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Heather Cranmer (2721 KP) rated The Grotto Under the Tree in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
To be honest, I really didn't know what to make of this book when I first received the tour invite in my inbox. It sounded interesting, so I thought I'd take a chance on it. Luckily, the book turned out to be likable.
Sara and Sebastian are both in 5th grade and are best friends. While in school, the learn the legend of the big, old oak tree that sits outside their classroom window. During a storm, the oak is damaged. When Sara and Sebastian are walking by the now damaged oak tree, the notice a hole that leads them into a grotto filled with beautiful and magical beings. However, there are also dangerous beings in this grotto. Little do Sara and Sebastian know that they've just got themselves into a dangerous war between these creatures underground. Will Sara and Sebastian make it back home in one piece?
I think the cover is absolutely gorgeous! I love the magical feel of this picture! The grotto under the tree on the cover is breathtaking! The cover definitely suits the book.
The title is very straight forward. The whole setting is the grotto under the tree, so I think this is a fantastic title for this book.
I thought the world building, for a middle grade novel, was done fantastically! It's so easy to get lost in this magical world thanks to the author's great descriptions! In fact, I wanted to visit this grotto under the oak tree!
The pacing was a bit slow to begin with, and I was thinking that I had made a mistake in agreeing to review this book. Luckily, without even realizing it, the pacing picked up, and I was enthralled with this story.
The book definitely has an interesting plot. I love, love, love the idea of a grotto under a tree. There's not many subplots, but I think this is because it's a middle grade novel. I was quite happy there wasn't many subplots though. The use of mystical creatures as well as a traditional figure was interesting. I even like the way the author made up his own type of mythical creatures. The best thing about the plot was the life lessons found throughout the novel.
I liked the characters. I thought they sounded like they were really sweet. I would've liked to know more about them such as what they were like when they were in their normal existence. I did like the way they looked out for each other no matter what happened. It was touching to see how they were willing to sacrifice their own life for the other's many times. It was obvious how close these two were.
The dialogue was mostly written well for a middle grade novel. However, there were some words in there that I think tweens and younger teens might struggle with. Also, there were times when the children spoke that made them seem more like high school kids rather than elementary kids. Oh, and I found it annoying how the book had to mention every time they held hands or rested their head on each other. It got a bit repetitive. Other than that, the dialogue flows really well and suits a middle grade novel! There's no swearing although there is mild violence.
Overall, The Grotto Under the Tree is a very amusing read which will transport you into a magical realm. With only a few minor issues, this is a novel that children will thoroughly enjoy.
I'd recommend this to children aged 10 - 13 who would love to be transported into a magical and mystical universe!
(I received a free ebook of this title from the tour host in exchange for a fair and honest review).
To be honest, I really didn't know what to make of this book when I first received the tour invite in my inbox. It sounded interesting, so I thought I'd take a chance on it. Luckily, the book turned out to be likable.
Sara and Sebastian are both in 5th grade and are best friends. While in school, the learn the legend of the big, old oak tree that sits outside their classroom window. During a storm, the oak is damaged. When Sara and Sebastian are walking by the now damaged oak tree, the notice a hole that leads them into a grotto filled with beautiful and magical beings. However, there are also dangerous beings in this grotto. Little do Sara and Sebastian know that they've just got themselves into a dangerous war between these creatures underground. Will Sara and Sebastian make it back home in one piece?
I think the cover is absolutely gorgeous! I love the magical feel of this picture! The grotto under the tree on the cover is breathtaking! The cover definitely suits the book.
The title is very straight forward. The whole setting is the grotto under the tree, so I think this is a fantastic title for this book.
I thought the world building, for a middle grade novel, was done fantastically! It's so easy to get lost in this magical world thanks to the author's great descriptions! In fact, I wanted to visit this grotto under the oak tree!
The pacing was a bit slow to begin with, and I was thinking that I had made a mistake in agreeing to review this book. Luckily, without even realizing it, the pacing picked up, and I was enthralled with this story.
