Search

Search only in certain items:

Bongo Fury (Bongy Fury #1)
Bongo Fury (Bongy Fury #1)
Simon Maltman | 2017 | Crime, Humor & Comedy, Thriller
8
8.0 (1 Ratings)
Book Rating
Do you want to read a humorous thriller novella set in Northern Ireland? Of course you would, who wouldn't?

Bongo fury introduces Jimmy, a man who just wants to run his music shop in peace. But when a friend asks for his help he ends up plunged into a world of gangsters, organised crime and drug deals. He has to use all of his considerable wits to escape from this unscathed.

This story turns on the character of Jimmy, and fortunately he's a terrific narrator, regarding events with a world-weary black humour even when they turn very much against him. The plot is fairly slight but runs at a fast pace so that really doesn't matter very much. What matters is how much fun this book is to read, and it's a lot of fun. Even better is that there is a Bongo Fury 2 which carries the story on.

Note: Lots of bad language and some violence
  
40x40

Awix (3310 KP) rated Pixie (2020) in Movies

Oct 25, 2020  
Pixie (2020)
Pixie (2020)
2020 | Comedy, Thriller
6
7.3 (3 Ratings)
Movie Rating
Knockabout comedy-thriller set in Northern Ireland. 'What do men see in irritating free spirits?' wondered Julia Roberts in a Tom Hanks movie a few years ago, and the question is still a live one: Olivia Cooke plays Pixie, who is not quite Holly Golightly recast as a feminist criminal mastermind, but getting there. Nearly everyone is entranced by her, including apparently the director, cameraman, and cinematographer, despite the fact she seems to be almost completely amoral: ripping off drug dealers, swindling her friends, and cold-blooded murder all seem to be part of her repertoire. Nevertheless she and her latest enamoured stooges zip about Ireland to a jangly western-style soundtrack while Alec Baldwin phones in a cameo as a gun-toting gangster-priest.

Surely people have got to get over this obsession with making Tarantino pastiches sooner or later? This one has the odd funny moment, but a lot of the jokes don't land and the plot constantly seems to be on the verge of unravelling. Olivia Cooke carries the film with predictable grace, but I felt almost commanded to like her without good enough reason: the film also suggests there's a thin line between idealising a character and objectifying them, as a rather lubricious tone occasionally threatens to manifest. Passably watchable in the end, but has no connection to reality: feels like a script somebody wrote in 1995 and then spent twenty-odd years finding the funding for. Cooke in particular deserves better.