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Hazel (2934 KP) rated The Last Thing To Burn in Books
Dec 29, 2020
Wow ... that was one heck of a powerful read and one where the characters will stay with me for some time.
Jane - named so by her "husband" Lennie - was trafficked from her native Vietnam with her younger sister, she is kept captive on an isolated farm in what can only be described as squalid and run down conditions. She is watched every minute of every day, she is not allowed to speak to anyone, she is not allowed to go anywhere - her day is regimented from start to finish and for each perceived transgression, the treasured possessions she has are slowly burned in front of her eyes.
This is a harrowing story of a desperate life of servitude and abuse; the scary thing is that it is happening to thousands of men, women and children the world over which makes it even more upsetting. However, it is also a story of hope and the desperate will and strength to survive and fight back when things appear to be hopeless.
The whole book is written from "Jane's" perspective and she is an enthralling narrator. The setting is just perfect and described scarily accurately - my job takes me into isolated farmhouses that are pretty bleak and dilapidated and this made the story even more real for me.
This is not an easy read by any stretch of the imagination but despite that, I found it very hard to put down. I was drawn into the story hook, line and sinker; it grabbed me by the throat and didn't let go until the very last page ... it lingers still in the back of my mind and there are very few books that do this.
Highly recommended.
Thank you to Hodder & Stoughton and NetGalley for my advance copy in return for an unbiased and unedited review.
Jane - named so by her "husband" Lennie - was trafficked from her native Vietnam with her younger sister, she is kept captive on an isolated farm in what can only be described as squalid and run down conditions. She is watched every minute of every day, she is not allowed to speak to anyone, she is not allowed to go anywhere - her day is regimented from start to finish and for each perceived transgression, the treasured possessions she has are slowly burned in front of her eyes.
This is a harrowing story of a desperate life of servitude and abuse; the scary thing is that it is happening to thousands of men, women and children the world over which makes it even more upsetting. However, it is also a story of hope and the desperate will and strength to survive and fight back when things appear to be hopeless.
The whole book is written from "Jane's" perspective and she is an enthralling narrator. The setting is just perfect and described scarily accurately - my job takes me into isolated farmhouses that are pretty bleak and dilapidated and this made the story even more real for me.
This is not an easy read by any stretch of the imagination but despite that, I found it very hard to put down. I was drawn into the story hook, line and sinker; it grabbed me by the throat and didn't let go until the very last page ... it lingers still in the back of my mind and there are very few books that do this.
Highly recommended.
Thank you to Hodder & Stoughton and NetGalley for my advance copy in return for an unbiased and unedited review.
Rekenblobs plus- en minsommen
Games and Education
App
An adaptive practice programme to learn addition and substraction facts up to 20 that will really...
Rekenblobs Tafels - rekenen oefenen thuis en op school
Education and Games
App
An adaptive practice programme to learn the multiplication tables 1 to 10. Designed for iPad and...
Hadley (567 KP) rated Those Bones Are Not My Child in Books
Nov 12, 2019
A different type of True Crime book (1 more)
Things you probably didn't know about the case
Writing transitions are confusing (1 more)
Smash poetry breaks up the flow
Toni Cade Bambara, a writer, documentary filmmaker and screenwriter, gives True Crime readers a unique viewpoint of the real Atlanta Child Murders. Bambara mostly writes from the eyes of Marzala, a mother of three whose oldest son goes missing during one of the worst murder sprees in Atlanta's history. Marzala and her family were not actual people during this time- - - all of them are based off of parents and siblings of the real victims. Not soon after Marzala does everything she can with the police to find her son, she joins a group of African-Americans that are outraged by the lack of progress to catch who is killing Atlanta's black children. This group forms what is called STOP (a citizen-run task force). For the majority of the book, Marzala with most of the black community in the area typed out letters to prominent government officials asking for help to stop the murders, also using Vietnam vets in the area to use their tracking skills to keep an eye on suspects, and investigating buildings that police refused to believe had anything to do with the childrens' disappearances and/or murders, which Bambara did an amazing job putting all the real facts together of the actual community members that were involved with this at the time. This story is upsetting, but enlightening on how politics may have caused so many children to be murdered. This is a story no reader will ever forget.