The book definitely has an interesting plot. I love, love, love the idea of a grotto under a tree. There's not many subplots, but I think this is because it's a middle grade novel. I was quite happy there wasn't many subplots though. The use of mystical creatures as well as a traditional figure was interesting. I even like the way the author made up his own type of mythical creatures. The best thing about the plot was the life lessons found throughout the novel.
I liked the characters. I thought they sounded like they were really sweet. I would've liked to know more about them such as what they were like when they were in their normal existence. I did like the way they looked out for each other no matter what happened. It was touching to see how they were willing to sacrifice their own life for the other's many times. It was obvious how close these two were.
The dialogue was mostly written well for a middle grade novel. However, there were some words in there that I think tweens and younger teens might struggle with. Also, there were times when the children spoke that made them seem more like high school kids rather than elementary kids. Oh, and I found it annoying how the book had to mention every time they held hands or rested their head on each other. It got a bit repetitive. Other than that, the dialogue flows really well and suits a middle grade novel! There's no swearing although there is mild violence.
Overall, The Grotto Under the Tree is a very amusing read which will transport you into a magical realm. With only a few minor issues, this is a novel that children will thoroughly enjoy.
I'd recommend this to children aged 10 - 13 who would love to be transported into a magical and mystical universe!
(I received a free ebook of this title from the tour host in exchange for a fair and honest review).
Gareth von Kallenbach (980 KP) rated Skyscraper (2018) in Movies
Jun 19, 2019
Will Sawyer (Dwayne Johnson), is a man getting a new start on life. Ten years after a hostage situation went bad and cost Will part of his leg, he is about to make a bid to a wealthy industrialist which will be a huge boost to his fledgling Security Assessment business.
The building in question is known as “The Pearl” and it is a multi-billion dollar wonder that towers over the Hong Kong skyline. The lower levels are open for consumer shops and other residents, but the assessment is needed in order to obtain the needed permissions to open the higher levels, and thanks to his former teammate Ben (Pablo Schreiber), has recommended Will which has allowed him to get into the mix for the job which usually goes to much larger and better established companies.
Upon meeting his potential new boss Zhao Long Ji (Chin Han), Will is able to impress him and is given a tablet customized to his facial ID which will allow him to remotely access the building systems.
On his way to tour the off-site monitoring office which is the last step needed for Will to fully sign off on the building, he is mugged and has his bag stolen. Will fortunately had the tablet on him which soon has him running for his life from a group of deadly individuals as well as the police who believe Will is behind the mysterious fire and system outages that have hit the Pearl in his absence as all the computer safeguards have been disabled by a group of armed individuals.
As if things were not bad enough for Will, he has to get into the burning building as his wife and children are trapped inside and he is their best hope for survival.
In a race against time, Will must face big odds, fire, and the dizzying heights of the building in order to save the day and rescue his family.
The poster and marketing efforts for the film made many believe it was simply an updated “Die Hard” but it is actually more than that. To me it was a mix of “The Towering Inferno” with elements of “Die Hard” but tells a more personal tale without skimping on the action. The film does have some great stunt session and tension but is not an over the top action film nor is it filled with sequences that make you roll your eyes with their stretching of credibility.
The likeability of Johnson is a big key to the film and Neve Campbell is very refreshing as his wife as she is not a typical Damsel in distress but rather a strong woman who is more than capable of holding her own in the worst of situations.
What really stood out to me were the numerous times that my mind was sure Green Screen technology was used to portray the precarious heights but I was able to truly believe what I was seeing was really happening.
The film does follow some of the standard action film checklists but does give users an enjoyable and intense summer movie experience which should be enough to make the film a success.
http://sknr.net/2018/07/11/skyscraper/
The building in question is known as “The Pearl” and it is a multi-billion dollar wonder that towers over the Hong Kong skyline. The lower levels are open for consumer shops and other residents, but the assessment is needed in order to obtain the needed permissions to open the higher levels, and thanks to his former teammate Ben (Pablo Schreiber), has recommended Will which has allowed him to get into the mix for the job which usually goes to much larger and better established companies.
