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Arri: 100 Years
Book
As its centenary year gets underway, ARRI looks back at its rich history, assesses the values and...
Bobby Gillespie recommended MetalBox by Public Image Ltd in Music (curated)
Death by Leprechaun: A Saint Patrick’s Day Murder in Dublin (Travel Can Be Murder Cozy Mystery #6)
9.0
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When an old friend is arrested in Dublin, tour guide Lana Hansen will need the luck of the Irish to...
Cozy Mystery Travel Cozy
Merissa (12788 KP) rated Sexted by Santa (Thrust Into Love #4) in Books
Nov 18, 2021 (Updated Jul 10, 2023)
SEXTED BY SANTA is the fourth book in the Thrust Into Love series and could easily be read as a standalone as the connection is the college, not the people.
Oh, man. Where to start? Maybe with the Found Family, which is something I always love? Or maybe with the grumpy, grinch-like main character who also warms up? Or maybe I go with the amazing amount of research done into Type 1 Diabetes? I don't know. All of the above.
Having my own Found Family; this is a trope I love. It has been proven to me over and over that they can step up when your biological family won't. It doesn't always mean it's straightforward though, as Hugh so brilliantly demonstrates.
As for the main characters, Christian never had it easy, from the time he was named! And Jaxson, bless his heart. He became a single parent at a young age, determined to do the right thing. And, for the most part, he succeeds admirably. Yes, he's over-protective, but so would I be! I adored how these two were together, so capable and supportive of each other, yet so hot my Kindle was steaming.
And yes, that research definitely deserves a mention! I honestly had no idea it was so involved. Absolutely heartbreaking that you can do all the right things and some outside force can make it go wrong! Luckily for me, this author believes in happy endings so all was well in the end. I was worried!!!
Put all of this together and you get a stonking book that is so much more than 'just' a Christmas story. It's about love, hope, and learning to live again. Absolutely fantastic and highly recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 18, 2021
Oh, man. Where to start? Maybe with the Found Family, which is something I always love? Or maybe with the grumpy, grinch-like main character who also warms up? Or maybe I go with the amazing amount of research done into Type 1 Diabetes? I don't know. All of the above.
Having my own Found Family; this is a trope I love. It has been proven to me over and over that they can step up when your biological family won't. It doesn't always mean it's straightforward though, as Hugh so brilliantly demonstrates.
As for the main characters, Christian never had it easy, from the time he was named! And Jaxson, bless his heart. He became a single parent at a young age, determined to do the right thing. And, for the most part, he succeeds admirably. Yes, he's over-protective, but so would I be! I adored how these two were together, so capable and supportive of each other, yet so hot my Kindle was steaming.
And yes, that research definitely deserves a mention! I honestly had no idea it was so involved. Absolutely heartbreaking that you can do all the right things and some outside force can make it go wrong! Luckily for me, this author believes in happy endings so all was well in the end. I was worried!!!
Put all of this together and you get a stonking book that is so much more than 'just' a Christmas story. It's about love, hope, and learning to live again. Absolutely fantastic and highly recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 18, 2021
Bob Mann (459 KP) rated Let Him Go (2020) in Movies
Dec 23, 2020
Feud for Thought
After a family tragedy for the Blackledge family, grandparents George (Kevin Costner) and Margaret (Diane Lane) are left to bring up baby Jimmy (Bram and Otto Hornung) with mother/daughter-in-law Lorna (Kayli Carter). But a few years later, Lorna marries bad-un Donnie Weboy (Will Brittain) and disappears back to Donnie's hillbilly extended family in the wilds of North Dakota, led by the fearsome Blanche Weboy (Lesley Manville). Fearing for the child's wellbeing, Margaret drags retired Sheriff George on a dangerous journey to rescue the child.
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
Zuky the BookBum (15 KP) rated The Mistletoe Murder and Other Stories in Books
Mar 15, 2018
I read this novel as my BookBum Club book for November! Check out <a href="https://www.goodreads.com/group/show/297482-bookbum-book-club">this page</a> to find out more about my very own Book Club!
I decided I wanted to read a seasonal book this year and I found this one lurking on my shelf from last year when I also decided I wanted to read a seasonal book but didnt.
Ive reviewed each of the short stories one-by-one. Theres only 4, so its not a massive review, dont worry!
~
<b>The Mistletoe Murder</b>
I really loved the writing in this one! It hooked me straight away. I instantly connected with our narrator, even though shes a bit of an enigma. With short stories, you rarely get to know the characters very well, but I liked how our narrator was strong willed and sassy.
