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Chris Sawin (602 KP) rated John Carpenter's Vampires (1998) in Movies
Jun 22, 2019
A group of eccentric vampire hunters lead by the rugged and cold-hearted Jack Crow (James Woods) never really stop working. Taking great pride in the fruits of their labor, they work hard and play even harder as their celebrations after a job well done consist of alcohol flowing freely and plenty of women to take their minds off of work. But this particular job didn't go exactly as planned and it's weighing heavily on the mind of Jack Crow. Even after killing what's referred to as a "nest" of nine vampires, the master was no where to be found. Hardly a reason to celebrate in Jack's eyes. Unfortunately, his gut instinct was right as things get a hell of a lot worse for Jack's team when the master shows up to their little shindig. But this master is different from the others; stronger, more powerful, and why does he know Jack's name? There's something more elaborate going on and Jack Crow is going to find out exactly what it is while eradicating as many vampires as he possibly can along the way.
Judging by the ratings this film has (34% fresh on Rotten Tomatoes, 5.8/10 on IMDb), I guess it's safe to say that this could be a guilty pleasure of mine. I love most of John Carpenter's work and I really enjoyed his take on vampires. Jack Crow is certainly reason alone to sit through this and although the character originated in John Steakley's novel, I feel Crow is just as strong of a character in Carpenter's world as Snake Plissken from Escape From New York. Even though he's basically a mean spirited SOB, you can't help but sympathize with the character as the film moves on. Considering all that's happened to him in his lifetime, he seems to be a decent guy deep down underneath that extremely thick and rough exterior. His dialogue was also a lot of fun. Gems such as him asking Father Adam Guiteau if he had wood after the fight they just had or when he's explaining the true mythos behind vampires and to "forget whatever you've seen in the movies" was just classic.
Other than Jack Crow, I actually really enjoyed the storyline which seemed to be a breaking point for a lot of people. A vampire seeking a black cross to finish a reverse exorcism, so he can walk in daylight without turning to dust. Only Carpenter could pull something like that off. Their methods of killing vampires were also a bit more original and unorthodox compared to other vampire films of the past. Jack Crow would shoot an arrow from a crossbow, which would be attached to a wire on the bottom of a jeep that would be reeled in by Daniel Baldwin's Anthony Montoya that would drag the vampire into the sunlight where their body would burst into flames. Maybe it's considered cheesy to some, but it was refreshing to see something different for a change. As big of a horror fan that I am, I don't really think of myself as a fan of vampires. I'm not sure if it's because I'm picky or because it seems like everything is being recycled when it comes to storylines in horror films these days, but I like to think when a vampire film does make an impact on me that it says more than the average horror film containing vampires.
John Carpenter, the master of horror, delivers a refreshing and interesting take on vampires with the aptly named Vampires. It also dawns another strong lead character in a Carpenter film in the form of Jack Crow and contains some of the most witty and enjoyable dialogue of any horror film from the late '90s. The storyline is also magnificently peculiar, which is a definite plus in my book. This would definitely make my list of favorite vampire films, if I ever decided to make one. If you're a fan of John Carpenter and haven't seen this gem, I highly recommend doing so. Or if you have, maybe it's time to dust it off and give it another watch.
Judging by the ratings this film has (34% fresh on Rotten Tomatoes, 5.8/10 on IMDb), I guess it's safe to say that this could be a guilty pleasure of mine. I love most of John Carpenter's work and I really enjoyed his take on vampires. Jack Crow is certainly reason alone to sit through this and although the character originated in John Steakley's novel, I feel Crow is just as strong of a character in Carpenter's world as Snake Plissken from Escape From New York. Even though he's basically a mean spirited SOB, you can't help but sympathize with the character as the film moves on. Considering all that's happened to him in his lifetime, he seems to be a decent guy deep down underneath that extremely thick and rough exterior. His dialogue was also a lot of fun. Gems such as him asking Father Adam Guiteau if he had wood after the fight they just had or when he's explaining the true mythos behind vampires and to "forget whatever you've seen in the movies" was just classic.
