Maleficium: Witchcraft and Witch-Hunting in the West
Book
In 1998 a petition was presented to the then Home Secretary Jack Straw asking for the witches of...
Christine A. (965 KP) rated Good Neighbors in Books
May 13, 2021
Good Neighbors by Sarah Langan is a difficult book to review in 200 words. There is so much I want to mention but need to limit myself. My review can be summed up in three words "read this book."
Maple Street is a perfect place to raise a family. The neighbors interact with each other as an extended family. They gather for barbeques, help each other, and look out for each other's children.
The new family is different. Arlo, a has-been rock star. Gertie, a beautiful ex-pageant queen. Julie, an intelligent preteen who curses like a sailor. Larry, an autistic boy who, along with his family, does not fit with the Maple Street image. The queen bee, Rhea, takes the family under her wing, and everyone welcomes them into the fold.
After a booze-fueled night, Rhea overshares to Gertie, which starts the Maple Street implosion.
Good Neighbors is a twisted story that takes its time to grow like the heat in summer. I recently read an ok writer cannot mess up a great plot while a great author will take a great plot and make it even better. Langan's writing and the great plot make for an excellent, well-written book.
This 200-word review was published on Philomathinphila.com.
British Posters of the First World War
Book
During the First World War the authorities emulated the simple slogans and strong graphic imagery of...
Ali A (82 KP) rated The Electric Kingdom in Books
Jan 11, 2021
Every character that David Arnold writes in this book is so full of love, warmth, and heartbreak. I fell in love with Kit and his outlook on live. It was beautiful. The relationship he had with his mother Dakota, and why he calls her “My Dakota” made me tear up.
I’m not sure I completely understand the whole dynamics of the world that is in this book, but I still very much enjoyed it! There are so many layers and plot twists and double backs, you don’t realize how intense it is until you’re half way through it. By then, Arnold has you hooked and you’ve got to find out what happens and how it’s all connected!
I haven’t read anything from Arnold before but I enjoyed this one and will seeking out others from him.
*Thank you Bookish First and Penguin Teen/Viking Books for Young Readers for an advanced copy of this book in exchange for an honest review
Talking Carl
Entertainment and Games
App
Talk, Sing and Play with Carl. Tickle, punch, feed him and hear his funny laughs, growls and more! ...
SBB Mobile Preview
Travel
App
Welcome to the preview program. Find more Informations under www.sbb.ch/en/preview. SBB Mobile...
Dark Age (Red Rising Saga #5)
Book
For a decade Darrow led a revolution against the corrupt color-coded Society. Now, outlawed by the...
Too Many Reasons to Live
Book
Rob Burrow is one of the greatest rugby league players of all time. And the most inspirational. As a...
Phillip McSween (751 KP) rated A Quiet Place (2018) in Movies
Apr 20, 2018
Acting: 10
The number of words said in this film probably equal the number of words it took me to write this review. The cast relies heavily on body language and facial expressions to convey their emotions and it's extremely effective. You feel their fear, their love for one another, their hatred. No way this emanates without an amazing cast.
Emily Blunt. Emily Blunt. Emily Blunt. Absolutely...freaking...phenomenal. It's hard for me to put into words how outstanding of a role she played in making this film work. She's powerful yet vulnerable in her role as mother Evelyn. Again, so challenging to do when your words are limited. Seeing her kill it made me excited to rewatch Edge of Tomorrow.
Beginning: 10
One does not simply get eased into watching A Quiet Place. It's a film that comes out of the gates swinging with one of the best intros I've seen since Baby Driver. Tensions run high as you're just waiting for something awful to happen. It's the perfect setup for a film that holds on to you and never lets go.
Characters: 10
While Blunt's Evelyn blew me away, I felt I related most to John Krasinski's character Lee, the father of the family. He is trying to keep everyone safe by having them abide by the rules that have kept them alive for so long. At the same time you can tell it frustrates him to have to shelter his kids from being kids and living their lives normally. He loves his family and is solely focused on the duty of keeping them safe and together.
Each character is layered with their own personal demons that have affected them in some form or fashion. The kids are intelligent as you would expect from children that have had to grow up in such an insane world. At the same time their sporadic and unpredictable feelings remind you that they are still just children.
Cinematography/Visuals: 9
Conflict: 10
Genre: 10
Memorability: 10
Pace: 10
A nonstop thrill ride. Sure you will get a couple breathers, but there is ALWAYS tension. Whether it's silence or looming threats around the corner, A Quiet Place never gives you a chance to get comfortable. I heard all of this going into the film and I still wasn't prepared for such intensity. Get ready...
Plot: 6
My one gripe. There is definitely a slight plot hole here that caused me to dock points. I won't ruin things, but if you look closely enough it's pretty obvious. I will also say that this one plot hole does little to nothing to ruin the overall experience of the film.
Resolution: 8
Strong ending that nicely ties everything together. It's a resolution that doesn't linger or wear out its welcome. It reminds me of Edge of Tomorrow in that it's just enough.
Overall: 93
If you're looking for a a memorable film to watch, A Quiet Place is a wonderful solution. Very original spin on a genre that can be repetitive at times. This one will stand out in my head for years to come.
Bob Mann (459 KP) rated Wild Rose (2018) in Movies
Sep 28, 2021
Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.
Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.
Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.
Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?
Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.
Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.
The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.
Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!
But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.



