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Under Her Skin (Shifter Shield #1)
9.0
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She's lucky he's a charmer. He's lucky she doesn't bite. Much... Lindi Parker works hard at being...
The Mermaid Trials
10.0
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Losing is dangerous. Winning means everything. Katriana has been waiting for this moment her...
YA mermaids fantasy
David McK (3687 KP) rated Dead of Night in Books
Apr 24, 2023
Second entry in Simon Scarrow's now so-called 'Berlin wartime thriller series (after Blackout), again following Criminal Inspector Horst Schenke of the Kripo (criminal police) as he first investigates the murder (as the wife of the doctor believes) - or was it suicide? (been already ruled as such) - of a SS doctor, before being told in no uncertain terms to leave it alone.
He is then pulled into an investigation of a separate murder (again, is it such? The parents believe so, but the state does not) of a child which, as events transpire, seems to have more and more to do with the death of the SS doctor.
So I could see from roughly a third of the way into this where it was going. And it is horrifying that these events - well, maybe not *these* exact events, but very very similar ones - took place routinely in 1940 Nazi Germany.
Learn from history.
So it will never be repeated.
He is then pulled into an investigation of a separate murder (again, is it such? The parents believe so, but the state does not) of a child which, as events transpire, seems to have more and more to do with the death of the SS doctor.
So I could see from roughly a third of the way into this where it was going. And it is horrifying that these events - well, maybe not *these* exact events, but very very similar ones - took place routinely in 1940 Nazi Germany.
Learn from history.
So it will never be repeated.
Good Golly Miss Molly
8.0
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Mystic Beach: where the mysteries are magical and the musicians will rock your world. What's a...
Paranormal Romance Rockstar Steamy
Joe Goodhart (27 KP) rated X-23 (2018-) #1 in Books
Nov 30, 2020
As mentioned in my reviews Kyle & Yost's X-FORCE TPBs, I am quite a fan of the character of Laura Kinney. There is nothing of 'shipping or anything of the sort. To me, she is a character with a scarred background, one in which she struggles to move forward from it, leaving her past as a trained killer behind her. I find her to be multi-layered, with a lot of potential for future character development.
When it was announced several months ago that Tom Taylor's ALL-NEW WOLVERINE would be coming to a close, I was saddened. While I didn't always like the light-hearted approach, esp. when it involved Laura's clone "sister" Gabby, I felt that he had done so much to move Laura forward, allowing to become so much more than a) a female version of Wolverine and b) another cold-hearted mutant killer.
Laura's book would be relaunched as 'X-23', with her Wolverine title being traded in for her old Weapon X classification. Canada's Mariko Tamaki (SUPERGIRL: BEING SUPER mini for DC as well as non-superhero prose novels) would be helming it, with ANW's Juann Cabal would be joining her on the art end. I felt good about the art side of it, but I was not all that familiar with Tamaki, as I had never read anything she written previously.
My biggest fear in regard to the new series? How was Laura going to go back to her former title/classification? It made no sense, and considering how they handled her transition into Wolverine (um, yeah, nope. Marvel dropped the editorial ball when ANW was launched!), my worries did not seem entirely unfounded.
Last night, I had those fears shushed away, as I dove into reading the digital version of Tamiki's X-23 (thank you, Comixology, for allowing the first three issues to be included as part of this weekend's BOGO sale). From Cabal's A-MAZ-ING art, to Tamiki's superb handling of Laura (both her inner thoughts and dialogue, as well as her interactions with Gabby), this was such an UNEXPECTED WiN
And a minor spoiler-of-sorts, Issue 3 has Laura saying why she has chosen to go back to being X-23. Not going to say anything more, other than it makes sense. Oh, and that it was this reveal that made me decide to start reading the new series.
As I said, I was not sure about the new series, but after devouring the first issue, i feel safe now having withnessed Tamaki's approach to Laura. There is no scale in mind that can showr Ms. Tamaki with the amount of praise she has earned for this brilliant undertaking! Color me impressed!
RECOMMENDED!!
When it was announced several months ago that Tom Taylor's ALL-NEW WOLVERINE would be coming to a close, I was saddened. While I didn't always like the light-hearted approach, esp. when it involved Laura's clone "sister" Gabby, I felt that he had done so much to move Laura forward, allowing to become so much more than a) a female version of Wolverine and b) another cold-hearted mutant killer.