Other than Jack Crow, I actually really enjoyed the storyline which seemed to be a breaking point for a lot of people. A vampire seeking a black cross to finish a reverse exorcism, so he can walk in daylight without turning to dust. Only Carpenter could pull something like that off. Their methods of killing vampires were also a bit more original and unorthodox compared to other vampire films of the past. Jack Crow would shoot an arrow from a crossbow, which would be attached to a wire on the bottom of a jeep that would be reeled in by Daniel Baldwin's Anthony Montoya that would drag the vampire into the sunlight where their body would burst into flames. Maybe it's considered cheesy to some, but it was refreshing to see something different for a change. As big of a horror fan that I am, I don't really think of myself as a fan of vampires. I'm not sure if it's because I'm picky or because it seems like everything is being recycled when it comes to storylines in horror films these days, but I like to think when a vampire film does make an impact on me that it says more than the average horror film containing vampires.
John Carpenter, the master of horror, delivers a refreshing and interesting take on vampires with the aptly named Vampires. It also dawns another strong lead character in a Carpenter film in the form of Jack Crow and contains some of the most witty and enjoyable dialogue of any horror film from the late '90s. The storyline is also magnificently peculiar, which is a definite plus in my book. This would definitely make my list of favorite vampire films, if I ever decided to make one. If you're a fan of John Carpenter and haven't seen this gem, I highly recommend doing so. Or if you have, maybe it's time to dust it off and give it another watch.
Two Necromancers, a Dwarf Kingdom, and a Sky City (The Unconventional Heroes #4)
6.0
Rate It
Book
Two necromancers, a dwarf kingdom, and a sky city – it sounds like a prelude to mayhem, and given...
Andrea (28 KP) rated Vampire Academy in Books
Aug 18, 2017
Passes the Bechdel test on the first page. (2 more)
Primary relationship is a friendship
Strong female protagonist
Other books in the series are stronger, so keep reading (1 more)
Don't judge a book by its movie
Not about vampires, and that's a good thing.
This series represents some of Mead's strongest writing. While this isn't the best book in the series (I save that distinction for #2, #3, and especially #6) it does give the necessary set up for everything.
The primary relationship with the friendship and devotion between Rose and Lissa. Both women have their own stories through the series and the book easily passes the bechdel test and many others. That isn't to say that the male lead isn't worthwhile; he will most likely become one of your fav "book boyfriends" but his role become bigger later in the books.
While the series contains vampires and is set in a vampiric world (practically no humans in the series) I wouldn't call it a typical vampire book. The vampire setting serves more as a way to introduce a discussion on class structure and politics. We seem more and more of this later in the series.
One thing of note: the primary romantics relationship in this book is between a student and her mentor/instructor. Also, while she is above the age of consent in Montana (where this is set) she is under 18 for half the series.
The primary relationship with the friendship and devotion between Rose and Lissa. Both women have their own stories through the series and the book easily passes the bechdel test and many others. That isn't to say that the male lead isn't worthwhile; he will most likely become one of your fav "book boyfriends" but his role become bigger later in the books.
While the series contains vampires and is set in a vampiric world (practically no humans in the series) I wouldn't call it a typical vampire book. The vampire setting serves more as a way to introduce a discussion on class structure and politics. We seem more and more of this later in the series.
One thing of note: the primary romantics relationship in this book is between a student and her mentor/instructor. Also, while she is above the age of consent in Montana (where this is set) she is under 18 for half the series.
Andy K (10821 KP) rated Cronos (1994) in Movies
Jul 27, 2019
A Vampire film?
Contains spoilers, click to show
The feature film debut of now Academy Award winning director Guillermo del Toro does not disappoint!
A mysterious scarab is found after 400+ years in hiding by an old man. He decided to use the device which activates and attached to his skin. He initial pain is followed by the man starting to feel and look younger.