This story is a classic whodunit murder mystery. Not as complex as Christie, but definitely gives off those vibes. The conclusion to the story was pretty obvious, but the last little paragraph bought a smile to my face!
~
<b>A Commonplace Murder</b>
This one takes on a completely different tone from the story before it. Rather than being a cosy murder mystery, this one is that little bit darker. Youre introduced to a not very likeable narrator who holds an innocent mans freedom in his hands.
The story for this one is grittier and dirtier and comes to a shocking conclusion. When I first finished this one, I was adamant I didnt like it, but after letting it brew for a while, I realised that this one is very clever, and since it was published in 1969, was probably innovative for its time, and I can appreciate that!
~
<b>The Boxdale Inheritance</b>
This one was definitely my least favourite of the batch. It was definitely still a nice old school mystery to read about but it wasnt exactly exciting like the last two. This one took me a little longer to read than the others because I was getting distracted by various bits which didnt happen when I read the other two stories.
It was a nice introduction to Dalgliesh, and I think the conclusion of the crime was actually more intricate than the others, but it didnt gel with me like the others did.
~
<b>The Twelve Clues of Christmas</b>
I really liked this story in the collection! I connected with Dalgliesh in this one much more than I did in the other beforehand. I also liked how the characters in this one were sassy and outright with each other.
Even though the crime in this was easily guessable, I really enjoyed the way it was set out and how we came to know about the 12 clues of who committed murder!
~
Even though I hate a modern cosy mysteries, when it comes to old-school ones, I love them! This short story collection was exactly what I needed to help me on the track to enjoying reading again. I read it one sitting, and even though it is a short book, thats not something I do very often, so it really had me hooked!
I decided I wanted to read a seasonal book this year and I found this one lurking on my shelf from last year when I also decided I wanted to read a seasonal book but didnt.
Ive reviewed each of the short stories one-by-one. Theres only 4, so its not a massive review, dont worry!
~
<b>The Mistletoe Murder</b>
I really loved the writing in this one! It hooked me straight away. I instantly connected with our narrator, even though shes a bit of an enigma. With short stories, you rarely get to know the characters very well, but I liked how our narrator was strong willed and sassy.
This story is a classic whodunit murder mystery. Not as complex as Christie, but definitely gives off those vibes. The conclusion to the story was pretty obvious, but the last little paragraph bought a smile to my face!
~
<b>A Commonplace Murder</b>
This one takes on a completely different tone from the story before it. Rather than being a cosy murder mystery, this one is that little bit darker. Youre introduced to a not very likeable narrator who holds an innocent mans freedom in his hands.
The story for this one is grittier and dirtier and comes to a shocking conclusion. When I first finished this one, I was adamant I didnt like it, but after letting it brew for a while, I realised that this one is very clever, and since it was published in 1969, was probably innovative for its time, and I can appreciate that!
~
<b>The Boxdale Inheritance</b>
This one was definitely my least favourite of the batch. It was definitely still a nice old school mystery to read about but it wasnt exactly exciting like the last two. This one took me a little longer to read than the others because I was getting distracted by various bits which didnt happen when I read the other two stories.
It was a nice introduction to Dalgliesh, and I think the conclusion of the crime was actually more intricate than the others, but it didnt gel with me like the others did.
~
<b>The Twelve Clues of Christmas</b>
I really liked this story in the collection! I connected with Dalgliesh in this one much more than I did in the other beforehand. I also liked how the characters in this one were sassy and outright with each other.
Even though the crime in this was easily guessable, I really enjoyed the way it was set out and how we came to know about the 12 clues of who committed murder!
~
Even though I hate a modern cosy mysteries, when it comes to old-school ones, I love them! This short story collection was exactly what I needed to help me on the track to enjoying reading again. I read it one sitting, and even though it is a short book, thats not something I do very often, so it really had me hooked!
Hazel (1853 KP) rated The Prisoner of Heaven in Books
Dec 14, 2018
<i>The Prisoner of Heaven</i> by Carlos Ruiz Zafón is part of a cycle of novels known collectively as <i>The Cemetery of Forgotten Books</i>. At the moment there are three books (the other two being <i>The Shadow of the Wind</i> and <i>The Angel’s Game</i>) and they are all independent stories whose characters and themes overlap, meaning that they can be read in any order. Despite this I think it that you would get more out of each story if you read them in order of publication.
