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Julia Donaldson and Sebastian Braun
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A fantastic new picture book all about a football-playing spider, written by Julia Donaldson, author...
Where the Crawdads Sing
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For years, rumors of the "Marsh Girl" have haunted Barkley Cove, a quiet town on the North Carolina...
Where the Crawdads Sing Delia Owens mystery fiction coming of age coming-of-age
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As the United States wrestles with its besetting sin—slavery—abolitionist John Brown is growing...
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Lee (2222 KP) rated Instant Family (2019) in Movies
Jan 24, 2019 (Updated Jan 24, 2019)
A very funny, heartwarming drama about adoption
On paper, you'd be forgiven for thinking that Instant Family is going to be just like so many other movies you've seen over the years. A couple without children of their own decides to adopt and end up with three troubled siblings of varying ages. And when you read that it's from director/co-writer Sean Anders, along with Mark Wahlberg, who worked together on both of the 'Daddy's Home' movies, you'll think you've got a pretty good idea of the tone and direction this movie is going to follow. Luckily though, while there are some genuinely very funny moments in this movie, it also manages to successfully blend it with some serious human drama and emotion and a fantastic set of characters.
Instant Family is based on the real life experience of the director Sean Anders and the adoption process he went through with his wife. In the movie, the couple are called Pete and Ellie (Mark Wahlberg and Rose Byrne), who earn their living by flipping houses (buy, renovate, sell). After Ellie has an argument with her sister regarding kids, they begin thinking about having children of their own. Worried about their age, they begin looking into fostering, with a view to eventually adopting an older child.
They visit an adoption agency, where they are joined by a number of other couples and single parents all looking to find out more and begin their journey to becoming parents. Octavia Spencer and Tig Notaro are social workers, there to guide them all through the process. A very funny double act, providing a lot of the movies hilariously well timed lines. In fact, all of the other potential adopters are well written and funny, continuing to crop up throughout the movie as we revisit how everyone is getting on with their fostered children. None of this is zany, particularly goofy or over the top though - it's made very clear that many of the children in the foster system have had a pretty awful life so far, and this honest piece of reality is never downplayed.
At a meet-and-greet with potential adoptive children, organised as an outdoor event in a park, Pete and Ellie are drawn to Lizzie (Isabela Moner), a fiery teenage girl who is hanging out with the other older kids - separated from the main gathering, having resigned themselves to the notion that they're never going to get chosen by the prospective parents. When the couple mark her down as a potential for fostering, they learn that she actually comes as part of a package, having a younger brother Juan and even younger sister Lita. Pete and Ellie decide to go for it and foster all three, convinced they can make a difference in these kids lives.
There follows a period of new parents being thrown in at the deep end - the stressful night time routine, the problems with getting kids to eat and dress properly, problems at school etc. But again, it's not over the top - rooted in reality and successfully managing to walk the line between comedy and drama without resorting to exaggerated comedy set pieces. The problems experienced are made all the more challenging as the couple trying to care for and raise children who haven't had a great start in life, and have been used to a very particular way of living. Made even more difficult when the children's birth mother appears on the scene later in the movie.
I wasn't expecting to enjoy this movie as much as I did. There are more laugh out loud moments than any movie I've seen in recent years that bills itself as a comedy, but at the same time it's also a really heartwarming feel-good drama. So many enjoyable characters too, and with a sharp script that brings out the best in them all. Hugely enjoyable.
Instant Family is based on the real life experience of the director Sean Anders and the adoption process he went through with his wife. In the movie, the couple are called Pete and Ellie (Mark Wahlberg and Rose Byrne), who earn their living by flipping houses (buy, renovate, sell). After Ellie has an argument with her sister regarding kids, they begin thinking about having children of their own. Worried about their age, they begin looking into fostering, with a view to eventually adopting an older child.
They visit an adoption agency, where they are joined by a number of other couples and single parents all looking to find out more and begin their journey to becoming parents. Octavia Spencer and Tig Notaro are social workers, there to guide them all through the process. A very funny double act, providing a lot of the movies hilariously well timed lines. In fact, all of the other potential adopters are well written and funny, continuing to crop up throughout the movie as we revisit how everyone is getting on with their fostered children. None of this is zany, particularly goofy or over the top though - it's made very clear that many of the children in the foster system have had a pretty awful life so far, and this honest piece of reality is never downplayed.