Laura's book would be relaunched as 'X-23', with her Wolverine title being traded in for her old Weapon X classification. Canada's Mariko Tamaki (SUPERGIRL: BEING SUPER mini for DC as well as non-superhero prose novels) would be helming it, with ANW's Juann Cabal would be joining her on the art end. I felt good about the art side of it, but I was not all that familiar with Tamaki, as I had never read anything she written previously.
My biggest fear in regard to the new series? How was Laura going to go back to her former title/classification? It made no sense, and considering how they handled her transition into Wolverine (um, yeah, nope. Marvel dropped the editorial ball when ANW was launched!), my worries did not seem entirely unfounded.
Last night, I had those fears shushed away, as I dove into reading the digital version of Tamiki's X-23 (thank you, Comixology, for allowing the first three issues to be included as part of this weekend's BOGO sale). From Cabal's A-MAZ-ING art, to Tamiki's superb handling of Laura (both her inner thoughts and dialogue, as well as her interactions with Gabby), this was such an UNEXPECTED WiN
And a minor spoiler-of-sorts, Issue 3 has Laura saying why she has chosen to go back to being X-23. Not going to say anything more, other than it makes sense. Oh, and that it was this reveal that made me decide to start reading the new series.
As I said, I was not sure about the new series, but after devouring the first issue, i feel safe now having withnessed Tamaki's approach to Laura. There is no scale in mind that can showr Ms. Tamaki with the amount of praise she has earned for this brilliant undertaking! Color me impressed!
RECOMMENDED!!
Hazel (2934 KP) rated The Coffinmaker's Garden (Ash Henderson #3) in Books
Jan 17, 2021
I realise that starting to read a series on book 3 is probably not the best idea but having previously read and enjoyed some of Stuart MacBride's Logan McRae series, I thought what the heck and I certainly wasn't disappointed in the slightest and would definitely say this works as a standalone.
What we have here are 2 investigations that are equally disturbing and upsetting - a serial killer who has gone undetected for decades and a child killer who is refining his modus operandi with each innocent life he takes. Ash, in his role as consultant, is involved in both.
The characters are great - Ash, Alice, Mother, Shifty, DS Franklin and even Henry - all of them in fact, some may be a tad OTT or stereotypical but all had their place and their own little quirks which made them believable. The various settings were really well written with the scenes being so well written that they invoked sounds and smells that put me right there.
The book is written mainly from Ash's point of view. He can be a cynical and grumpy so-and-so and definitely doesn't do things by the books and does have questionable decision-making skills at times, but he definitely grew on me; I think it was his dark sense of humour that did it but also his aversion to authority who have been so far removed from the job that they haven't got a clue helped a bit ... oh and the fact that he certainly gets put through the wringer by Mr MacBride during his investigation and from what has obviously gone on in the previous books in the series, which might have had something to do with it too!
With the story lines being as dark as they are, you might think this is a dark and depressing read but fear not, this is not the case at all. Yes, as you can imagine, it's not a laugh a minute and there is quite a lot of violence throughout but there are plenty of lighter moments that will have you laughing out loud. You do have to suspend reality for some parts of the book as there are bits that are a little unbelievable but if you can't do this in a work of fiction, when can you? and it certainly didn't spoil my reading experience.
All in all, a really great book and one I would highly recommend to those of you who love their crime thrillers dark both in the plot and the humour.
Thanks to HarperCollins / HarperFiction and NetGalley for my copy in exchange for an honest, unbiased and unedited review.
What we have here are 2 investigations that are equally disturbing and upsetting - a serial killer who has gone undetected for decades and a child killer who is refining his modus operandi with each innocent life he takes. Ash, in his role as consultant, is involved in both.
The characters are great - Ash, Alice, Mother, Shifty, DS Franklin and even Henry - all of them in fact, some may be a tad OTT or stereotypical but all had their place and their own little quirks which made them believable. The various settings were really well written with the scenes being so well written that they invoked sounds and smells that put me right there.
The book is written mainly from Ash's point of view. He can be a cynical and grumpy so-and-so and definitely doesn't do things by the books and does have questionable decision-making skills at times, but he definitely grew on me; I think it was his dark sense of humour that did it but also his aversion to authority who have been so far removed from the job that they haven't got a clue helped a bit ... oh and the fact that he certainly gets put through the wringer by Mr MacBride during his investigation and from what has obviously gone on in the previous books in the series, which might have had something to do with it too!
