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Ronyell (38 KP) rated The Nightmare Before Christmas (1993) in Movies
Jul 24, 2020
Bone Daddy Nearly Ruins Christmas!
Every Halloween, Jack the Pumpkin King, would go out and scare many people with his frightening theatrics. Unfortunately, Jack has grown tired of doing the same routine every year and wanted to do something different. It was then that Jack accidentally ended up in Christmas Town and he was so awed and amazed at the Christmas visuals and the figure of Santa Claus (who he mistakenly calls "Sandy Claws"), that he decided that he should take over Christmas for the year! This then leads to Santa Claus being kidnapped by Oogie Boogie and Christmas nearly put into disaster!
Can Jack fix all of this before it's too late?
Seriously, this is probably my most favorite film made by Tim Burton (well technically, it was produced by Tim Burton and the poem was written by him, but Henry Selick directed the film). I just loved the cute yet nightmarish visuals in this movie as they gave the movie a creative vibe and I really loved seeing the different kinds of characters that pop up in Halloween Town, with my favorite creatures being the Clown with the Tearaway Face and the Vampires! I also loved the characters themselves as they were all interesting and amusing to look at. Probably my most favorite character in this entire movie was none other than Jack Skellington himself as he was a truly charming and charismatic character! I just loved the way that Jack went about trying something different for a change and it was cute seeing him lit up with enthusiasm as he tried to become the new Santa Claus. I also loved the character of Sally the Rag Doll as she truly cares about Jack and would do anything to prevent Jack from ruining Christmas! The visuals were amazing as all the characters look truly nightmarish (especially the werewolf and the witches) and yet, their personalities are so likable that you cannot help but actually care for these characters. Probably the best part of this movie were the songs themselves as they truly capture the true essence of this film, with my favorite songs being "What's This?" "This is Halloween" and "Sally's Song."
The only problem with this film is that the reason why this movie was rated PG was because of the scary imagery. So, there may be some images, like the various monsters that show up in this film, that might scare smaller children for the most part. Also, there is not enough back stories with any of these characters to really get to know their true motives and their existence, so some people might be a bit confused about where some of the motives of the characters came from, like in the case of Oogie Boogie where we don't know much about his character other than he despises Jack Skellington.
Overall, "The Nightmare Before Christmas" is a fantastic animated film that you can see either during Christmas or Halloween ( a two in one deal, how cool is that)? and it will forever be remembered as a classic film that Tim Burton and stop motion fans will love for many years!
Originally posted on: http://surrealmoviesandtvblog.blogspot.com/2014/07/movie-review-nightmare-before-christmas.html
Can Jack fix all of this before it's too late?
Seriously, this is probably my most favorite film made by Tim Burton (well technically, it was produced by Tim Burton and the poem was written by him, but Henry Selick directed the film). I just loved the cute yet nightmarish visuals in this movie as they gave the movie a creative vibe and I really loved seeing the different kinds of characters that pop up in Halloween Town, with my favorite creatures being the Clown with the Tearaway Face and the Vampires! I also loved the characters themselves as they were all interesting and amusing to look at. Probably my most favorite character in this entire movie was none other than Jack Skellington himself as he was a truly charming and charismatic character! I just loved the way that Jack went about trying something different for a change and it was cute seeing him lit up with enthusiasm as he tried to become the new Santa Claus. I also loved the character of Sally the Rag Doll as she truly cares about Jack and would do anything to prevent Jack from ruining Christmas! The visuals were amazing as all the characters look truly nightmarish (especially the werewolf and the witches) and yet, their personalities are so likable that you cannot help but actually care for these characters. Probably the best part of this movie were the songs themselves as they truly capture the true essence of this film, with my favorite songs being "What's This?" "This is Halloween" and "Sally's Song."
The only problem with this film is that the reason why this movie was rated PG was because of the scary imagery. So, there may be some images, like the various monsters that show up in this film, that might scare smaller children for the most part. Also, there is not enough back stories with any of these characters to really get to know their true motives and their existence, so some people might be a bit confused about where some of the motives of the characters came from, like in the case of Oogie Boogie where we don't know much about his character other than he despises Jack Skellington.
Overall, "The Nightmare Before Christmas" is a fantastic animated film that you can see either during Christmas or Halloween ( a two in one deal, how cool is that)? and it will forever be remembered as a classic film that Tim Burton and stop motion fans will love for many years!
Originally posted on: http://surrealmoviesandtvblog.blogspot.com/2014/07/movie-review-nightmare-before-christmas.html
Darren (1599 KP) rated Voice from the Stone (2017) in Movies
Sep 26, 2019
Characters – Verena is a nurse, she is an expert in helping children with problems, her latest job takes her to Tuscany to help a young boy who hasn’t spoken since the passing of his mother. She doesn’t believe in any of the afterlife but must now learn to accept it in this latest case. Klaus is the father of the boy, he an artist and grieving in his own way, hoping to get his son to talk once more. Malvina is the mother that has passed away, she hasn’t remained away though communicating with Jakob through the wall, holding him back, she must get pushed into the afterlife for the family to move on.
Performances – Emilia Clarke is the biggest selling point of this movie, having one of the most beautiful women in the world, one of the most famous television characters, here she does get to show her serious side, but never reaches the levels we know she could. Marton Csokas is one of the good performers in the European mysterious men roles, here he is no different showing us why he is always picked.
Story – The story here does get caught up in two minds, the first is just a young nurse trying to help a sick child get over the grieving process, this should be a good enough story, but we get thrown into a mystery about why his deceased mother is talking to him through a stone, while this does have a kicker of a twist and never reaches the true levels of mystery to make us satisfied with how it ended or how we got there either.
Mystery – The mystery does fall flat by the end of the film, because we get part of an answer but not the complete answer.
Settings – The film does have beautiful settings outside of the house, we get to see moments of stunning scenery from the Tuscany location.
Scene of the Movie – Pose for me?
That Moment That Annoyed Me – The ending doesn’t seem to make sense.