At a meet-and-greet with potential adoptive children, organised as an outdoor event in a park, Pete and Ellie are drawn to Lizzie (Isabela Moner), a fiery teenage girl who is hanging out with the other older kids - separated from the main gathering, having resigned themselves to the notion that they're never going to get chosen by the prospective parents. When the couple mark her down as a potential for fostering, they learn that she actually comes as part of a package, having a younger brother Juan and even younger sister Lita. Pete and Ellie decide to go for it and foster all three, convinced they can make a difference in these kids lives.
There follows a period of new parents being thrown in at the deep end - the stressful night time routine, the problems with getting kids to eat and dress properly, problems at school etc. But again, it's not over the top - rooted in reality and successfully managing to walk the line between comedy and drama without resorting to exaggerated comedy set pieces. The problems experienced are made all the more challenging as the couple trying to care for and raise children who haven't had a great start in life, and have been used to a very particular way of living. Made even more difficult when the children's birth mother appears on the scene later in the movie.
I wasn't expecting to enjoy this movie as much as I did. There are more laugh out loud moments than any movie I've seen in recent years that bills itself as a comedy, but at the same time it's also a really heartwarming feel-good drama. So many enjoyable characters too, and with a sharp script that brings out the best in them all. Hugely enjoyable.
Andrew Leatherbarrow’s Chernobyl 01:23:40: The Incredible True Story of the World’s Worst Nuclear Disaster is an excellent starting point for readers new to the history of nuclear power. When I’m at home, I am just barely outside the fallout range for Arkansas Nuclear One (ANO). While I’m at work, I’m in the reactor’s back yard. As a result, I figured there was no better time to learn a thing or two about nuclear energy. I was not disappointed.
Chernobyl 01:23:40 is the product of a spontaneous trip Leatherbarrow took to visit the Chernobyl Exclusion Zone and Pripyat. In this book, he details his experience in Chernobyl, explains nuclear energy in easy to grasp terms, and discusses the incidents leading up to and after the disaster. For those that know little to nothing about nuclear energy, this book is a must-read.
Despite our close proximity to ANO, I cannot recall learning about nuclear energy. As children, our teachers explained what to do in case of an incident at the plant and nothing else. As expected, due to lack of education about reactors and their failsafes, I grew up with an unnecessary fear of ANO. For this reason, I am grateful for Leatherbarrow’s book. What happened at Chernobyl is the product of failure to follow protocol; it is also the result of improper training. Because there are so many safety precautions, the chance of incident is actually fairly small. (Also, ANO is not an RBMK-1000 reactor like Chernobyl.)
In addition to this fear, I have a vested interest in Chernobyl. It’s haunting photos, like all ghost towns, leave me in awe. There is no doubt in my mind that Leatherbarrow spent a long time conducting research. Using various sources, he has crafted a detailed narrative of what happened at Chernobyl. His book also gives voice to some of the reactor’s victims.
Nuclear energy is dangerous. I will not deny that. However, it is also our cleanest resource. While Chernobyl 01:23:40 is only a glimpse into the world of nuclear power, it is a truly eye-opening account brimming with facts.
Chernobyl 01:23:40 is the product of a spontaneous trip Leatherbarrow took to visit the Chernobyl Exclusion Zone and Pripyat. In this book, he details his experience in Chernobyl, explains nuclear energy in easy to grasp terms, and discusses the incidents leading up to and after the disaster. For those that know little to nothing about nuclear energy, this book is a must-read.
Despite our close proximity to ANO, I cannot recall learning about nuclear energy. As children, our teachers explained what to do in case of an incident at the plant and nothing else. As expected, due to lack of education about reactors and their failsafes, I grew up with an unnecessary fear of ANO. For this reason, I am grateful for Leatherbarrow’s book. What happened at Chernobyl is the product of failure to follow protocol; it is also the result of improper training. Because there are so many safety precautions, the chance of incident is actually fairly small. (Also, ANO is not an RBMK-1000 reactor like Chernobyl.)
