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Kristy H (1252 KP) rated Almost Missed You in Books
Feb 13, 2018
Violet and Finn are one of those couples that everyone believes is meant to be. Their story is one entwined with fate. They met once by chance and were reunited years later. Now married, with a young son, everything seems great for the couple. While vacationing in Florida, Violet cannot believe her good fortune. So imagine her shock when she returns from a relaxing nap on the beach to find their hotel room empty: Finn has vanished, and he has taken Bear, their son, with him. Violet has no explanation for this, and the FBI is quickly involved. Meanwhile, Finn's closest friend, Caitlin--who has become Violet's dear friend too--becomes entwined in the disappearance when Finn enlists her help. Will Violet ever see her son again? And why exactly did Finn vanish from that beach?
This novel definitely sucks you in right away. It's confusing and intriguing, as you're completely puzzled as to why Finn would run off and leave his beloved wife (and why would he take their son, too). In the beginning, I did not want to stop reading: the novel was completely addictive. Strawser slowly adds in additional details that thicken the plot, making Caitlin and her husband, George, as much as a part of the story as Finn and Violet. It's told in alternating points of view (Violet, Caitlin, Finn) and time periods, including after the kidnapping incident and before, leading up to Violet and Finn's history together. This effectively builds suspense and can drive you a tad insane, as a chapter in the past ends, leaving you dangling and wanting more details.
The problem for me was that, over time, the characters almost seemed their own worst enemies. Rather than a mystery/suspense novel, the book turns more psychological (nothing necessarily wrong with that) with each character bemoaning their various choices that have led up to this point. And seriously, they've made some stupid choices. It's one of those things where you want to scream: if you'd all just have talked to each other! Communication! Some of the ways of handling things seem awfully impractical for such serious issues (case in point: just about anything Caitlin does with her life, including her way of addressing the kidnapping).
Still, the novel continues to churn out some crazy twists, making it very interesting. The unveiling of Finn's past really carries the book about 3/4 through. You're continually wondering what happened, what he owes various characters, and why on earth he'd want to leave Violet (and take Bear).
As much as I enjoyed this novel and how suspenseful it was, I was frustrated by the characters - none of whom I cared for much at all beyond Violet. (I would have just strangled Finn if possible and potentially even Caitlin.) Again, some communication could have really saved some preposterous plot movements. There are a few times where characters seem to act way out of line for their development, etc. As the book nears a close, it drags on with their in-fighting and psychological messes, versus actual excitement, which was a little disappointing. I felt like we'd been through a lot of excitement for nothing and come out at the end with little but an emotional saga. The ending is awfully pat, too, and makes you think, really?
However, I truly did enjoy most of this book and found it incredibly suspenseful. It's easy to read and draws you in immediately. Even if you don't like all the characters, you'll be intrigued by their predicaments and the entire scenario. I'd certainly be interested in what Strawser comes up with next. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/28/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
This novel definitely sucks you in right away. It's confusing and intriguing, as you're completely puzzled as to why Finn would run off and leave his beloved wife (and why would he take their son, too). In the beginning, I did not want to stop reading: the novel was completely addictive. Strawser slowly adds in additional details that thicken the plot, making Caitlin and her husband, George, as much as a part of the story as Finn and Violet. It's told in alternating points of view (Violet, Caitlin, Finn) and time periods, including after the kidnapping incident and before, leading up to Violet and Finn's history together. This effectively builds suspense and can drive you a tad insane, as a chapter in the past ends, leaving you dangling and wanting more details.
The problem for me was that, over time, the characters almost seemed their own worst enemies. Rather than a mystery/suspense novel, the book turns more psychological (nothing necessarily wrong with that) with each character bemoaning their various choices that have led up to this point. And seriously, they've made some stupid choices. It's one of those things where you want to scream: if you'd all just have talked to each other! Communication! Some of the ways of handling things seem awfully impractical for such serious issues (case in point: just about anything Caitlin does with her life, including her way of addressing the kidnapping).
Still, the novel continues to churn out some crazy twists, making it very interesting. The unveiling of Finn's past really carries the book about 3/4 through. You're continually wondering what happened, what he owes various characters, and why on earth he'd want to leave Violet (and take Bear).
As much as I enjoyed this novel and how suspenseful it was, I was frustrated by the characters - none of whom I cared for much at all beyond Violet. (I would have just strangled Finn if possible and potentially even Caitlin.) Again, some communication could have really saved some preposterous plot movements. There are a few times where characters seem to act way out of line for their development, etc. As the book nears a close, it drags on with their in-fighting and psychological messes, versus actual excitement, which was a little disappointing. I felt like we'd been through a lot of excitement for nothing and come out at the end with little but an emotional saga. The ending is awfully pat, too, and makes you think, really?
However, I truly did enjoy most of this book and found it incredibly suspenseful. It's easy to read and draws you in immediately. Even if you don't like all the characters, you'll be intrigued by their predicaments and the entire scenario. I'd certainly be interested in what Strawser comes up with next. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/28/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
BankofMarquis (1832 KP) rated The Cloverfield Paradox (2018) in Movies
Feb 22, 2018
A fun "who-will-survive" flick
During the Super Bowl, a "surprise" trailer dropped for a new entry in the Cloverfield family of films. The good news is that the film was dropping on Netflix the next day, so fanboys immediately jumped on-line and then started hating on it (again, on-line) because it wasn't exactly what they thought it would be.
Which is too bad, for THE CLOVERFIELD PARADOX is a very fun, very well made, very well acted "10 Little Indians" style Sci-Fi film (you know, the type of film where a finite group of folks are marooned someplace - like and island or an isolated, creepy mansion and are picked off one by one). This time, they are on a space station, and when an experiment goes awry, bad things start to happen.
I stated that this film is another entry in the "Cloverfield family of films", so let me explain that. The overseer of these films is none other than JJ Abrams and he has stated that there will be a series of films - very different in style, type and substance - that will (somehow) be related in the Cloverfield Universe. And, so far, he has fulfilled his promise (at least to me) - for those that just want "more of the same", he has alienated.