Bambara writes not in a normal narrative - - - just telling a story from specific viewpoints, but she often breaks off into smash poetry to depict a character's state-of-mind, which, sometimes can be off putting for the reader, breaking the flow of the story. Yet, the use of smash poetry combined with the era and the heart breaking subject at hand, separates Those Bones Are Not My Child from every True Crime book I have ever read. But a note for fans of True Crime, this story is from the view point of the victims' families and the search they went through to try and catch the murderer(s), unlike most TC books, which follow the police through the investigation leading to, usually, the capture of the perpetrator. From living in Atlanta during the time of the murders, Bambara was able to reconstruct the life of a black family in 1980's Georgia, while focusing on the effect these terrible crimes had on the surrounding community. Bambara did an amazing job on what most writers cannot.
The amount of characters, specifically the fictional ones, are very well created. She describes just enough to give readers the ability to tell them apart, showing every now and then from their own viewpoints. Out of all the characters, I came to really like Zala's two other children: Kenti and Kofi. One particular scene shows the strain of Sonny's disappearance on their family: " Zala parked the comb again and sat back. 'Listen, you two.' Kofi dropped down onto his knees. 'The police and the newspapers don't know what the hell is going on, so they feel stupid, because they're supposed to know, they're trained to know, they're paid to know. It's their job. Understand? But it's hard for grown-ups to admit they're stupid, especially if they're professionals like police and reporters. So they blame the children. Or they ignore them and fill up the papers with the hostages in Iran. Understand? And now... Jesus... they've got people calling those kids juvenile delinquents.'
'Don't cry.' Kenti tried to lean into her lap and got pushed away.
'They don't know a damn thing and they act like they don't want to know. So they blame the kids 'cause they can't speak up for themselves. They say the kids had no business being outdoors, getting themselves in trouble.'
'You let us go outdoors.'
'Of course I do, baby. We go lots of places, 'cause a lot of people fought hard for our right to go any damn where we please. But when the children go out like they've a right to and some maniac grabs them, then it's the children's fault or the parents who should've been watching every minute, like we don't have to work like dogs just to put food on the table.'
Kofi walked on his knees towards the bed, but he didn't lean on her like he wanted 'cause she might push him away. So he just put his hand on the mattress next to hers."
During the Atlanta Child Murders, victims were random, except for that they were children from the same neighborhood, and they were African-American. At first, police didn't believe a serial murderer was going around abducting children, but rather that 'poor, broken' families were killing their own. In the Prologue, Bambara shows that the victims' families and private detectives came up with more ideas of the motive than the police did:
" White cops taking license in Black neighborhoods.
The Klan and other Nazi thugs on the rampage.
Diabolical scientists experimenting on Third World people.
Demonic cults engaging in human sacrifices.
A 'Nam vet unable to make the transition.
UFO aliens conducting exploratory surgery.
Whites avenging Dewey Baugus, a white youth beaten to death in spring '79, allegedly by Black youths.
Parents of a raped child running amok with 'justice.'
Porno filmmakers doing snuff flicks for entertainment.
A band of child molesters covering their tracks.
New drug forces killing the young (unwitting?) couriers of the old in a bid for turf.
Unreconstructed peckerwoods trying to topple the Black administration.
Plantation kidnappers of slave labor issuing the pink slip.
White mercenaries using Black targets to train death squadrons for overseas jobs and for domestic wars to come. "
All of these theories are explored with evidence in Those Bones Are Not My Child. One scene in Part III, Zala's cop friend, B.J. shows up to her house to tell her to stop bringing attention to the investigation, " 'That Eubanks woman - - - your husband's friend? - - - she said you were bringing in the TV networks to blow the case open. I thought we had an agreement to keep each other informed. This morning I find out through the grapevine that you parents got a medium stashed in a hotel here in town, some woman who's been making headlines up north with cases that supposedly have the authorities stumped. If you knew how much work has been done on this case - - - no, listen, don't interrupt me. Then I find out - - - and not from you - - - that some of you parents are planning to tour the country cracking on the investigation. That's not too smart. And you should have told me.' " These two may have been fictional characters, but in Bambara's Acknowledgments, she states that all scenarios were true, and that she made B.J. to tell about the actual police officers who were involved with the investigation.