The situation deteriorates as the man continues to look worse and worse but gain in strength becoming able to withstand pain that would slay a normal man.
I really enjoyed the tone and look of this film. Even though it was low budget, del Toro made the most of it and it never felt cheap or the special effects look fake. The scarab was an interesting device and reminded me of the puzzle box in Hellraiser or the flying silver balls in Phantasm.
I liked the slow developing degenerative story and it never really says it is a vampire film although it feels more and more like that as the story develops.
Whenever you are watching a great foreign film, the subtitles just go away and it feels like you are watching an English speaking movie.
It's too bad there was never a sequel to this as I would've liked to see where the story went once the movie ended.
Highly recommended. Thanks @Erika
A mysterious scarab is found after 400+ years in hiding by an old man. He decided to use the device which activates and attached to his skin. He initial pain is followed by the man starting to feel and look younger.
The situation deteriorates as the man continues to look worse and worse but gain in strength becoming able to withstand pain that would slay a normal man.
I really enjoyed the tone and look of this film. Even though it was low budget, del Toro made the most of it and it never felt cheap or the special effects look fake. The scarab was an interesting device and reminded me of the puzzle box in Hellraiser or the flying silver balls in Phantasm.
I liked the slow developing degenerative story and it never really says it is a vampire film although it feels more and more like that as the story develops.
Whenever you are watching a great foreign film, the subtitles just go away and it feels like you are watching an English speaking movie.
It's too bad there was never a sequel to this as I would've liked to see where the story went once the movie ended.
Highly recommended. Thanks @Erika
Merissa (11935 KP) rated Supermoon: Cade & Sal's Story (The Dark Cities Trilogy #1) in Books
May 20, 2023
You know, it's been so long since I read a 'vampire' book that was different, but this one has ticked that particular box for me, along with many others. The world has changed, and not everyone thinks that it is a good thing. The vampires are now ruling supreme, whilst shifters are the ones providing the muscle on the farms and mines, working in harsh conditions; and the humans are slaves, and have to wear red to show their position as a 'blood bag'.
This story really starts when Cade is chosen to represent his city in a fight in which there is literally only one winner. It is last one standing (think of Roman gladiators!). Sal is chosen to be one of the human servants who will look after the shifters until such time as they go and fight.
This book is violent, funny, vicious, and hopeful. My heart was in my mouth every time a vampire came near Sal. Cade does a fantastic job of trying to speak to Sal without the vampires knowing. With sweet, yet hot, romance, this book was a delight that I just couldn't put down. I am definitely looking forward to reading more by this author.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 31, 2016
This story really starts when Cade is chosen to represent his city in a fight in which there is literally only one winner. It is last one standing (think of Roman gladiators!). Sal is chosen to be one of the human servants who will look after the shifters until such time as they go and fight.
This book is violent, funny, vicious, and hopeful. My heart was in my mouth every time a vampire came near Sal. Cade does a fantastic job of trying to speak to Sal without the vampires knowing. With sweet, yet hot, romance, this book was a delight that I just couldn't put down. I am definitely looking forward to reading more by this author.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 31, 2016
Jordan Binkerd (567 KP) rated American Vampire, Vol. 6 in Books
Jul 21, 2019 (Updated Jul 21, 2019)
Not all the art works (for me) (1 more)
Adult content.... but if you made it this far in the series, that's not a surprise
Filler Anthology, but still fun...
Note: this review is transposted from my personal review blog, and so was originally written several years ago.
So, it has come to this. The sixth and latest collection of American Vampire comics. Now it’s not just my library’s slow acquisition policies holding me back, but the fact that there haven’t been any more published yet! Apparently the creators put the book on hiatus for a while, but they’ve at least started publishing again. I just have to wait for it to hit the collections….This particular collection is a couple of one-shots they put out in the meantime to keep our appetites whetted–one from the main American Vampire team, one with them letting a whole bunch of other comics creators play in their sandbox. Obviously, this review could spoil events from the previous collections.