Upon meeting his potential new boss Zhao Long Ji (Chin Han), Will is able to impress him and is given a tablet customized to his facial ID which will allow him to remotely access the building systems.
On his way to tour the off-site monitoring office which is the last step needed for Will to fully sign off on the building, he is mugged and has his bag stolen. Will fortunately had the tablet on him which soon has him running for his life from a group of deadly individuals as well as the police who believe Will is behind the mysterious fire and system outages that have hit the Pearl in his absence as all the computer safeguards have been disabled by a group of armed individuals.
As if things were not bad enough for Will, he has to get into the burning building as his wife and children are trapped inside and he is their best hope for survival.
In a race against time, Will must face big odds, fire, and the dizzying heights of the building in order to save the day and rescue his family.
The poster and marketing efforts for the film made many believe it was simply an updated “Die Hard” but it is actually more than that. To me it was a mix of “The Towering Inferno” with elements of “Die Hard” but tells a more personal tale without skimping on the action. The film does have some great stunt session and tension but is not an over the top action film nor is it filled with sequences that make you roll your eyes with their stretching of credibility.
The likeability of Johnson is a big key to the film and Neve Campbell is very refreshing as his wife as she is not a typical Damsel in distress but rather a strong woman who is more than capable of holding her own in the worst of situations.
What really stood out to me were the numerous times that my mind was sure Green Screen technology was used to portray the precarious heights but I was able to truly believe what I was seeing was really happening.
The film does follow some of the standard action film checklists but does give users an enjoyable and intense summer movie experience which should be enough to make the film a success.
http://sknr.net/2018/07/11/skyscraper/
Gareth von Kallenbach (980 KP) rated Rio 2 (2014) in Movies
Jun 19, 2019
Three years ago, my wife and I moved down to Arizona to open the second office of Skewed and Reviewed. I remember clearly getting into town on a Tuesday evening and the following Saturday morning we had our first assignment in AZ, screening the movie “RIO”.
As we marked the anniversary of our arrival in the Valley of the Sun, it was ironic that “Rio 2” was flying into theaters at the same time and once again, we had a Saturday morning screening for the film albeit at different theaters.
The sequel picks up shortly after the events of the first film with Blu (Jess Eisenberg), and Jewel (Anne Hathaway), raising their children in a sanctuary in Rio. Their musical and colorful friends are all around them and are preparing for the upcoming carnival and the festivities that go along with it.
Blu learns that his former owner Linda (Leslie Mann), and her husband may have discovered others of Blu’s species in the deep jungle, which in turn leads Jewel to suggest a family vacation into the wild to help out.
For a city bird like Blu, venturing into the wild requires a fanny pack with items ranging from a G.P.S. to a utility knife and other modern items much to the chagrin of those around him.
The distant journey seems to be going well, until Blu crosses paths with Nigel (Jemaine Clement), who is still seething over his last encounter with Blu and schemes his revenge.
Blu and his family stumble upon a whole flock of their species and they eagerly embrace Jewel as she has returned home. Blu despite his best efforts does not fit in and struggles to gain acceptance from Jewel’s dad who is also the leader of the flock.
As if this was not enough problems for one bird to handle, an illegal organization is cutting down the forest which threatens the flock as well as Lind and her husband.
What follows is a madcap mix of comedy, music, and adventure as the film mixes very good lessons about environmental awareness and acceptance without ever being preachy.
The animation and 3D is solid and the supporting cast which included Bruno Mars, George Lopez, Jaime Foxx, Will I Am, Tracy Morgan, Andy Garcia and many others does a solid job.
The film took a while to get going and while the final 30 minutes pays off, the biggest trouble was staying with the film during the slower moments.
While it was very well presented and produced it does make me appreciate just how dialed in Disney is with their films as no matter how much they tried, none of the musical numbers in “Rio 2” were memorable and I stuggled to remember a single song shortly after the screener.
