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Joe Goodhart (27 KP) rated DC Universe: Rebirth #1 in Books
Nov 30, 2020
When I still had my physical comic colletion, this had been one of the last ones purchased before making the change over to digital only, selling off the physical copies. That was then, this is now. Long story short, this review is based off of a re-read as part of my "Marvel's Making Some Dumb AF Decisions of Late, Let's Go With DC Instead" Tour!
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Merissa (11791 KP) rated Queen to King Three (Diviner's Game #3) in Books
Feb 12, 2021 (Updated Aug 3, 2023)
QUEEN TO KING THREE is the third and final book in this trilogy but NOT, I'm pleased to say, in this world. And what a fitting end it is. Everything that was unclear becomes clear. And all written with emotion!
We already know Robbie's story is heartbreaking, but I had no idea just how bad it really was and how much I hated a character that I didn't meet. Robbie is a strong character and deserves to be seen as such. As for Chanda, aww, bless him. He's a sweetie. He is trying so hard to protect and save lives, even knowing how hard it will make his life. These two certainly belong together, and I love how the small guy comes out on top. 😉
Now, this is the third book in the series, and I don't know of many people that would start with #3, but just in case, please don't! This one runs on the same parallel timeline as the first two, and you really NEED to read those first. This one does give you extra insights, after all, it's told partly from Chanda's perspective.
This book feels longer than the other two, but that may just be because of all the information you are given. It didn't feel too long though. I don't think any words were wasted. The Big Bad is revealed, and I honestly can't say how I feel about that! I didn't see it coming in one way, and yet I did in another. Kudos to Jennifer Cody for providing such a great story with all of its twists and turns.
This is one series that I didn't expect to enjoy as much as I did, with a new-to-me author. I'm glad I took the chance, and I honestly recommend you take it too. Absolutely brilliant.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 12, 2021
We already know Robbie's story is heartbreaking, but I had no idea just how bad it really was and how much I hated a character that I didn't meet. Robbie is a strong character and deserves to be seen as such. As for Chanda, aww, bless him. He's a sweetie. He is trying so hard to protect and save lives, even knowing how hard it will make his life. These two certainly belong together, and I love how the small guy comes out on top. 😉
Now, this is the third book in the series, and I don't know of many people that would start with #3, but just in case, please don't! This one runs on the same parallel timeline as the first two, and you really NEED to read those first. This one does give you extra insights, after all, it's told partly from Chanda's perspective.
This book feels longer than the other two, but that may just be because of all the information you are given. It didn't feel too long though. I don't think any words were wasted. The Big Bad is revealed, and I honestly can't say how I feel about that! I didn't see it coming in one way, and yet I did in another. Kudos to Jennifer Cody for providing such a great story with all of its twists and turns.
This is one series that I didn't expect to enjoy as much as I did, with a new-to-me author. I'm glad I took the chance, and I honestly recommend you take it too. Absolutely brilliant.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 12, 2021
LeftSideCut (3778 KP) rated Saw III (2006) in Movies
Oct 8, 2020
The first Saw film is genuinely great. The second I can tolerate. Saw III however is where the franchise started to lose me.
At this point, it's still not as convoluted as the series eventually gets, but it's here where you can clearly see the cracks start to appear, where every entry going forwards tries to ape what made the first film a success, whilst simultaneously becoming increasingly mean spirited - it's the first entry that really hints at the gore and viscera being more important than a decent plot.
The main positive of Saw III is the sheer amount of Tobin Bell we're treated to. Even on his death bed, Jigsaw is still appropriately sinister, and it's hard to see the role belonging to any other actor.
It's also nice to see Dina Meyer back for another turn, but her role here is all too brief.
Unfortunately, everyone else I can take or leave. Shawnee Smith returns as Jigsaws' apprentice, and her character is just so damn unlikable with no redeemable features, and is a far cry from her more compelling teacher, who always had a reason for doing what he did.
Then there's Jeff (Slow Ass Motherfuckin' Jeff to some) played by Angus Macfadyen. Honestly, I struggle to recall a protagonist in a horror movie that is quite as useless as this guy. He's insufferable to the point of sheer frustration.