First off, we have THE LONG ROAD TO HELL. Snyder and Albuquerque set out the story for this one together, with Albuquerque taking over to script and draw the story. Billy Bob and Jo are the Bonnie and Clyde of petty thieves, picking pockets by night to add to their stash. They’re hoping to have enough soon to cover the cost of renting a chapel, but one fateful encounter with a vampire coven recruitment team and everything changes…not for the better, I’m afraid. Jasper Miller is a young orphan, favorite target of a group of bullies. It seems that young Jasper is a very insightful young man, and some of what he knows makes these bullies very nervous, and he decides that the open road would be safer for him than the old orphanage. Vampire hunter Travis Kidd we’ve already met back in Vol. IV, and it’s good to see that he survived the ambush he willingly dove into at the end of that book. Seems to have picked up a katana somewhere in the interim too, which is always cool. Fate has these four on a collision course, and blood will be spilled by the time they reach the end of the road….
Moving on to the American Vampire Anthology, we open with the frame story by Snyder and Albuquerque. THE MAN COMES AROUND is set in 1967 as Skinner Sweet hides out in the middle of nowhere, hoping to avoid the major events he can sense just over the horizon. Seems there’s always someone trying to kill him, though…. Jason Aaron and Declan Shalvey then enlighten us as to what really happened on Roanoke Island in THE LOST COLONY. Here’s a hint, vampires were involved. We then move on to BLEEDING KANSAS, where Albuquerque puts down his pencil and takes a shot at writing the story, leaving the art to Ivo Milazzo. Set against that tumultuous time and place, Albuquerque and Milazzo set down for us a tale of what I can only assume are Henry Jones’ grandparents. Next up, Jeff Lemire and Ray Fawkes serve up a tale of terror in the frozen north with CANADIAN VAMPIRE as ex-Mountie-turned-bounty-hunter Jack Warhammer is hired to find out what happened to a German fur trading expedition missing in the wild. Becky Cloonan handles both the writing and art for GREED, starring Skinner Sweet and featuring his first encounter with those crazy folks who hail from a place called “Hollywood….” Francesco Francavilla then pulls the same trick for THE PRODUCERS, detailing the birth of a star as he makes a shady deal in exchange for fame and fortune. Gail Simone and Tula Lotay treat us to Hattie Hargrove’s origin story in ESSENCE OF LIFE, showing us just what happened to her that made her willing to screw over her best friend in the world. Gabriel Ba and Fabio Moon share both the writing and artist credits for LAST NIGHT, as a lounge singer describes to a reporter the events leading up to the previous evening’s massacre at the club. Finally, Greg Rucka and JP Leon tell the tale of a dying drunk and the lowlifes who try and shanghai him in PORTLAND, 1940.
On the whole, I really enjoyed this as per the usual for this series. The writing was stellar, and the anthology format really served well for the world being depicted. As with any comics anthology, there’s a wide variety of artistic styles represented, and some of those styles I’m not really a fan of, but that’s largely a matter of taste. I could sit here and tell you that I really wasn’t a fan of Ivo Milazzo’s art on BLEEDING KANSAS (which is true), but the next guy might have loved it. I could laud Tula Lotay’s work on ESSENCE OF LIFE (also true), but the next guy may not have been a fan. That’s kind of how it works–peoples’ tastes are pretty subjective. I did enjoy getting into Hattie’s head a bit more than we were able to back when she was introduced, and Skinner Sweet’s adventures are always fun–I’ve mentioned before my weakness for antiheroes. As a historian, Roanoke’s lost colony is always a fascinating topic, and a number of the plot twists contained here were very satisfying if not always surprising. I really can’t wait for the next volume to come out so I can see the payoff to some of the plot threads being set up both here and in the teaser from the end of volume V….