Final Thoughts – This is a slow moving mystery thriller that does make you want to see where things go, but in the end things don’t click to make sense to where it should all be.
Overall: Mystery that lacks the punch.
Performances – Emilia Clarke is the biggest selling point of this movie, having one of the most beautiful women in the world, one of the most famous television characters, here she does get to show her serious side, but never reaches the levels we know she could. Marton Csokas is one of the good performers in the European mysterious men roles, here he is no different showing us why he is always picked.
Story – The story here does get caught up in two minds, the first is just a young nurse trying to help a sick child get over the grieving process, this should be a good enough story, but we get thrown into a mystery about why his deceased mother is talking to him through a stone, while this does have a kicker of a twist and never reaches the true levels of mystery to make us satisfied with how it ended or how we got there either.
Mystery – The mystery does fall flat by the end of the film, because we get part of an answer but not the complete answer.
Settings – The film does have beautiful settings outside of the house, we get to see moments of stunning scenery from the Tuscany location.
Scene of the Movie – Pose for me?
That Moment That Annoyed Me – The ending doesn’t seem to make sense.
Final Thoughts – This is a slow moving mystery thriller that does make you want to see where things go, but in the end things don’t click to make sense to where it should all be.
Overall: Mystery that lacks the punch.
Lee (2222 KP) rated Weathering with You (2019) in Movies
Jan 31, 2020
Weathering With You is another beautifully creative romantic fantasy from director Makoto Shinkai, who was responsible for 2016 hit, Your Name. I only recently watched Your Name, and to say that it blew me away would be an understatement - it's a movie I still think about to this day. So, I headed into Weathering With You, perhaps a little unfairly, with some pretty high expectations. Consequently, I came away a little disappointed. But that's not to say that this isn't a great movie.
As with Your Name, one of the core themes behind Weathering With You is the pursuit of true love and it begins by introducing our teen protagonists before they've had a chance to meet. In rain-soaked Tokyo, Hina is attracted to a beam of sunlight that is cutting through the clouds across town, and she rushes off to try and get a closer look. Running up flights of stairs to a building rooftop, she comes across a simple shrine at the spot where the sunlight hits the Earth. Praying hard, she steps slowly through the shrine gate and the rain stops. We then see Hina falling through the sky, observing beautiful, magical weather all around her.
Hodaka is a 16 year old runaway, traveling by ferry boat to Tokyo. While standing out on deck during a powerful storm, flooding almost sends him overboard, but he is rescued by Mr Suga, a magazine publisher who ends up giving him his business card. After arriving in Tokyo and struggling to find work, Hodaka eventually calls upon Mr Suga, who gives him a job. The heavy rain that almost cost Hodaka his life has been persisting for some time now, despite being the middle of summer, and long range forecasts are predicting no real change for the foreseeable future. Storms are also leaving behind fish-like objects and a strange jelly substance, which is leaving experts baffled.
Hodaka first encounters Hina in the McDonalds where she is working, then later on Hodaka rescues Hina from what he believes to be a dangerous situation and the pair find themselves becoming friends. Through his reporting work at the magazine run by Mr Suga, Hodaka had been investigating the mythical "Weather Maidens", and he discovers that Hina is one of them, with the ability to bring about sunshine through prayer. With Hina and Hodaka both in desperate need of money, they go into business together, taking requests online from people wanting rain-free occasions, such as family picnics or weddings and earning Hina the name "Sunshine Girl". The power of a weather maiden comes at a cost though, as they eventually become a human sacrifice to the skies, with each use of their power bringing that moment one step closer.
The larger premise of Weathering With You is obviously climate change - how messing with nature always comes at a cost and how children have real power to influence change. Visually, the movie is simply stunning, and animated rainfall has never looked so beautiful. It's also peppered with a rather distracting and cheesy J-Pop score, made all the worse if you try and follow the on-screen lyrics, which obviously do not have the same impact when translated literally. Sadly, there are far too many plot threads presented throughout without any clarity or resolution and overall the whole thing just felt too long. Admittedly, it was a pretty high bar set by Your Name, but unfortunately Weathering With You doesn't have the emotional weight to meet that, with a narrative that isn't as complex or as engaging.
As with Your Name, one of the core themes behind Weathering With You is the pursuit of true love and it begins by introducing our teen protagonists before they've had a chance to meet. In rain-soaked Tokyo, Hina is attracted to a beam of sunlight that is cutting through the clouds across town, and she rushes off to try and get a closer look. Running up flights of stairs to a building rooftop, she comes across a simple shrine at the spot where the sunlight hits the Earth. Praying hard, she steps slowly through the shrine gate and the rain stops. We then see Hina falling through the sky, observing beautiful, magical weather all around her.
Hodaka is a 16 year old runaway, traveling by ferry boat to Tokyo. While standing out on deck during a powerful storm, flooding almost sends him overboard, but he is rescued by Mr Suga, a magazine publisher who ends up giving him his business card. After arriving in Tokyo and struggling to find work, Hodaka eventually calls upon Mr Suga, who gives him a job. The heavy rain that almost cost Hodaka his life has been persisting for some time now, despite being the middle of summer, and long range forecasts are predicting no real change for the foreseeable future. Storms are also leaving behind fish-like objects and a strange jelly substance, which is leaving experts baffled.
Hodaka first encounters Hina in the McDonalds where she is working, then later on Hodaka rescues Hina from what he believes to be a dangerous situation and the pair find themselves becoming friends. Through his reporting work at the magazine run by Mr Suga, Hodaka had been investigating the mythical "Weather Maidens", and he discovers that Hina is one of them, with the ability to bring about sunshine through prayer. With Hina and Hodaka both in desperate need of money, they go into business together, taking requests online from people wanting rain-free occasions, such as family picnics or weddings and earning Hina the name "Sunshine Girl". The power of a weather maiden comes at a cost though, as they eventually become a human sacrifice to the skies, with each use of their power bringing that moment one step closer.