The first film, CLOVERFIELD, is a "found footage" film about a giant monster (think Godzilla) rampaging through modern day New York City. Of the 3 films,thus far, in the Cloverfield family, this one (for me) was the least effective (especially because I am not a big fan of "found footage" films). The 2nd film was 2016's 10 CLOVERFIELD LANE and was a very effective psychological horror/drama starring John Goodman as a fellow who has rescued/captured (kidnapped?) Mary Elizabeth Winstead and has locked her in his survival bunker in order to - he says - save her from the monster above. The film effectively goes back and forth with wondering what is scarier - the monster above or the monster (Goodman) below. If you haven't seen 10 CLOVERFIELD LANE, I highly recommend it.
The third installment, then, is THE CLOVERFIELD PARADOX, a prequel of sorts about a group of scientists aboard a space station conducting a desperate, highly dangerous power experiments to solve the world's energy crisis. When something goes wrong, bad things happen. And since this is in the Cloverfield family, you gotta know it has some connection with how the Cloverfield monster got on Earth.
But this film doesn't really concern itself with the Cloverfield monster - which is what I think is angering the "fanboys" - this film is about the survival of the charismatic, international scientists that are stranded on this space station after the accident. Almost every one of the actors in this film are "oh...that guy" type actors - all very good. From German actor Daniel Bruhl (RUSH) to Chinese actress Ziyi Zhang (CROUCHING TIGER...) to Englishman David Oyelowo (SELMA) to good ol' John Ortiz (a million different things) - the cast is strong, fun to watch and easy to root for. They all are in service to the plot devices (and predicaments they are in) and they serve the plot (and the film) well.
Special notice should be made for Chris O'Dowd (BRIDESMAIDS) who brings some much needed levity via his deadpan humor approach to everything as the ship's handyman and, especially, Gugu Mbatha-Raw (BELLE) as the heroine of the adventure from through who's eyes we encounter the events of the film.
I have stated before that I am a sucker for these types of "10 Little Indians who-will-survive" films and this one is no exception. Go in with no preconceived notions, roll with what the film throws at you and you'll have a good time time, too.
THE CLOVERFIELD PARADOX is now streaming on Netflix.
Letter Grade: B (it is the very definition of a "B" movie).
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Which is too bad, for THE CLOVERFIELD PARADOX is a very fun, very well made, very well acted "10 Little Indians" style Sci-Fi film (you know, the type of film where a finite group of folks are marooned someplace - like and island or an isolated, creepy mansion and are picked off one by one). This time, they are on a space station, and when an experiment goes awry, bad things start to happen.
I stated that this film is another entry in the "Cloverfield family of films", so let me explain that. The overseer of these films is none other than JJ Abrams and he has stated that there will be a series of films - very different in style, type and substance - that will (somehow) be related in the Cloverfield Universe. And, so far, he has fulfilled his promise (at least to me) - for those that just want "more of the same", he has alienated.
The first film, CLOVERFIELD, is a "found footage" film about a giant monster (think Godzilla) rampaging through modern day New York City. Of the 3 films,thus far, in the Cloverfield family, this one (for me) was the least effective (especially because I am not a big fan of "found footage" films). The 2nd film was 2016's 10 CLOVERFIELD LANE and was a very effective psychological horror/drama starring John Goodman as a fellow who has rescued/captured (kidnapped?) Mary Elizabeth Winstead and has locked her in his survival bunker in order to - he says - save her from the monster above. The film effectively goes back and forth with wondering what is scarier - the monster above or the monster (Goodman) below. If you haven't seen 10 CLOVERFIELD LANE, I highly recommend it.
The third installment, then, is THE CLOVERFIELD PARADOX, a prequel of sorts about a group of scientists aboard a space station conducting a desperate, highly dangerous power experiments to solve the world's energy crisis. When something goes wrong, bad things happen. And since this is in the Cloverfield family, you gotta know it has some connection with how the Cloverfield monster got on Earth.
But this film doesn't really concern itself with the Cloverfield monster - which is what I think is angering the "fanboys" - this film is about the survival of the charismatic, international scientists that are stranded on this space station after the accident. Almost every one of the actors in this film are "oh...that guy" type actors - all very good. From German actor Daniel Bruhl (RUSH) to Chinese actress Ziyi Zhang (CROUCHING TIGER...) to Englishman David Oyelowo (SELMA) to good ol' John Ortiz (a million different things) - the cast is strong, fun to watch and easy to root for. They all are in service to the plot devices (and predicaments they are in) and they serve the plot (and the film) well.
Special notice should be made for Chris O'Dowd (BRIDESMAIDS) who brings some much needed levity via his deadpan humor approach to everything as the ship's handyman and, especially, Gugu Mbatha-Raw (BELLE) as the heroine of the adventure from through who's eyes we encounter the events of the film.
I have stated before that I am a sucker for these types of "10 Little Indians who-will-survive" films and this one is no exception. Go in with no preconceived notions, roll with what the film throws at you and you'll have a good time time, too.
THE CLOVERFIELD PARADOX is now streaming on Netflix.
Letter Grade: B (it is the very definition of a "B" movie).
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) rated We Are the Goldens in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
There was something about this book that intrigued me. Maybe it was the forbidden romance between a student and her teacher. I decided to give this book a try. Although it wasn't as great as I thought it would be, it was still an alright read.
I love the title, and I feel that it fits in really well with the book. These two sisters have always had each other's back and have done nearly everything together.
The cover is okay. I think it looks a bit too cavemanish though instead of two beautiful girls as what is described in the book. Maybe if both girls were looking up and the lighting was different, the cover photo wouldn't look like I was looking at two cavemen.
I enjoyed the world building. We learn about the world through Nell's letters to her sister Layla. (At least it sounded like she was writing a letter(s) to her sister. The author made it easy to understand Nell's and Layla's relationship from the beginning through her fantastic prose.
I thought the pacing held up rather well. There were times when I thought I'd be able to put the book down so I could go to bed or do something else, but I'd always end up reading a few more chapters. It thoroughly held my attention. Plus, I enjoyed the back story leading up to everything immensely.
The plot of the whole teacher-student relationship has been done before. However, Reinhardt makes her story interesting and unlike the other stories. I liked the close relationship that Nell and Layla used to have before Layla started dating her teacher. I was saddened to see it start to unravel over a forbidden romance. There's no plot twists that I read about, but that doesn't hurt the book any. The only thing that annoyed me was the ending. I would've liked to know a bit more such as what happened to Mr. Barr and Layla. That's all I'm saying because I don't want to give away anything that could be deemed as a spoiler.