CONTENT: R-rated language. Brutal, bloody vampire violence–these aren’t sparkly, angst-ridden pretty boys, these are monsters through and through. Some explicit and implicit sexual content, including what more or less constitutes a rape. No real occult content, as there isn’t a spiritual element to this version of vampirism.
Original review link: https://jordanbinkerd.wordpress.com/2014/08/15/review-american-vampire-volume-vi-by-scott-snyder-rafael-albuquerque/
So, it has come to this. The sixth and latest collection of American Vampire comics. Now it’s not just my library’s slow acquisition policies holding me back, but the fact that there haven’t been any more published yet! Apparently the creators put the book on hiatus for a while, but they’ve at least started publishing again. I just have to wait for it to hit the collections….This particular collection is a couple of one-shots they put out in the meantime to keep our appetites whetted–one from the main American Vampire team, one with them letting a whole bunch of other comics creators play in their sandbox. Obviously, this review could spoil events from the previous collections.
First off, we have THE LONG ROAD TO HELL. Snyder and Albuquerque set out the story for this one together, with Albuquerque taking over to script and draw the story. Billy Bob and Jo are the Bonnie and Clyde of petty thieves, picking pockets by night to add to their stash. They’re hoping to have enough soon to cover the cost of renting a chapel, but one fateful encounter with a vampire coven recruitment team and everything changes…not for the better, I’m afraid. Jasper Miller is a young orphan, favorite target of a group of bullies. It seems that young Jasper is a very insightful young man, and some of what he knows makes these bullies very nervous, and he decides that the open road would be safer for him than the old orphanage. Vampire hunter Travis Kidd we’ve already met back in Vol. IV, and it’s good to see that he survived the ambush he willingly dove into at the end of that book. Seems to have picked up a katana somewhere in the interim too, which is always cool. Fate has these four on a collision course, and blood will be spilled by the time they reach the end of the road….
Moving on to the American Vampire Anthology, we open with the frame story by Snyder and Albuquerque. THE MAN COMES AROUND is set in 1967 as Skinner Sweet hides out in the middle of nowhere, hoping to avoid the major events he can sense just over the horizon. Seems there’s always someone trying to kill him, though…. Jason Aaron and Declan Shalvey then enlighten us as to what really happened on Roanoke Island in THE LOST COLONY. Here’s a hint, vampires were involved. We then move on to BLEEDING KANSAS, where Albuquerque puts down his pencil and takes a shot at writing the story, leaving the art to Ivo Milazzo. Set against that tumultuous time and place, Albuquerque and Milazzo set down for us a tale of what I can only assume are Henry Jones’ grandparents. Next up, Jeff Lemire and Ray Fawkes serve up a tale of terror in the frozen north with CANADIAN VAMPIRE as ex-Mountie-turned-bounty-hunter Jack Warhammer is hired to find out what happened to a German fur trading expedition missing in the wild. Becky Cloonan handles both the writing and art for GREED, starring Skinner Sweet and featuring his first encounter with those crazy folks who hail from a place called “Hollywood….” Francesco Francavilla then pulls the same trick for THE PRODUCERS, detailing the birth of a star as he makes a shady deal in exchange for fame and fortune. Gail Simone and Tula Lotay treat us to Hattie Hargrove’s origin story in ESSENCE OF LIFE, showing us just what happened to her that made her willing to screw over her best friend in the world. Gabriel Ba and Fabio Moon share both the writing and artist credits for LAST NIGHT, as a lounge singer describes to a reporter the events leading up to the previous evening’s massacre at the club. Finally, Greg Rucka and JP Leon tell the tale of a dying drunk and the lowlifes who try and shanghai him in PORTLAND, 1940.
