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BookInspector (124 KP) rated A Nearly Normal Family in Books
Sep 24, 2020
As it is said in the blurb, this book is told from three different perspectives: father, daughter, and mother, all three are sharing their sides to this story. The father’s part was the least interesting to me, he sounds quite boring and not very eventful. We do find out some interesting aspects of their life, but otherwise, he mainly seems lost and confused. The daughter’s part was the most interesting to me, we have the chance to see what the accused murderer is actually thinking, and what was her take on the life she is living. This part shines a different light on her father and other very important events. The mother’s part was the most logical one, I believe. She is a lawyer, so she knows how to deal with evidence. I liked her side of the story and the thoughts she shared from her life. The characters are well developed and intriguing, but sometimes some of their thoughts about “I need to save my daughter, it wasn’t her” felt repetitive and overused.
The narrative of this book keeps changing, depending on the characters views, and that was what got me going throughout the book. We do find out some spicy and interesting details throughout each part, that makes this book deeper and more personal. If you ever have read Nordic Noir, most probably you noticed, that this genre has a specific feeling about it. It normally involves exotic names, woods and coldness. This book for some reason managed to avoid that feeling. It is a Scandi Noir and it does have those exotic names of the places, but this book feels modern and doesn’t have this gloominess surrounding it.
The narrative of this book keeps changing, depending on the characters views, and that was what got me going throughout the book. We do find out some spicy and interesting details throughout each part, that makes this book deeper and more personal. If you ever have read Nordic Noir, most probably you noticed, that this genre has a specific feeling about it. It normally involves exotic names, woods and coldness. This book for some reason managed to avoid that feeling. It is a Scandi Noir and it does have those exotic names of the places, but this book feels modern and doesn’t have this gloominess surrounding it.
Sassy Brit (97 KP) rated The Island (Hidden Iceland #2) in Books
Jun 5, 2019
After reading the previous Detective Inspector Hulda Hermannsdóttir story (The Darkness) of which I really enjoyed, I was pleased to be offered this book to review by Penguin UK (Michael Joseph) via NetGalley. Here’s my review:
In The Island Ragnar brings back CID member Hulda of the Reykjavik police with another case to solve. One surrounding four young adults who have decided to take a weekend away in a remote and deserted part of of Elliðaey island off the Icelandic coast. Strange because they’d not seen each other for ten years, and even stranger still, one is married with kids and it’s odd that she’d just go on a mini-break with old school friends she’d not seen for years when they hadn’t really kept in contact all that time. Stranger still, once they meet up again, there’s a fatal accident and when they wake up one morning a girl’s missing. She’s only gone and fallen off a cliff and killed herself.
Or was she pushed? *Strokes chin in a very Sherlock way*
What is the connection between these four people? And why did they decide to meet up after ten years? I don’t know about you, but I was dying to find out! Okay, maybe not dying, I don’t want the author to put me in one of his stories only to kill me off – but I was keen!
My thoughts? Ragnar has written an intriguing and clever plot where two stories (past and present) fold into one. Running along beside Hulda’s crime solving antics, there’s a chance to discover more about her private life, her dark past, and her wish to find her own father of whom she’s never known.
I thoroughly enjoyed solving this crime with Hulda. I found the bittersweet ending (of which more than one character received) was brilliantly crafted. How an author writes a book with so much detail, I’ll never know but Jónasson is very good at it!
Nordic fiction can be as bleak as the setting, but that’s the beauty of these unforgiving scenes! I love how the isolated island, along with the terrain and the weather, helps to weave suspense and atmosphere into the story, just as much as the characters involved. What an entertaining, and cleverly crafted Nordic Noir! Looking forward to reading The Mist the third of Jónasson’s Hidden Iceland series. It can’t come fast enough!
In The Island Ragnar brings back CID member Hulda of the Reykjavik police with another case to solve. One surrounding four young adults who have decided to take a weekend away in a remote and deserted part of of Elliðaey island off the Icelandic coast. Strange because they’d not seen each other for ten years, and even stranger still, one is married with kids and it’s odd that she’d just go on a mini-break with old school friends she’d not seen for years when they hadn’t really kept in contact all that time. Stranger still, once they meet up again, there’s a fatal accident and when they wake up one morning a girl’s missing. She’s only gone and fallen off a cliff and killed herself.
Or was she pushed? *Strokes chin in a very Sherlock way*
What is the connection between these four people? And why did they decide to meet up after ten years? I don’t know about you, but I was dying to find out! Okay, maybe not dying, I don’t want the author to put me in one of his stories only to kill me off – but I was keen!
My thoughts? Ragnar has written an intriguing and clever plot where two stories (past and present) fold into one. Running along beside Hulda’s crime solving antics, there’s a chance to discover more about her private life, her dark past, and her wish to find her own father of whom she’s never known.