Since Disney is the leader in the industry for animated films and have been so for over 75 years, it would be unfair to expect the company behind the “Ice Age” series to meet the same standards.
While it may not be a timeless classic, “Rio 2” still has enough charm and enjoyment to make it an enjoyable film for younger viewers and fans of the first film, just as long as you temper your expectations.
http://sknr.net/2014/04/11/rio-2/
As we marked the anniversary of our arrival in the Valley of the Sun, it was ironic that “Rio 2” was flying into theaters at the same time and once again, we had a Saturday morning screening for the film albeit at different theaters.
The sequel picks up shortly after the events of the first film with Blu (Jess Eisenberg), and Jewel (Anne Hathaway), raising their children in a sanctuary in Rio. Their musical and colorful friends are all around them and are preparing for the upcoming carnival and the festivities that go along with it.
Blu learns that his former owner Linda (Leslie Mann), and her husband may have discovered others of Blu’s species in the deep jungle, which in turn leads Jewel to suggest a family vacation into the wild to help out.
For a city bird like Blu, venturing into the wild requires a fanny pack with items ranging from a G.P.S. to a utility knife and other modern items much to the chagrin of those around him.
The distant journey seems to be going well, until Blu crosses paths with Nigel (Jemaine Clement), who is still seething over his last encounter with Blu and schemes his revenge.
Blu and his family stumble upon a whole flock of their species and they eagerly embrace Jewel as she has returned home. Blu despite his best efforts does not fit in and struggles to gain acceptance from Jewel’s dad who is also the leader of the flock.
As if this was not enough problems for one bird to handle, an illegal organization is cutting down the forest which threatens the flock as well as Lind and her husband.
What follows is a madcap mix of comedy, music, and adventure as the film mixes very good lessons about environmental awareness and acceptance without ever being preachy.
The animation and 3D is solid and the supporting cast which included Bruno Mars, George Lopez, Jaime Foxx, Will I Am, Tracy Morgan, Andy Garcia and many others does a solid job.
The film took a while to get going and while the final 30 minutes pays off, the biggest trouble was staying with the film during the slower moments.
While it was very well presented and produced it does make me appreciate just how dialed in Disney is with their films as no matter how much they tried, none of the musical numbers in “Rio 2” were memorable and I stuggled to remember a single song shortly after the screener.
Since Disney is the leader in the industry for animated films and have been so for over 75 years, it would be unfair to expect the company behind the “Ice Age” series to meet the same standards.
While it may not be a timeless classic, “Rio 2” still has enough charm and enjoyment to make it an enjoyable film for younger viewers and fans of the first film, just as long as you temper your expectations.
http://sknr.net/2014/04/11/rio-2/
JT (287 KP) rated Mama (2013) in Movies
Mar 10, 2020
When a film is presented by a well-known director it initially has a certain weight to it that will place it above the shoulders of others. In the case of horror/thriller Mama it has the backing of Spanish director Guillermo del Toro which is a certain plus point for any one who is a fan.
However, any big name attachment is probably there to push the marketing of the film, sadly this one doesn’t quite do itself much justice and falls some way short of achieving any greatness.
It’s a film of two halves, which as the second and third acts take shape becomes more and more ridiculous.
The film is brought to the big screen by director by Andrés Muschietti who also helmed the short three minute piece. It follows the story of two girls Lily and Victoria who are taken away by their father Jeffrey after he goes a bit doolally and offs his co-workers and wife.
When the car they are travelling in crashes they take shelter in a house deep in the forest, riddled with guilt Jeffrey then decides to enter into murder suicide, but something supernatural stops him and the girls are left to fend for themselves.
Move ahead five years and Jeffrey’s brother Lucas continues his search for the girls hiring a couple of hicks to trail the forest looking for the derelict cabin. When they are finally found the girls are practically feral and need psychiatric supervision as they are welcomed back into society.