The larger premise of Weathering With You is obviously climate change - how messing with nature always comes at a cost and how children have real power to influence change. Visually, the movie is simply stunning, and animated rainfall has never looked so beautiful. It's also peppered with a rather distracting and cheesy J-Pop score, made all the worse if you try and follow the on-screen lyrics, which obviously do not have the same impact when translated literally. Sadly, there are far too many plot threads presented throughout without any clarity or resolution and overall the whole thing just felt too long. Admittedly, it was a pretty high bar set by Your Name, but unfortunately Weathering With You doesn't have the emotional weight to meet that, with a narrative that isn't as complex or as engaging.
Lottie disney bookworm (1056 KP) rated A Whole New World in Books
Aug 16, 2019
Review by Disney Bookworm
“What if Aladdin had never found the lamp?”
OK so I am going to start off this review with a really pedantic comment and I know I am being petty and that this will almost definitely end in a rant but… he does find the lamp! Of course he does! Aladdin is the diamond in the rough! He is literally the only one who can find the lamp. If he didn’t find the lamp nothing would happen: Jasmine would probably grow old with her tiger; Jafar would carry on hypnotising the Sultan; Aladdin would probably wind up arrested and this would be the shortest twisted tale in history.
*Ahem*
So, Aladdin finds the lamp. Let’s move past it, because if you have read my other reviews, you will know I love Liz Braswell: her twisted tales always wind up being my favourites as she always brings something completely unexpected to the novels. In the circumstances, I can forgive the tagline.
This review of “A Whole New World” comes at a time where Aladdin is everywhere: the live action movie was released in the UK just over a month ago and, I for one, loved it! With this in mind, I just had to re-read this twisted tale and shout about the wholly different Agrabah that it presents to the reader.
Braswell’s Agrabah is a raw, dirty, troubled cousin of the Agrabah we all know and love. I struggle to comprehend exactly how the movies did it, because both showed starving children, but we found ourselves simultaneously accepting and glossing over the poverty of the street rats. We have no such option in “A Whole New World”.
From starving infants; old men shovelling camel dung for coins; to Aladdin’s own mother dying of a wasting disease: this novel takes no prisoners in the Quarter of the Street Rats. However, those in the Palace remain blind to the struggles of the poor, with the Sultan playing with his golden toys whilst some of his citizens have no food or clean water.
The plight of the Agrabah people creates an undercurrent of resentment that runs all the way through Aladdin and Jasmine’s story. It is also a clear indicator of the identity of this novel: Braswell has taken all the romanticism of the familiar story and buried it in her own cave of wonders, leaving behind a highly political but incredibly powerful story.
The twisted tale starts off on a similar vein to both movies, boy meets girl, boy rescues girl from hand severing businessman, boy winds up arrested and transported to a creepy cave where he finds an old lamp, boy’s monkey can’t keep his hands to himself and boy is left clinging on for his life at the entrance to said creepy cave. However, in this version, when Jafar steps on Aladdin’s fingers to prevent his escape, Abu doesn’t grab the lamp! How will Aladdin escape now?
As is to be expected from Braswell’s novels, the characters are phenomenal. Aladdin is the proud, eternal optimist that we recognise but with a strong ethical viewpoint that is introduced by the inclusion of his mother as a character.
Creating a new character, particularly Aladdin’s mother, could simply be a tactic to give some history to the charming thief. However, Braswell uses the matriarch to add depth to Aladdin: she tells him “don’t let how poor you are, decide who you are…you can choose to be something more”.
This is ultimately the lesson the genie would teach Aladdin if they were to meet and so I think it is very clever of Braswell to keep this element of Aladdin’s character. It allows us to witness Aladdin’s pride and strength through these instilled virtues: he has even lost friends over his views of when he considers it acceptable to be a thief.
Although I wouldn’t consider the genie a main character in this tale (he doesn’t get as much airtime as in the films): he remains a funny and flippant sidekick for the most part. However, in keeping with the tone of “A Whole New World”, he does use this humour to provoke our thoughts. The genie and Braswell divulge that there was once a whole race of djinn who have since died out. The genie has lost his home, his wife and his freedom and so, he rightly asks, who would stay sane under those conditions?
Jafar; Mr dark and twisty himself, is a whole other level of evil in this twisted tale. He does present some of the characteristics of the movie villain: power mad, desperate for everyone to love him and all that jazz; however, he also tortures the genie and plans to break the laws of magic in order to create an army of the dead. It’s all very game of thrones all of a sudden!
I know what you’re thinking: what about Jasmine? Surely, she isn’t all dark and twisty as well? The girl looks good in turquoise baggy trousers for goodness sakes!
Jasmine begins her journey as the typical naïve, sheltered princess she is always portrayed as: possessing no knowledge of the price of food or the struggles of her own people. However, Braswell manages to make even the live-action Jasmine appear over-dramatic and petty: she isn’t resisting marriage just because she doesn’t fancy random foreign prince number 3; she is resisting becoming a “baby making machine” and signing herself up to an early grave.
“A princess among men”, Jasmine and the reader soon realise that she has to step forward and become the hero of this tale. This is no small ask for someone who has never led an army or witnessed death before. Nonetheless, Jasmine is clearly up to the task: this is no weak princess trapped in an hourglass of sand, waiting to be rescued by a man. This is a Sultana!
The story of Aladdin typically conjures up images of love, magic carpets and romantic duets. Liz Braswell’s story of Agrabah does orbit around love, how could it not? However, “A Whole New World” explores the shades of grey in life: Street rats are not always bad, Princesses are not always good and magic is not always the solution. This is not a tale of love; it is a tale of finding strength in unlikely places; it is a tale that teaches us you don’t need magic to have a happy ending.
OK so I am going to start off this review with a really pedantic comment and I know I am being petty and that this will almost definitely end in a rant but… he does find the lamp! Of course he does! Aladdin is the diamond in the rough! He is literally the only one who can find the lamp. If he didn’t find the lamp nothing would happen: Jasmine would probably grow old with her tiger; Jafar would carry on hypnotising the Sultan; Aladdin would probably wind up arrested and this would be the shortest twisted tale in history.