I thoroughly enjoyed solving this crime with Hulda. I found the bittersweet ending (of which more than one character received) was brilliantly crafted. How an author writes a book with so much detail, I’ll never know but Jónasson is very good at it!
Nordic fiction can be as bleak as the setting, but that’s the beauty of these unforgiving scenes! I love how the isolated island, along with the terrain and the weather, helps to weave suspense and atmosphere into the story, just as much as the characters involved. What an entertaining, and cleverly crafted Nordic Noir! Looking forward to reading The Mist the third of Jónasson’s Hidden Iceland series. It can’t come fast enough!
Wolf Winter
Book
'Like a silent fall of snow; suddenly, the reader is enveloped...visually acute, skilfully...
All of the darkness of the original - and more.
Macbeth in Nordic Noir style - and it works! I've enjoyed the Hogarth Shakespeare series so far, and I think this is the best of the four that I've read.
Nesbo has done a really good job of moving the setting from medieval Scotland to modern Scandinavia (I think! That's what it felt like as I was reading anyway). The names of the towns in the original are the names of the casinos; the Queen of the witches, Hecate, is the main dealer and leader of organised crime in the town; Lady (Macbeth) is the owner of the most exclusive of those casinos.
Like Shakespeare's play, this book is grim, oppressive and ultra-violent. The body count is high, the murders committed without thought, or at least the only thought in Macbeth's head is that he will gain more power in the eradication of his 'enemies' and their families.
The description of the city portrays a poverty stricken, unemployment plagued, drug addicted, polluted northern town. These people seem to be accustomed to the corruption of their police and government officials, which is how the door opens to allow Macbeth to step through with Lady, his wife (who isn't his wife in this, but his girlfriend). Lady is the one who guides Macbeth's hand in everything he does, and then pays the ultimate price when guilt drives her mad.
I really do think that this is an excellent retelling. Five hundred pages went by in a flash for me, and I have to admit to a feeling of satisfaction as the story was wrapped up at the end.
Highly recommended!
Many thanks to NetGalley and the publisher for my copy of this book - and this is a totally unbiased review, people!
Nesbo has done a really good job of moving the setting from medieval Scotland to modern Scandinavia (I think! That's what it felt like as I was reading anyway). The names of the towns in the original are the names of the casinos; the Queen of the witches, Hecate, is the main dealer and leader of organised crime in the town; Lady (Macbeth) is the owner of the most exclusive of those casinos.
Like Shakespeare's play, this book is grim, oppressive and ultra-violent. The body count is high, the murders committed without thought, or at least the only thought in Macbeth's head is that he will gain more power in the eradication of his 'enemies' and their families.
The description of the city portrays a poverty stricken, unemployment plagued, drug addicted, polluted northern town. These people seem to be accustomed to the corruption of their police and government officials, which is how the door opens to allow Macbeth to step through with Lady, his wife (who isn't his wife in this, but his girlfriend). Lady is the one who guides Macbeth's hand in everything he does, and then pays the ultimate price when guilt drives her mad.
I really do think that this is an excellent retelling. Five hundred pages went by in a flash for me, and I have to admit to a feeling of satisfaction as the story was wrapped up at the end.
Highly recommended!
Many thanks to NetGalley and the publisher for my copy of this book - and this is a totally unbiased review, people!
Movie Metropolis (309 KP) rated The Snowman (2017) in Movies
Jun 10, 2019
No, not that one
Nordic noir is big business at the moment, but with the incredible scenery of the locations lending themselves perfectly to film, is there any wonder?
The Girl with the Dragon Tattoo and The Hypnotist are just a couple of movies that have fallen into this massively expanding genre.
Now, Jo Nesbø’s chilling The Snowman novel gets the silver screen treatment in a film of the same name. But can this continue the thrilling trend of whodunit novels being turned into fabulous crime dramas?For Detective Harry Hole (Michael Fassbender), the death of a young woman during the first snow of winter feels like anything but a routine homicide. His investigation leads him to “The Snowman Killer,” an elusive sociopath who continuously taunts Hole with ingeniously crafted cat-and-mouse games. As the brutal deaths show no sign of slowing, Harry teams up with a new recruit (Rebecca Ferguson) to try and lure the madman out of the shadows before it’s too late.
With Michael Fassbender at the helm, director Thomas Alfredson (Tinker Tailor Soldier Spy) manages to blend gorgeous imagery with an intriguing plot and excellent performances in a film that suffers from a couple of issues that stops it from becoming a must-see event.
These R-rated thrillers are ten-a-penny these days with the bar still being set incredibly high by Gone Girl. Last year’s Girl on the Train was a decent stab at dethroning David Fincher’s masterpiece, but it just fell a little short – well the same has happened here.
