Hill”). When Professor Woland says his show will “expose” what the locals have failed to realise is that it is their (moral) shortcomings that are about to be revealed. The message is clearly, that no government can successfully legislate against human nature.
Oooh- and another fun fact, apparently Woland (later revealed- or perhaps is implied- to be Satan) was the inspiration to the Rolling Stones 1968 hit “Sympathy for the Devil”, well at least that is what my Google-Fu tells me.
Obviously, there were substantial hurdles to leap, however, I found by the second half of the novel, when we finally meet the eponymous characters, I had got in to the swing of things and begun to embrace the farcical surrealism of the novel.
The second “book” marks a change in tone, although it continues to cut away to scenes of Jesus’ sentencing by Pilate and execution (here known in the Aramaic form Yeshua). Ironically it is these scenes that are the most “real” and substantially human, as Pilate’s decision weighs head achingly heavily on him throughout. The Master and Margarita seem to be the only two characters fully invested in the authenticity of literature, and serve as a counterpoint to the heavily censored “monstrous” writing of Ivan and the rest of the writers’ union Massolit, more interested in fine dining and what their positions can do for them then the production of quality writing.
And it is Margarita’s journey of discovery and liberation from the stodgy, miserable societal expectations of that leads her back to her Master. Bulgakov mixes classical myth, Russian folklore and Bible stories to give us an impression of the timelessness of the central romance. As the worlds of communist Moscow and the inner worlds of the Master and Margarita collide, we are informed of the former’s desire to excuse all magic (and mischief) as the product of mass hypnosis, when the latter (and the reader) are fully aware of the spiritual significance and dimension of the events.
Clever, astute and in places laugh out loud funny, this novel none-the-less requires a level of dedication from the non-Russian speaking reader. Worth a read? Yes. Worth a re-read? Maybe not.
Firstly, I didn’t intend to write an essay on this novel. However, once started I found I had a lot to say, and the more I thought about the plot and characters, the more ideas and parallels were sparked, so I am hopeful that the verbosity of this review can be forgiven.
At the risk of sounding both ignorant and uncultured, I found this novel (at least at first) bloody hard slog; not least because the Russian characters have three names, plus a nickname, plus a pun on their name (none of which work particularly well in translation and all of which sound rather similar to the English untrained ear). As an example- Ivan Nikolaevich Ponyrev (who seems to be referred to by any and all of these names) is also known as “Homeless” and “the poet” is a key character in the opening section of the novel. To further demonstrate: there are 17 different names that start with A that are used to refer to 15 different characters with Andreyevich used as the middle name of a bereaved uncle, who makes a journey from Kiev after his nephew is beheaded in a freak tram accident- and Andrey the buffet manager at a Moscow theatre. Clear as mud right? And that is before starting on similarly named characters with the initials M, P, L and S! At my last count there were 45 distinct characters, and I am fairly sure there will be some that I have missed. Hence, I did a lot of re-reading to work out exactly who was doing what to whom.
Additionally, I would suggest you need to be wary of the different translations. The distinct changes in meaning are subtle but important. To triangulate I had three versions at my disposal: Hugh Aplin’s translation (available for free on Kindle), the audiobook version translated by Richard Pevear and Larissa Volokhonsky (which I listened to simultaneously when reading the book to come to my own interpretation, and the subtitles for the Russian TV miniseries from 2005 when I gave up trying to work out who was who from name alone!
So those were my “technical” issues (if you like) with engaging with this novel, and this lack of clarity and understanding (and my own lack of contextual knowledge of Stalinist Russia) meant I missed many of the (what I am sure are hysterically funny to those in the know) satirical jokes in the opening section. That said, the random action and quick changes of focus, undercurrent of chaos in Moscow despite entrenched hierarchal structures and clear threat that (any) one could go missing at any time, for an unclear reason gave a clear insight into the mind and fears of a 1930s Russian citizen. No wonder it was available only in censored form for so long.
Despite these hardships, there were some genuinely laugh out loud moments in the first Moscow based part of the novel. The citizens have not lost their individuality, as they scrabble and fight for bank notes in the theatre, which are later revealed to be worthless. Nor have they lost their sense of pride and vanity, which we see in the female theatre goers, so desperate to attain the fashionable French couture (which later literally disappears from their bodies leaving semi-naked citizenesses desperately trying to cover themselves in a scene reminiscent of “Allo Allo” meets “Benny Hill”). When Professor Woland says his show will “expose” what the locals have failed to realise is that it is their (moral) shortcomings that are about to be revealed. The message is clearly, that no government can successfully legislate against human nature.