Nell was instantly likable. There was a certain innocence and vulnerability with her. It was easy to empathize with what she was going through, and I felt like her struggle with keeping her sister's secret was my own as well. I also thought Layla was a fantastic character as well. We get to know her through Nell's letters, and we learn that she too is also very vulnerable and just wants to find her one true love. I loved the character of Felix except that I had a hard time believing that he was into girls as it said in the book. I found his speech to be very effeminate. He reminded me of Damian from the film Mean Girls. Every time Felix was in a scene, I always was picturing Damian. We don't really learn too much about Mr. Barr (the teacher in a relationship with Layla) other that his students all think he's the coolest teacher and the best looking. We also learn that there's rumors about him being with other students previously.
The dialogue flows very smoothly and is never awkward. The speech fits my perception of how teenagers speak. It suits a young adult book. There is some swearing and some sexual references although none that are graphic. There is no violence in this book.
Overall, We Are the Goldens by Dana Reinhardt is an enjoyable read save for the ending. The characters are well written as is the whole entire book. This book deals with subject matter that happens at every school.
I'd recommend this book to those aged 15+ who enjoy realistic fiction and characters that are easy to relate to.
<b>I'd give We Are the Goldens by Dana Reinhardt a 3.5 out of 5.</b>
(I was provided with a free ebook of this title from the publisher through NetGalley in exchange for an honest and unbiased review).
There was something about this book that intrigued me. Maybe it was the forbidden romance between a student and her teacher. I decided to give this book a try. Although it wasn't as great as I thought it would be, it was still an alright read.
I love the title, and I feel that it fits in really well with the book. These two sisters have always had each other's back and have done nearly everything together.
The cover is okay. I think it looks a bit too cavemanish though instead of two beautiful girls as what is described in the book. Maybe if both girls were looking up and the lighting was different, the cover photo wouldn't look like I was looking at two cavemen.
I enjoyed the world building. We learn about the world through Nell's letters to her sister Layla. (At least it sounded like she was writing a letter(s) to her sister. The author made it easy to understand Nell's and Layla's relationship from the beginning through her fantastic prose.
I thought the pacing held up rather well. There were times when I thought I'd be able to put the book down so I could go to bed or do something else, but I'd always end up reading a few more chapters. It thoroughly held my attention. Plus, I enjoyed the back story leading up to everything immensely.
The plot of the whole teacher-student relationship has been done before. However, Reinhardt makes her story interesting and unlike the other stories. I liked the close relationship that Nell and Layla used to have before Layla started dating her teacher. I was saddened to see it start to unravel over a forbidden romance. There's no plot twists that I read about, but that doesn't hurt the book any. The only thing that annoyed me was the ending. I would've liked to know a bit more such as what happened to Mr. Barr and Layla. That's all I'm saying because I don't want to give away anything that could be deemed as a spoiler.
Nell was instantly likable. There was a certain innocence and vulnerability with her. It was easy to empathize with what she was going through, and I felt like her struggle with keeping her sister's secret was my own as well. I also thought Layla was a fantastic character as well. We get to know her through Nell's letters, and we learn that she too is also very vulnerable and just wants to find her one true love. I loved the character of Felix except that I had a hard time believing that he was into girls as it said in the book. I found his speech to be very effeminate. He reminded me of Damian from the film Mean Girls. Every time Felix was in a scene, I always was picturing Damian. We don't really learn too much about Mr. Barr (the teacher in a relationship with Layla) other that his students all think he's the coolest teacher and the best looking. We also learn that there's rumors about him being with other students previously.
The dialogue flows very smoothly and is never awkward. The speech fits my perception of how teenagers speak. It suits a young adult book. There is some swearing and some sexual references although none that are graphic. There is no violence in this book.
Overall, We Are the Goldens by Dana Reinhardt is an enjoyable read save for the ending. The characters are well written as is the whole entire book. This book deals with subject matter that happens at every school.
I'd recommend this book to those aged 15+ who enjoy realistic fiction and characters that are easy to relate to.
<b>I'd give We Are the Goldens by Dana Reinhardt a 3.5 out of 5.</b>
(I was provided with a free ebook of this title from the publisher through NetGalley in exchange for an honest and unbiased review).
LilyLovesIndie (123 KP) rated Reckoning (The Gates Legacy #4) in Books
Nov 5, 2018
Oh my gosh! The Gates Legacy is back with an almighty bang, and boy was it good to catch up with the gang! Picking straight back up where we left off, Rohnert is nursing some severe issues regarding his mate's passing, Cyrus is intent on revenge for his torture, Issy just wants to be loved and the rest of the gang are trying to hold it all together like some magical glue. Throw some ancient, and very freaky, enemies into the mix for power and you have your full set to play with, and play is what Lorenz Font does so well.
The pace in this book is much more reminiscent of the earlier parts of the series. It's got a pull that as soon as it's got you hooked, you can't put it down. I've spent many nights reading way past my bedtime because I just needed to know what the characters were going to do next. As I've already mentioned, this book picks back up where we left off and it was like slipping back into your favourite pair of jeans. It' was familiar, yet there was another threat to follow - how Font finds so many enemies for the little rag tag band of heroes is beyond me, but it makes for very compelling reading!
Told mainly from the perspective of Cyrus and Issy, it was, as always with Font's writing, a delight to see so many POV's being used in the writing. It's like a lesson for aspiring writers on how to change POV's in a way that gives the reader so much information yet doesn't confuse them in the process. I adore her writing style, and this latest offering is no different in that. In fact, I probably like this one best of all, if only because, despite there being some hairy moments, Font managed to keep all of my favourites alive for a whole book!
The character development over the course of this story was also superb. Every character feels like they continue to grow, but none more so that Isidora. She is really coming into her own and holds the role of the lead heroine with the poise you'd expect of such a bloodline. She was an absolute joy to read and has secured her place within my favourite characters. Her relationship with Cyrus is probably one of the best developed and well told romances I've read in a while. It's believable, understandable thanks to their own troubled pasts and a fabulous pairing to read. I just hope Font leaves these two to enjoy a little happily ever after time, but I won't hold my breath knowing her penchant for throwing things in the air when they get settled!
The many twists and turns of the story also need a mention. When writing a series of this length and complexity it is very hard to keep it fresh, but Font never fails to deliver another twist or turn that leaves the reader reeling and wondering when that 18 wheeler truck or 2 ton bus hit them. It really is edge of the seat reading that leaves you needing more from the gang of vampires. I'm already on tenterhooks wondering how some of the loose ends will be tied up in the next book and I love that Font has left me thinking of her characters, even hours after finishing the book, because, let's face it, who doesn't like it when a book gets under your skin like that?