Everyone else is just hugely forgettable, even Costas Mandylor who would go on to have a bigger role in the series moving forward.
The mixture of these non characters makes for a boring narrative, that ends up relying on gore for any worth.
The various Jigsaw traps seen in these films become more ambitious, theatrical, and disgusting as the franchise waddles along, and that's not necessarily a good thing. With each film, the more minimalist approach to the first film seems further and further out of reach.
As I mentioned, some of the deaths in Saw III are just plain mean spirited. Gore in horror movies really works when the film still manages to be entertaining, something that the bleak Saw III just isn't.
It's still not a terrible film, but honestly, the series just nosedives from here on out in my opinion, and this third entry is the jumping point.
At this point, it's still not as convoluted as the series eventually gets, but it's here where you can clearly see the cracks start to appear, where every entry going forwards tries to ape what made the first film a success, whilst simultaneously becoming increasingly mean spirited - it's the first entry that really hints at the gore and viscera being more important than a decent plot.
The main positive of Saw III is the sheer amount of Tobin Bell we're treated to. Even on his death bed, Jigsaw is still appropriately sinister, and it's hard to see the role belonging to any other actor.
It's also nice to see Dina Meyer back for another turn, but her role here is all too brief.
Unfortunately, everyone else I can take or leave. Shawnee Smith returns as Jigsaws' apprentice, and her character is just so damn unlikable with no redeemable features, and is a far cry from her more compelling teacher, who always had a reason for doing what he did.
Then there's Jeff (Slow Ass Motherfuckin' Jeff to some) played by Angus Macfadyen. Honestly, I struggle to recall a protagonist in a horror movie that is quite as useless as this guy. He's insufferable to the point of sheer frustration.
Everyone else is just hugely forgettable, even Costas Mandylor who would go on to have a bigger role in the series moving forward.
The mixture of these non characters makes for a boring narrative, that ends up relying on gore for any worth.
The various Jigsaw traps seen in these films become more ambitious, theatrical, and disgusting as the franchise waddles along, and that's not necessarily a good thing. With each film, the more minimalist approach to the first film seems further and further out of reach.
As I mentioned, some of the deaths in Saw III are just plain mean spirited. Gore in horror movies really works when the film still manages to be entertaining, something that the bleak Saw III just isn't.
It's still not a terrible film, but honestly, the series just nosedives from here on out in my opinion, and this third entry is the jumping point.
Elizabeth (1521 KP) rated Entwined with You (Crossfire, #3) in Books
Apr 24, 2019
I'm going to assume that this series is not a trilogy because just about everything was left unresolved. The story felt rushed and all over the place, things added just to fill space or for shock value. Too often I found myself thinking how incredibly unbelievable it was and couldn't understand how they could overreact one minute and then completely underreact the next.
Maybe it was the amount of time that passed between my reading the first two books and this one, or maybe it was all of the other books I'd read during that time that had me more aware of its shortcomings. The number of times the word "deft" appeared made me never want to see or hear the word ever again. I was reminded of its overuse in "Fifty Shades" as well. I'm sure there are other ways that these authors can convey the prowess and skill these men possess.
If I could give half stars, I would have given this 2 1/2, but since I can't, I rounded up to 3.
Maybe it was the amount of time that passed between my reading the first two books and this one, or maybe it was all of the other books I'd read during that time that had me more aware of its shortcomings. The number of times the word "deft" appeared made me never want to see or hear the word ever again. I was reminded of its overuse in "Fifty Shades" as well. I'm sure there are other ways that these authors can convey the prowess and skill these men possess.
If I could give half stars, I would have given this 2 1/2, but since I can't, I rounded up to 3.
Ross (3282 KP) rated Fire in the Blood in Books
Mar 6, 2018
Another cracking page-turner in the Cullen series, this time following the case of a body found in a barrel of whiskey.
For me, the mystery surrounding the case and the identity of the victim and the perpetrator were less hidden than in the previous books: I had an inkling of the plot from fairly early on. That being said, the journey to the conclusion was still an enjoyable one.