Oooh- and another fun fact, apparently Woland (later revealed- or perhaps is implied- to be Satan) was the inspiration to the Rolling Stones 1968 hit “Sympathy for the Devil”, well at least that is what my Google-Fu tells me.
Obviously, there were substantial hurdles to leap, however, I found by the second half of the novel, when we finally meet the eponymous characters, I had got in to the swing of things and begun to embrace the farcical surrealism of the novel.
The second “book” marks a change in tone, although it continues to cut away to scenes of Jesus’ sentencing by Pilate and execution (here known in the Aramaic form Yeshua). Ironically it is these scenes that are the most “real” and substantially human, as Pilate’s decision weighs head achingly heavily on him throughout. The Master and Margarita seem to be the only two characters fully invested in the authenticity of literature, and serve as a counterpoint to the heavily censored “monstrous” writing of Ivan and the rest of the writers’ union Massolit, more interested in fine dining and what their positions can do for them then the production of quality writing.
And it is Margarita’s journey of discovery and liberation from the stodgy, miserable societal expectations of that leads her back to her Master. Bulgakov mixes classical myth, Russian folklore and Bible stories to give us an impression of the timelessness of the central romance. As the worlds of communist Moscow and the inner worlds of the Master and Margarita collide, we are informed of the former’s desire to excuse all magic (and mischief) as the product of mass hypnosis, when the latter (and the reader) are fully aware of the spiritual significance and dimension of the events.
Clever, astute and in places laugh out loud funny, this novel none-the-less requires a level of dedication from the non-Russian speaking reader. Worth a read? Yes. Worth a re-read? Maybe not.
Lee (2222 KP) rated Knock Knock (2015) in Movies
Nov 2, 2017
The acting is just terrible (1 more)
The whole premise is just ridiculous
What the hell was Keanu thinking?
I came across this on Netflix last night and remembered seeing the trailer for it in the cinema at some point in the past. I vaguely remembered wanting to see it if I ever got the chance. What I definitely didn't remember is that the reason I probably never saw it was down to the sheer number of awful reviews it managed to receive. So, here's another one to add to them.
Keanu Reeves is an architect, living in an amazing house with a beautiful wife and two perfect kids. The movie opens by slowly panning through the house, showing us that on literally every single piece of available wall space there's a photo of the happy family. They just look so perfect and content together. Keanu wakes up in bed with his wife and the kids burst in to bring Keanu a father's day chocolate cake. They have some fun and he chases them away, pretending to be monster. Wow, they really are determined to drum home the fact that Keanu has this perfect family life, something he'd be pretty stupid to mess up! Already though, the acting is just awful - the whole setup feels forced, none of it feels natural at all. A crucial plot point that we do discover here though - Keanus character has not had much action in the sack recently...
His wife and kids head off to the beach for the weekend leaving Keanu to try and get on top of his workload, designing some buildings, listening to loud music and 3D printing his work. That is, until he's interrupted late at night by a couple of young girls knocking at his front door. It's raining hard and they claim that their taxi dropped them off for a party, but they think that they're in completely the wrong area. Keanu lets them in to check the party location on his iPad (their phones are soaking wet) while he calls them an Uber. They begin flirting with him, but he resists. He ends up putting their clothes in the tumble dryer, the flirting continues, he continues to resist. Until eventually.... well, lets just say that he more than makes up for the action in the sack he's been missing out on recently.
All I'll say is that things get more intense and more ridiculous after that as the girls stick around and make his life a living hell, despite his attempts to try and get rid of them. It's all really over the top and just plain stupid, but I just had to watch it right to the end to see what happens. One thing it definitely proved though - Keanu Reeves really should stick to just being John Wick. Or Ted "Theodore" Logan.
Keanu Reeves is an architect, living in an amazing house with a beautiful wife and two perfect kids. The movie opens by slowly panning through the house, showing us that on literally every single piece of available wall space there's a photo of the happy family. They just look so perfect and content together. Keanu wakes up in bed with his wife and the kids burst in to bring Keanu a father's day chocolate cake. They have some fun and he chases them away, pretending to be monster. Wow, they really are determined to drum home the fact that Keanu has this perfect family life, something he'd be pretty stupid to mess up! Already though, the acting is just awful - the whole setup feels forced, none of it feels natural at all. A crucial plot point that we do discover here though - Keanus character has not had much action in the sack recently...