And so, I suppose I should wrap up and end my waffle. If you are new to the series, go back and read the others first. If you're an old hand returning for your next fix, you're going to love it. It's awesome, amazing, phenomenal and Font is right back on form with another 5 star thriller from the Gates crew. Buy it, I can promise you that you will not be disappointed.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
The pace in this book is much more reminiscent of the earlier parts of the series. It's got a pull that as soon as it's got you hooked, you can't put it down. I've spent many nights reading way past my bedtime because I just needed to know what the characters were going to do next. As I've already mentioned, this book picks back up where we left off and it was like slipping back into your favourite pair of jeans. It' was familiar, yet there was another threat to follow - how Font finds so many enemies for the little rag tag band of heroes is beyond me, but it makes for very compelling reading!
Told mainly from the perspective of Cyrus and Issy, it was, as always with Font's writing, a delight to see so many POV's being used in the writing. It's like a lesson for aspiring writers on how to change POV's in a way that gives the reader so much information yet doesn't confuse them in the process. I adore her writing style, and this latest offering is no different in that. In fact, I probably like this one best of all, if only because, despite there being some hairy moments, Font managed to keep all of my favourites alive for a whole book!
The character development over the course of this story was also superb. Every character feels like they continue to grow, but none more so that Isidora. She is really coming into her own and holds the role of the lead heroine with the poise you'd expect of such a bloodline. She was an absolute joy to read and has secured her place within my favourite characters. Her relationship with Cyrus is probably one of the best developed and well told romances I've read in a while. It's believable, understandable thanks to their own troubled pasts and a fabulous pairing to read. I just hope Font leaves these two to enjoy a little happily ever after time, but I won't hold my breath knowing her penchant for throwing things in the air when they get settled!
The many twists and turns of the story also need a mention. When writing a series of this length and complexity it is very hard to keep it fresh, but Font never fails to deliver another twist or turn that leaves the reader reeling and wondering when that 18 wheeler truck or 2 ton bus hit them. It really is edge of the seat reading that leaves you needing more from the gang of vampires. I'm already on tenterhooks wondering how some of the loose ends will be tied up in the next book and I love that Font has left me thinking of her characters, even hours after finishing the book, because, let's face it, who doesn't like it when a book gets under your skin like that?
And so, I suppose I should wrap up and end my waffle. If you are new to the series, go back and read the others first. If you're an old hand returning for your next fix, you're going to love it. It's awesome, amazing, phenomenal and Font is right back on form with another 5 star thriller from the Gates crew. Buy it, I can promise you that you will not be disappointed.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Lee (2222 KP) rated Yesterday (2019) in Movies
Jun 20, 2019
Rocketman recently did a great job of reminding us just how good Elton John songs are, making us want to dust off our vinyl/plastic/streaming service collection and reacquaint ourselves with his back catalogue all over again. Last year the Bohemian Rhapsody movie did a similar thing for the music of Queen and now it's the turn of The Beatles, with Yesterday. Written by Richard Curtis, and directed by Danny Boyle, Yesterday doesn't go down the musical/biopic route, instead taking classic Beatles songs and weaving them into a high concept romantic comedy.
Yesterday follows struggling musician Jack (Himesh Patel) and his long-term best friend/manager Ellie (Lily James). Gigging in pubs is getting him nowhere and he's resigned himself to the fact that he might have to give it all up and return to teaching. He lands a spot on the Suffolk stage at Latitude festival, expecting it to be his big break, but only his friends and a handful of bored kids show up to watch him play.
But then, while riding home on his bike that night, something mysterious happens. An unexplained 12 second power cut hits the entire globe and in the resulting chaos, Jack is struck by a bus and flung from his bike. When he awakes in hospital, bruised and missing a couple of front teeth, he plays a Beatles song to Ellie and his friends, who all think it's amazing, claiming to have never heard of the song before, or even The Beatles. After a bit of Googling, it becomes clear that The Beatles never actually existed, and only Jack is able to remember them. There are a few other things which crop up as we go along, that also turn out never to have existed, in what is a bit of a running gag throughout the movie.
Jack immediately realises his chance of success at last and sets about trying to remember as many of The Beatles songs and music as he can. His friends love the new songs, and there's a hilarious scene where he tries to introduce his parents to a Beatles song too (The Kumars, Sanjeev Bhaskar and Meera Syal on top form here), but it's still not really working out for him at the pub gigs and weddings where he performs them. It's only when he gets the chance to professionally lay down his tracks, and starts handing out free CDs to customers at the store he works at, that things really take off for Jack, drawing the attentions of none other than Mr Ed Sheeran. Ed has fun sending himself up, and actually features quite heavily in the movie, particularly in these early stages - turning up at Jack's house, asking him to come and support him on tour, arranging a 10 minute songwriting challenge between him and Jack. I'm not really a fan of Ed Sheeran but he actually turns out to be responsible for a lot of the movies humour as he eventually concedes that Jack is a better songwriter than him.
As Jack starts to hit the big time, traveling to LA and being managed by Ed's manager Debra (Kate McKinnon), we hit a bit of a mid-movie slump. Luckily though, Himesh Patel portrays Jack with such a relatable and likeable charm - his bewilderment and frustrations at the ridiculousness of the music industry, not to mention the building pressures of living the lie that his success has come from using someone else's work, guides us nicely through the slower moments of the movie. The romance part of the story continues to play out too, with Jack and Ellie both clearly loving each other for 20 years now, but with neither of them committing to taking it further. Lily James is once again wonderful, despite being very underused in this role, and it's the love story element of the movie which isn't quite as strong as the rest of it.
The movie does manage to pull things together nicely for the final act, resolving the unease and tension that dominates much of the movie. It could have done with a bit more rom and a bit more com, but is still an enjoyable movie and a perfect reminder of just how great The Beatles are.
Yesterday follows struggling musician Jack (Himesh Patel) and his long-term best friend/manager Ellie (Lily James). Gigging in pubs is getting him nowhere and he's resigned himself to the fact that he might have to give it all up and return to teaching. He lands a spot on the Suffolk stage at Latitude festival, expecting it to be his big break, but only his friends and a handful of bored kids show up to watch him play.