Lucas and his grunge girlfriend Annabel are given custody as well as a nice new house for them to live in, all under the watchful eye of Dr. Dreyfuss. Once inside the house its clear to see that the girls have brought something back with them, something that doesn’t want to let them go.
Mama starts well enough, with a frenetic opening that glimpses the supernatural entity through blurred vision it moves from eerie strength to strength building tension and then unleashing it in small doses not giving the audience long enough to draw breath.
Of course it sticks quite closely to now tried and tested horror clichés, with things lurking in the shadows, children talking to imaginary nothingness and the so old “what’s in the closet” routine?
Then the director, whether bored with just giving us tit bits of the mother like antagonist, decides to reveal ‘it’ in all its glory. It then moves from scare mongering horror to poorly constructed ghost story in the space of a few minutes.
The acting is nothing to write home about, Jessica Chastain while so dominant in Zero Dark Thirty is flat and a little off the mark here, why the need for the grunge look is beyond me. Maybe it was in keeping with the Gothic back story?
The young girls do well, sweet and innocent yet dependable when needed, the rest of the cast pretty much fall by the wayside. The ending was for me beyond ridiculous and undid most if not all of the good work the start gave us, although saying that it was pretty much on the decline when Mama herself becomes much more of a central character.
It’s not as main stream a horror as you would expect, but the protagonist shadows the central figure that graced the god awful Darkness Falls and that is one supernatural entity well worth staying away from.
However, any big name attachment is probably there to push the marketing of the film, sadly this one doesn’t quite do itself much justice and falls some way short of achieving any greatness.
It’s a film of two halves, which as the second and third acts take shape becomes more and more ridiculous.
The film is brought to the big screen by director by Andrés Muschietti who also helmed the short three minute piece. It follows the story of two girls Lily and Victoria who are taken away by their father Jeffrey after he goes a bit doolally and offs his co-workers and wife.
When the car they are travelling in crashes they take shelter in a house deep in the forest, riddled with guilt Jeffrey then decides to enter into murder suicide, but something supernatural stops him and the girls are left to fend for themselves.
Move ahead five years and Jeffrey’s brother Lucas continues his search for the girls hiring a couple of hicks to trail the forest looking for the derelict cabin. When they are finally found the girls are practically feral and need psychiatric supervision as they are welcomed back into society.
Lucas and his grunge girlfriend Annabel are given custody as well as a nice new house for them to live in, all under the watchful eye of Dr. Dreyfuss. Once inside the house its clear to see that the girls have brought something back with them, something that doesn’t want to let them go.
Mama starts well enough, with a frenetic opening that glimpses the supernatural entity through blurred vision it moves from eerie strength to strength building tension and then unleashing it in small doses not giving the audience long enough to draw breath.
Of course it sticks quite closely to now tried and tested horror clichés, with things lurking in the shadows, children talking to imaginary nothingness and the so old “what’s in the closet” routine?
Then the director, whether bored with just giving us tit bits of the mother like antagonist, decides to reveal ‘it’ in all its glory. It then moves from scare mongering horror to poorly constructed ghost story in the space of a few minutes.
The acting is nothing to write home about, Jessica Chastain while so dominant in Zero Dark Thirty is flat and a little off the mark here, why the need for the grunge look is beyond me. Maybe it was in keeping with the Gothic back story?
The young girls do well, sweet and innocent yet dependable when needed, the rest of the cast pretty much fall by the wayside. The ending was for me beyond ridiculous and undid most if not all of the good work the start gave us, although saying that it was pretty much on the decline when Mama herself becomes much more of a central character.
It’s not as main stream a horror as you would expect, but the protagonist shadows the central figure that graced the god awful Darkness Falls and that is one supernatural entity well worth staying away from.
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RəX Regent (349 KP) rated Downfall (Der Untergang) (2004) in Movies
Feb 19, 2019
The true story of the last days of NAZI Germany, focusing on Hitler and his cohorts as they sought refuge on his Berlin Bunker and is chronicled here with such honesty.