*Ahem*
So, Aladdin finds the lamp. Let’s move past it, because if you have read my other reviews, you will know I love Liz Braswell: her twisted tales always wind up being my favourites as she always brings something completely unexpected to the novels. In the circumstances, I can forgive the tagline.
This review of “A Whole New World” comes at a time where Aladdin is everywhere: the live action movie was released in the UK just over a month ago and, I for one, loved it! With this in mind, I just had to re-read this twisted tale and shout about the wholly different Agrabah that it presents to the reader.
Braswell’s Agrabah is a raw, dirty, troubled cousin of the Agrabah we all know and love. I struggle to comprehend exactly how the movies did it, because both showed starving children, but we found ourselves simultaneously accepting and glossing over the poverty of the street rats. We have no such option in “A Whole New World”.
From starving infants; old men shovelling camel dung for coins; to Aladdin’s own mother dying of a wasting disease: this novel takes no prisoners in the Quarter of the Street Rats. However, those in the Palace remain blind to the struggles of the poor, with the Sultan playing with his golden toys whilst some of his citizens have no food or clean water.
The plight of the Agrabah people creates an undercurrent of resentment that runs all the way through Aladdin and Jasmine’s story. It is also a clear indicator of the identity of this novel: Braswell has taken all the romanticism of the familiar story and buried it in her own cave of wonders, leaving behind a highly political but incredibly powerful story.
The twisted tale starts off on a similar vein to both movies, boy meets girl, boy rescues girl from hand severing businessman, boy winds up arrested and transported to a creepy cave where he finds an old lamp, boy’s monkey can’t keep his hands to himself and boy is left clinging on for his life at the entrance to said creepy cave. However, in this version, when Jafar steps on Aladdin’s fingers to prevent his escape, Abu doesn’t grab the lamp! How will Aladdin escape now?
As is to be expected from Braswell’s novels, the characters are phenomenal. Aladdin is the proud, eternal optimist that we recognise but with a strong ethical viewpoint that is introduced by the inclusion of his mother as a character.
Creating a new character, particularly Aladdin’s mother, could simply be a tactic to give some history to the charming thief. However, Braswell uses the matriarch to add depth to Aladdin: she tells him “don’t let how poor you are, decide who you are…you can choose to be something more”.
This is ultimately the lesson the genie would teach Aladdin if they were to meet and so I think it is very clever of Braswell to keep this element of Aladdin’s character. It allows us to witness Aladdin’s pride and strength through these instilled virtues: he has even lost friends over his views of when he considers it acceptable to be a thief.
Although I wouldn’t consider the genie a main character in this tale (he doesn’t get as much airtime as in the films): he remains a funny and flippant sidekick for the most part. However, in keeping with the tone of “A Whole New World”, he does use this humour to provoke our thoughts. The genie and Braswell divulge that there was once a whole race of djinn who have since died out. The genie has lost his home, his wife and his freedom and so, he rightly asks, who would stay sane under those conditions?
Jafar; Mr dark and twisty himself, is a whole other level of evil in this twisted tale. He does present some of the characteristics of the movie villain: power mad, desperate for everyone to love him and all that jazz; however, he also tortures the genie and plans to break the laws of magic in order to create an army of the dead. It’s all very game of thrones all of a sudden!
I know what you’re thinking: what about Jasmine? Surely, she isn’t all dark and twisty as well? The girl looks good in turquoise baggy trousers for goodness sakes!
Jasmine begins her journey as the typical naïve, sheltered princess she is always portrayed as: possessing no knowledge of the price of food or the struggles of her own people. However, Braswell manages to make even the live-action Jasmine appear over-dramatic and petty: she isn’t resisting marriage just because she doesn’t fancy random foreign prince number 3; she is resisting becoming a “baby making machine” and signing herself up to an early grave.
“A princess among men”, Jasmine and the reader soon realise that she has to step forward and become the hero of this tale. This is no small ask for someone who has never led an army or witnessed death before. Nonetheless, Jasmine is clearly up to the task: this is no weak princess trapped in an hourglass of sand, waiting to be rescued by a man. This is a Sultana!
The story of Aladdin typically conjures up images of love, magic carpets and romantic duets. Liz Braswell’s story of Agrabah does orbit around love, how could it not? However, “A Whole New World” explores the shades of grey in life: Street rats are not always bad, Princesses are not always good and magic is not always the solution. This is not a tale of love; it is a tale of finding strength in unlikely places; it is a tale that teaches us you don’t need magic to have a happy ending.
Gareth von Kallenbach (971 KP) rated Maleficent (2014) in Movies
Aug 6, 2019
I was quite apprehensive headed into the new Disney movie ‘Maleficent’
(Starring Angelina Jolie, Elle Fanning, Sharlto Copley, and Sam Riley), because all the ‘official’ reviews said it wasn’t any good.
I thoroughly disagree.
Maleficent made me laugh, it made me cry and it had me holding my breath in anticipation in some parts.
It takes a ‘Wicked’ type look at the age old story of Sleeping Beauty.
While the narration is from the point of view of a much older Aurora, the story focuses on the point of view of Maleficent.
The young Maleficent (played by Isobelle Molloy) meets a young orphaned peasant boy with aspirations to live in the neighboring kingdoms castle.
Through the years they bond and grow close and share what is supposed to be ‘true loves kiss’.
Time moves on. The king in the adjoining kingdom is greedy and wants the lands that are ruled over by Maleficent. There is a battle, he is soundly defeated, and the King is injured mortally in battle. He pronounces that he will make whoever avenges him and kills Maleficent the next ruler.
Stefan, still being ambitious, finds Maleficent, and while pretending to still be her friend, drugs her. He can’t bring himself to actually kill her and steals her wings instead, to present to the king as proof of her demise.
Stefan is crowned king. Time passes.
Maleficent’s pain and anger and betrayal do not dissipate. They grow and coalesce to the point that at the celebration to celebrate the birth of King Stefan’s daughter Aurora, she curses the child, sealing her fate that naught but ‘true loves kiss’ will break the curse.