My experience of <i>The Prisoner of Heaven</i> would be different from those who have not read the previous two books. I read <i>The Shadow of the Wind</i> when I was quite young and, although I probably did not understand it that well, I was able to recognize and understand certain references to that particular storyline. I have also read <i>The Angel’s Game</i> – also a number of years ago, which I found quite terrifying – which meant I had the background knowledge of a particular character. Having said that, Zafón provides enough information for new readers to understand what is going on.
The story is written in several parts beginning in Barcelona at Christmas in 1957. The sections set during this time period are narrated by Daniel Sempere (the main character from <i>The Shadow of the Wind</i>) who works alongside his father in the bookshop <i>Sempere & Sons</i>. One day a mysterious customer buys and leaves a copy of an expensive novel for Daniel’s friend and work colleague Fermín Romero de Torres. This leads us to the middle sections, the key part of the plot in which, told in third person narrative in order to differentiate from the “current day” (1957), we discover the character Fermín’s past and who the mysterious customer was. David Martín, the main character in <i>The Angel’s Game</i>, makes a significant appearance in this part.
During the remaining parts, told once again from Daniel’s point of view, I kept expecting something major to happen as I did not feel that the novel had reached it’s climax. But nothing happened which was slightly disappointing (although I was also relieved as I feared I would find this book scary as I did with <i>The Angel’s Game</i> – I didn’t). However I do believe that the final book in this cycle will continue with and tie up the loose ends in <i>The Prisoner of Heaven</i> – another reason to have read the books in order in my view.
Overall I enjoyed the book. I definitely prefer it to <i>The Angel’s Game</i>, which I found confusing and slightly unnerving. I cannot compare it easily with <i>The Shadow of the Wind</i> for, as already mentioned, it has been such a long time since I read it. I would certainly recommend this book (and series) particularly to those who enjoy historical fiction and mysteries.
My experience of <i>The Prisoner of Heaven</i> would be different from those who have not read the previous two books. I read <i>The Shadow of the Wind</i> when I was quite young and, although I probably did not understand it that well, I was able to recognize and understand certain references to that particular storyline. I have also read <i>The Angel’s Game</i> – also a number of years ago, which I found quite terrifying – which meant I had the background knowledge of a particular character. Having said that, Zafón provides enough information for new readers to understand what is going on.
The story is written in several parts beginning in Barcelona at Christmas in 1957. The sections set during this time period are narrated by Daniel Sempere (the main character from <i>The Shadow of the Wind</i>) who works alongside his father in the bookshop <i>Sempere & Sons</i>. One day a mysterious customer buys and leaves a copy of an expensive novel for Daniel’s friend and work colleague Fermín Romero de Torres. This leads us to the middle sections, the key part of the plot in which, told in third person narrative in order to differentiate from the “current day” (1957), we discover the character Fermín’s past and who the mysterious customer was. David Martín, the main character in <i>The Angel’s Game</i>, makes a significant appearance in this part.
During the remaining parts, told once again from Daniel’s point of view, I kept expecting something major to happen as I did not feel that the novel had reached it’s climax. But nothing happened which was slightly disappointing (although I was also relieved as I feared I would find this book scary as I did with <i>The Angel’s Game</i> – I didn’t). However I do believe that the final book in this cycle will continue with and tie up the loose ends in <i>The Prisoner of Heaven</i> – another reason to have read the books in order in my view.
Overall I enjoyed the book. I definitely prefer it to <i>The Angel’s Game</i>, which I found confusing and slightly unnerving. I cannot compare it easily with <i>The Shadow of the Wind</i> for, as already mentioned, it has been such a long time since I read it. I would certainly recommend this book (and series) particularly to those who enjoy historical fiction and mysteries.
Bob Mann (459 KP) rated The Girl With All the Gifts (2017) in Movies
Sep 29, 2021
An Adam’s Apple for Teacher.
I remember once having a ridiculous drunken dispute at a works Christmas party many year’s ago that went along the lines of “if you had the chance to save the world, but had to kill your child to do it, what would you do”. There’s a variant of this conundrum at the heart of this brilliant new film from Colm McCarthy, best know for his TV work on shows like “Peaky Blinders”, “Sherlock” and “Dr Who”.