Told in a straight forward manner, we are given a portrait of not only Adolf Hitler himself, played perfectly by Bruno Ganz, who manages to humanize him without ever apologising for his heinous acts, but also those close to him. Shown through the young eyes of his final secretary, Traudl Junge (Alexandra Maria Lara), we are given a picture of what The Third Reich was to those who believed in it as well as what it had become for those who would suffer at it bloody hands.
Directed by Hirschbiegel to put us, the audience in the anterooms with these monsters, we are placed into a complex environment, edgy, atmospheric and most of all, real, as we witness noble acts of patriotism, conscience and pure, despicable horror, none less so that Magda Geobells, with the full consent of her husband, Joseph, first drugging, then murdering their six children as they slept, rather than “let them live in a world without national socialism.”
The only redeeming factors were their eventual suicides and in terms of the film, their first rate performances throughout this harrowing scene. Corinna Harfouch, who portrays Magda manages to portray this evil woman yet convey the emotion which was subdued deep beneath the surface. No small feat to allow such a fleeting glimpse of humanity during such and inhuman act.
But the same must be said Bruno Ganz, who manages to portray Hitler with such humanity; whilst showing us the true nature of his monstrosities, highlighting that the REAL monsters live among us and can seduce us at any time, any where, especially when we are vulnerable.
During one of the film’s early scenes, Hitler and Albert Speer (Heino Ferch), his Armaments Minister, discussing his vision for The Third Reich as he looks over a model of the new Germany which would be built after he won the war, a Germany without department stores, instead focusing on art, literature and culture.
Surely a noble goal, but as we all know, this cultural hub would have been built at an unacceptable cost, mainly with the blood of those who Hitler and his cohorts deemed to be inferior.
This is one of many clever methods used to convey a fair portrait of Hitler and The Third Reich. To demonstrate how bad they were, you first have to show impartiality, pointing out the good in what they do, play devil’s advocate as it were. Because whether we like it or not, evil motives are often built upon decent goals.
But as this film demonstrates, as Hitler shows his destine for anyone, even his own people, who will not give their lives for HIS vision of Germany, his Third Reich was being eaten away by a cancer of his own making, a Germany rotting from the very top.
Downfall is without a doubt one of the best World War 2 films which I have ever seen, delivering a compelling and immersive look behind the scenes of one of the most important defeats in modern history.
But being British and having to follow this with subtitles, which was great as watching this in its native German only adds to the experience, it can be a bit difficult to keep up with every plot machination, as we spend two and half hours reading about troop deployments, tactics and the philosophy of the Third Reich as we are presented with such atmospheric work, but if you can keep up with but the text and visuals, this is one hell of an education for those who do not know and an immersive masterpiece for those who follow WW2 history.
Told in a straight forward manner, we are given a portrait of not only Adolf Hitler himself, played perfectly by Bruno Ganz, who manages to humanize him without ever apologising for his heinous acts, but also those close to him. Shown through the young eyes of his final secretary, Traudl Junge (Alexandra Maria Lara), we are given a picture of what The Third Reich was to those who believed in it as well as what it had become for those who would suffer at it bloody hands.
Directed by Hirschbiegel to put us, the audience in the anterooms with these monsters, we are placed into a complex environment, edgy, atmospheric and most of all, real, as we witness noble acts of patriotism, conscience and pure, despicable horror, none less so that Magda Geobells, with the full consent of her husband, Joseph, first drugging, then murdering their six children as they slept, rather than “let them live in a world without national socialism.”
The only redeeming factors were their eventual suicides and in terms of the film, their first rate performances throughout this harrowing scene. Corinna Harfouch, who portrays Magda manages to portray this evil woman yet convey the emotion which was subdued deep beneath the surface. No small feat to allow such a fleeting glimpse of humanity during such and inhuman act.
But the same must be said Bruno Ganz, who manages to portray Hitler with such humanity; whilst showing us the true nature of his monstrosities, highlighting that the REAL monsters live among us and can seduce us at any time, any where, especially when we are vulnerable.
