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The Cowboy and the Rascal (Farthingdale Valley #1)
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First, you have to trust. Then comes trust in return. Then comes love. Gabe’s working hard to...
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Hazel (1853 KP) rated Capturing Jasmina (India's Street Kids #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Kimberly Rae draws attention to the ongoing trafficking of children in India in her young adult novel <i>Capturing Jasmina</i>. Jasmina was only ten when her father sold both her and her brother Samir to a man promising safety and good education. In reality the siblings end up in a sweatshop slaving over clothes to be sold in America. After three years they manage to escape only to be trafficked a second time. Eventually Jasmina and Samir are separated and Jasmina becomes a street kid.
Whilst living on the streets Jasmina encounters a Christian missionary, Asha, rescuing women from brothels by either offering them a safe place to live or at the very least spiritually, by teaching them about God and Jesus. Intrigued Jasmina follows Asha who then offers to help her too. After having her childhood robbed from her, it seems like Jasmina, with the help of those who trust in God, will get back on her feet again.
Despite being a short novel, Rae paints a contrasting image to what the western world is used to. Jasmina finds the concept of a simple toilet baffling. It is not until you hear or see what is happening to innocent people in other parts of the world that you realize there are so many things in life you take for granted.
<i>Capturing Jasmina</i> emphasizes how difficult it is to escape once trafficked. In these situations people belong to everyone but themselves. They have no freedom and running away can cause more problems than it solves. The novel also shows what Christians can do to help. Although no one can completely solve the problems, the tiniest piece of aid they can provide is a step in the right direction.
It was slightly disappointing that we do not find out what happened to Samir once he was separated from his sister. Jasmina’s first person narrative makes it clear that what she wants most is to be reunited with her family. In a way, although there is a positive ending, not yet finding her brother makes it clear that there cannot always be happy endings. It is not possible to save everyone.
Written from a young teenagers point of view makes this book suitable for ages twelve and older. Christians will appreciate the biblical references however there is not too much religion for non-believers or those of other religions to get offended by.
Kimberly Rae draws attention to the ongoing trafficking of children in India in her young adult novel <i>Capturing Jasmina</i>. Jasmina was only ten when her father sold both her and her brother Samir to a man promising safety and good education. In reality the siblings end up in a sweatshop slaving over clothes to be sold in America. After three years they manage to escape only to be trafficked a second time. Eventually Jasmina and Samir are separated and Jasmina becomes a street kid.
Whilst living on the streets Jasmina encounters a Christian missionary, Asha, rescuing women from brothels by either offering them a safe place to live or at the very least spiritually, by teaching them about God and Jesus. Intrigued Jasmina follows Asha who then offers to help her too. After having her childhood robbed from her, it seems like Jasmina, with the help of those who trust in God, will get back on her feet again.
Despite being a short novel, Rae paints a contrasting image to what the western world is used to. Jasmina finds the concept of a simple toilet baffling. It is not until you hear or see what is happening to innocent people in other parts of the world that you realize there are so many things in life you take for granted.
<i>Capturing Jasmina</i> emphasizes how difficult it is to escape once trafficked. In these situations people belong to everyone but themselves. They have no freedom and running away can cause more problems than it solves. The novel also shows what Christians can do to help. Although no one can completely solve the problems, the tiniest piece of aid they can provide is a step in the right direction.
It was slightly disappointing that we do not find out what happened to Samir once he was separated from his sister. Jasmina’s first person narrative makes it clear that what she wants most is to be reunited with her family. In a way, although there is a positive ending, not yet finding her brother makes it clear that there cannot always be happy endings. It is not possible to save everyone.
Written from a young teenagers point of view makes this book suitable for ages twelve and older. Christians will appreciate the biblical references however there is not too much religion for non-believers or those of other religions to get offended by.
Jennifer Kirkland (1 KP) created a post
Jan 25, 2018
Awix (3310 KP) rated Mother! (2017) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Some Mothers Do 'Ave 'Em
Palpably insane fantasy psycho-horror from Darren Aronofsky that seems intentionally designed to alienate and repel mainstream audiences. The presence of Jennifer Lawrence and Javier Bardem seems calculated to lure in innocent passersby for this unhinged tale of... of...
Well, look, Lawrence and Bardem live in a lovely house in the countryside; he is a noted poet, she is his wife, and to begin with all is well. Then mysterious strangers start appearing and dark events threaten to disrupt their idyll. Things get extreme. At points they get extremely extreme.
If this movie was your pet it would attack your furniture and howl at the moon, then fetch you your slippers with a 'who, me?' look on its face. If you're a stickler for things like naturalism and coherence, then it is probably not for you; but Aronofsky creates the fractured sense of living through an unfolding nightmare, with all the non-logic that suggests, rather well, and the stars are all on full power. It's still very nearly the proverbial movie with something to offend everyone, but you can't fault the technical expertise with which it has been made, or the director's success in realising his (highly peculiar) vision for the film.
Well, look, Lawrence and Bardem live in a lovely house in the countryside; he is a noted poet, she is his wife, and to begin with all is well. Then mysterious strangers start appearing and dark events threaten to disrupt their idyll. Things get extreme. At points they get extremely extreme.
