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Hazel (1853 KP) rated Capturing Jasmina (India's Street Kids #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Kimberly Rae draws attention to the ongoing trafficking of children in India in her young adult novel <i>Capturing Jasmina</i>. Jasmina was only ten when her father sold both her and her brother Samir to a man promising safety and good education. In reality the siblings end up in a sweatshop slaving over clothes to be sold in America. After three years they manage to escape only to be trafficked a second time. Eventually Jasmina and Samir are separated and Jasmina becomes a street kid.
Whilst living on the streets Jasmina encounters a Christian missionary, Asha, rescuing women from brothels by either offering them a safe place to live or at the very least spiritually, by teaching them about God and Jesus. Intrigued Jasmina follows Asha who then offers to help her too. After having her childhood robbed from her, it seems like Jasmina, with the help of those who trust in God, will get back on her feet again.
Despite being a short novel, Rae paints a contrasting image to what the western world is used to. Jasmina finds the concept of a simple toilet baffling. It is not until you hear or see what is happening to innocent people in other parts of the world that you realize there are so many things in life you take for granted.
<i>Capturing Jasmina</i> emphasizes how difficult it is to escape once trafficked. In these situations people belong to everyone but themselves. They have no freedom and running away can cause more problems than it solves. The novel also shows what Christians can do to help. Although no one can completely solve the problems, the tiniest piece of aid they can provide is a step in the right direction.
It was slightly disappointing that we do not find out what happened to Samir once he was separated from his sister. Jasmina’s first person narrative makes it clear that what she wants most is to be reunited with her family. In a way, although there is a positive ending, not yet finding her brother makes it clear that there cannot always be happy endings. It is not possible to save everyone.
Written from a young teenagers point of view makes this book suitable for ages twelve and older. Christians will appreciate the biblical references however there is not too much religion for non-believers or those of other religions to get offended by.
Kimberly Rae draws attention to the ongoing trafficking of children in India in her young adult novel <i>Capturing Jasmina</i>. Jasmina was only ten when her father sold both her and her brother Samir to a man promising safety and good education. In reality the siblings end up in a sweatshop slaving over clothes to be sold in America. After three years they manage to escape only to be trafficked a second time. Eventually Jasmina and Samir are separated and Jasmina becomes a street kid.
Whilst living on the streets Jasmina encounters a Christian missionary, Asha, rescuing women from brothels by either offering them a safe place to live or at the very least spiritually, by teaching them about God and Jesus. Intrigued Jasmina follows Asha who then offers to help her too. After having her childhood robbed from her, it seems like Jasmina, with the help of those who trust in God, will get back on her feet again.
Despite being a short novel, Rae paints a contrasting image to what the western world is used to. Jasmina finds the concept of a simple toilet baffling. It is not until you hear or see what is happening to innocent people in other parts of the world that you realize there are so many things in life you take for granted.
<i>Capturing Jasmina</i> emphasizes how difficult it is to escape once trafficked. In these situations people belong to everyone but themselves. They have no freedom and running away can cause more problems than it solves. The novel also shows what Christians can do to help. Although no one can completely solve the problems, the tiniest piece of aid they can provide is a step in the right direction.
It was slightly disappointing that we do not find out what happened to Samir once he was separated from his sister. Jasmina’s first person narrative makes it clear that what she wants most is to be reunited with her family. In a way, although there is a positive ending, not yet finding her brother makes it clear that there cannot always be happy endings. It is not possible to save everyone.
Written from a young teenagers point of view makes this book suitable for ages twelve and older. Christians will appreciate the biblical references however there is not too much religion for non-believers or those of other religions to get offended by.
JT (287 KP) rated End of Watch (2012) in Movies
Mar 10, 2020
Officer Brian Taylor’s (Jake Gyllenhaal) opening monologue in which we see a car chase and shoot out from the front dashboard camera of a Los Angeles black and white, sets the tone for what will be a gripping action flick.
It’s an indication that this cop film is not going to be as clear cut as any before it, and its no frills policy will surely shock most viewers as officers Taylor and Zavala (Michael Peña) tackle everything from the mundane to the murderous on their watch. We follow the pair during their daily routines which includes in the locker room, the briefing room as well as unique camera set ups from inside the patrol car and a hand held that Taylor carries along with him.
It’s incredibly well shot, and takes the conventional cop film and gives it a big slice of realism. It would give you the impression of what a real ride along might include, and the kinds of situations they find themselves in.
“I am the police, and I’m here to arrest you. You’ve broken the law.”