During one of the film’s early scenes, Hitler and Albert Speer (Heino Ferch), his Armaments Minister, discussing his vision for The Third Reich as he looks over a model of the new Germany which would be built after he won the war, a Germany without department stores, instead focusing on art, literature and culture.
Surely a noble goal, but as we all know, this cultural hub would have been built at an unacceptable cost, mainly with the blood of those who Hitler and his cohorts deemed to be inferior.
This is one of many clever methods used to convey a fair portrait of Hitler and The Third Reich. To demonstrate how bad they were, you first have to show impartiality, pointing out the good in what they do, play devil’s advocate as it were. Because whether we like it or not, evil motives are often built upon decent goals.
But as this film demonstrates, as Hitler shows his destine for anyone, even his own people, who will not give their lives for HIS vision of Germany, his Third Reich was being eaten away by a cancer of his own making, a Germany rotting from the very top.
Downfall is without a doubt one of the best World War 2 films which I have ever seen, delivering a compelling and immersive look behind the scenes of one of the most important defeats in modern history.
But being British and having to follow this with subtitles, which was great as watching this in its native German only adds to the experience, it can be a bit difficult to keep up with every plot machination, as we spend two and half hours reading about troop deployments, tactics and the philosophy of the Third Reich as we are presented with such atmospheric work, but if you can keep up with but the text and visuals, this is one hell of an education for those who do not know and an immersive masterpiece for those who follow WW2 history.
Hazel (1853 KP) rated Red Rising in Books
May 30, 2017
Mildly boring
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Red Rising by debut author Pierce Brown is a very difficult book to review. It is clear that Brown is an excellent writer with amazing ideas, but at the same time it does not feel possible to rate the book any higher that two or three stars. This first book of three is somewhat alike The Hunger Games Trilogy by Suzanne Collins and has some very exciting themes. However at other times it provoked a range of emotions from disgust to almost verging on boredom.
Set thousands of years in the future, the world has become colour coded. Gold are the elite, the ruling colour, and at the bottom of the pile are the Reds. Darrow is a Red and lives below the surface of the planet Mars in the mines with the responsibility of helping to make the planet’s surface habitable for humans in the future. He soon discovers that the ruling societies have been lying to him all his life, and to the many generations before him. But there is an uprising brewing and Darrow has been chosen to play a vital role in it, even though that means pretending to be the enemy.
Although it was difficult to get into the novel it appeared to be clear what the plot would be about. Wrong! Once Darrow has been trained to behave like a Gold the storyline changes completely. It is almost as though it is a different book altogether. Red Rising suddenly becomes Hunger Games-esque and the situations with the Reds, while being referred to once or twice, was all but forgotten. Presumably those original themes will continue within the final books of the trilogy.
Living under the surface of Mars with no sunlight speeds up the aging process of the inhabitants. People in the thirties are considered old; therefore even though Darrow is a teenager in Earth years, he is portrayed as a man – an image that is difficult to shake off throughout the entire book. Once Darrow is living with the Golds and, supposedly, resembling his true age, it is still easy to forget that he is young. This may change the way the reader pictures the scenes compared with how the author intended them to be imagined. The characters are still only children but may be mistaken for adults due Darrow’s opening scenes.
It cannot be denied that Brown is a very knowledgeable writer. As well as writing in an exceptionally well-structured way, he incorporates a vast amount of high culture into his story. A lot of the novel is influenced by Greek and Roman mythology and he also quotes famous philosophers such as Cicero and Plato. So despite its science fiction genre it also has a slight educational nature.
Something interesting about Red Rising was the character development of Darrow. At the beginning he was rather naïve, believing everything he was told, following orders etc. But soon he becomes more confident, clever, Gold-like. However he then becomes like a wild beast, killing to survive, to win. Thankfully his cleverness takes control and he realises that he needs to become a leader and not a tyrant. Towards the end he even becomes messiah-like. As Darrow progresses through these changes he becomes a more likable character.