On the whole, I really enjoyed this as per the usual for this series. The writing was stellar, and the anthology format really served well for the world being depicted. As with any comics anthology, there’s a wide variety of artistic styles represented, and some of those styles I’m not really a fan of, but that’s largely a matter of taste. I could sit here and tell you that I really wasn’t a fan of Ivo Milazzo’s art on BLEEDING KANSAS (which is true), but the next guy might have loved it. I could laud Tula Lotay’s work on ESSENCE OF LIFE (also true), but the next guy may not have been a fan. That’s kind of how it works–peoples’ tastes are pretty subjective. I did enjoy getting into Hattie’s head a bit more than we were able to back when she was introduced, and Skinner Sweet’s adventures are always fun–I’ve mentioned before my weakness for antiheroes. As a historian, Roanoke’s lost colony is always a fascinating topic, and a number of the plot twists contained here were very satisfying if not always surprising. I really can’t wait for the next volume to come out so I can see the payoff to some of the plot threads being set up both here and in the teaser from the end of volume V….
CONTENT: R-rated language. Brutal, bloody vampire violence–these aren’t sparkly, angst-ridden pretty boys, these are monsters through and through. Some explicit and implicit sexual content, including what more or less constitutes a rape. No real occult content, as there isn’t a spiritual element to this version of vampirism.
Original review link: https://jordanbinkerd.wordpress.com/2014/08/15/review-american-vampire-volume-vi-by-scott-snyder-rafael-albuquerque/
Merissa (11935 KP) rated Bite of Darkness (Shadow Creek #2) in Books
Dec 17, 2018
Bite of Darkness is the second book in the Shadow Creek series. This time we focus on Vuk, who helped Devon out with a few choice words in book one. In his own story though, it's Vuk who is on the receiving end of advice as he turns into a bit of a jerk when he meets his mate. Now, to be fair, I couldn't exactly blame him. His alpha is ill, receiving a mystery transfusion, vampires are involved, the fae are involve, and no one (including Vuk) just exactly who to trust. Now, as it turns out, the vampires have their own reasons for helping out, which Vuk and Ashly get dragged into the middle of.
There is more mystery in this book, in my opinion. You know in book one that the fae wards are failing, but you're not 100% sure why. In this book, you find out more about that, and the politics of the paranormal world, but you are still left with questions unanswered. Apart from Vuk and Ashly, there is something going down with another wolf/vampire pair, but I'm hoping that will be a different story all of their own, and not just snippets given as the overall story arc progresses.
This is part of a series so I would recommend you read it in order for full enjoyment. With no editing or grammatical errors to disrupt my reading flow, I have no hesitation in recommending this book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
There is more mystery in this book, in my opinion. You know in book one that the fae wards are failing, but you're not 100% sure why. In this book, you find out more about that, and the politics of the paranormal world, but you are still left with questions unanswered. Apart from Vuk and Ashly, there is something going down with another wolf/vampire pair, but I'm hoping that will be a different story all of their own, and not just snippets given as the overall story arc progresses.
This is part of a series so I would recommend you read it in order for full enjoyment. With no editing or grammatical errors to disrupt my reading flow, I have no hesitation in recommending this book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
JT (287 KP) rated Abraham Lincoln: Vampire Hunter (2012) in Movies
Mar 10, 2020
Of all the absurd film titles this has to be right up there. Abraham Lincoln: Vampire Hunter is a film that you can tune into and lose yourself with – nothing more than that.
Directed by Timur Bekmambetov (Wanted) the film initially focuses on the early life of one Abraham Lincoln (Benjamin Walker) whose mother is killed at the hands of a vampire.
Fueled by revenge he goes out and tries to avenge her death, unsuccessfully at first. He is then taken under the wing of Henry Sturges (Dominic Cooper) who shows him the proper ways to fight back, in a training montage that makes Rocky’s wood chopping skills look pathetic.
Sturges leaves Lincoln to go off on his own but sends him the names of undead that he has to go out and kill on a regular basis, while trying to hide his nocturnal hobby from those closest to him. First thing to note with this film is many of the techniques that made Wanted a unique action flick are used considerably throughout, a bit too much for me.
