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Naomi Forrest (42 KP) rated City of Ghosts in Books

Dec 31, 2018 (Updated Dec 31, 2018)  
City of Ghosts
City of Ghosts
V.E. Schwab | 2018 | Paranormal
9
7.6 (7 Ratings)
Book Rating
Not too creepy, just right (0 more)
Having to wait for the next book (0 more)
I haven't read any Victoria Schwab before though I do have another of her books to read and I know that she is extremely popular, particularly for fans of the young adult genre. This book piqued my interest as a middle grade ghost story so when I found it at a gorgeous second hand book store in Alnwick, Northumberland (you trade your old books in for new ones, it is amazing!), I snapped it up.
Cass is a brilliant protagonist....she's weird, she knows she's weird and she embraces her weird. We live in a world of fashion rules and being told that being different is wrong, even now in 2018. To be the generic carbon copy makes you popular. As Cass says:
'I know you're supposed to want to be one of the popular kids....It just seems like it would be exhausting...Smile, but not too wide. Laugh, but not too loud.'
From this quote alone, you just know that Schwab understands pre-teens and teens. She has been there. Cass is a brilliant character to empower the intended audience and show them it's good to be different. The other big character in the book is Cass's best friend, Jacob, who often has amusing little retorts to Cass and adds humour throughout the book. Oh yes, and he's dead! Apart from this interesting fact and also that he saved Cass's life, the bond between the two is like any other friendship and I get the feeling we will see more of these characters. It is hinted at in the story that Jacob remaining in the world of the living may create problems so it raises a lot of questions about what is coming. I was constantly questioning throughout the book, where did Jacob come from? Did he die saving Cass? Why has he not crossed over? How can he come through the veil? The writing just flows so easily and is told through Cass's eyes. I'm not always the biggest fan of present tense writing in novel's but the use of first person really put me into Cass's world and I had to know about the veil! (I was also a big Ghost Whisperer fan).
This book also has one of my favourite things, a cute little map at the start. However, unlike the often fiction maps that enhance the story, this is Cassidy's map of Edinburgh, which is pretty awesome, especially as I know the places on it, living just an hour's train ride from the city. It shows the main places you would expect, as well as Blackwell's book shop (it is a good Blackwell's too, bigger than Newcastle!). I just love maps in books, I spend ages pouring over them and it really adds to the pictures in your mind.
Of course, being a ghost story, this novel is quite edgy for middle grade but absolutely age appropriate and Schwab is so skillful at pushing the tension right up before diffusing it at just the right point. I get scared even by some young adult ghost stories (no lie) and this one was borderline comfortable for me. The description perfectly set the scene and I truly felt like I was in a foggy graveyard in the dark, or underground in Mary King's Close. I love how Schwab drew on Scottish history and Scotland's love of ghost stories and seamlessly weaves them with the fiction of this ghost hunting American family. I think a lot of children who I come across and potentially across the country may have been to Edinburgh so it makes the story a little bit more accessible while the fantasy creates a boundary from it being too scary. Cass is also a big fan of Harry Potter and the frequent references throughout will really resonate with contemporary children who also love the series.
I loved this book and can't wait for what follows on. It is definitely an exciting addition to a class bookshelf for the ghost story lover but would be a gripping book to share with your class just for pleasure. Brimming with tension, spine tingling atmosphere and completely relevant to the modern day pre-teen, I recommend whole heartedly.
  
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Ross (3284 KP) rated Insidious (2010) in Movies

Nov 27, 2017 (Updated Nov 27, 2017)  
Insidious (2010)
Insidious (2010)
2010 | Horror
8
7.3 (23 Ratings)
Movie Rating
The idea (1 more)
The creepy assortment of ghosts
Most of the cast (0 more)
With my wife out for the night and the kids all tucked up in bed, I decided to treat myself to a horror film, and Insidious was what I opted for (having watched the set of Sinister films a few months ago).
The film follows a fairly similar trajectory: weird things happen, the house is haunted, no its not the house its the child that's haunted, demons, triumph, happy ending. I don't think that's a spoiler as it describes 90% of the recent horror films.
A family with three young children move to a new home and soon one of the children bumps his head and ends up in a coma. From there some weird things start to happen.
Rose Byrne is excellent as the housewife struggling to raise her three kids and write music to kickstart her new career. It is her who experiences most of the unpleasant visitations, being stuck at home all day with the baby and her son in a coma. In one particularly creepy scene in the new house, she plays the role superbly (and I will never again listen to Tiptoe through the Tulips without shivering).
As with most decent horror films, this doesn't try to do anything new with the bulk of the film, but has an underlying new idea shaping it (and revealing that would be a spoiler!) that looks to explain the haunting.
Apart from Rose Byrne, I found the rest of the cast really quite poor, but they're acting during the haunting scenes didn't manage to spoil them too much.
Overall, a great creepy film that ticks all the boxes and leaves you wanting to watch the sequel.
  
