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Bongo Fury Novella Collection
Bongo Fury Novella Collection
Simon Maltman | 2019 | Crime, Humor & Comedy
9
9.0 (1 Ratings)
Book Rating
Meet Jimmy Black, a man with family connections to both organised crime and, historically, the Troubles in Northern Ireland. But apart from maybe a little light drug dealing the thing Jimmy wants most is to be left alone to run his music shop (the titular Bongo Fury), spend time with his family and maybe do a little private detective work on the side. Unfortunately fate has other plans for Jimmy as helping a friend in need spirals very much out of control.

Although this is three novellas, the first two already published separately plus a third first released in this volume, this really is a book in three parts. Plus there's a soundtrack as well, how many novels can say that? And what a book it is. Despite his slightly shady connections, Jimmy is the perfect narrator. Funny, irreverent, tough, likeable and well versed in popular music he engages right from the start, keeping his sardonic tone throughout. He might run afoul of some very dangerous characters but he is a tough customer himself.

The writing is a joy, easy to read between Jimmy's swear-word laden musings, the laugh out loud humour, the tense encounters when the stakes are raised and the rapid and efficient action scenes. And the story doesn't let up either as Jimmy's life threatens to be turned upside down from asking too many questions, the fall out from which carry the plot through all the three novellas.

Bongo Fury the Collection is one of those books that you shouldn't allow to pass you by.
  
Murphy's Heist (John McBride #1)
Murphy's Heist (John McBride #1)
David Chilcott | 2013 | Contemporary, Crime, Fiction & Poetry, Thriller
6
7.0 (3 Ratings)
Book Rating
Murphy's Heist is the first of the John McBride series of thrillers. Eamonn Murphy used to be a big man in the shady world of terrorism in Northern Ireland during the troubles. Now more-or-less retired and living in Cheshire he cannot resist planning a bullion robbery on the mainland. However John McBride, artist and former soldier, stumbles upon the plot. Murphy has to quickly change his plans as the net tightens.

As with the other McBride books the emphasis is on realism rather than spectacle. Although there are explosions, gun battles and chases they are very low-key which lends an air of authenticity which is missing from more adrenaline-fuelled thrillers.

The book is paced well, alternating between Murphy and associates attempting to get away with the crime and McBride and the authorities attempts to apprehend them. Murphy is a slippery and wily customer and McBride must use ingenuity and not a little luck.

This definitely shows as the first book in the series - McBride is just an ex-soldier, not ex-SAS and farms out the more 'special forces' duties to an ex-colleague, the extra developments of his past and his occasional desire for adventure beyond the sedate world of watercolours comes later and allows him to operate independently in challenging environments. But this is a good solid opening gambit clearly layout out the template for a more realistic thriller.

As a novel this isn't as good as my favourite so far - Find My Brother - but it certainly makes for a good read.
  
HG
Harry's Game
Gerald Seymour | 2015 | Thriller
9
9.0 (1 Ratings)
Book Rating
A chillingly believable thriller about the 'troubles'. (0 more)
Dangerous Games
London at the height of the IRA’s campaign on the British mainland and a government minister is assassinated, orders are send down from the highest level that retaliatory action must be taken. Gerald Seymour’s ground breaking 1975 novel tells the story of the resulting operation, in which a British agent is sent undercover in Republican Belfast.

For the most part thrillers are the literary equivalent of Danish pastry, enjoyable but not made to last. A few, and ‘Harry’s Game’ is one, are more substantial fare, food for the mind that may give you indigestion.

On one level it is a book in the tradition established by Frederick Forsythe, fiction played out as fact allowing the author to draw on his journalistic background. Seymour goes beyond this by creating characters who aren’t simply stock heroes and villains. Instead they are human beings engaged in a struggle that is squalid and futile rather than heroic and purposeful.

This combines to give a grimly believable picture of daily life in Northern Ireland at a time when a single word or action out of place could have deadly consequences. He also writes well about the machinations behind the scenes on both sides, with the British political and military establishment struggling to fight an undeclared war they don’t understand; and the IRA high command masking the brutality of their actions behind misty eyed romanticism.

Brutal, believable and still relevant more than forty years after it was first published this is a novel that is very much worth reading, even if doing so can be unsettling.