But then, while riding home on his bike that night, something mysterious happens. An unexplained 12 second power cut hits the entire globe and in the resulting chaos, Jack is struck by a bus and flung from his bike. When he awakes in hospital, bruised and missing a couple of front teeth, he plays a Beatles song to Ellie and his friends, who all think it's amazing, claiming to have never heard of the song before, or even The Beatles. After a bit of Googling, it becomes clear that The Beatles never actually existed, and only Jack is able to remember them. There are a few other things which crop up as we go along, that also turn out never to have existed, in what is a bit of a running gag throughout the movie.
Jack immediately realises his chance of success at last and sets about trying to remember as many of The Beatles songs and music as he can. His friends love the new songs, and there's a hilarious scene where he tries to introduce his parents to a Beatles song too (The Kumars, Sanjeev Bhaskar and Meera Syal on top form here), but it's still not really working out for him at the pub gigs and weddings where he performs them. It's only when he gets the chance to professionally lay down his tracks, and starts handing out free CDs to customers at the store he works at, that things really take off for Jack, drawing the attentions of none other than Mr Ed Sheeran. Ed has fun sending himself up, and actually features quite heavily in the movie, particularly in these early stages - turning up at Jack's house, asking him to come and support him on tour, arranging a 10 minute songwriting challenge between him and Jack. I'm not really a fan of Ed Sheeran but he actually turns out to be responsible for a lot of the movies humour as he eventually concedes that Jack is a better songwriter than him.
As Jack starts to hit the big time, traveling to LA and being managed by Ed's manager Debra (Kate McKinnon), we hit a bit of a mid-movie slump. Luckily though, Himesh Patel portrays Jack with such a relatable and likeable charm - his bewilderment and frustrations at the ridiculousness of the music industry, not to mention the building pressures of living the lie that his success has come from using someone else's work, guides us nicely through the slower moments of the movie. The romance part of the story continues to play out too, with Jack and Ellie both clearly loving each other for 20 years now, but with neither of them committing to taking it further. Lily James is once again wonderful, despite being very underused in this role, and it's the love story element of the movie which isn't quite as strong as the rest of it.
The movie does manage to pull things together nicely for the final act, resolving the unease and tension that dominates much of the movie. It could have done with a bit more rom and a bit more com, but is still an enjoyable movie and a perfect reminder of just how great The Beatles are.
Gareth von Kallenbach (971 KP) rated The Heartbreak Kid (2007) in Movies
Aug 14, 2019
It has been almost ten years since Ben Stiller teamed with the Farrelly brothers for the comedy classic “There’s Something About Mary”, which launched a series of highly successful films for Stiller who has championed the likeable loser role to the delight of audiences worldwide.
In the new film “The Heartbreak Kid”, Stiller is Eddie Cantrow, a successful owner of a San Francisco sporting goods, store who is at a crossroads in his life. At 40, Eddie is unmarried, not dating anyone, and about to attend the wedding of his former fiancé.
As if Eddie did not have enough to on his mind as he prepares for the wedding, his father (Jerry Stiller), constantly grills him on the need for him to sleep with more women and settle down. His best friend Mac (Rob Coddry) always touts the virtues of marriage and the need to do what the woman tells him to.
Shortly after the wedding, Eddie sees a lady being mugged and attempts to help her out. While things do not go as planned, he does form a connection with her and learns that her name is Lila (Malin Akerman), and despite his inability to muster the courage to ask for her number, she eventually shows up at his store looking for him.
The two begin to date and it looks like Eddie has finally found the perfect girl for him. She even shows old fashioned values by not wanting to have sex until later in their relationship, as she does not want to mess up a good thing.
The couple’s plans take an unexpected detour when Lila informs Eddie that her job plans to move her overseas for two years. When Eddie learns that her company will not transfer a married person, he musters up the courage and marries Lila after only 6 weeks of data.
The smitten couple plan to take three weeks to drive down to Cabo and stay at a resort, and enjoy their first weeks as husband and wife. Along the way, Eddie starts to see some annoying behavior arise in Lila, such as actively singing and acting along to every song on the radio, and some very acrobatic, dominate, and painful tendencies when they consummate their marriage.
As the honeymoon unfolds, Eddie becomes trapped in a nightmare, as it seems that Lila has become a crazy freak, and is not the person he though he married. Unsure what to do next, Eddie meets a lady named Miranda (Michelle Monaghan), while Lila is recovering from severe sunburn.
Intrigued by Miranda, Eddie starts to spend time with her, and soon falls for her which forces Eddie to figure out how to break the news of his marriage to Miranda, and how to get away from Lila.
In true Farrelly brother’s style, a series of outrageous and over the top events follows punctuated by some very crude and at times funny jokes and situations that push Eddie to the limits to find true love.
The film is a remake of the 1972 Neil Simon film of the same name, and while updated with more off color humor, the basic premise of the film has remained unchanged. There are some funny moments in the film and Stiller once again gets the job done as the likeable Eddie.
The problem is that for me, the film was two long, as many times there were gaps of almost twenty minutes between some of the good jokes, and I was left watching fairly dull stuff waiting for the next funny moment to arrive.
The performances in the film were eager, and the brothers did a workmanlike job of direction, as none of the cast was really challenged by the material. Even fine supporting work by Carlos Mencia as Uncle Tito did not get the chance to reach the potential his character showed. In the end, the film just had too many moments that did not work, as the jokes were too few and far between to truly be effective.
In the new film “The Heartbreak Kid”, Stiller is Eddie Cantrow, a successful owner of a San Francisco sporting goods, store who is at a crossroads in his life. At 40, Eddie is unmarried, not dating anyone, and about to attend the wedding of his former fiancé.
As if Eddie did not have enough to on his mind as he prepares for the wedding, his father (Jerry Stiller), constantly grills him on the need for him to sleep with more women and settle down. His best friend Mac (Rob Coddry) always touts the virtues of marriage and the need to do what the woman tells him to.
Shortly after the wedding, Eddie sees a lady being mugged and attempts to help her out. While things do not go as planned, he does form a connection with her and learns that her name is Lila (Malin Akerman), and despite his inability to muster the courage to ask for her number, she eventually shows up at his store looking for him.
The two begin to date and it looks like Eddie has finally found the perfect girl for him. She even shows old fashioned values by not wanting to have sex until later in their relationship, as she does not want to mess up a good thing.