In addition to this fear, I have a vested interest in Chernobyl. It’s haunting photos, like all ghost towns, leave me in awe. There is no doubt in my mind that Leatherbarrow spent a long time conducting research. Using various sources, he has crafted a detailed narrative of what happened at Chernobyl. His book also gives voice to some of the reactor’s victims.
Nuclear energy is dangerous. I will not deny that. However, it is also our cleanest resource. While Chernobyl 01:23:40 is only a glimpse into the world of nuclear power, it is a truly eye-opening account brimming with facts.
Lindsay (1779 KP) rated The Castle Tower Lighthouse (Edgar Font's Hunt for a House to Haunt, #1) in Books
Feb 15, 2018
The way I found this book was I had return a book and was looking some books to read. I was that bored. I was scanning my library Children section. I found this in the the there. I picked it up and read the back of the cover. I was interest the by reading the back of the cover that wanted to start reading it as soon as i got home. I did just that by checking it out. Now my thought on this books...
The story starts out by having Audrey and Garret complaint they are bored and they are living with their uncle and aunt. They thinks there Grandpa Edgar is old and boring to be with him all summer. Audrey and Garret do not know what is in story for them when they arrive at Retirement home Edgar Font is staying at.
Edgar Font take this two grandchildren for an adventures though out the book. Their first adventure is at a Castle. Edgar Font see is grandchildren as unadventurous. His answer is to this is to drive them in adventure and make them go though this summer plans.
Edgar Font introduce them to all kinds of ghosts, and outlines their journey, while Edgar is not dead yet. He wants to find a place to live out eternity. Though Audrey and Garret are skeptical in the beginning, They come around be the end of the book----all in the span of a day.
It's a fascinating read, much more fluid than "wandering around the house and picking up clues" might suggest. The character are fleshed out for all age ranges, we learn a little bit more about each character in future installments, as they learn more about themselves. We do not get told where the next adventure is, but there's a photograph marked, "Exploring the site for Adventure Two" in the back, and an arrow showing that it's "just over yonder".
This book can have you guessing along with Audrey and Garret and Edgar Font to solve the Mystery as well. Great for young readers ages 9 and up. I strongly recommend it.
The story starts out by having Audrey and Garret complaint they are bored and they are living with their uncle and aunt. They thinks there Grandpa Edgar is old and boring to be with him all summer. Audrey and Garret do not know what is in story for them when they arrive at Retirement home Edgar Font is staying at.
Edgar Font take this two grandchildren for an adventures though out the book. Their first adventure is at a Castle. Edgar Font see is grandchildren as unadventurous. His answer is to this is to drive them in adventure and make them go though this summer plans.
Edgar Font introduce them to all kinds of ghosts, and outlines their journey, while Edgar is not dead yet. He wants to find a place to live out eternity. Though Audrey and Garret are skeptical in the beginning, They come around be the end of the book----all in the span of a day.
It's a fascinating read, much more fluid than "wandering around the house and picking up clues" might suggest. The character are fleshed out for all age ranges, we learn a little bit more about each character in future installments, as they learn more about themselves. We do not get told where the next adventure is, but there's a photograph marked, "Exploring the site for Adventure Two" in the back, and an arrow showing that it's "just over yonder".
This book can have you guessing along with Audrey and Garret and Edgar Font to solve the Mystery as well. Great for young readers ages 9 and up. I strongly recommend it.
Lindsay (1779 KP) rated The Castle Tower Lighthouse (Edgar Font's Hunt for a House to Haunt, #1) in Books
Aug 30, 2018
The way I found this book was I had return a book and was looking some books to read. I was that bored. I was scanning my library Children section. I found this in the the there. I picked it up and read the back of the cover. I was interest the by reading the back of the cover that wanted to start reading it as soon as i got home. I did just that by checking it out. Now my thought on this books...
The story starts out by having Audrey and Garret complaint they are bored and they are living with their uncle and aunt. They thinks there Grandpa Edgar is old and boring to be with him all summer. Audrey and Garret do not know what is in story for them when they arrive at Retirement home Edgar Font is staying at.