The tension between the police and the public is felt throughout the entire story. Despite all of the work the citizen task force put in, police arrested a man named Wayne Williams for the murder of two adult victims (who, due to their mental age, which was stated to be that of children, were placed on the victims' list of the Atlanta Child Murders): " Wayne Williams, charged with the murder of twenty-seven-year-old Nathaniel Cater and implicated in the murder of the other adults and children on the official list..." Zala, having worked for almost a year at the STOP offices, she, along with most of the community, doubt that Williams was a lone killer or even the killer at all. Williams never stood trial for the childrens' murders, but the police informed the public that he did it, case closed - - - although, after Williams' arrest, children were still being abducted and their bodies were still being found. Even after Williams' trial and the guilty verdict for two adult victims, some people stuck around to continue to investigate and claim Williams a 'scapegoat' of politics: " There were still pockets of interest and people who wouldn't let the case go. James Baldwin had been coming to town off and on; a book was rumored. Sondra O'Neale, the Emory University professor, hadn't abandoned her research, either. From time to time, TV and movie types were in the city poking around for an angle. Camille Bell was moving to Tallahassee to write up the case from the point of view of the STOP committee. The vets had taken over The Call now that Speaker was working full-time with the Central American Committee. The Revolutionary Communist Party kept running pieces on the case in the Revolutionary Worker. Whenever Abby Mann sent down a point man for his proposed TV docudrama, the Atlanta officials and civil rights leaders would go off the deep end. " At the end of it all, the questions still remain: did Williams kill all of those children by himself? Was he part of a pornographic cult that killed the children? Or is Williams completely innocent, and the murderer(s) are still out there? In Those Bones Are Not My Child, I guarantee you will be left questioning if the police were right.
All in all, the writing transitions can become confusing sometimes, especially the interludes of smash poetry, but I highly recommend this book to people who like the True Crime genre, especially of any interest in this specific case.
Bambara writes not in a normal narrative - - - just telling a story from specific viewpoints, but she often breaks off into smash poetry to depict a character's state-of-mind, which, sometimes can be off putting for the reader, breaking the flow of the story. Yet, the use of smash poetry combined with the era and the heart breaking subject at hand, separates Those Bones Are Not My Child from every True Crime book I have ever read. But a note for fans of True Crime, this story is from the view point of the victims' families and the search they went through to try and catch the murderer(s), unlike most TC books, which follow the police through the investigation leading to, usually, the capture of the perpetrator. From living in Atlanta during the time of the murders, Bambara was able to reconstruct the life of a black family in 1980's Georgia, while focusing on the effect these terrible crimes had on the surrounding community. Bambara did an amazing job on what most writers cannot.
The amount of characters, specifically the fictional ones, are very well created. She describes just enough to give readers the ability to tell them apart, showing every now and then from their own viewpoints. Out of all the characters, I came to really like Zala's two other children: Kenti and Kofi. One particular scene shows the strain of Sonny's disappearance on their family: " Zala parked the comb again and sat back. 'Listen, you two.' Kofi dropped down onto his knees. 'The police and the newspapers don't know what the hell is going on, so they feel stupid, because they're supposed to know, they're trained to know, they're paid to know. It's their job. Understand? But it's hard for grown-ups to admit they're stupid, especially if they're professionals like police and reporters. So they blame the children. Or they ignore them and fill up the papers with the hostages in Iran. Understand? And now... Jesus... they've got people calling those kids juvenile delinquents.'
'Don't cry.' Kenti tried to lean into her lap and got pushed away.
'They don't know a damn thing and they act like they don't want to know. So they blame the kids 'cause they can't speak up for themselves. They say the kids had no business being outdoors, getting themselves in trouble.'
'You let us go outdoors.'
'Of course I do, baby. We go lots of places, 'cause a lot of people fought hard for our right to go any damn where we please. But when the children go out like they've a right to and some maniac grabs them, then it's the children's fault or the parents who should've been watching every minute, like we don't have to work like dogs just to put food on the table.'
Kofi walked on his knees towards the bed, but he didn't lean on her like he wanted 'cause she might push him away. So he just put his hand on the mattress next to hers."