CGI in film should be used sparingly as far as I’m concerned, but when faced with a scene where there is no feasible way you could shoot for real then it’s a perfect solution. When Lincoln is giving chase to Jack Barts (Marton Csokas) across a stampede of wild horses it provides a great action sequence for which CGI comes into its own.
In-fact pretty much all the action sequences use this, and with the climactic train sequence proving a highlight to the end of the film it’s not anywhere near enough to make it a standout, you can only hide behind special effects for so long before you’re going to get found out.
There is a pause in proceedings, a chance to catch breath from all that over the top action, as Lincoln puts down his silver coated axe and follows a career in politics looking to abolish slavery as well as vampires. His lifelong friend Will Johnson (Anthony Mackie) also joins him on this quest as his personal Presidential aide.
Of course it turns out that vampires are unable to kill their own as we see from a brief flash back where Dominic Cooper is mindlessly attacked and his beloved taken from him, so he clearly has a motive as well.
It’s all harmless fun, and while the late Abe Lincoln provides some small resemblance to Liam Neeson with a beard (was it only me that thought that) it’s a far fetched and totally ludicrous story that you cannot take too seriously for a minute.
Directed by Timur Bekmambetov (Wanted) the film initially focuses on the early life of one Abraham Lincoln (Benjamin Walker) whose mother is killed at the hands of a vampire.
Fueled by revenge he goes out and tries to avenge her death, unsuccessfully at first. He is then taken under the wing of Henry Sturges (Dominic Cooper) who shows him the proper ways to fight back, in a training montage that makes Rocky’s wood chopping skills look pathetic.
Sturges leaves Lincoln to go off on his own but sends him the names of undead that he has to go out and kill on a regular basis, while trying to hide his nocturnal hobby from those closest to him. First thing to note with this film is many of the techniques that made Wanted a unique action flick are used considerably throughout, a bit too much for me.
CGI in film should be used sparingly as far as I’m concerned, but when faced with a scene where there is no feasible way you could shoot for real then it’s a perfect solution. When Lincoln is giving chase to Jack Barts (Marton Csokas) across a stampede of wild horses it provides a great action sequence for which CGI comes into its own.
In-fact pretty much all the action sequences use this, and with the climactic train sequence proving a highlight to the end of the film it’s not anywhere near enough to make it a standout, you can only hide behind special effects for so long before you’re going to get found out.
There is a pause in proceedings, a chance to catch breath from all that over the top action, as Lincoln puts down his silver coated axe and follows a career in politics looking to abolish slavery as well as vampires. His lifelong friend Will Johnson (Anthony Mackie) also joins him on this quest as his personal Presidential aide.
Of course it turns out that vampires are unable to kill their own as we see from a brief flash back where Dominic Cooper is mindlessly attacked and his beloved taken from him, so he clearly has a motive as well.
It’s all harmless fun, and while the late Abe Lincoln provides some small resemblance to Liam Neeson with a beard (was it only me that thought that) it’s a far fetched and totally ludicrous story that you cannot take too seriously for a minute.
Merissa (11935 KP) rated Matching Bloodlines (The Princeton Allegiant #3) in Books
Jan 27, 2020
MATCHING BLOODLINES is the third book in The Princeton Allegiant series, and trust me when I say this series just keeps on getting better and better! Although I would say you "could" read this as a standalone, the better question would be "why?"
At the end of the last book, Francisco (and us) found out that Sophia was alive and also got a location. The start of this book takes us to that location. Poor Francisco. That's all I'm saying. And what the hell is Loren thinking? He's got his mate so he should have some idea of what it is he's saying!!!
I am sincerely loving this world. It gets more amazing with every book. Francisco really shines in this, showing the reader just how caring (and possessive) a vampire can be about his mate. Charlotte has a hard choice to make. Well, hard for her, at any rate. The attraction between them is off the charts and I loved every moment of it. Sophia is playing a game and I really don't like her. Just saying!