As most people already realise, this is a ‘Zombie film’ (cue, a number of other single blokes in the cinema) and illustrates the dangers of not treating that Athlete’s Foot as soon as it appears! I would normally provide a quick synopsis here, but I really think this is a case in point where it is best to go into the film as blind as possible to the story and let it envelop you. (This includes not watching the whole trailer if possible.) To merely set the scene, we open with a morning school ritual like none you’ve seen before: children strapped to wheelchairs by heavily armed military in their cells; wheeled to an underground classroom; then made to sit in serried rows being taught by their teacher Helen Justineau (a deliciously un-made-up and natural Gemma Arterton). What IS going on? Who ARE these children? WHY are the soldiers so scared and dismissive of them?
The ever-great Paddy Considine (“Pride”) plays army Sergeant Parks (who also has a bit of a crush on Helen) and Glenn Close plays Dr Caroline Caldwell, who is studying the children in more ways than one.
This trio of stars, supported notably later in the film by Fisayo Akinade as the trooper Kieran, turn in what is a superb ensemble performance. As for Glenn Close, I have never quite been able to shake her awful “silk blouse” performance in “Air Force One” from my mind, but here she is quite memerising in the role of the Doctor on a mission: I would suggest a career best. Her final scene reflects such a complex range of emotions, and is brilliantly executed. And Gemma Arterton pulls out all the emotional stops in what is also one of the performances of the year.
But good as these performances are, they would be nothing without the central performance of young Sennia Nanua as the titular “Girl”. I have made the point before that there should be an Oscar category for “Young Actors” rather than pitch them into the adult categories like Quvenzhane Wallis and Anna Paquin were (successfully). Here in her debut feature performance Sennia is just mesmerising and (provided this film gets the recognition it justly deserves) she should be a shoe-in for the BAFTA Rising Star award next year, if not an Actress nomination. A young lady most definitely to watch.
Also assuming a starring role is Chilean-born composer Cristobal Tapia de Veer’s astonishingly effective music which drives up the tension superbly. This is his feature film debut and another name to watch.
The screenplay by Mike Carey from his original novel is beautifully crafted, with some great one liners dropped in to ease the tension a notch. And the story adds a level of emotional depth and angst that surpasses other films of this genre, at least as far back as the “28 Days” films.
Astonishingly, the film was made on a budget of 4 (FOUR!) Million Pounds, giving it a BvS quotient of 2.1%!! Every penny of that budget is up on the screen, and whilst you might like to pick at a few of the matte paintings and effects, it is a remarkably achievement in special effects (Nick Rideout is the SF supervisor) and production value.
So, its great! Go see it… but with a few caveats: it is a zombie film, and it ranks about an 8.9 on the splattometer scale, which might not be to some tastes; definitely don’t go to see it if you are pregnant (though I am constantly reminded how I took my heavily pregnant wife in 1985 to see “A really great film called ‘Alien'”); and you might want to avoid it if you are a great cat or dog lover, or indeed a pigeon-fancier. Other than that, get yourself down to a multiplex and see this great British film: surely a classic to be recognised for years to come.
As most people already realise, this is a ‘Zombie film’ (cue, a number of other single blokes in the cinema) and illustrates the dangers of not treating that Athlete’s Foot as soon as it appears! I would normally provide a quick synopsis here, but I really think this is a case in point where it is best to go into the film as blind as possible to the story and let it envelop you. (This includes not watching the whole trailer if possible.) To merely set the scene, we open with a morning school ritual like none you’ve seen before: children strapped to wheelchairs by heavily armed military in their cells; wheeled to an underground classroom; then made to sit in serried rows being taught by their teacher Helen Justineau (a deliciously un-made-up and natural Gemma Arterton). What IS going on? Who ARE these children? WHY are the soldiers so scared and dismissive of them?
The ever-great Paddy Considine (“Pride”) plays army Sergeant Parks (who also has a bit of a crush on Helen) and Glenn Close plays Dr Caroline Caldwell, who is studying the children in more ways than one.
This trio of stars, supported notably later in the film by Fisayo Akinade as the trooper Kieran, turn in what is a superb ensemble performance. As for Glenn Close, I have never quite been able to shake her awful “silk blouse” performance in “Air Force One” from my mind, but here she is quite memerising in the role of the Doctor on a mission: I would suggest a career best. Her final scene reflects such a complex range of emotions, and is brilliantly executed. And Gemma Arterton pulls out all the emotional stops in what is also one of the performances of the year.