During the Atlanta Child Murders, victims were random, except for that they were children from the same neighborhood, and they were African-American. At first, police didn't believe a serial murderer was going around abducting children, but rather that 'poor, broken' families were killing their own. In the Prologue, Bambara shows that the victims' families and private detectives came up with more ideas of the motive than the police did:
" White cops taking license in Black neighborhoods.
The Klan and other Nazi thugs on the rampage.
Diabolical scientists experimenting on Third World people.
Demonic cults engaging in human sacrifices.
A 'Nam vet unable to make the transition.
UFO aliens conducting exploratory surgery.
Whites avenging Dewey Baugus, a white youth beaten to death in spring '79, allegedly by Black youths.
Parents of a raped child running amok with 'justice.'
Porno filmmakers doing snuff flicks for entertainment.
A band of child molesters covering their tracks.
New drug forces killing the young (unwitting?) couriers of the old in a bid for turf.
Unreconstructed peckerwoods trying to topple the Black administration.
Plantation kidnappers of slave labor issuing the pink slip.
White mercenaries using Black targets to train death squadrons for overseas jobs and for domestic wars to come. "
All of these theories are explored with evidence in Those Bones Are Not My Child. One scene in Part III, Zala's cop friend, B.J. shows up to her house to tell her to stop bringing attention to the investigation, " 'That Eubanks woman - - - your husband's friend? - - - she said you were bringing in the TV networks to blow the case open. I thought we had an agreement to keep each other informed. This morning I find out through the grapevine that you parents got a medium stashed in a hotel here in town, some woman who's been making headlines up north with cases that supposedly have the authorities stumped. If you knew how much work has been done on this case - - - no, listen, don't interrupt me. Then I find out - - - and not from you - - - that some of you parents are planning to tour the country cracking on the investigation. That's not too smart. And you should have told me.' " These two may have been fictional characters, but in Bambara's Acknowledgments, she states that all scenarios were true, and that she made B.J. to tell about the actual police officers who were involved with the investigation.
The tension between the police and the public is felt throughout the entire story. Despite all of the work the citizen task force put in, police arrested a man named Wayne Williams for the murder of two adult victims (who, due to their mental age, which was stated to be that of children, were placed on the victims' list of the Atlanta Child Murders): " Wayne Williams, charged with the murder of twenty-seven-year-old Nathaniel Cater and implicated in the murder of the other adults and children on the official list..." Zala, having worked for almost a year at the STOP offices, she, along with most of the community, doubt that Williams was a lone killer or even the killer at all. Williams never stood trial for the childrens' murders, but the police informed the public that he did it, case closed - - - although, after Williams' arrest, children were still being abducted and their bodies were still being found. Even after Williams' trial and the guilty verdict for two adult victims, some people stuck around to continue to investigate and claim Williams a 'scapegoat' of politics: " There were still pockets of interest and people who wouldn't let the case go. James Baldwin had been coming to town off and on; a book was rumored. Sondra O'Neale, the Emory University professor, hadn't abandoned her research, either. From time to time, TV and movie types were in the city poking around for an angle. Camille Bell was moving to Tallahassee to write up the case from the point of view of the STOP committee. The vets had taken over The Call now that Speaker was working full-time with the Central American Committee. The Revolutionary Communist Party kept running pieces on the case in the Revolutionary Worker. Whenever Abby Mann sent down a point man for his proposed TV docudrama, the Atlanta officials and civil rights leaders would go off the deep end. " At the end of it all, the questions still remain: did Williams kill all of those children by himself? Was he part of a pornographic cult that killed the children? Or is Williams completely innocent, and the murderer(s) are still out there? In Those Bones Are Not My Child, I guarantee you will be left questioning if the police were right.
All in all, the writing transitions can become confusing sometimes, especially the interludes of smash poetry, but I highly recommend this book to people who like the True Crime genre, especially of any interest in this specific case.
Toonia Colorbook - Educational Coloring Game for Kids & Toddlers
Education and Games
App
** Over 2 million happy kids color with Toonia Colorbook. Boost your kid’s creativity with new...
Nicole Hadley (380 KP) rated Different? Same! in Books
Jun 18, 2018
Different? Same! by Heather Tekavec is a beautiful and playful animal book that seeks to engage young readers by pointing out differences between groupings of widely different animals and then asking what similarity exists. The similarity might be stripes, horns, whiskers or shells.