If this movie was your pet it would attack your furniture and howl at the moon, then fetch you your slippers with a 'who, me?' look on its face. If you're a stickler for things like naturalism and coherence, then it is probably not for you; but Aronofsky creates the fractured sense of living through an unfolding nightmare, with all the non-logic that suggests, rather well, and the stars are all on full power. It's still very nearly the proverbial movie with something to offend everyone, but you can't fault the technical expertise with which it has been made, or the director's success in realising his (highly peculiar) vision for the film.
Mark @ Carstairs Considers (2206 KP) rated Due or Die in Books
Jan 19, 2019
Due Read This Book
Carrie Rushton has just been elected president of the Friends of the Library. Even though Lindsay Norris isn't a member of the group since she's the head of the library itself, she is thrilled to be working with someone bringing fresh ideas and perspectives. However, after Carrie's first meeting in her new role, she returns home to find her husband shot to death. People are quick to jump to the conclusion that Carrie is guilty, but Lindsay is sure the woman is innocent. Will a winter storm coming to the area turn the trail of the real killer cold?
While I still don't have all the supporting characters straight in my head, the characters important to this mystery are all well developed. That includes not only the suspects, but the main characters. Thanks to a couple of sub-plots, I found the pacing uneven, although things did pick up for the climax. Things do fit together well, but there is a major timing issue in the climax. It annoys, but it is minor overall. While I always enjoy Jenn's books, I found this one super funny, laughing out loud multiple times over the course of the story. I'm already looking forward to my next stop at this library.
While I still don't have all the supporting characters straight in my head, the characters important to this mystery are all well developed. That includes not only the suspects, but the main characters. Thanks to a couple of sub-plots, I found the pacing uneven, although things did pick up for the climax. Things do fit together well, but there is a major timing issue in the climax. It annoys, but it is minor overall. While I always enjoy Jenn's books, I found this one super funny, laughing out loud multiple times over the course of the story. I'm already looking forward to my next stop at this library.
The Viscount Who Loved Me (Bridgertons, #2)
7.9
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1814 promises to be another eventful season, but not, This Author believes, for Anthony Bridgerton,...
This is the Way
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Click here for our exclusive q&a with the author. With the voice of Anthony Sonaghan - a modern-day...
Reveal (Hidden Cove Season4, #4)
10.0
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“I wish this were real with you.” Geeky Jason Miller has never really been with a man, and...
Suswatibasu (1701 KP) rated Serial in Podcasts
Jan 4, 2018 (Updated Jan 4, 2018)
Gripping first series, second underwhelming
Serial is one of those high-trending true crime phenomena, gripping a nation similar to the likes of @Making A Murderer - Season 1. The first series follows the murder case of a young student Hae Min Lee, allegedly killed by her former boyfriend Adnan Syed and the apparent failings in the investigation. Is he guilty or innocent? Journalist Sarah Koenig tries to retrace the steps of both Adnan and other suspects to get to the bottom of this disturbing story in 12 episodes.
The first series is well-made, each episode carefully crafted to leave you on a cliffhanger. It is easy to binge-listen, but like MAM, there are parts that have been omitted from the case, so not all is what it actually seems. Either way, I fell for it hook, line and sinker.
The second series, unfortunately, is an entirely different ballgame. Unlike its true crime predecessor, Koenig looks at the infamous case of Sergeant Bowe Bergdahl, a US soldier who allegedly defected and was subsequently captured by Taliban insurgents in Afghanistan. The series focuses on his perception and experiences, and eventual vilification, as his release caused much political controversy over whether a deal should have been negotiated or not. The price of his freedom was an exchange for five Taliban-linked inmates held at maximum security prison Guantanamo Bay. The reason he says, for his defection, was that he attempted to become a whistleblower for the apparently mismanaged unit he belonged to.
Sadly, as with most popular media, the change in direction with the podcast came at a price, as many felt the subject was too dry and too heavy. With dense military language, it seem to become too bogged down with the details, losing its edge.
It's not a perfect podcast, but the first series is still worth the listen.
The first series is well-made, each episode carefully crafted to leave you on a cliffhanger. It is easy to binge-listen, but like MAM, there are parts that have been omitted from the case, so not all is what it actually seems. Either way, I fell for it hook, line and sinker.
The second series, unfortunately, is an entirely different ballgame. Unlike its true crime predecessor, Koenig looks at the infamous case of Sergeant Bowe Bergdahl, a US soldier who allegedly defected and was subsequently captured by Taliban insurgents in Afghanistan. The series focuses on his perception and experiences, and eventual vilification, as his release caused much political controversy over whether a deal should have been negotiated or not. The price of his freedom was an exchange for five Taliban-linked inmates held at maximum security prison Guantanamo Bay. The reason he says, for his defection, was that he attempted to become a whistleblower for the apparently mismanaged unit he belonged to.
Sadly, as with most popular media, the change in direction with the podcast came at a price, as many felt the subject was too dry and too heavy. With dense military language, it seem to become too bogged down with the details, losing its edge.
It's not a perfect podcast, but the first series is still worth the listen.