The story follows the child’s growth, with Maleficent watching her every move, and getting closer and closer to her with every passing year.
Maleficent dubs Aurora ‘Beastie’, and Aurora calls Maleficent ‘Godmother’.
As Aurora’s 16th birthday draws near, Maleficent grows desperate to break the very curse that she had cast many years before.
It does not work.
I won’t ruin it by telling the ending, but it was action packed, and heart wrenching, and (at least to me) marginally unpredictable…. (I thought one person would break it, but another did…. I did figure it out before it happened, but mostly because I’ve been watching Once Upon A Time).
I really enjoyed the film, I loved the 3D of it, and I would most assuredly see it again. I wouldn’t recommend it for very young children, and I don’t feel like I can bring my almost 6 year old to it, but I would consider letting him see it by age 8 or 9.
(Starring Angelina Jolie, Elle Fanning, Sharlto Copley, and Sam Riley), because all the ‘official’ reviews said it wasn’t any good.
I thoroughly disagree.
Maleficent made me laugh, it made me cry and it had me holding my breath in anticipation in some parts.
It takes a ‘Wicked’ type look at the age old story of Sleeping Beauty.
While the narration is from the point of view of a much older Aurora, the story focuses on the point of view of Maleficent.
The young Maleficent (played by Isobelle Molloy) meets a young orphaned peasant boy with aspirations to live in the neighboring kingdoms castle.
Through the years they bond and grow close and share what is supposed to be ‘true loves kiss’.
Time moves on. The king in the adjoining kingdom is greedy and wants the lands that are ruled over by Maleficent. There is a battle, he is soundly defeated, and the King is injured mortally in battle. He pronounces that he will make whoever avenges him and kills Maleficent the next ruler.
Stefan, still being ambitious, finds Maleficent, and while pretending to still be her friend, drugs her. He can’t bring himself to actually kill her and steals her wings instead, to present to the king as proof of her demise.
Stefan is crowned king. Time passes.
Maleficent’s pain and anger and betrayal do not dissipate. They grow and coalesce to the point that at the celebration to celebrate the birth of King Stefan’s daughter Aurora, she curses the child, sealing her fate that naught but ‘true loves kiss’ will break the curse.
The story follows the child’s growth, with Maleficent watching her every move, and getting closer and closer to her with every passing year.
Maleficent dubs Aurora ‘Beastie’, and Aurora calls Maleficent ‘Godmother’.
As Aurora’s 16th birthday draws near, Maleficent grows desperate to break the very curse that she had cast many years before.
It does not work.
I won’t ruin it by telling the ending, but it was action packed, and heart wrenching, and (at least to me) marginally unpredictable…. (I thought one person would break it, but another did…. I did figure it out before it happened, but mostly because I’ve been watching Once Upon A Time).
I really enjoyed the film, I loved the 3D of it, and I would most assuredly see it again. I wouldn’t recommend it for very young children, and I don’t feel like I can bring my almost 6 year old to it, but I would consider letting him see it by age 8 or 9.
Darren (1599 KP) rated From Dusk Till Dawn (1996) in Movies
Sep 2, 2019
Thoughts on From Dusk till Dawn
Characters – Seth Gecko has just been sprung from prison by his brother, he wants to get across the border to complete a deal which would see them both have freedom, he is the one that remains in control wanting to keep everything calm, which would mean not leaving a pile of bodies behind them. He does deliver the threats which would see them as a danger, though he does just want things to be simple. Richard or Ritchie is must more of a loose cannon, he is paranoid and this makes him more dangerous, as he will kill people putting their safety at risk. He is protected by his brother, as he doesn’t seem like he is capable of putting a plan together himself. Jacob was a priest that has lost his faith after his wife’s death, he I taking his family on a vacation and gets forced into helping the brothers, he wants to keep them safe, willing to risk his own life to make this happen. Kate and Scott are his children, they are dealing with their own loss the best way they know how to and being supportive to their father. Santanico is the beautiful dancer that will stop a bar with her dance, she is one of the leaders of the vampires who has been waiting for the food in human form.
Performances – George Clooney is great to see in this role, after this we only usually see him in smooth talking roles, rather than a rough criminal, showing he could become any role offered to him. Tarantino in this film is creepy and putting himself in the supporting role does hide any restrictions he might have as an actor. Harvey Keitel is great showing a character that is meant to be hating his life choice, but remaining strong for his children. Juliette Lewis and Ernest Liu are both solid enough in the supporting roles without getting too much more to work with, while Salma Hayek turns heads with her performance.
Story – The story here follows two criminals trying to get to Mexico, the family they force to help them across the border and the bar they find, filled with vampires that they must fight to survive the night. Where this story stands up on its own, is by making it a criminal tory to start with, having no hints of horror or vampires involved, as we just watch the two loose cannons trying to get to safety, by pulling the rug out from under us to thrown us into the horror idea is genius switch of pace for the story. we do have themes going on especially with the Jacob character needing to find his lost faith which finding it will become the big part in fight the vampires. The story also exists in a world where vampire stories do exist, which gives them ideas on how to fight back, which was the main attraction to the 90’s horror stories.
Action/Horror – The action in the film involves the fighting with the vampires, we get to take everything to a new level for this side of the genre, with the blood splatter in the action, which the horror gives us because we vampires which are a staple of horror, but we do focus on the action over the scares.
Settings – The film uses the getting to the location setting of the camper van which does show us the road trip feel to the film, but it is the bar that will be one that is always going to be hard to forget, being a run down biker and trucker bar.
Special Effects – The special effects are some of the best you will see in the vampire genre, it shows that you can get plenty done with practical effects, with the only weakness come from the human to vampire transformations, which look CGI and have dated.
Scene of the Movie – The battle.
That Moment That Annoyed Me – The transformations have dated badly.
Final Thoughts – This is one of the most fun vampire movies you will ever see, it has plenty of blood flying around the screen and will keep you entertained from start to finish.