The couple’s plans take an unexpected detour when Lila informs Eddie that her job plans to move her overseas for two years. When Eddie learns that her company will not transfer a married person, he musters up the courage and marries Lila after only 6 weeks of data.
The smitten couple plan to take three weeks to drive down to Cabo and stay at a resort, and enjoy their first weeks as husband and wife. Along the way, Eddie starts to see some annoying behavior arise in Lila, such as actively singing and acting along to every song on the radio, and some very acrobatic, dominate, and painful tendencies when they consummate their marriage.
As the honeymoon unfolds, Eddie becomes trapped in a nightmare, as it seems that Lila has become a crazy freak, and is not the person he though he married. Unsure what to do next, Eddie meets a lady named Miranda (Michelle Monaghan), while Lila is recovering from severe sunburn.
Intrigued by Miranda, Eddie starts to spend time with her, and soon falls for her which forces Eddie to figure out how to break the news of his marriage to Miranda, and how to get away from Lila.
In true Farrelly brother’s style, a series of outrageous and over the top events follows punctuated by some very crude and at times funny jokes and situations that push Eddie to the limits to find true love.
The film is a remake of the 1972 Neil Simon film of the same name, and while updated with more off color humor, the basic premise of the film has remained unchanged. There are some funny moments in the film and Stiller once again gets the job done as the likeable Eddie.
The problem is that for me, the film was two long, as many times there were gaps of almost twenty minutes between some of the good jokes, and I was left watching fairly dull stuff waiting for the next funny moment to arrive.
The performances in the film were eager, and the brothers did a workmanlike job of direction, as none of the cast was really challenged by the material. Even fine supporting work by Carlos Mencia as Uncle Tito did not get the chance to reach the potential his character showed. In the end, the film just had too many moments that did not work, as the jokes were too few and far between to truly be effective.
Emma @ The Movies (1786 KP) rated What Men Want (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Who wouldn't want to know what goes through a man's mind on occasion? Actually, you know what... I'm fine, I'm not sure I really want to hear everything... *shudder*
Ali is looking for the recognition she deserves for the hard work she puts in. She's successful, but in an office full of men she might not get out of her lane and be equal with the men around her. Without the supernatural twist the outcome could have eventually been the same, but that wouldn't have made for such an entertaining movie.
What Men Want is entirely predictable, after all we saw it all before in What Women Want but it's also like a whole bunch of romcoms out there. Character encounters an obstacle, character finds romance, character finds a way to fix the obstacle and in the process of that mucks up romance, obstacle gets fixed, character realises that none of it is worthwhile without romance and gets them back with big gesture, The End.
Taraji P. Henson is right up near the top of my favourite actresses, she's got so many great performances under her belt. Ali isn't going to appear very near the top of that list. Everything in Ali, as well as the film, seems to be at opposite ends of the scale. When we have comedy it sometimes feels over the top, when we have real life it's serious. Had there been more of a balance I think we could have had a better result. That being said, I thought she was great, she's very good at visual acting.
When it comes to the supporting cast it doesn't quite hit the spot. Again, this is partly due to the Jekyll and Hyde nature of everything. You've got characters who are serious, textbook romcomers, some for comedy and a handful of sports stars doing cameos, it's difficult to make them all gel. Pete Davidson and Tracy Morgan in both stick out from the rest because they bring quite a harsh comedy which I didn't find all that entertaining.
On the flip side though I was pleased to see Aldis Hodge make an appearance, he's got just the right amount of humour and serious in there and against Henson in scenes he works particularly well. Josh Brener also brought something fun to the mix, and possibly had the best part overall. Getting to sit on both sides of the storyline allows him to interact in fun ways with Ali when she's discovering her abilities as well as later on when he's trying to hide his inner thoughts.
Speaking of which, men's inner thoughts throughout aren't badly done, though there's the occasional over the top effort. Jamal Barry/Shane Paul McGhie had the winner for me when he was meeting his sporting hero though.
Looking back at this film I think I'm actually talking it out of stars in my head. I enjoyed it a lot at the cinema, it was funny (if a little excessive at times) and it eventually shows Ali being able to empower herself even if she does cock it up along the way. It flowed well and I wasn't finding myself urging it along... but... it's not a massively consistent film. The storyline with her female friends in obviously essential to the beginning but its addition later on holds little impact apart from giving her multiple points to claim some redemption.
I can honestly say that on first viewing I was amused and entertained, but I'm not sure how well it would hold up to a second.
What you should do
When talking to people who have seen What Men Want it is fairly consistent, men tend not to like it while women say they found it entertaining (admittedly that's somewhere between 2.5 and 4 stars). I think it's worth watching, and it would probably make a good film for a girls night.
Movie thing you wish you could take home
I've completely talked myself out of hearing men's thoughts so maybe box seats instead?
Ali is looking for the recognition she deserves for the hard work she puts in. She's successful, but in an office full of men she might not get out of her lane and be equal with the men around her. Without the supernatural twist the outcome could have eventually been the same, but that wouldn't have made for such an entertaining movie.
What Men Want is entirely predictable, after all we saw it all before in What Women Want but it's also like a whole bunch of romcoms out there. Character encounters an obstacle, character finds romance, character finds a way to fix the obstacle and in the process of that mucks up romance, obstacle gets fixed, character realises that none of it is worthwhile without romance and gets them back with big gesture, The End.
Taraji P. Henson is right up near the top of my favourite actresses, she's got so many great performances under her belt. Ali isn't going to appear very near the top of that list. Everything in Ali, as well as the film, seems to be at opposite ends of the scale. When we have comedy it sometimes feels over the top, when we have real life it's serious. Had there been more of a balance I think we could have had a better result. That being said, I thought she was great, she's very good at visual acting.
When it comes to the supporting cast it doesn't quite hit the spot. Again, this is partly due to the Jekyll and Hyde nature of everything. You've got characters who are serious, textbook romcomers, some for comedy and a handful of sports stars doing cameos, it's difficult to make them all gel. Pete Davidson and Tracy Morgan in both stick out from the rest because they bring quite a harsh comedy which I didn't find all that entertaining.
On the flip side though I was pleased to see Aldis Hodge make an appearance, he's got just the right amount of humour and serious in there and against Henson in scenes he works particularly well. Josh Brener also brought something fun to the mix, and possibly had the best part overall. Getting to sit on both sides of the storyline allows him to interact in fun ways with Ali when she's discovering her abilities as well as later on when he's trying to hide his inner thoughts.