Edgar Font take this two grandchildren for an adventures though out the book. Their first adventure is at a Castle. Edgar Font see is grandchildren as unadventurous. His answer is to this is to drive them in adventure and make them go though this summer plans.
Edgar Font introduce them to all kinds of ghosts, and outlines their journey, while Edgar is not dead yet. He wants to find a place to live out eternity. Though Audrey and Garret are skeptical in the beginning, They come around be the end of the book----all in the span of a day.
It's a fascinating read, much more fluid than "wandering around the house and picking up clues" might suggest. The character are fleshed out for all age ranges, we learn a little bit more about each character in future installments, as they learn more about themselves. We do not get told where the next adventure is, but there's a photograph marked, "Exploring the site for Adventure Two" in the back, and an arrow showing that it's "just over yonder".
This book can have you guessing along with Audrey and Garret and Edgar Font to solve the Mystery as well. Great for young readers ages 9 and up. I strongly recommend it.
The story starts out by having Audrey and Garret complaint they are bored and they are living with their uncle and aunt. They thinks there Grandpa Edgar is old and boring to be with him all summer. Audrey and Garret do not know what is in story for them when they arrive at Retirement home Edgar Font is staying at.
Edgar Font take this two grandchildren for an adventures though out the book. Their first adventure is at a Castle. Edgar Font see is grandchildren as unadventurous. His answer is to this is to drive them in adventure and make them go though this summer plans.
Edgar Font introduce them to all kinds of ghosts, and outlines their journey, while Edgar is not dead yet. He wants to find a place to live out eternity. Though Audrey and Garret are skeptical in the beginning, They come around be the end of the book----all in the span of a day.
It's a fascinating read, much more fluid than "wandering around the house and picking up clues" might suggest. The character are fleshed out for all age ranges, we learn a little bit more about each character in future installments, as they learn more about themselves. We do not get told where the next adventure is, but there's a photograph marked, "Exploring the site for Adventure Two" in the back, and an arrow showing that it's "just over yonder".
This book can have you guessing along with Audrey and Garret and Edgar Font to solve the Mystery as well. Great for young readers ages 9 and up. I strongly recommend it.
Goddess in the Stacks (553 KP) rated Darius the Great is Not Okay in Books
Dec 25, 2018
This novel got a lot of hype before and after its release - and it deserves it. It has great minority representation, from Persian (and bi-racial!) to Zoroastrian and Baha'i, to clinical depression and male friendship. You could also read gay and/or asexual into it, but that's not explicitly mentioned. Romantic love is just never addressed; perhaps because the story just doesn't involve it, but you could definitely read the main character as ace.
Darius is a great main character. He's funny, self-deprecating, and complex. He has clinical depression, is medicated for it, and can sometimes tell when it's the depression making him think a certain way, but sometimes he can't. He's biracial, visiting Iran and his mother's Persian family for the first time, and adjusting to Persian social norms and traditions while trying not to lose sight of his American life. His connection with his father is tenuous and fraught with miscommunication, and lot of the book is spent wrestling with that relationship. His new friend, Sohrab, is a great foil to that, as his father is completely absent from his life, having been arrested and thrown in jail prior to the start of the story, largely for being in the wrong place at the wrong time, and being part of a minority religion.
There are so many small things touched on this book - suspicion at customs when flying through, bullying at school for being Persian, not speaking his family's language because his mother didn't teach it to him (and feeling cut off because of it) - all little things that a lot of immigrant children deal with.
Aside from the cultural things the book addresses, there's also the mental health aspect. Both Darius and his father have clinical depression, and there's stigma attached to having the diagnosis, and to taking pills for it. We see how their mental states affects their relationship with each other and with the rest of their family, and it's quite powerful. The author talks about having clinical depression in an afterword, and includes some resources that helped him. This is an #ownvoices novel in more ways than one, and it really shows. Excellent book.