Main gripes are:
Too much "thumbing" going on; everyone "thumbed" this and "thumbed" that
The climax of the book was less of a revelation, more of the killer panicking and attacking the police when they really were not all that close to "cracking the case". Cullen is making a career for himself from being attacked by the killer on high profile murder cases who suddenly feel the need to reveal themselves and save another 50 pages of detective work.
Part of this may have been as the story evolved from a short story into a novella and ultimately into a full novel.
Still, an enjoyable, well-written story.
For me, the mystery surrounding the case and the identity of the victim and the perpetrator were less hidden than in the previous books: I had an inkling of the plot from fairly early on. That being said, the journey to the conclusion was still an enjoyable one.
Main gripes are:
Too much "thumbing" going on; everyone "thumbed" this and "thumbed" that
The climax of the book was less of a revelation, more of the killer panicking and attacking the police when they really were not all that close to "cracking the case". Cullen is making a career for himself from being attacked by the killer on high profile murder cases who suddenly feel the need to reveal themselves and save another 50 pages of detective work.
Part of this may have been as the story evolved from a short story into a novella and ultimately into a full novel.
Still, an enjoyable, well-written story.
Mark @ Carstairs Considers (2097 KP) rated Ivy Get Your Gun (Ivy Meadows Mysteries #4) in Books
Mar 9, 2018
Ivy takes on an undercover job at Gold Bug Gulch, where one of the gun fighters has just been shot and killed. As she gets to know the employees at the tourist trap ghost town, she finds plenty of suspects, but was it an accident or murder? Meanwhile, she also trying to land a part in Annie Get Your Gun for a theater company that might really boost her career and keep her relationship with her new boyfriend on track.
Since I’ve loved the first three books in this series, I was expecting to love this one, and I wasn’t disappointed at all. The story moves forward quickly, and the characters are strong. The author finds that perfect balance of comedy without making anything or anyone not feel real. In fact, there’s some real depth to these characters by the end. Throw in the acting, and I completely enjoyed it.
NOTE: I received an ARC of this book.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/05/book-review-ivy-get-your-gun-by-cindy.html">Carstairs Considers</a>.
Since I’ve loved the first three books in this series, I was expecting to love this one, and I wasn’t disappointed at all. The story moves forward quickly, and the characters are strong. The author finds that perfect balance of comedy without making anything or anyone not feel real. In fact, there’s some real depth to these characters by the end. Throw in the acting, and I completely enjoyed it.
NOTE: I received an ARC of this book.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/05/book-review-ivy-get-your-gun-by-cindy.html">Carstairs Considers</a>.
Awix (3310 KP) rated The Evil of Frankenstein (1964) in Movies
Feb 19, 2018 (Updated Feb 19, 2018)
It's (not really) alive!
Hammer's third Frankenstein movie is basically a soft reboot, disregarding the continuity of the first two. Down-on-his-luck Baron F (Cushing) rediscovers frozen body of his original monster (Kingston), doesn't really think through consequences of hiring someone called Zoltan the Evil Hypnotist (Woodthorpe) to help with monster-wrangling duties as he prepares to try and restore his reputation.
Hammer won the rights to reuse much imagery from the 1930s Universal Frankenstein series (that said, the monster looks more like an Easter Island statue than Boris Karloff); in their delight at this coup they seem to have forgotten to come up with a proper story for this film. Cushing is given a run for his money by the underrated character actor Peter Woodthorpe; in the end the parts are competently assembled but the spark of life remains elusive. Title seems a little harsh, as Frankenstein is certainly more sinned against than sinning on this occasion: poor choice of staff hardly constitutes 'evil', if you ask me.
Hammer won the rights to reuse much imagery from the 1930s Universal Frankenstein series (that said, the monster looks more like an Easter Island statue than Boris Karloff); in their delight at this coup they seem to have forgotten to come up with a proper story for this film. Cushing is given a run for his money by the underrated character actor Peter Woodthorpe; in the end the parts are competently assembled but the spark of life remains elusive. Title seems a little harsh, as Frankenstein is certainly more sinned against than sinning on this occasion: poor choice of staff hardly constitutes 'evil', if you ask me.