Speaking of which, men's inner thoughts throughout aren't badly done, though there's the occasional over the top effort. Jamal Barry/Shane Paul McGhie had the winner for me when he was meeting his sporting hero though.
Looking back at this film I think I'm actually talking it out of stars in my head. I enjoyed it a lot at the cinema, it was funny (if a little excessive at times) and it eventually shows Ali being able to empower herself even if she does cock it up along the way. It flowed well and I wasn't finding myself urging it along... but... it's not a massively consistent film. The storyline with her female friends in obviously essential to the beginning but its addition later on holds little impact apart from giving her multiple points to claim some redemption.
I can honestly say that on first viewing I was amused and entertained, but I'm not sure how well it would hold up to a second.
What you should do
When talking to people who have seen What Men Want it is fairly consistent, men tend not to like it while women say they found it entertaining (admittedly that's somewhere between 2.5 and 4 stars). I think it's worth watching, and it would probably make a good film for a girls night.
Movie thing you wish you could take home
I've completely talked myself out of hearing men's thoughts so maybe box seats instead?
Emma @ The Movies (1786 KP) rated Rick and Morty - Season 3 in TV
Feb 29, 2020
A big thank you to Smashbomb for this fantastic prize, make sure you take a look at their giveaways for the chance to win some amazing things.
Rick and Morty continues to follow the adventures of the members of the Smith household. When Jerry asks Beth to choose between him and Rick, the strength of their marriage is tested. Jerry is confronted with the loss of his family, while Beth begins to discover her independence again. Morty and Summer deal with their parents' separation by seeking more control over their lives. Rick's nihilistic way of life continues to prevent him from bonding with his family, as he remains unable to change his self-destructive behaviour.
At the end of season 2 Rick and the Smiths have hidden on a tiny version of Earth outside of the Federation's jurisdiction, Earth has been taken over and Rick has surrendered himself to save his family. We open season 3 with Rick in the Federation's custody being interrogated and we instantly get reminded that Rick doesn't do anything without having some sort of ulterior motive.
How can you not love the series that brought us Pickle Rick? I don't for a second know how anyone could think that Rick could create a rat/insect body when he is just a pickle, but he's the smartest man on the planet so I'm willing to believe it was entirely possible.
For me, a series that takes its characters on a journey without getting bogged down in a single storyline is always my favourite. Rick and Morty certainly manages to do this with its constantly jumping scenarios. The one story that does pop up throughout this season is Beth and Jerry's divorce. Rick, despite always being a bit of a dick to everyone, has always had it out for Jerry so this news doesn't phase him at all but the rest of the family are suffering in their own ways. Throughout the series we see Summer and Morty compensating with Rick's adventures and reconciling some of their ongoing personal issues through their experiences. While none of it is realistic, it's entirely relatable.
Before watching this season I decided to rewatch seasons 1 and 2, because it's the sensible thing to do. It felt like we got much better family interaction and inclusions in season 3, I doubt if you work it out that there's much difference between them but that it's more to do with the quality of what we got. With the family going through upheaval we got a lot of stories that actually go to prove that Rick really does care deep down even if he would never openly admit it.
Morty does develop somewhat in this season, he isn't just the bumbling sidekick any more. He's learned a lot over their adventures, and while he's still not on Rick standards, there are moments where we see that he's growing. His dealings with Rick during Vindicators 3 take a step towards actually standing up for himself more and showing him that he understands more about the inner workings of Rick mind than he realises. In The Whirly Dirly Conspiracy, his part of the episode is almost like that of a Rick and Morty adventure when Morty gets to choose, he stands back and watches while Beth makes a hash of things and then swoops in at the last minute to do things that need to be done... admittedly that last bit probably isn't a good character trait to develop but he's realised that (in their messed up sort of world) sometimes someone needs to learn a lesson.
The season as a whole was very good and I liked the way that we came full circle and almost reset the universe for season four. Though I still enjoy Rick and Morty in general, this was definitely a high point for what's currently out there. Development of characters, more fun scenarios and just a little bit of fear that somewhere in a sewer a pickle is making a body out of rat parts.
Episode synopsis included here: https://emmaatthemovies.blogspot.com/2020/02/rick-and-morty-season-3-tv-dvd-review.html
Rick and Morty continues to follow the adventures of the members of the Smith household. When Jerry asks Beth to choose between him and Rick, the strength of their marriage is tested. Jerry is confronted with the loss of his family, while Beth begins to discover her independence again. Morty and Summer deal with their parents' separation by seeking more control over their lives. Rick's nihilistic way of life continues to prevent him from bonding with his family, as he remains unable to change his self-destructive behaviour.
At the end of season 2 Rick and the Smiths have hidden on a tiny version of Earth outside of the Federation's jurisdiction, Earth has been taken over and Rick has surrendered himself to save his family. We open season 3 with Rick in the Federation's custody being interrogated and we instantly get reminded that Rick doesn't do anything without having some sort of ulterior motive.
How can you not love the series that brought us Pickle Rick? I don't for a second know how anyone could think that Rick could create a rat/insect body when he is just a pickle, but he's the smartest man on the planet so I'm willing to believe it was entirely possible.
For me, a series that takes its characters on a journey without getting bogged down in a single storyline is always my favourite. Rick and Morty certainly manages to do this with its constantly jumping scenarios. The one story that does pop up throughout this season is Beth and Jerry's divorce. Rick, despite always being a bit of a dick to everyone, has always had it out for Jerry so this news doesn't phase him at all but the rest of the family are suffering in their own ways. Throughout the series we see Summer and Morty compensating with Rick's adventures and reconciling some of their ongoing personal issues through their experiences. While none of it is realistic, it's entirely relatable.
Before watching this season I decided to rewatch seasons 1 and 2, because it's the sensible thing to do. It felt like we got much better family interaction and inclusions in season 3, I doubt if you work it out that there's much difference between them but that it's more to do with the quality of what we got. With the family going through upheaval we got a lot of stories that actually go to prove that Rick really does care deep down even if he would never openly admit it.
Morty does develop somewhat in this season, he isn't just the bumbling sidekick any more. He's learned a lot over their adventures, and while he's still not on Rick standards, there are moments where we see that he's growing. His dealings with Rick during Vindicators 3 take a step towards actually standing up for himself more and showing him that he understands more about the inner workings of Rick mind than he realises. In The Whirly Dirly Conspiracy, his part of the episode is almost like that of a Rick and Morty adventure when Morty gets to choose, he stands back and watches while Beth makes a hash of things and then swoops in at the last minute to do things that need to be done... admittedly that last bit probably isn't a good character trait to develop but he's realised that (in their messed up sort of world) sometimes someone needs to learn a lesson.