Overall: Purely entertaining vampire movie.
Characters – Seth Gecko has just been sprung from prison by his brother, he wants to get across the border to complete a deal which would see them both have freedom, he is the one that remains in control wanting to keep everything calm, which would mean not leaving a pile of bodies behind them. He does deliver the threats which would see them as a danger, though he does just want things to be simple. Richard or Ritchie is must more of a loose cannon, he is paranoid and this makes him more dangerous, as he will kill people putting their safety at risk. He is protected by his brother, as he doesn’t seem like he is capable of putting a plan together himself. Jacob was a priest that has lost his faith after his wife’s death, he I taking his family on a vacation and gets forced into helping the brothers, he wants to keep them safe, willing to risk his own life to make this happen. Kate and Scott are his children, they are dealing with their own loss the best way they know how to and being supportive to their father. Santanico is the beautiful dancer that will stop a bar with her dance, she is one of the leaders of the vampires who has been waiting for the food in human form.
Performances – George Clooney is great to see in this role, after this we only usually see him in smooth talking roles, rather than a rough criminal, showing he could become any role offered to him. Tarantino in this film is creepy and putting himself in the supporting role does hide any restrictions he might have as an actor. Harvey Keitel is great showing a character that is meant to be hating his life choice, but remaining strong for his children. Juliette Lewis and Ernest Liu are both solid enough in the supporting roles without getting too much more to work with, while Salma Hayek turns heads with her performance.
Story – The story here follows two criminals trying to get to Mexico, the family they force to help them across the border and the bar they find, filled with vampires that they must fight to survive the night. Where this story stands up on its own, is by making it a criminal tory to start with, having no hints of horror or vampires involved, as we just watch the two loose cannons trying to get to safety, by pulling the rug out from under us to thrown us into the horror idea is genius switch of pace for the story. we do have themes going on especially with the Jacob character needing to find his lost faith which finding it will become the big part in fight the vampires. The story also exists in a world where vampire stories do exist, which gives them ideas on how to fight back, which was the main attraction to the 90’s horror stories.
Action/Horror – The action in the film involves the fighting with the vampires, we get to take everything to a new level for this side of the genre, with the blood splatter in the action, which the horror gives us because we vampires which are a staple of horror, but we do focus on the action over the scares.
Settings – The film uses the getting to the location setting of the camper van which does show us the road trip feel to the film, but it is the bar that will be one that is always going to be hard to forget, being a run down biker and trucker bar.
Special Effects – The special effects are some of the best you will see in the vampire genre, it shows that you can get plenty done with practical effects, with the only weakness come from the human to vampire transformations, which look CGI and have dated.
Scene of the Movie – The battle.
That Moment That Annoyed Me – The transformations have dated badly.
Final Thoughts – This is one of the most fun vampire movies you will ever see, it has plenty of blood flying around the screen and will keep you entertained from start to finish.
Overall: Purely entertaining vampire movie.
Nicole Hadley (380 KP) rated The Seekers (Amish Cooking Class, #1) in Books
Jun 16, 2018
Showing Amish culture
Contains spoilers, click to show
The Seekers is the first installment to Wanda Brunstetter's newest series, Amish Cooking Class. I really enjoyed this book. In The Seekers, Heidi starts an Amish cooking class. I loved all the different individuals and their own stories and what bought each one to the cooking class held by Heidi.
This book revolves around a woman named Heidi Troyer and her Amish cooking class.Heidi Troyer and her husband of eight years, Lyle, have no children yet. She loves her Lyle and their life together but desires children, also. Lyle refuses to adopt, believing that if it is God’s will, Heidi will be able to conceive a child. Heidi considers giving cooking classes since cooking has come naturally to her and classes won’t take time away from her husband. Heidi will lead six lessons over the next three months.
The Lord prepares students for her first class. The students come with different problems to the classes and through out the book, they find solutions. First is Loretta, a widow and single mother of two little kids that just wants to learn a more simpler way of life. She wants to know more about being Amish, so learning Amish cooking in an Amish home sounds beneficial.
Second, Charlene is engaged to a wonderful man, but has no experience in the kitchen. Her financé has a mother who is an expert cook and doesn’t like Charlene. She doesn’t want her future mother-in-law to know she can’t cook.
Third is Eli, is a young widowed man who is part of the Amish community and also doesn't know how to cook much of anything. His wife had been killed by a hit-and-run driver. He couldn’t cook, and eats out frequently after work.
Fourth, Kendra is a young lady who got pregnant out of wedlock and was kicked out of her home by her dad so he wouldn’t be embarrassed in front of church or social friends. The young man also left her.
Last but not least is Ron. He pulls his older RV into the Troyer’s yard, hungry and broke. He tells Heidi and Lyle the first lie, that his rig needs repairs and he needs a place to park until he can repair it. He ends up in the cooking class without planning to be there. The Troyers share their food and time, but he holds his secrets close. A Viet Nam vet with PTSD, Ron always finds ways to justify what he does.
Most of the characters are very likable. We see Heidi as a three-dimensional woman of faith, and get to know her students through their everyday lives. I love how this book focuses so much on God. I also love the recipes and how after each class she gives a notecard with the recipe and a verse on the back.
This book revolves around a woman named Heidi Troyer and her Amish cooking class.Heidi Troyer and her husband of eight years, Lyle, have no children yet. She loves her Lyle and their life together but desires children, also. Lyle refuses to adopt, believing that if it is God’s will, Heidi will be able to conceive a child. Heidi considers giving cooking classes since cooking has come naturally to her and classes won’t take time away from her husband. Heidi will lead six lessons over the next three months.
The Lord prepares students for her first class. The students come with different problems to the classes and through out the book, they find solutions. First is Loretta, a widow and single mother of two little kids that just wants to learn a more simpler way of life. She wants to know more about being Amish, so learning Amish cooking in an Amish home sounds beneficial.