Awix (3310 KP) rated Godzilla Against Mechagodzilla (2002) in Movies
Feb 11, 2018 (Updated Feb 11, 2018)
Rather atypical Godzilla movie with the focus very much on the human characters and a much stronger sci-fi element than usual. When a new Godzilla appears, a widowed scientist and a young pilot both find themselves working on a project to develop Mechagodzilla, a cyborg weapon built from the remains of the creature from the 1954 movie. Needless to say, Mechagodzilla turns out to be unexpectedly ornery - can our heroes turn things around in time to save Tokyo from Godzilla (again)?
Unusually well-characterised for this genre, with a plot that distinctly anticipates that of Pacific Rim. The downside of this is that Godzilla's off-screen or off in the distance for most of the movie, but you can't have everything. Not exactly profound or loaded with subtext, but it does have rather glorious widescreen scenes of indiscriminate property damage, extremely good monster suits, and bags of energy and fun - you can see why the next film in the series was a direct sequel to this one.
Unusually well-characterised for this genre, with a plot that distinctly anticipates that of Pacific Rim. The downside of this is that Godzilla's off-screen or off in the distance for most of the movie, but you can't have everything. Not exactly profound or loaded with subtext, but it does have rather glorious widescreen scenes of indiscriminate property damage, extremely good monster suits, and bags of energy and fun - you can see why the next film in the series was a direct sequel to this one.
Ross (3282 KP) rated The House with a Clock in Its Walls (2018) in Movies
Sep 17, 2018
The trailer and title do the film no justice - better than expected
On the surface, the storyline to this film is nothing new - child loses parents, child moves in with creepy distant relative in creepier house, weird things happen (Miss Peregrine, Series of Unfortunate Events etc etc)
However, I think this variation on that story is carried out in a much scarier way - should the word "necromancy" ever really be used in a kids film?
The film is definitely a case of style over substance as the plot is quite thin, but the film is enjoyable. There are pretty much no laughs to be had.
I'm not actually sure who the target market for this film is - the film in general is too scary for under 7s, over 10s won't like it because the main character is too young/childish. Seems like a very narrow market being aimed at.
Overall, an enjoyable film but nothing stands out about it and Jack Black's comedy talents are wasted (he actually made it feel like a sequel to Goosebumps).
However, I think this variation on that story is carried out in a much scarier way - should the word "necromancy" ever really be used in a kids film?
The film is definitely a case of style over substance as the plot is quite thin, but the film is enjoyable. There are pretty much no laughs to be had.
I'm not actually sure who the target market for this film is - the film in general is too scary for under 7s, over 10s won't like it because the main character is too young/childish. Seems like a very narrow market being aimed at.
Overall, an enjoyable film but nothing stands out about it and Jack Black's comedy talents are wasted (he actually made it feel like a sequel to Goosebumps).
David McK (3233 KP) rated Marines (Crimson Worlds #1) in Books
Jan 30, 2019
The first in [a:Jay Allan|1024374|Jay Allan|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png]'s 'Crimson Worlds' series, which - unfortunately - I struggled to really connect with.
I can see what the author was aiming for, with hints of a better, more compelling story peeking through every so often but I'm afraid, for me, this particular entry didn't really grip me all that much.
I don't know whether that's a result (probably) of the conscious decision to tell this entirely in the first person, meaning that there is, of necessity, a very tight focus on the central character or Erik Cain. If you do that, however, you have to make that character in and of themselves interesting and somebody you want to follow the trials and tribulation of: for me, Eric Cain just doesn't cut the mustard.
I may read the second entry (told, apparently, in the third person) to see if it gets any better, but - based on this - I'm afraid I'm not really holding out any high hopes.
I can see what the author was aiming for, with hints of a better, more compelling story peeking through every so often but I'm afraid, for me, this particular entry didn't really grip me all that much.
I don't know whether that's a result (probably) of the conscious decision to tell this entirely in the first person, meaning that there is, of necessity, a very tight focus on the central character or Erik Cain. If you do that, however, you have to make that character in and of themselves interesting and somebody you want to follow the trials and tribulation of: for me, Eric Cain just doesn't cut the mustard.
I may read the second entry (told, apparently, in the third person) to see if it gets any better, but - based on this - I'm afraid I'm not really holding out any high hopes.