Michael Fassbender is uniformly excellent as troubled detective, Harry and the actor can do no wrong in his performances, but he’s suffered this year. After Assassin’s Creed failed to ignite the box-office, it looks to be a similar story this time. While The Snowman is technically competent and filmed beautifully, it lacks the sense of originality that breeds success.
It also doesn’t help that he’s surrounded by thinly padded supporting characters like former love interest Rakel (Charlotte Gainsbourg) and new police officer Katrine (Ferguson). Elsewhere, bizarre glorified cameos for Val Kilmer and Toby Jones leave you wondering if these actors expected a little more from their parts.
Perhaps I’m being a little harsh. After all, the cast is one of the film’s strongest suits. Add J.K. Simmons to the aforementioned roster and it really does have one of the best line-ups of the year. It’s just a shame the script doesn’t do more with them.
To look at, The Snowman is absolutely gorgeous. Helped obviously by magnificent Norwegian landscapes, Alfredson shoots using steady cam in scenes reminiscent of Stanley Kubrick’s The Shining, high praise indeed. In a year populated by CGI-heavy blockbusters, this comes as a real breath of fresh air.
Unfortunately, the constant use of flashbacks and a peculiar subplot involving a Winter sporting event ruin the pacing, though at 130 minutes, this isn’t too much of an issue. The ending however, is disappointing and lacks an emotional payoff after the film’s events.
Overall, The Snowman is a gritty adaptation of Jo Nesbø’s successful novel and while some of the plot choices leave a little to be desired, a great anchor performance by Michael Fassbender and stunning cinematography mean it’s definitely worth a watch; just don’t expect too much.
https://moviemetropolis.net/2017/10/14/the-snowman-review/
The Girl with the Dragon Tattoo and The Hypnotist are just a couple of movies that have fallen into this massively expanding genre.
Now, Jo Nesbø’s chilling The Snowman novel gets the silver screen treatment in a film of the same name. But can this continue the thrilling trend of whodunit novels being turned into fabulous crime dramas?For Detective Harry Hole (Michael Fassbender), the death of a young woman during the first snow of winter feels like anything but a routine homicide. His investigation leads him to “The Snowman Killer,” an elusive sociopath who continuously taunts Hole with ingeniously crafted cat-and-mouse games. As the brutal deaths show no sign of slowing, Harry teams up with a new recruit (Rebecca Ferguson) to try and lure the madman out of the shadows before it’s too late.
With Michael Fassbender at the helm, director Thomas Alfredson (Tinker Tailor Soldier Spy) manages to blend gorgeous imagery with an intriguing plot and excellent performances in a film that suffers from a couple of issues that stops it from becoming a must-see event.
These R-rated thrillers are ten-a-penny these days with the bar still being set incredibly high by Gone Girl. Last year’s Girl on the Train was a decent stab at dethroning David Fincher’s masterpiece, but it just fell a little short – well the same has happened here.
Michael Fassbender is uniformly excellent as troubled detective, Harry and the actor can do no wrong in his performances, but he’s suffered this year. After Assassin’s Creed failed to ignite the box-office, it looks to be a similar story this time. While The Snowman is technically competent and filmed beautifully, it lacks the sense of originality that breeds success.
It also doesn’t help that he’s surrounded by thinly padded supporting characters like former love interest Rakel (Charlotte Gainsbourg) and new police officer Katrine (Ferguson). Elsewhere, bizarre glorified cameos for Val Kilmer and Toby Jones leave you wondering if these actors expected a little more from their parts.
Perhaps I’m being a little harsh. After all, the cast is one of the film’s strongest suits. Add J.K. Simmons to the aforementioned roster and it really does have one of the best line-ups of the year. It’s just a shame the script doesn’t do more with them.
To look at, The Snowman is absolutely gorgeous. Helped obviously by magnificent Norwegian landscapes, Alfredson shoots using steady cam in scenes reminiscent of Stanley Kubrick’s The Shining, high praise indeed. In a year populated by CGI-heavy blockbusters, this comes as a real breath of fresh air.
Unfortunately, the constant use of flashbacks and a peculiar subplot involving a Winter sporting event ruin the pacing, though at 130 minutes, this isn’t too much of an issue. The ending however, is disappointing and lacks an emotional payoff after the film’s events.
Overall, The Snowman is a gritty adaptation of Jo Nesbø’s successful novel and while some of the plot choices leave a little to be desired, a great anchor performance by Michael Fassbender and stunning cinematography mean it’s definitely worth a watch; just don’t expect too much.
https://moviemetropolis.net/2017/10/14/the-snowman-review/
The Hanging Club
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"Tony Parsons puts you right there in every scene he writes. I love that kind of storytelling and...