If I could do half stars, this would definitely be a 4 1/2, but I can't so it's not. Do NOT let that put you off though. I sincerely recommend this book and the series, and I really can't wait to continue. But who is next? Is it Reese or Victor? Either way, I'm ready and waiting.
A fantastic story and highly recommended by me.
At the end of the last book, Francisco (and us) found out that Sophia was alive and also got a location. The start of this book takes us to that location. Poor Francisco. That's all I'm saying. And what the hell is Loren thinking? He's got his mate so he should have some idea of what it is he's saying!!!
I am sincerely loving this world. It gets more amazing with every book. Francisco really shines in this, showing the reader just how caring (and possessive) a vampire can be about his mate. Charlotte has a hard choice to make. Well, hard for her, at any rate. The attraction between them is off the charts and I loved every moment of it. Sophia is playing a game and I really don't like her. Just saying!
If I could do half stars, this would definitely be a 4 1/2, but I can't so it's not. Do NOT let that put you off though. I sincerely recommend this book and the series, and I really can't wait to continue. But who is next? Is it Reese or Victor? Either way, I'm ready and waiting.
A fantastic story and highly recommended by me.
KalJ95 (25 KP) rated the PlayStation 4 version of Vampyr in Video Games
Jan 6, 2020 (Updated Jan 6, 2020)
Narrative is often surprising and gripping. (1 more)
I would play a sequel.
Graphics are terrible. (2 more)
Atrocious controls.
An absolute bore most of the time.
No bite, no good.
I saw Vampyr advertised a long time ago at several game conferences, with the promise of a complete Vampire experience, never seen before in video games. Already, I was salivating. Vampyr looked fantastic in its early stages. Combat looked fluid and balanced, the protagonist looked interesting enough to keep the story flowing, and Gothic London looked bloody beautiful. Where did it all go wrong?
Vampyr is a mess, from its clunky controls to its basic, bland combat. The game in it's current state is unfixable, starting with the graphics. How did any developer think this game looked ready to play? London's gloomy, black hearted environment is so breathtaking at times it feels like a support character. Thank god as theres no other interesting ones around. Character animations are abysmal, so much so they look around ten years old. Whats even more strange is the trailer released a while back shows a different game altogether. That one looked brilliant, which makes me wonder if downgrades were made.
Vampyr is such a mixed bag of narrative vs gameplay. The game of a doctor who is turned into a vampire is often so gripping in premise, especially at the start and end, that I would honestly like to know where this story will go. Should it have a sequel?
Absolutely not.
Gameplay is frankly the worst aspect of Vampyr. Jonathan Reid feels awful to control, even robotic at times. Combat is just as cyborb-ish. Yes, there are some interesting components to keep the fighting fresh, but it all feels like a chore rather than anything fun. As a vampire, making some awful decisions to feed his hunger should bring a moral dilemma to the gamer, but you couldn't care less. And that is what completely pins everything together with Vampyr.
I just didn't care.
Vampyr is a mess, from its clunky controls to its basic, bland combat. The game in it's current state is unfixable, starting with the graphics. How did any developer think this game looked ready to play? London's gloomy, black hearted environment is so breathtaking at times it feels like a support character. Thank god as theres no other interesting ones around. Character animations are abysmal, so much so they look around ten years old. Whats even more strange is the trailer released a while back shows a different game altogether. That one looked brilliant, which makes me wonder if downgrades were made.
Vampyr is such a mixed bag of narrative vs gameplay. The game of a doctor who is turned into a vampire is often so gripping in premise, especially at the start and end, that I would honestly like to know where this story will go. Should it have a sequel?
Absolutely not.
Gameplay is frankly the worst aspect of Vampyr. Jonathan Reid feels awful to control, even robotic at times. Combat is just as cyborb-ish. Yes, there are some interesting components to keep the fighting fresh, but it all feels like a chore rather than anything fun. As a vampire, making some awful decisions to feed his hunger should bring a moral dilemma to the gamer, but you couldn't care less. And that is what completely pins everything together with Vampyr.
I just didn't care.