You can find all my reviews at http://goddessinthestacks.com
Darius is a great main character. He's funny, self-deprecating, and complex. He has clinical depression, is medicated for it, and can sometimes tell when it's the depression making him think a certain way, but sometimes he can't. He's biracial, visiting Iran and his mother's Persian family for the first time, and adjusting to Persian social norms and traditions while trying not to lose sight of his American life. His connection with his father is tenuous and fraught with miscommunication, and lot of the book is spent wrestling with that relationship. His new friend, Sohrab, is a great foil to that, as his father is completely absent from his life, having been arrested and thrown in jail prior to the start of the story, largely for being in the wrong place at the wrong time, and being part of a minority religion.
There are so many small things touched on this book - suspicion at customs when flying through, bullying at school for being Persian, not speaking his family's language because his mother didn't teach it to him (and feeling cut off because of it) - all little things that a lot of immigrant children deal with.
Aside from the cultural things the book addresses, there's also the mental health aspect. Both Darius and his father have clinical depression, and there's stigma attached to having the diagnosis, and to taking pills for it. We see how their mental states affects their relationship with each other and with the rest of their family, and it's quite powerful. The author talks about having clinical depression in an afterword, and includes some resources that helped him. This is an #ownvoices novel in more ways than one, and it really shows. Excellent book.
You can find all my reviews at http://goddessinthestacks.com
Purple Phoenix Games (2266 KP) rated My First Stone Age: The Card Game in Tabletop Games
Apr 7, 2021
The Kids Table series from Purple Phoenix Games seeks to lightly explore games that are focused toward children and families. We will do our best to give some good insight, but not bog you down with a million rules…
My First Stone Age: The Card Game (that’s a mouthful) is a quick and easy card game that can be played by any child of any age assuming they have the attention span for it (mine didn’t the first couple times). It focuses on memory skills and set collection mechanics.
Setting up is easy. Shuffle the Hut Cards and give each player one. Shuffle the Goods Cards and deal nine face-down in a circle. Place the rest of the deck in the middle of the circle face-up. Plop Martin, the mammeeple (mammoth meeple) on or near one of the face-down cards and you’re ready to play!
The winner of the game is they who is able to build three huts first. Players can build huts by moving Martin around the circle clock-wise 1-4 spaces, collecting the card if it matches the players’ hut card, and then building the hut by discarding the goods used. Each turn players will be able to move Martin, flip a card to see if it matched their hut card, and build a hut. The game continues in this fashion until the winner has built their third hut!
This is a very light game that has very simple rules, and not a ton for the players to have to keep track of or remember. Perfect for young ones and not-so-young ones alike. We love the artwork on the cards and being able to move a large mammeeple around the table searching for fish or arrowheads. While the game is competitive in that there is a winner and therefore also losers, we mitigate that by saying that, “if I win then you get to tickle me, but if you win I get to tickle you!” That usually quells any upset youngsters pretty quickly.
We love this game and it is a great first step into gateway games that target older audiences. It is simple and quick, and a minimal investment for a good few minutes!
My First Stone Age: The Card Game (that’s a mouthful) is a quick and easy card game that can be played by any child of any age assuming they have the attention span for it (mine didn’t the first couple times). It focuses on memory skills and set collection mechanics.
Setting up is easy. Shuffle the Hut Cards and give each player one. Shuffle the Goods Cards and deal nine face-down in a circle. Place the rest of the deck in the middle of the circle face-up. Plop Martin, the mammeeple (mammoth meeple) on or near one of the face-down cards and you’re ready to play!
The winner of the game is they who is able to build three huts first. Players can build huts by moving Martin around the circle clock-wise 1-4 spaces, collecting the card if it matches the players’ hut card, and then building the hut by discarding the goods used. Each turn players will be able to move Martin, flip a card to see if it matched their hut card, and build a hut. The game continues in this fashion until the winner has built their third hut!
This is a very light game that has very simple rules, and not a ton for the players to have to keep track of or remember. Perfect for young ones and not-so-young ones alike. We love the artwork on the cards and being able to move a large mammeeple around the table searching for fish or arrowheads. While the game is competitive in that there is a winner and therefore also losers, we mitigate that by saying that, “if I win then you get to tickle me, but if you win I get to tickle you!” That usually quells any upset youngsters pretty quickly.
We love this game and it is a great first step into gateway games that target older audiences. It is simple and quick, and a minimal investment for a good few minutes!