These situations might affect you in different ways, like the one involving two young children, which is particularly hard to watch. Director David Ayer has not shied away from the brutality of the surroundings the officers find themselves in, and uncomfortable scenarios are all part and parcel of this job. It’s not long before they start to ruffle a few feathers not just on the streets but within their own department. When they uncover a drug cartel which is a small piece of a very large jigsaw they are marked for death.
The film is also looked at from the view point of LA’s criminal underworld, where it seems everyone has a hand held camera and likes to film themselves. It seems a bit stupid really and maybe Ayer should have kept that side of the story to the conventional camera, it doesn’t work all that well if I’m honest. The relationship between Taylor and Zavala is probably the most believable of any on screen buddy cop partnerships, not since Lethal Weapon (the first film at least) has a pairing conveyed such emotion and chemistry. You’d almost believe that these two had been together for years.
Ayer has had plenty of experience in this field already, having written the scripts for S.W.A.T, Training Day and The Fast and the Furious, but those films only looked at cops from the outside. End of Watch goes in just that little bit further which helps to make it unique from all the rest.
It’s an indication that this cop film is not going to be as clear cut as any before it, and its no frills policy will surely shock most viewers as officers Taylor and Zavala (Michael Peña) tackle everything from the mundane to the murderous on their watch. We follow the pair during their daily routines which includes in the locker room, the briefing room as well as unique camera set ups from inside the patrol car and a hand held that Taylor carries along with him.
It’s incredibly well shot, and takes the conventional cop film and gives it a big slice of realism. It would give you the impression of what a real ride along might include, and the kinds of situations they find themselves in.
“I am the police, and I’m here to arrest you. You’ve broken the law.”
These situations might affect you in different ways, like the one involving two young children, which is particularly hard to watch. Director David Ayer has not shied away from the brutality of the surroundings the officers find themselves in, and uncomfortable scenarios are all part and parcel of this job. It’s not long before they start to ruffle a few feathers not just on the streets but within their own department. When they uncover a drug cartel which is a small piece of a very large jigsaw they are marked for death.
The film is also looked at from the view point of LA’s criminal underworld, where it seems everyone has a hand held camera and likes to film themselves. It seems a bit stupid really and maybe Ayer should have kept that side of the story to the conventional camera, it doesn’t work all that well if I’m honest. The relationship between Taylor and Zavala is probably the most believable of any on screen buddy cop partnerships, not since Lethal Weapon (the first film at least) has a pairing conveyed such emotion and chemistry. You’d almost believe that these two had been together for years.
Ayer has had plenty of experience in this field already, having written the scripts for S.W.A.T, Training Day and The Fast and the Furious, but those films only looked at cops from the outside. End of Watch goes in just that little bit further which helps to make it unique from all the rest.
Zoo Sounds - Fun Educational Games for Kids
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Kristy H (1252 KP) rated The In Between in Books
Feb 1, 2018
I confess that this book was not exactly what I was expecting. The novel appears to tell a typical tale of YA love, but it also spends much of its time in a paranormal, mystical world of the "In Between." It's very odd and I wasn't expecting so much talk of Heaven and Hell, despite the hint from the title.
The story follows Tara Jenkins and Justin Westcroft. Friends as children, they become close again after Tara saves Justin's life, when he nearly drowns in an accident at the public beach. Now in high school, Justin is a popular soccer star, while Tara is just a "regular gal." Tara and Justin quickly fall madly in love and become each other's world.
Part of my issue with this book is just that - Tara and Justin are in high school and the entire book centers on their "great romance" and the idea that they are made for each other, destined for all eternity. Some people pull it off, even if it's a cheesy YA series like Twilight. You find yourself rooting for Bella and Edward. Here... I don't know. Pierce's characters just aren't well-developed enough. I like Tara, but I'm not fully invested in her. I actually cared for Justin a bit more (he seemed to have more of a head on his shoulders), but I don't get to learn enough about him, or really get to know him enough as I read the novel. Instead, you are just left wondering why two young kids are so in love and so convinced, at this age, that they are meant for each other. Instead of falling for their love story, it seems like a Made for TV Special.
Once Justin actually dies (and I'm not giving anything away, the book's summary is forthright in telling you that Tara can't save Justin a second time) and he goes to the "In Between," you find him in this weird mythical, mystical land, and it's just odd. I do feel empathy for Justin as he struggles to get back to Tara, and even for Tara, as she grieves for Justin, but it often feels like two kids playing at being grown up. With the distraction of some weird mystical characters thrown in to boot.
That being said, the book managed to keep my interest. I kept reading, wanting to know what would happen to Justin and Tara. Would they kill them both? Would they be reunited? Surely it wouldn't just end with him stuck here and her still pining away? After all this?! In the end, the ending is rather "pat" and the book just sort of ends.