It is wonderfully written and beautifully illustrated. While the book is for young children (ages 2-5) I read it to my 5th and 6th grade students who enjoyed the book very much. It makes you consider animals in different ways and think about why these vastly different animals might all have horns, whiskers, shells, etc. We had fun with the last page of the book, pointing at various animals that all had a particular characteristic.
On each two-page spread, there are four animals. The animals each something about themselves or their habitat and each thing is different. Then we are told what they have in common or how they all the same, such as they have stripes or scales or tusks etc. I loved the science behind this but it is so much more than that. The message that no matter how different we all are, we are still all the same, we are human is a message that needs to be reiterated over and over. The illustrations are wonderful, so cute and playful. The vocabulary is descriptive, yet simple. the only complaint I have is that the animals are not named. It would be nice if they had been labeled so that children could ask questions and get further information. If they do not know what the animal is, that could prove to be difficult.
Thank you to Kids Can Press and NetGalley for this ARC. I received this book in exchange for an honest review.
It is wonderfully written and beautifully illustrated. While the book is for young children (ages 2-5) I read it to my 5th and 6th grade students who enjoyed the book very much. It makes you consider animals in different ways and think about why these vastly different animals might all have horns, whiskers, shells, etc. We had fun with the last page of the book, pointing at various animals that all had a particular characteristic.
On each two-page spread, there are four animals. The animals each something about themselves or their habitat and each thing is different. Then we are told what they have in common or how they all the same, such as they have stripes or scales or tusks etc. I loved the science behind this but it is so much more than that. The message that no matter how different we all are, we are still all the same, we are human is a message that needs to be reiterated over and over. The illustrations are wonderful, so cute and playful. The vocabulary is descriptive, yet simple. the only complaint I have is that the animals are not named. It would be nice if they had been labeled so that children could ask questions and get further information. If they do not know what the animal is, that could prove to be difficult.
Thank you to Kids Can Press and NetGalley for this ARC. I received this book in exchange for an honest review.
Matthew Krueger (10051 KP) rated Casper (1995) in Movies
Oct 27, 2020
Bill Pullman (1 more)
Christina Ricci
Friendly Ghost
Casper- is a hallloween classic. Its funny, spooky, entertaining and above all a great movie.
The plot: Casper (voiced by Malachi Pearson) is a kind young ghost who peacefully haunts a mansion in Maine. When specialist James Harvey (Bill Pullman) arrives to communicate with Casper and his fellow spirits, he brings along his teenage daughter, Kat (Christina Ricci). Casper quickly falls in love with Kat, but their budding relationship is complicated not only by his transparent state, but also by his troublemaking apparition uncles and their mischievous antics.
The film makes extensive use of computer-generated imagery to create the ghosts, and it is the first feature film to have a fully CGI character in the lead role. It goes for a much darker interpretation of the Friendly Ghost in comparison to the comics, cartoons, and films of the previous years, especially with its theme of death, most notably providing the character a tragic backstory that addresses his death.
In the mirror scene, Dr. Harvey was also supposed to transform into Spielberg. According to director Silberling, the cameo was filmed, but was cut for pacing reasons. Spielberg was relieved, feeling that he is not much of an actor himself and was quite nervous in front of the camera.
It was just strange to see all of those cameos, i felt like thier were just a wink to the audience of whom ever was watching. Like ohh their Dan Aykroyd and ohh their is Mel Gibson and ohh look Cilent Eastwood. The problem is this is films audience is for children, so children wouldnt even know who those people are.
Other than that its a great film.
The plot: Casper (voiced by Malachi Pearson) is a kind young ghost who peacefully haunts a mansion in Maine. When specialist James Harvey (Bill Pullman) arrives to communicate with Casper and his fellow spirits, he brings along his teenage daughter, Kat (Christina Ricci). Casper quickly falls in love with Kat, but their budding relationship is complicated not only by his transparent state, but also by his troublemaking apparition uncles and their mischievous antics.
The film makes extensive use of computer-generated imagery to create the ghosts, and it is the first feature film to have a fully CGI character in the lead role. It goes for a much darker interpretation of the Friendly Ghost in comparison to the comics, cartoons, and films of the previous years, especially with its theme of death, most notably providing the character a tragic backstory that addresses his death.