With the story lines being as dark as they are, you might think this is a dark and depressing read but fear not, this is not the case at all. Yes, as you can imagine, it's not a laugh a minute and there is quite a lot of violence throughout but there are plenty of lighter moments that will have you laughing out loud. You do have to suspend reality for some parts of the book as there are bits that are a little unbelievable but if you can't do this in a work of fiction, when can you? and it certainly didn't spoil my reading experience.
All in all, a really great book and one I would highly recommend to those of you who love their crime thrillers dark both in the plot and the humour.
Thanks to HarperCollins / HarperFiction and NetGalley for my copy in exchange for an honest, unbiased and unedited review.
EmersonRose (320 KP) rated The City of Shifting Waters (Valérian and Laureline, #1) in Books
Nov 20, 2019
On July 21, 2017, Valerian and the City of a Thousand Planets came out in theaters the U.S. After watching the movie I found myself intrigued by the characters, world, and the passion shown by the director and writer Luc Besson showed for the project. I took this interest and decided to start reading the comic books. Thus far I have been able to read three of the volumes, as they are French comics they are not usually kept in stores and I have to order them.
The Valerian and Laureline comics follow Valerian, a handsome and cocky time and space traveler, and Laureline, his stubborn and beautiful partner. They travel together across space and time on missions for Galaxity, the capital of the Terran Empire in the 28th century. They explore strange worlds with fascinating creatures, deal with complicated political situations, and take the reader through rewritten history.
I immediately fell in love with the comics for the same reasons I enjoyed the film. The first is that the world that author Pierre Christin and artist Jean-Claude Mezieres created is truly fantastical. It falls under the same sci-fi mixed with fantasy genre that Star Wars is under. The great space galaxy is full of planets that are home to a wide range of alien species, each with complicated politics, cultures, and aesthetics.
The second reason is that I love the relationship between Valerian and Laureline. I am a very character driven person in both my reading and writing so I am a sucker for a good relationship, romantic, familial, or friendship. Valerian and Laureline start the first comic playing chess. Valerian is cocky and does not like to lose, but he is kind and smart and works hard to make the world a better place. Laureline is funny, stubborn, and unlike Valerian, she does not feel the same sense of loyalty to the Terran Empire and therefore is okay with bending the rules to save the most people. They make for a great team, and their fun banter adds to the overall charm of the story.
7810429The first issue of the series was released in 1967 and ran till 2010. Initially, all were written in French but has since been translated into English and several other languages. This series plays with a lot of the sci-fi/fantasy tropes that make you fall in love with stories in the genre, and has even been compared to Star Wars as the basis for several of the ideas used in the Star Wars films, such as the look of some of the characters and situations characters find themselves in.
This is a fun and exciting comic series that got me into reading101694 comics in the first places. I will certainly be continuing my reading of these books so that I can continue being apart of the Valerian and Laureline story. I also enjoyed the film and hope that the passion the Luc Besson showed will be enough to allow him to make another film in the series.
I would highly recommend this series!
The Valerian and Laureline comics follow Valerian, a handsome and cocky time and space traveler, and Laureline, his stubborn and beautiful partner. They travel together across space and time on missions for Galaxity, the capital of the Terran Empire in the 28th century. They explore strange worlds with fascinating creatures, deal with complicated political situations, and take the reader through rewritten history.
I immediately fell in love with the comics for the same reasons I enjoyed the film. The first is that the world that author Pierre Christin and artist Jean-Claude Mezieres created is truly fantastical. It falls under the same sci-fi mixed with fantasy genre that Star Wars is under. The great space galaxy is full of planets that are home to a wide range of alien species, each with complicated politics, cultures, and aesthetics.
The second reason is that I love the relationship between Valerian and Laureline. I am a very character driven person in both my reading and writing so I am a sucker for a good relationship, romantic, familial, or friendship. Valerian and Laureline start the first comic playing chess. Valerian is cocky and does not like to lose, but he is kind and smart and works hard to make the world a better place. Laureline is funny, stubborn, and unlike Valerian, she does not feel the same sense of loyalty to the Terran Empire and therefore is okay with bending the rules to save the most people. They make for a great team, and their fun banter adds to the overall charm of the story.
7810429The first issue of the series was released in 1967 and ran till 2010. Initially, all were written in French but has since been translated into English and several other languages. This series plays with a lot of the sci-fi/fantasy tropes that make you fall in love with stories in the genre, and has even been compared to Star Wars as the basis for several of the ideas used in the Star Wars films, such as the look of some of the characters and situations characters find themselves in.