Second, Charlene is engaged to a wonderful man, but has no experience in the kitchen. Her financé has a mother who is an expert cook and doesn’t like Charlene. She doesn’t want her future mother-in-law to know she can’t cook.
Third is Eli, is a young widowed man who is part of the Amish community and also doesn't know how to cook much of anything. His wife had been killed by a hit-and-run driver. He couldn’t cook, and eats out frequently after work.
Fourth, Kendra is a young lady who got pregnant out of wedlock and was kicked out of her home by her dad so he wouldn’t be embarrassed in front of church or social friends. The young man also left her.
Last but not least is Ron. He pulls his older RV into the Troyer’s yard, hungry and broke. He tells Heidi and Lyle the first lie, that his rig needs repairs and he needs a place to park until he can repair it. He ends up in the cooking class without planning to be there. The Troyers share their food and time, but he holds his secrets close. A Viet Nam vet with PTSD, Ron always finds ways to justify what he does.
Most of the characters are very likable. We see Heidi as a three-dimensional woman of faith, and get to know her students through their everyday lives. I love how this book focuses so much on God. I also love the recipes and how after each class she gives a notecard with the recipe and a verse on the back.
Kristy H (1252 KP) rated This Is Where It Ends in Books
Feb 13, 2018
On a chilly day, the principal of Opportunity High School is giving a speech to her students, kicking off the new semester. The majority of the school is gathered in the auditorium, listening to her speak. As she finishes, they prepare to head to their next class, but the doors are stuck. Then, suddenly, someone begins to shoot.
The book is told from the viewpoint of a handful of kids (four) from Opportunity High and basically unfolds in less than a hour -- the time it takes for a horrific tragedy to fall upon their school and community. We hear from Sylvia and her twin brother Tomas. We also get the perspective of Autumn, Sylvia's best friend, who is struggling with the death of her mother and her abusive father, all the while watching her brother, Tyler, an Opportunity High dropout, drift away from her. Finally, we see things from Claire's perspective; a member of the track team - Claire is outside practicing when the tragedy begins, but worried about her brother Matt, who is inside.
I read this book in a few hours - its short time span makes it terrifying and you want to speed through to find out what happens to these kids. It's an all too horrifying and realistic account of what can happen with school shootings (and beware, some of the descriptions can be very graphic). The interwoven stories of the kids do a good job of telling the story and portraying the strong bond of family and friendship that can exist -- especially at the hyper-sensitive stage of high school, where everything truly does seem like life or death sometimes.
There's an added LGBT angle to this story, which is a nice twist, as it's very natural to the book. The kids' tales, overall, seem true to their voices, but some of the writing is stilted and tough to read (not from the subject matter, but the way it's written). The author overuses the play on words with "opportunity" far too much - it would have been better to just let the story play itself out. We get the parallels - no need to spell them out (over and over and over) for us.
Still, this is a powerful book - it's heartbreakingly lovely, really, and will leave you hoping and praying that no more children *ever* have to go through this experience. It's a worthy read, even if it leaves you hurting, but I would make sure you talk about it in detail with your teens. It's a tough subject matter that needs to be discussed.
(I received an ARC of this book from Netgalley in return for an unbiased review.)
The book is told from the viewpoint of a handful of kids (four) from Opportunity High and basically unfolds in less than a hour -- the time it takes for a horrific tragedy to fall upon their school and community. We hear from Sylvia and her twin brother Tomas. We also get the perspective of Autumn, Sylvia's best friend, who is struggling with the death of her mother and her abusive father, all the while watching her brother, Tyler, an Opportunity High dropout, drift away from her. Finally, we see things from Claire's perspective; a member of the track team - Claire is outside practicing when the tragedy begins, but worried about her brother Matt, who is inside.
I read this book in a few hours - its short time span makes it terrifying and you want to speed through to find out what happens to these kids. It's an all too horrifying and realistic account of what can happen with school shootings (and beware, some of the descriptions can be very graphic). The interwoven stories of the kids do a good job of telling the story and portraying the strong bond of family and friendship that can exist -- especially at the hyper-sensitive stage of high school, where everything truly does seem like life or death sometimes.
There's an added LGBT angle to this story, which is a nice twist, as it's very natural to the book. The kids' tales, overall, seem true to their voices, but some of the writing is stilted and tough to read (not from the subject matter, but the way it's written). The author overuses the play on words with "opportunity" far too much - it would have been better to just let the story play itself out. We get the parallels - no need to spell them out (over and over and over) for us.
Still, this is a powerful book - it's heartbreakingly lovely, really, and will leave you hoping and praying that no more children *ever* have to go through this experience. It's a worthy read, even if it leaves you hurting, but I would make sure you talk about it in detail with your teens. It's a tough subject matter that needs to be discussed.
(I received an ARC of this book from Netgalley in return for an unbiased review.)
Dana (24 KP) rated A Gathering of Shadows in Books
Mar 23, 2018
So you all know how I felt about the first book. Yeah, those feeling are continuing over to this one.
I honestly could not put this damn book down if I tried. Which I didn't try because that would have been me depriving myself of something amazing and there is no reason to do that.
If I thought the first book hit my feelings, which it did, this one ran them over with a damn truck.
I loved the addition of Allucard Emery. He was my favorite new character because he is amazing and beautiful and just so great. I love his sass. He is such a great magic mentor for Delilah and I want him to have the world. He deserves to be happy. Anyone who thinks differently can fight me.
I love the idea of this competition. It's cool to see different kinds of magic users with the different elements, but also how they use them. Some are more defensive users, some more attack based. But all of them are really cool. I won't give away too much, but I am happy with the last couple of fights and how they went on. Especially that one. You know which one I'm talking about. Just great stuff there.
I love how Delilah and Kell's relationship is evolving in this book. They don't necessariily see all that much of each other, but when they do, sparks are FLYING. I was listening to the audio book when I was out running errands and in the middle of Michael's, I burst out laughing when they got to the ball part. It was just so cute and fun to see them relaxed for a change. Big fan. I ship them so hard it hurts. So whenever they were cross with each other, in my head, I was pushing them together saying "make up damn it. You will make beautiful children."