BT
Between Two Kingdoms
Joe Boyd | 2010
8
8.0 (1 Ratings)
Book Rating
This book was such a unique read for me that I can't recall reading anything of this nature, with the one exception of The Pilgrim's Progress by John Bunyan, which is also allegorical in nature. The story in Between Two Kingdoms is told as a story that I think young children could appreciate just as well as adults because of the simplistic nature of the text. What intrigued me about this book was trying to figure out what each element of the story represented in reference to the Bible. Some things were obvious, such as the King being God, the Good Prince being Jesus Christ, and the River being the Holy Spirit. The interpretation of many elements though are biased according to how the author, Joe Boyd, interprets Bibical scripture, such as making the River female in nature, which would indicate Boyd's interpretation that the Holy Spirit is also female, which I do not agree with. Another interpretation that I found questionable was the Dark Prince and his true name, Adam. I could be wrong, but that tells me that the author interprets the origin of the Devil as the first man, Adam. I was completely baffled by the language that the Phantom Messengers spoke and what it was supposed to represent.
Many elements of the story were quite imaginative and fascinating, such as the behavior of the River, which was as playful and joyous as it could be peaceful and comforting. I love how the children could use such a simple thing as mirrors to destroy the Phantom Messengers by showing them their true selves. The Long Night was rife with metaphor, and I love good metaphors.
On the whole, I think this story is a great conversation piece for anyone interested in puzzling out the meanings behind the allegory.
  
The Widow
The Widow
Fiona Barton | 2016 | Fiction & Poetry
8
7.9 (9 Ratings)
Book Rating
Little Bella has gone missing from her front yard. Her mother took her eyes away for only a few minutes. Over the next four years, the police will go over every aspect of the case, trying to figure out who took Bella and why.

Jean Taylor, the wife of Glenn Taylor, who was suspected of taking Bella, has a natural interest in the case from the start. She and her husband are not able to have children and she can't see how a mother could take her eyes off such a precious thing for even a moment. But did Jean know that Glenn had taken Bella? Was she a part of the plan from the start?

After her husband is acquitted and then dies from being hit by a bus, Jeanne has to make a decision about what she is going to do with the rest of her life. Will she tell the authorities what she knows, or will she keep the secret forever. Told from the perspective of Jean, The Widow; The Detective; The Reporter and one chapter by the Husband.

This book dives into the world of pedophilia and lets you know there are a lot of sick people out there. Listening to this book, I got confused on the dates and had to think hard about what was going on and when. I think that would have been easier if I was reading the book. Overall, I was intrigued by the story and I had to know what was going to happen, if they were going to find Bella, if Jean had something to do with it, and if they were going to catch the culprit.

If you have children this book will make you hug them tighter each night.
  
The Baby Who Wouldn't Go To Bed
The Baby Who Wouldn't Go To Bed
Helen Cooper | 2000 | Children
10
10.0 (1 Ratings)
Book Rating
The Best Bed Time Book For Babies & Toddlers. Ever.
This book is delightful on so many levels that it is almost difficult to know where to start. Cooper's artwork is, as always, breathtaking. The imaginative pictures depict a landscape made up of all the things around which the baby's world revolves: the sleepy tiger that is in fact a pyjama case; the train crowded with all the sleeping toys and nursery rhyme characters. Cooper builds a world that is enchanting and delightful to parents and at the same time interesting to children. More importantly her use of subtle colours, and soft lines add a restful and dreamlike quality to these images that is in keeping with the notion of sleep and bedtime.
And all that is before you even get to the text! This is a wonderfully well-structured story. The text starts out full of energy and vigour as the baby 'Vroom-chuga-chug's' off into this make-believe world and then gradually the pace becomes slower and more restful and - in the best possible way - more soporific.
It is not hard to read this book, the text leads even the most awkward reader by the hand, making it's own patterns and rhythms almost magically dictating the speed and volume for the reader.
I bought my first copy many years ago when the older of my nine children were still quite young and the smaller ones hadn't yet made an appearance. My youngest (now two) won't go to bed without it and I have reached the point of being able to read it without even thinking about it.
We've are on our third copy of this book and it has been universally successful, in spite of gender, taste and personality differences. It is hard to imagine a child to whom this book wouldn't appeal.