The season as a whole was very good and I liked the way that we came full circle and almost reset the universe for season four. Though I still enjoy Rick and Morty in general, this was definitely a high point for what's currently out there. Development of characters, more fun scenarios and just a little bit of fear that somewhere in a sewer a pickle is making a body out of rat parts.
Episode synopsis included here: https://emmaatthemovies.blogspot.com/2020/02/rick-and-morty-season-3-tv-dvd-review.html
Emma @ The Movies (1786 KP) rated Onward (2020) in Movies
Mar 15, 2020
I had very mixed feelings about Onward after seeing the trailer, it didn't feel like Pixar and if you'd shown it to me out of context I'd never have guessed it was them.
It's Ian's 16th birthday and things aren't exactly going to plan. To cheer him up his mum gives him and his brother a present left for them by their late father. In a world that has forgotten magic, their father had still believed, and he's leaving them a way that will allow them to see him again. When the only way to complete the spell means finding something long forgotten the brothers must embark on a quest, one that older brother Barley has been preparing for his whole life.
Onward starts with a great potted history of magic in their world and how it's been replaced by modern amenities. It feels like they made a very quick change but I liked it over the sped-up timeline over many years, it actually summed up a more modern way of abandoning things that aren't convenient. It also allows you to have fun little moments of thinking about how things changed when you see flashes of their past during the film.
With Pixar you know that you're going to get that sentiment and deeper meaning that induces bucketloads of tears and in Onward it's a strong message about family and how the past weighs down on what's actually happening in the present. None of that meaning really feels like it's there until very late in the film though, the beginning is more like some generic off-brand fantasy adventure, and though the two ends fit together they don't seem like they belong together.
The mix of characters is fun but we don't get a proper introduction to who, or what, many of them are. It's a shame that with such a varied selection of creatures that most are just relegated to being quirky looking with no real function. There were at least things to appreciate from some of them, Colt counting I thought was a fun touch, and I loved Corey the Manticore, her whole transition through the film was funny and very entertaining.
Chris Pratt as Barley was the only spot on bit of casting for me, his happy-go-lucky demeanour fits the character and we're treated to some of that Starlord adventure. (My favourite Barley scene was definitely the bridge). Everyone else kind of felt a little... meh? I wasn't wowed, I wasn't hooked in trying to work out who the voices were, it all felt a little bland. Partly I think that's because I never felt like I learned anything about them. Sure, some bits were fun, but through most of the film I wasn't really bothered what happened to any of them.
The journey that brothers Ian and Barley go on is full of twists and turns, they're amusing but nothing we haven't really seen before. As I mentioned, the emotional payoff doesn't appear until very late, and it did reduce me to tears, but it could have been so much more. The build-up to it had no real substance, especially when you consider how meaningful it's conclusion is.
In fact, the build-up could have offered up so many different things. For a fantasy story with magic and mythical creatures it holds little to no magical feeling. There's no real spectacle or pizzazz to anything. When I think of magic in other films I get wonder and joy, but in Onward it's done more for jokes. Even at the climax of the film it takes on so much humour that it detracts from the emotions.
Dan Scalon's story is partly based on his own experiences (I'm assuming with less mythical creature though)... and that story is peak Pixar... but the world created around it isn't strong enough for the sentiment it portrays. Taking such a powerful message about family and bundling it up in something that doesn't have the usual Pixar strength and heart feels like a travesty to me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/onward-movie-review.html
It's Ian's 16th birthday and things aren't exactly going to plan. To cheer him up his mum gives him and his brother a present left for them by their late father. In a world that has forgotten magic, their father had still believed, and he's leaving them a way that will allow them to see him again. When the only way to complete the spell means finding something long forgotten the brothers must embark on a quest, one that older brother Barley has been preparing for his whole life.
Onward starts with a great potted history of magic in their world and how it's been replaced by modern amenities. It feels like they made a very quick change but I liked it over the sped-up timeline over many years, it actually summed up a more modern way of abandoning things that aren't convenient. It also allows you to have fun little moments of thinking about how things changed when you see flashes of their past during the film.
With Pixar you know that you're going to get that sentiment and deeper meaning that induces bucketloads of tears and in Onward it's a strong message about family and how the past weighs down on what's actually happening in the present. None of that meaning really feels like it's there until very late in the film though, the beginning is more like some generic off-brand fantasy adventure, and though the two ends fit together they don't seem like they belong together.
The mix of characters is fun but we don't get a proper introduction to who, or what, many of them are. It's a shame that with such a varied selection of creatures that most are just relegated to being quirky looking with no real function. There were at least things to appreciate from some of them, Colt counting I thought was a fun touch, and I loved Corey the Manticore, her whole transition through the film was funny and very entertaining.
Chris Pratt as Barley was the only spot on bit of casting for me, his happy-go-lucky demeanour fits the character and we're treated to some of that Starlord adventure. (My favourite Barley scene was definitely the bridge). Everyone else kind of felt a little... meh? I wasn't wowed, I wasn't hooked in trying to work out who the voices were, it all felt a little bland. Partly I think that's because I never felt like I learned anything about them. Sure, some bits were fun, but through most of the film I wasn't really bothered what happened to any of them.
The journey that brothers Ian and Barley go on is full of twists and turns, they're amusing but nothing we haven't really seen before. As I mentioned, the emotional payoff doesn't appear until very late, and it did reduce me to tears, but it could have been so much more. The build-up to it had no real substance, especially when you consider how meaningful it's conclusion is.
In fact, the build-up could have offered up so many different things. For a fantasy story with magic and mythical creatures it holds little to no magical feeling. There's no real spectacle or pizzazz to anything. When I think of magic in other films I get wonder and joy, but in Onward it's done more for jokes. Even at the climax of the film it takes on so much humour that it detracts from the emotions.
Dan Scalon's story is partly based on his own experiences (I'm assuming with less mythical creature though)... and that story is peak Pixar... but the world created around it isn't strong enough for the sentiment it portrays. Taking such a powerful message about family and bundling it up in something that doesn't have the usual Pixar strength and heart feels like a travesty to me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/onward-movie-review.html