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"‘Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure.’ Reading those two sentences sparked a series of aha moments for me. What Marianne Williamson is getting at here is that fear hides our inner light, but that when we embrace love—which is how she defines God—we connect with who we are really meant to be. I have never been more moved by a book than I am by this one."

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I love this series so much! I'm glad Rachel continued it :)

She's done such a good job of writing a post apocalyptic world consumed by zombies, with few humans remaining, and with main characters that have managed to find love.

I still love all the characters!<br/><br/>One thing, though. Why won't Kane die?! He's crazy and unkillable (not sure that's a word but oh well) no matter what they do to him.

Looking forward to reading the next instalment!
  
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Kevin Phillipson (10072 KP) rated Dollface in TV

Aug 20, 2021 (Updated Aug 20, 2021)  
Dollface
Dollface
2019 | Comedy, Drama
Kat dennings (0 more)
Contains spoilers, click to show
Just finished watching on Disney plus not my usual cup of tea but I kinda liked it kat dennings plays a woman who's basically dumped by her boyfriend and tries to recontect with her friends plus she keeps this cat lady that she can see. OK it can get weird sometimes but I found it to be funny especially kat dennings who was the funny one In 2 broke girls shame there's there's only been series so far
  
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Enyeh (71 KP) rated Foundation in Books

Sep 5, 2017  
Foundation
Foundation
Isaac Asimov | 1942 | Science Fiction/Fantasy
6
7.6 (5 Ratings)
Book Rating
Political intrigue, narrative structure, foresight (many aspects of plot) (0 more)
Writing style, plausibility of characters (0 more)
Asimov's Foundation series is a classic for a reason. His ability to construct a coherent political narrative across centuries, without sounding like a dry textbook from a parallel universe, is astounding. However, Asimov's talents lie in plot and narrative - not in writing style, dialogue, or characterization. He utilizes character interactions to describe most occurring events, but these interactions are simply not believable. You find yourself rolling your eyes, cringing away, even having to close the book for a moment to rid your mind of the image of Asimov as a greasy 15-year-old in his mom's basement, trying to write about human beings without ever interacting with them.

Sorry, Isaac. I'm sure that's not true of you.


All in all, the success of this book doesn't surprise me, but it was not easy to get through.
  
Throne of Glass
Throne of Glass
Sarah J. Maas | 2012 | Children, Fiction & Poetry
9
8.7 (91 Ratings)
Book Rating
Badass female (1 more)
Mystery
The King (0 more)
She's beauty and grace. She's not sorry at all about your face.
There are quite a few people who look down on Celaena Sardothien as a character because she is a badass woman who is confident in her appearance. She thinks about how she presents herself to the world and has no qualms about declaring her beauty. She comes off as vain, but I found it as a relief after reading so many books where a female character did not realize her worth for whatever reason. It was a nice change to go from a mousy girl who does not believe in herself to Celaena, who does not always believe in herself, but at least knows she is on top of the world.
Throne of Glass has an array of characters who have a purpose. Each one mentioned plays a part in some manner. It may not be in this first book of the series, but they all play a part at some point. No one is unimportant. They weigh on the events unfolding even if it is the smallest of details. They aren't there are fillers, which is wonderful.

As for the very obviously love triangle between Celaena, Chaol, and Dorian I was fine with it. Even if it was a focus, their triangle did not keep from the plot. It was not a distraction and thrown in their for "romance". It actually plays a part for later in the series. In a way, I felt it helped progress the story along and did not keep us from the main focus: rid the kingdom of evil.
  
Left (Reflections #12)
Left (Reflections #12)
Dean Murray | 2016 | Paranormal, Romance, Young Adult (YA)
8
8.0 (1 Ratings)
Book Rating
Left is about Jess, simple as that. We've had Isaac's side of the story in Lost, so I was happy to read Jess' side, even though I'm not her biggest fan.

Jess lost her memories when Oblivion got his hands on her. Since then, she has had to deal with other people's memories of her, trying to fit her back into a box that she no longer remembers. She reacted by pushing those that knew her away, and going with Wyatt on an 'adventure'.

Now, I've already said that I'm not her biggest fan. I thought she came across as incredibly self-centred, petty and selfish. The best bit about this book is when Jess realised that for herself! To acknowledge your faults takes courage. To try and better yourself is hard work, but Jess is prepared to try her best. Wyatt - there's more to this playboy than meets the eye, but I just couldn't warm to him. I won't give spoilers, but I will say that I'm not disappointed with how his story turned out.

There is an awful lot of information in this book, from descriptions of their surroundings to the history of the Graves line, to politics within the pack. It does feel a bit heavy during these parts, but stick with it as there is information in there that you need to know.

This is an exceptional series that I have thoroughly enjoyed. I am wondering where Dean will take it next! For this book as a whole, I will give it 4-stars. However, for the ending, that is definitely 5-stars! This is part of a series, so I would definitely recommend that you start from the beginning and immerse yourself in this world.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Feb 24, 2016
  
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Awix (3310 KP) rated 3 Faces (2018) in Movies

May 19, 2019 (Updated May 19, 2019)  
3 Faces (2018)
3 Faces (2018)
2018 | Comedy, Drama
6
6.0 (1 Ratings)
Movie Rating
Low-octane comedy-drama from Iran, as a film director and an actress (both playing themselves) set off to learn the fate of a teenage girl who has sent them a series of troubling messages. And... they drive around a lot, meet various locals, hear a lot of stories not strictly relevant to their investigation, and so on.

I went to see this with a friend of Iranian extraction and at the end I asked him if there was some kind of subtle cultural subtext going on I wasn't picking up on. And he said no, this is just a film with not much going on in it. The pace is ambling, at best, the tone curiously laid-back (the closest thing to a plot twist comes when a prize stud bull hurts its leg); there may be something going on about cultural and generational divides within Iran, but if so it's very obliquely presented. Not unpleasant to watch, but the entertainment value is ambient.
  
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Awix (3310 KP) rated Worzel Gummidge in TV

Jan 3, 2020  
Worzel Gummidge
Worzel Gummidge
2019 | Comedy, Fantasy
Writer-director-actor-everything Mackenzie Crook's new take on the famous scarecrow draws much more from the original books than the first TV series with Jon Pertwee forty years ago. It certainly sounds like the stuff of classic children's literature: two children visiting the countryside discover Worzel Gummidge, a walking, talking scarecrow.

What makes it special is that, firstly, it is genuinely very funny, with strong performances from all concerned, and, secondly, when it's not trying to be funny, it is actually quite eerie: as the Unthanks' soundtrack played and the scarecrows of Albion stirred into awkward life, I felt a genuine shiver down my spine. It's not quite folk horror for kids, but there is a mystical atmosphere to the whole thing which suits the story extremely well. All of this is handled with a surprising but very welcome lightness of touch. One of the best things I saw on TV in 2019 (not that this is necessarily saying much).