This is a fun and exciting comic series that got me into reading101694 comics in the first places. I will certainly be continuing my reading of these books so that I can continue being apart of the Valerian and Laureline story. I also enjoyed the film and hope that the passion the Luc Besson showed will be enough to allow him to make another film in the series.
I would highly recommend this series!
Andy K (10823 KP) rated Back to the Future Part II (1989) in Movies
Apr 14, 2019
Continues the story very well
Not many sequels not only continue right where the first film ended, but at such a fever pitch. Seems like from the moment this film starts with Doc, Marty and Jennifer going to see "their kids" in 2015, the story never really stops.
It's funny now to look at the film since we are already well past the "future" time of what filmmakers got correct (Cubs winning the World Series against "Miami" and video chatting) and what they had incorrect (flying cars, fax machines, Hover Boards). They still has mailboxes on the city streets!
Since parts 2 and 3 were filmed back to back (one of the first times this was done) the screenplay does a ton of foreshadowing of what is to come which is really cool. When Doc talks about trying to conquer "women" or how he would like to visit the Old West.
As with most time travel films, if you start to think about some of the nuances or small details too much some of them don't really jive, but this is a small detail.
I love how the last third of the film really weaves in between the events of the original Back to the Future film trying hard not to change any of those events to keep the narrative and "timeline" going as best as possible.
I remember sitting there when it ended really mad I had to wait until May of 1990 (6 whole months later) to find out what happened to Marty and Doc. Not quite as bad as having to wait 3 years to find out what happened to Han Solo after he was frozen in Carbonite, but that's another story.
It's funny now to look at the film since we are already well past the "future" time of what filmmakers got correct (Cubs winning the World Series against "Miami" and video chatting) and what they had incorrect (flying cars, fax machines, Hover Boards). They still has mailboxes on the city streets!
Since parts 2 and 3 were filmed back to back (one of the first times this was done) the screenplay does a ton of foreshadowing of what is to come which is really cool. When Doc talks about trying to conquer "women" or how he would like to visit the Old West.
As with most time travel films, if you start to think about some of the nuances or small details too much some of them don't really jive, but this is a small detail.
I love how the last third of the film really weaves in between the events of the original Back to the Future film trying hard not to change any of those events to keep the narrative and "timeline" going as best as possible.
I remember sitting there when it ended really mad I had to wait until May of 1990 (6 whole months later) to find out what happened to Marty and Doc. Not quite as bad as having to wait 3 years to find out what happened to Han Solo after he was frozen in Carbonite, but that's another story.
David McK (3687 KP) rated Thrawn Ascendancy Book I: Chaos Rising in Books
Jun 21, 2022
Grand Admiral Thrawn
Mitth'raw'nuruodo.
The blue-skinned, red-eyed Imperial antagonist of Timothy Zahn's 'Heir to the Empire' series of Star Wars novels from the early 90's, and one of - if not [i]the[/i] breakout characters from that book.
Yet to make his appearance in live action (as an aside, I imagine maybe someone like Benedict Cumberbatch in the role), although he is one of the few characters to survive the 'great purge' when Disney bought out Lucasfilm and re-branded the old Expanded Universe as 'Legends', appearing in the later seasons of the animation 'Star Wars: Rebels'.
This is the first in a new trio of novels, with the opening text reading something along the lines of: 'A long time ago beside a galaxy far far away ...' which, in itself, helps set the scene. Beside a galaxy. So we're not in the realms of the Empire/The Rebellion here, or even in the realm of the Clone Wars, although we are - as the novel later makes clear when Thrawn encounters a key character from that period of time - in that particular era.
So, a prequel then? Maybe, but - I have to say- to me, this particular version of Thrawn just somehow *feels* different than that from the old EU. There's a certain Je Ne Sais Qua about that - I can't quite put my finger on it, but it's like meeting the identical twin brother of your best friend: they may look alike, sound alike and even dress alike but there's a certain indefinable *something* that's not quite right ...
Is it this version of Thrawn's political naivety? His seemingly not-quite-so-ruthless tactical genius? I don't know, but I will probably read more to see if/how the character evolves into that I am more familiar with.
Mitth'raw'nuruodo.