In the mirror scene, Dr. Harvey was also supposed to transform into Spielberg. According to director Silberling, the cameo was filmed, but was cut for pacing reasons. Spielberg was relieved, feeling that he is not much of an actor himself and was quite nervous in front of the camera.
It was just strange to see all of those cameos, i felt like thier were just a wink to the audience of whom ever was watching. Like ohh their Dan Aykroyd and ohh their is Mel Gibson and ohh look Cilent Eastwood. The problem is this is films audience is for children, so children wouldnt even know who those people are.
Other than that its a great film.
Phil Leader (619 KP) rated Pacific Vortex! (Dirk Pitt #1) in Books
Nov 21, 2019
Ships have been vanishing off of Hawaii for a while, a phenomenon that has been dubbed the 'Pacific Vortex'. But when a nuclear submarine falls victim things become more serious. Marine engineer Dirk Pitt gets involved in the search and finds that the disappearances are not coincidental.
Although released later in the series, Pacific Vortex! is very much a prequel to the main Dirk Pitt series and was the first of the Pitt novels Cussler wrote. As such it is a little different to the rest. Pitt comes across as more of a generic action hero type. The plot is far more straightforward with very little in the way of twists and suprise reveals that became the hallmark of the best of Cussler's novels. The standard hero trope is also enforced by the love interest and the megalomaniac villain in his lair.
However this is still a good read, with good ideas and it's interesting to see some of the building blocks that made up the Pitt franchise, particularly those that surfaced here but were then discarded for the later works. As a story it's not bad with enough going on the engage the reader's interest and obviously it lays the seeds of the later appearance of his children.
Not an essential read by any means, but one that will entertain
Although released later in the series, Pacific Vortex! is very much a prequel to the main Dirk Pitt series and was the first of the Pitt novels Cussler wrote. As such it is a little different to the rest. Pitt comes across as more of a generic action hero type. The plot is far more straightforward with very little in the way of twists and suprise reveals that became the hallmark of the best of Cussler's novels. The standard hero trope is also enforced by the love interest and the megalomaniac villain in his lair.
However this is still a good read, with good ideas and it's interesting to see some of the building blocks that made up the Pitt franchise, particularly those that surfaced here but were then discarded for the later works. As a story it's not bad with enough going on the engage the reader's interest and obviously it lays the seeds of the later appearance of his children.
Not an essential read by any means, but one that will entertain
I Want My Epidural Back: Adventures in Mediocre Parenting
Book
Now that I'm a mom, I know the most painful part isn't getting something giant through your hooha....
Kim Pook (101 KP) rated Annie (2014) in Movies
Jul 31, 2022
Contains spoilers, click to show
Having never seen the original movie, I went in to this with a clean slate and nothing to compare it to. Therefore this review will be based purely on just this version of the movie.
The movie begins with Annie giving her school report before summer break, the school bell goes and Annie heads........ Anywhere but home. It seems she stays out pretty late to the point where you think she's homeless, but then she finally goes home where she is met by a woman who is not very nice to her. She then goes to her room when we realise she's in foster care with 4 other children, and it's not long before they're singing and Annie is trying to find her real parents.
There seems to be a back and forth story with this rich guy running for mayor, but we soon find out his role in the story as he invites Annie to move in with him to boost his career.
At first I couldn't get into the movie, it came across as poorly acted and the songs wasn't very catchy. However, as the movie went on it got better and by the end there was definitely "dust in my eye". It was very much a children's film though, so whilst it may not have much of a rewatch factor for adults, kids will love it.
The movie begins with Annie giving her school report before summer break, the school bell goes and Annie heads........ Anywhere but home. It seems she stays out pretty late to the point where you think she's homeless, but then she finally goes home where she is met by a woman who is not very nice to her. She then goes to her room when we realise she's in foster care with 4 other children, and it's not long before they're singing and Annie is trying to find her real parents.
There seems to be a back and forth story with this rich guy running for mayor, but we soon find out his role in the story as he invites Annie to move in with him to boost his career.
At first I couldn't get into the movie, it came across as poorly acted and the songs wasn't very catchy. However, as the movie went on it got better and by the end there was definitely "dust in my eye". It was very much a children's film though, so whilst it may not have much of a rewatch factor for adults, kids will love it.