Come to think of it, this probably *would* make a great Lifetime movie. And I'd no doubt guiltily enjoy it with a box of chocolates.
(Note, I received a free digital copy of The In Between in return for a honest review.)
The story follows Tara Jenkins and Justin Westcroft. Friends as children, they become close again after Tara saves Justin's life, when he nearly drowns in an accident at the public beach. Now in high school, Justin is a popular soccer star, while Tara is just a "regular gal." Tara and Justin quickly fall madly in love and become each other's world.
Part of my issue with this book is just that - Tara and Justin are in high school and the entire book centers on their "great romance" and the idea that they are made for each other, destined for all eternity. Some people pull it off, even if it's a cheesy YA series like Twilight. You find yourself rooting for Bella and Edward. Here... I don't know. Pierce's characters just aren't well-developed enough. I like Tara, but I'm not fully invested in her. I actually cared for Justin a bit more (he seemed to have more of a head on his shoulders), but I don't get to learn enough about him, or really get to know him enough as I read the novel. Instead, you are just left wondering why two young kids are so in love and so convinced, at this age, that they are meant for each other. Instead of falling for their love story, it seems like a Made for TV Special.
Once Justin actually dies (and I'm not giving anything away, the book's summary is forthright in telling you that Tara can't save Justin a second time) and he goes to the "In Between," you find him in this weird mythical, mystical land, and it's just odd. I do feel empathy for Justin as he struggles to get back to Tara, and even for Tara, as she grieves for Justin, but it often feels like two kids playing at being grown up. With the distraction of some weird mystical characters thrown in to boot.
That being said, the book managed to keep my interest. I kept reading, wanting to know what would happen to Justin and Tara. Would they kill them both? Would they be reunited? Surely it wouldn't just end with him stuck here and her still pining away? After all this?! In the end, the ending is rather "pat" and the book just sort of ends.
Come to think of it, this probably *would* make a great Lifetime movie. And I'd no doubt guiltily enjoy it with a box of chocolates.
(Note, I received a free digital copy of The In Between in return for a honest review.)
Aretha Franklin recommended track Respect by Aretha Franklin in Original Album Series, Vol. 2 by Aretha Franklin in Music (curated)
ClareR (6106 KP) rated Afraid of the Christmas Lights in Books
Dec 1, 2020
I don’t like Christmas books. Usually. I like A Christmas Carol, but I tend not to read many modern Christmas books - unless they’re children’s ones at work, or when I used to read them for my own children when they were little. Which is probably why I liked this so much. Usually in anthologies, there will be a few standout stories that make reading the collection as a whole worthwhile, but I’ve really struggled to single out one or two - I enjoyed them all far too much for that.
Most of the stories are set around Christmas with only a couple of exceptions. That didn’t cause me to like them any less though. The real standouts for me (if I absolutely HAVE to choose!) were: Phoebe Morgan’s Unexpected Present - the gift wrapped so nicely in expensive M&S paper being the main protagonists husband; The Switch by James Delargy had a Stephen King vibe to it (and I should add that it wasn’t because of The Green Mile!); Fresh Meat by Elle Croft gives new meaning to a raw meat diet for your cat; and The Vigilante by Clare Empson was a sad story of a Charles Dickens look-a-like who tries to save victims of crime in the dead of night.
If you need an excuse to buy this, then the proceeds go to ESDAS and Rights of Women, both domestic abuse charities.
Many thanks to The PIgeonhole for serialising this book, and to the authors who joined in. As always, it was a great experience!!
Most of the stories are set around Christmas with only a couple of exceptions. That didn’t cause me to like them any less though. The real standouts for me (if I absolutely HAVE to choose!) were: Phoebe Morgan’s Unexpected Present - the gift wrapped so nicely in expensive M&S paper being the main protagonists husband; The Switch by James Delargy had a Stephen King vibe to it (and I should add that it wasn’t because of The Green Mile!); Fresh Meat by Elle Croft gives new meaning to a raw meat diet for your cat; and The Vigilante by Clare Empson was a sad story of a Charles Dickens look-a-like who tries to save victims of crime in the dead of night.
If you need an excuse to buy this, then the proceeds go to ESDAS and Rights of Women, both domestic abuse charities.
Many thanks to The PIgeonhole for serialising this book, and to the authors who joined in. As always, it was a great experience!!
Aretha Franklin recommended Can't Get Enough by Barry White in Music (curated)
Loving Justice, Living Shakespeare
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In thinking about Justice, we ignore Love to our peril. Loving Justice, Living Shakespeare asks why...