The blue-skinned, red-eyed Imperial antagonist of Timothy Zahn's 'Heir to the Empire' series of Star Wars novels from the early 90's, and one of - if not [i]the[/i] breakout characters from that book.
Yet to make his appearance in live action (as an aside, I imagine maybe someone like Benedict Cumberbatch in the role), although he is one of the few characters to survive the 'great purge' when Disney bought out Lucasfilm and re-branded the old Expanded Universe as 'Legends', appearing in the later seasons of the animation 'Star Wars: Rebels'.
This is the first in a new trio of novels, with the opening text reading something along the lines of: 'A long time ago beside a galaxy far far away ...' which, in itself, helps set the scene. Beside a galaxy. So we're not in the realms of the Empire/The Rebellion here, or even in the realm of the Clone Wars, although we are - as the novel later makes clear when Thrawn encounters a key character from that period of time - in that particular era.
So, a prequel then? Maybe, but - I have to say- to me, this particular version of Thrawn just somehow *feels* different than that from the old EU. There's a certain Je Ne Sais Qua about that - I can't quite put my finger on it, but it's like meeting the identical twin brother of your best friend: they may look alike, sound alike and even dress alike but there's a certain indefinable *something* that's not quite right ...
Is it this version of Thrawn's political naivety? His seemingly not-quite-so-ruthless tactical genius? I don't know, but I will probably read more to see if/how the character evolves into that I am more familiar with.
groundedGeek (4 KP) rated This American Life in Podcasts
Jan 10, 2018
Almost always great
The topics on this show are sometimes hit-or-miss, but often you will come across an absolute gem of a theme and the stories shared are fascinating. I rated it higher because more often than not I find the topics really interesting. On occasion there will be a dud where the host isn't as engaging or the stories just aren't my taste, but the great thing about the show is that even those episodes hit home for someone most likely. There really is something for everyone in this series... if the current episode doesn't float your boat, it's likely a previous one will be fascinating or maybe the next topic will be right up your alley.
The episodes are "investigative" in nature where the host has interviewed people and tells the true story as they go, but like many "documentary" style features in this day and age... they can sometimes be driven to tell the story they want you to hear, guiding you to the conclusion that fits their narrative rather than simply providing the facts and letting the listener draw their own conclusions. To be fair, this makes it more entertaining... because simple fact-finding would likely be boring in podcast form. It's not necessarily a criticism... Michael Moore is an example of the worst purveyor of this kind of "documentary" style... generate a conclusion, craft the clips, audio and narrative to support that conclusion... voila... Michael Moore movie. While I don't prefer that style of "documentary" because it is obviously biased, there is no doubt that Michael Moore knows how to sell his story and makes entertaining films. TAL is not quite the same, it's probably unfair to put them in that category, but there is with some of the hosts, a definite feel that they have the conclusion they want you to draw firm in their mind when they provide the accompanying stories...
Other times there isn't any agenda, they simply want to provide you with fascinating stories about fascinating people in this fascinating country... and when they do that, they do it spectacularly. I feel like my criticism above could possibly be misconstrued as a knock on the show, but discerning listeners likely recognize when this is sometimes happening and it doesn't take away from the enjoyment of the journey the show takes you on. It's not a knock, it's a fun show.
The episodes are "investigative" in nature where the host has interviewed people and tells the true story as they go, but like many "documentary" style features in this day and age... they can sometimes be driven to tell the story they want you to hear, guiding you to the conclusion that fits their narrative rather than simply providing the facts and letting the listener draw their own conclusions. To be fair, this makes it more entertaining... because simple fact-finding would likely be boring in podcast form. It's not necessarily a criticism... Michael Moore is an example of the worst purveyor of this kind of "documentary" style... generate a conclusion, craft the clips, audio and narrative to support that conclusion... voila... Michael Moore movie. While I don't prefer that style of "documentary" because it is obviously biased, there is no doubt that Michael Moore knows how to sell his story and makes entertaining films. TAL is not quite the same, it's probably unfair to put them in that category, but there is with some of the hosts, a definite feel that they have the conclusion they want you to draw firm in their mind when they provide the accompanying stories...
Other times there isn't any agenda, they simply want to provide you with fascinating stories about fascinating people in this fascinating country... and when they do that, they do it spectacularly. I feel like my criticism above could possibly be misconstrued as a knock on the show, but discerning listeners likely recognize when this is sometimes happening and it doesn't take away from the enjoyment of the journey the show takes you on. It's not a knock, it's a fun show.