But good as these performances are, they would be nothing without the central performance of young Sennia Nanua as the titular “Girl”. I have made the point before that there should be an Oscar category for “Young Actors” rather than pitch them into the adult categories like Quvenzhane Wallis and Anna Paquin were (successfully). Here in her debut feature performance Sennia is just mesmerising and (provided this film gets the recognition it justly deserves) she should be a shoe-in for the BAFTA Rising Star award next year, if not an Actress nomination. A young lady most definitely to watch.
Also assuming a starring role is Chilean-born composer Cristobal Tapia de Veer’s astonishingly effective music which drives up the tension superbly. This is his feature film debut and another name to watch.
The screenplay by Mike Carey from his original novel is beautifully crafted, with some great one liners dropped in to ease the tension a notch. And the story adds a level of emotional depth and angst that surpasses other films of this genre, at least as far back as the “28 Days” films.
Astonishingly, the film was made on a budget of 4 (FOUR!) Million Pounds, giving it a BvS quotient of 2.1%!! Every penny of that budget is up on the screen, and whilst you might like to pick at a few of the matte paintings and effects, it is a remarkably achievement in special effects (Nick Rideout is the SF supervisor) and production value.
So, its great! Go see it… but with a few caveats: it is a zombie film, and it ranks about an 8.9 on the splattometer scale, which might not be to some tastes; definitely don’t go to see it if you are pregnant (though I am constantly reminded how I took my heavily pregnant wife in 1985 to see “A really great film called ‘Alien'”); and you might want to avoid it if you are a great cat or dog lover, or indeed a pigeon-fancier. Other than that, get yourself down to a multiplex and see this great British film: surely a classic to be recognised for years to come.
An Amish Christmas Bakery (4 Stories)
Beth Wiseman, Amy Clipston, Kelly Irvin and Kathleen Fuller
8.7
Rate It
Book
Cookies and Cheer by Amy Clipston: Alyssa Byler dreaming of the next holiday window display for...
Amish Romance Amish Fiction
BookInspector (124 KP) rated Paris for One and Other Stories in Books
Sep 24, 2020
I don’t remember when the last time I read a collection of short stories, but I had to try this one. I have to tell you, it was quite entertaining and attractive. In the book I received, there were eleven short stories, in other publications there might be only nine. I never tried to write a review for short stories, so don’t really know how to do it. I will begin by trying my best to share a short description of each of them.
Paris for One: When reliable Nell is tricked by her boyfriend, and ends up in Paris by herself she is shocked at the beginning. Strange place with no language knowledge makes her stressed at the beginning, but she finds herself, new love, and new adventures during this weekend stay in Paris.
Between the Tweets: When a person named Becca, accuses a known person of cheating on his wife, on twitter, Frank is hired to find out who Becca is. But he is really surprised when he finds out who this girl is, and it brings even bigger twist in the story.
Love in the Afternoon: When the couple, who is exhausted from daily family life, decide to spend a weekend for two in the hotel, they notice, that they actually forgot how to be alone. So, they need to learn it again.
A Bird in the Hand: When Beth and her husband go to a friend’s party, she suddenly meets a man with whom she had an affair. There has been years since they seen each other, but they find out why they fell apart in the first place. Now, Beth has another difficult decision to make.
Crocodile Shoes: When Sam’s gym bag gets mixed up with a rich lady’s one, all she finds in it is a pair of crocodile leather shoes. She doesn’t have any option but to wear them, and it turns her ordinary life around.
Holdups: The Jewellery shop where Alice was working is being robbed by burglars. If there were three according to the owner, why there were only two according to Alice? Mini detective story with unexpected twist.
Honeymoon in Paris: This story is one of my favourites in this book. There are two stories which are happening in Paris. One happens in 2012 and another one in 1912. Latest story is about a couple on honeymoon, where the groom chooses work over his Mrs. The second story is about a newlywed couple, where wife’s mind gets poisoned by an evil woman. These two stories cross each other and shows, that true love always wins.
Last Year's Coat: Evie desperately needs a new coat, but the one she likes cost fortune, and their family can’t afford it. All you need to do is really wish for something, and in some way it will reach you.
Thirteen Days with John C.: One day Miranda finds a phone. Suddenly she starts getting texts from John. She gets very intrigued, even though she is married; she still decides to meet him. The meeting goes not the way she expected it to go, so in the end she has to take some decisions.
Margot: When Em gets stranded in the airport due to delayed flight, she meets this old lady Margot. They spend some quality time together at the airport, and after that go different ways. Only after a while, Em figures out why Margot lives her life to the fullest.