His wife and kids head off to the beach for the weekend leaving Keanu to try and get on top of his workload, designing some buildings, listening to loud music and 3D printing his work. That is, until he's interrupted late at night by a couple of young girls knocking at his front door. It's raining hard and they claim that their taxi dropped them off for a party, but they think that they're in completely the wrong area. Keanu lets them in to check the party location on his iPad (their phones are soaking wet) while he calls them an Uber. They begin flirting with him, but he resists. He ends up putting their clothes in the tumble dryer, the flirting continues, he continues to resist. Until eventually.... well, lets just say that he more than makes up for the action in the sack he's been missing out on recently.
All I'll say is that things get more intense and more ridiculous after that as the girls stick around and make his life a living hell, despite his attempts to try and get rid of them. It's all really over the top and just plain stupid, but I just had to watch it right to the end to see what happens. One thing it definitely proved though - Keanu Reeves really should stick to just being John Wick. Or Ted "Theodore" Logan.
Jamie (131 KP) rated 1984 Nineteen Eighty-Four in Books
Jun 4, 2017
Overwhelmingly bleak (1 more)
Stars slow and a little bit didactic
A true nightmare world, a dystopian classic
Winston is our everyman, a middle aged average male living under the heel of a totalitarian regime. His work is bland, his food is bland, his every day routine is bland. Winston is losing it, he wonders about the world that was before the party and resists in small ways. He ponders about the subtle ways that the party exerts it’s control, by perpetual war, by rewriting history, by lying so blatantly that the members of the party have to accept the lies as truth. Winston dreams of revolution and finds himself seeking out others likes him.
Nineteen Eighty-Four was not an easy ready by any means, it’s startlingly brutal. The beginning starts off rather slow as the readers gets to know Winston, the way he thinks and learns about his every day routine and are introduced to key characters. The middle of the book picks up, but it breaks up the pacing of the novel due to the fact that it essentially turns into an essay that outlines the structure of the party and the moral implications of it’s actions. While info dumps can be a bit disjointing to read, I could bear with it for this novel. The third half of the novel caught me off guard and it spun wildly out of control. I loved it, even when I found it difficult to digest. This is what made the book so brilliant, it doesn’t just tell you about right and wrong and then wrap things up nicely, the horrible reality of the book comes crashing down on both Winston and the reader’s head in full force.
The power structure of the party is just downright diabolical. I could think of any other way to describe it; the method of control, the reasons for maintaining such a strict social order, the sheer scale of the party’s reach – all of it was terrifying when taken as a whole. There were points in the second half of the novel where I had to put the book down because it was stressing me out too much, and this was a first for me. I now understand fully what folks mean when they label something as “Orwellian,” and why this novel is hailed as one of the very best of the dystopia genre. Hell, there are others that I read that I thought were bleak, but none quite to this degree. Nineteen Eighty-Four makes other books in the dystopia genre seem like lighthearted adventures novels.
The novel is extremely effective in the delivery of it’s core message about government control and humanity by creating a potential future that is harrowing, particularly because of it’s plausibility, as a warning to all. This is the type of book that will stick with me for a long time and I’m glad I finally sat down to read it.
Nineteen Eighty-Four was not an easy ready by any means, it’s startlingly brutal. The beginning starts off rather slow as the readers gets to know Winston, the way he thinks and learns about his every day routine and are introduced to key characters. The middle of the book picks up, but it breaks up the pacing of the novel due to the fact that it essentially turns into an essay that outlines the structure of the party and the moral implications of it’s actions. While info dumps can be a bit disjointing to read, I could bear with it for this novel. The third half of the novel caught me off guard and it spun wildly out of control. I loved it, even when I found it difficult to digest. This is what made the book so brilliant, it doesn’t just tell you about right and wrong and then wrap things up nicely, the horrible reality of the book comes crashing down on both Winston and the reader’s head in full force.
The power structure of the party is just downright diabolical. I could think of any other way to describe it; the method of control, the reasons for maintaining such a strict social order, the sheer scale of the party’s reach – all of it was terrifying when taken as a whole. There were points in the second half of the novel where I had to put the book down because it was stressing me out too much, and this was a first for me. I now understand fully what folks mean when they label something as “Orwellian,” and why this novel is hailed as one of the very best of the dystopia genre. Hell, there are others that I read that I thought were bleak, but none quite to this degree. Nineteen Eighty-Four makes other books in the dystopia genre seem like lighthearted adventures novels.
The novel is extremely effective in the delivery of it’s core message about government control and humanity by creating a potential future that is harrowing, particularly because of it’s plausibility, as a warning to all. This is the type of book that will stick with me for a long time and I’m glad I finally sat down to read it.