Those plot twists though. All of them got me right in the feels.
I will say without shame that I cried in this book. More than once. And almost in public. Those people in Michael's must have thought I was crazy.
The ending was mean. I mean, come on Victoria. That hurt. Why would you put me through that? I mean, yes, it was amazing that you wrote it so well I almost threw the book across the room, but still. My heart. I have to wait a bit until I can read the next one because I don't have any book stores around me to be able to get it and my library doesn't have it in physical copy either. But they do have an audio book version that I am on hold for. So there's that. I cannot wait.
I honestly could not put this damn book down if I tried. Which I didn't try because that would have been me depriving myself of something amazing and there is no reason to do that.
If I thought the first book hit my feelings, which it did, this one ran them over with a damn truck.
I loved the addition of Allucard Emery. He was my favorite new character because he is amazing and beautiful and just so great. I love his sass. He is such a great magic mentor for Delilah and I want him to have the world. He deserves to be happy. Anyone who thinks differently can fight me.
I love the idea of this competition. It's cool to see different kinds of magic users with the different elements, but also how they use them. Some are more defensive users, some more attack based. But all of them are really cool. I won't give away too much, but I am happy with the last couple of fights and how they went on. Especially that one. You know which one I'm talking about. Just great stuff there.
I love how Delilah and Kell's relationship is evolving in this book. They don't necessariily see all that much of each other, but when they do, sparks are FLYING. I was listening to the audio book when I was out running errands and in the middle of Michael's, I burst out laughing when they got to the ball part. It was just so cute and fun to see them relaxed for a change. Big fan. I ship them so hard it hurts. So whenever they were cross with each other, in my head, I was pushing them together saying "make up damn it. You will make beautiful children."
Those plot twists though. All of them got me right in the feels.
I will say without shame that I cried in this book. More than once. And almost in public. Those people in Michael's must have thought I was crazy.
The ending was mean. I mean, come on Victoria. That hurt. Why would you put me through that? I mean, yes, it was amazing that you wrote it so well I almost threw the book across the room, but still. My heart. I have to wait a bit until I can read the next one because I don't have any book stores around me to be able to get it and my library doesn't have it in physical copy either. But they do have an audio book version that I am on hold for. So there's that. I cannot wait.
Connor Sheffield (293 KP) rated Teen Titans Go! To the Movies (2018) in Movies
Aug 5, 2018
Hilarious (4 more)
Some great references
Surprise comedic cameo
Nice nods to the tv show
Credits scene
I wasn't sure what was even happening sometimes (1 more)
Seems a little extreme in places.
What did I just watch?
Okay so I haven't reviewed the tv show cos I haven't watched it in a while but I do love 'Teen Titans Go!' and many people ask me why?
Yes I was a fan of the original animated series and I'm a fan of Young Justice and they're both clearly superior animated shows, but it's nice to see something fun and childish starting your favourite characters now and then and the creators of TTG! Are DC fans as well so there's always some insanely great nods to other DC content from comics, to tv shows to Movies and more. So what's not to love?
This movie was hilarious because it's just so insane that you just have to think that the creators were high as hell when making this film. But it's easy to understand for children and has many great references to DC for the adult fans in the audience. A great soundtrack of silly songs and a great voice cast for the characters such as Will Arnett as Deathstroke and Nicholas Cage as Superman (an obvious reference to the Tim Burton Superman film that never got made that would have started Nicholas Cage as the Man of Steel himself). The humour was nothing really new compared to the tv show but they expanded upon it and seemed to drag some of the jokes out longer with some great comedic timing and a sense of "what the hell is going on!?"
Issues I had with the film was that in some parts it seemed to try a little too hard to make you laugh and it didn't always work. They tried to put in some serious messages as they do in the show but this seemed to slow down the pace all of a sudden so it wasn't smooth with the flow of the film and it just felt like it came to a sudden halt on the shenanigans and humour of the film.
The plot was pretty much obvious from the get go, but that's probably just the view as an adult. I'm sure to kids it might seem like a real movie.
But back to the good points. There was some great references to none DC content, such as the Stan Lee cameo, Starfire pointing at the Warner Brothers water tower and stating "That's where the animaniacs live" and even a reference to the Lion King which was brilliant.
Overall this was a really enjoyable movie with some flaws but I think the overall impression outweighs them, and the soundtrack is incredible ?
Yes I was a fan of the original animated series and I'm a fan of Young Justice and they're both clearly superior animated shows, but it's nice to see something fun and childish starting your favourite characters now and then and the creators of TTG! Are DC fans as well so there's always some insanely great nods to other DC content from comics, to tv shows to Movies and more. So what's not to love?
This movie was hilarious because it's just so insane that you just have to think that the creators were high as hell when making this film. But it's easy to understand for children and has many great references to DC for the adult fans in the audience. A great soundtrack of silly songs and a great voice cast for the characters such as Will Arnett as Deathstroke and Nicholas Cage as Superman (an obvious reference to the Tim Burton Superman film that never got made that would have started Nicholas Cage as the Man of Steel himself). The humour was nothing really new compared to the tv show but they expanded upon it and seemed to drag some of the jokes out longer with some great comedic timing and a sense of "what the hell is going on!?"
Issues I had with the film was that in some parts it seemed to try a little too hard to make you laugh and it didn't always work. They tried to put in some serious messages as they do in the show but this seemed to slow down the pace all of a sudden so it wasn't smooth with the flow of the film and it just felt like it came to a sudden halt on the shenanigans and humour of the film.
The plot was pretty much obvious from the get go, but that's probably just the view as an adult. I'm sure to kids it might seem like a real movie.
But back to the good points. There was some great references to none DC content, such as the Stan Lee cameo, Starfire pointing at the Warner Brothers water tower and stating "That's where the animaniacs live" and even a reference to the Lion King which was brilliant.
Overall this was a really enjoyable movie with some flaws but I think the overall impression outweighs them, and the soundtrack is incredible ?