The Christmas List: While running around London for that perfect Christmas dinner with the in law’s, Chrissie ends up in a black taxi. While talking with the driver, she realises, that pleasing needy in law’s, who doesn’t like her, is not what she wants to do this season. And she takes an impulsive decision instead, which might change her life.
All the stories in this book are really different, but at the same time similar. Some of them are about love, some of them about family, others, about making those hard decisions of who you really are. Most of the stories have an interesting twist at the end, or as I call it “the right thing to do” action. Even if the situation is not the best one, there is still that action to take, to make it right for everybody. I enjoyed the variety of characters used in this book, that doesn’t make it boring and keeps interest going. I tend to believe, that author has great love for Paris, as some of the plots are set in the city of lights. My most favourite were “Paris for one” and “Honeymoon in Paris”, they were the longest ones, and for me, the most interesting ones. It is a very easy read. The writing style used in this book is easy and understandable; the stories are not dragging, so it is lovely one sitting read. I really enjoyed the topics author was discussing in this book, she found those little day to day problems, and showed possible solutions to them. I enjoyed this book, and if you looking for something light and entertaining but with great meaning to read, give it a try.
Paris for One: When reliable Nell is tricked by her boyfriend, and ends up in Paris by herself she is shocked at the beginning. Strange place with no language knowledge makes her stressed at the beginning, but she finds herself, new love, and new adventures during this weekend stay in Paris.
Between the Tweets: When a person named Becca, accuses a known person of cheating on his wife, on twitter, Frank is hired to find out who Becca is. But he is really surprised when he finds out who this girl is, and it brings even bigger twist in the story.
Love in the Afternoon: When the couple, who is exhausted from daily family life, decide to spend a weekend for two in the hotel, they notice, that they actually forgot how to be alone. So, they need to learn it again.
A Bird in the Hand: When Beth and her husband go to a friend’s party, she suddenly meets a man with whom she had an affair. There has been years since they seen each other, but they find out why they fell apart in the first place. Now, Beth has another difficult decision to make.
Crocodile Shoes: When Sam’s gym bag gets mixed up with a rich lady’s one, all she finds in it is a pair of crocodile leather shoes. She doesn’t have any option but to wear them, and it turns her ordinary life around.
Holdups: The Jewellery shop where Alice was working is being robbed by burglars. If there were three according to the owner, why there were only two according to Alice? Mini detective story with unexpected twist.
Honeymoon in Paris: This story is one of my favourites in this book. There are two stories which are happening in Paris. One happens in 2012 and another one in 1912. Latest story is about a couple on honeymoon, where the groom chooses work over his Mrs. The second story is about a newlywed couple, where wife’s mind gets poisoned by an evil woman. These two stories cross each other and shows, that true love always wins.
Last Year's Coat: Evie desperately needs a new coat, but the one she likes cost fortune, and their family can’t afford it. All you need to do is really wish for something, and in some way it will reach you.
Thirteen Days with John C.: One day Miranda finds a phone. Suddenly she starts getting texts from John. She gets very intrigued, even though she is married; she still decides to meet him. The meeting goes not the way she expected it to go, so in the end she has to take some decisions.
Margot: When Em gets stranded in the airport due to delayed flight, she meets this old lady Margot. They spend some quality time together at the airport, and after that go different ways. Only after a while, Em figures out why Margot lives her life to the fullest.
The Christmas List: While running around London for that perfect Christmas dinner with the in law’s, Chrissie ends up in a black taxi. While talking with the driver, she realises, that pleasing needy in law’s, who doesn’t like her, is not what she wants to do this season. And she takes an impulsive decision instead, which might change her life.
All the stories in this book are really different, but at the same time similar. Some of them are about love, some of them about family, others, about making those hard decisions of who you really are. Most of the stories have an interesting twist at the end, or as I call it “the right thing to do” action. Even if the situation is not the best one, there is still that action to take, to make it right for everybody. I enjoyed the variety of characters used in this book, that doesn’t make it boring and keeps interest going. I tend to believe, that author has great love for Paris, as some of the plots are set in the city of lights. My most favourite were “Paris for one” and “Honeymoon in Paris”, they were the longest ones, and for me, the most interesting ones. It is a very easy read. The writing style used in this book is easy and understandable; the stories are not dragging, so it is lovely one sitting read. I really enjoyed the topics author was discussing in this book, she found those little day to day problems, and showed possible solutions to them. I enjoyed this book, and if you looking for something light and entertaining but with great meaning to read, give it a try.