I am not sure whether I want to read the next installment of Red Rising. For the beginning storyline to continue and become the main focus, the book would need to be completely different. This could be a good thing because, as mentioned, there were times when it was a little boring, however there’s the risk that it will not feel like a follow on from the first book. I do not want to put anyone off from reading it, but I will honestly say that it was not really what I was expecting.
Red Rising by debut author Pierce Brown is a very difficult book to review. It is clear that Brown is an excellent writer with amazing ideas, but at the same time it does not feel possible to rate the book any higher that two or three stars. This first book of three is somewhat alike The Hunger Games Trilogy by Suzanne Collins and has some very exciting themes. However at other times it provoked a range of emotions from disgust to almost verging on boredom.
Set thousands of years in the future, the world has become colour coded. Gold are the elite, the ruling colour, and at the bottom of the pile are the Reds. Darrow is a Red and lives below the surface of the planet Mars in the mines with the responsibility of helping to make the planet’s surface habitable for humans in the future. He soon discovers that the ruling societies have been lying to him all his life, and to the many generations before him. But there is an uprising brewing and Darrow has been chosen to play a vital role in it, even though that means pretending to be the enemy.
Although it was difficult to get into the novel it appeared to be clear what the plot would be about. Wrong! Once Darrow has been trained to behave like a Gold the storyline changes completely. It is almost as though it is a different book altogether. Red Rising suddenly becomes Hunger Games-esque and the situations with the Reds, while being referred to once or twice, was all but forgotten. Presumably those original themes will continue within the final books of the trilogy.
Living under the surface of Mars with no sunlight speeds up the aging process of the inhabitants. People in the thirties are considered old; therefore even though Darrow is a teenager in Earth years, he is portrayed as a man – an image that is difficult to shake off throughout the entire book. Once Darrow is living with the Golds and, supposedly, resembling his true age, it is still easy to forget that he is young. This may change the way the reader pictures the scenes compared with how the author intended them to be imagined. The characters are still only children but may be mistaken for adults due Darrow’s opening scenes.
It cannot be denied that Brown is a very knowledgeable writer. As well as writing in an exceptionally well-structured way, he incorporates a vast amount of high culture into his story. A lot of the novel is influenced by Greek and Roman mythology and he also quotes famous philosophers such as Cicero and Plato. So despite its science fiction genre it also has a slight educational nature.
Something interesting about Red Rising was the character development of Darrow. At the beginning he was rather naïve, believing everything he was told, following orders etc. But soon he becomes more confident, clever, Gold-like. However he then becomes like a wild beast, killing to survive, to win. Thankfully his cleverness takes control and he realises that he needs to become a leader and not a tyrant. Towards the end he even becomes messiah-like. As Darrow progresses through these changes he becomes a more likable character.
I am not sure whether I want to read the next installment of Red Rising. For the beginning storyline to continue and become the main focus, the book would need to be completely different. This could be a good thing because, as mentioned, there were times when it was a little boring, however there’s the risk that it will not feel like a follow on from the first book. I do not want to put anyone off from reading it, but I will honestly say that it was not really what I was expecting.
Gareth von Kallenbach (980 KP) rated The Huntsman: Winter's War (2016) in Movies
Aug 6, 2019
Mirror, mirror on the wall who is the fairest of them all?”
Once again the story that has captivated millions throughout the world returns to the big screen with a prequel and sequel to Snow White and the Huntsman. At the end of the first film, the evil mirror-obsessed queen Ravenna (Charlize Theron) is defeated by Snow White (Kirsten Stewart) and Eric the Huntsman (Chris Hemsworth). The second film begins with the revelation that Ravenna has a sister named Freya (Emily Blunt), who was completely normal until she made the mistake of falling in love and getting pregnant, which endangered the sinister plans of Ravenna. Under unknown circumstances Freya loses the love of her life and her baby, causing so much pain and suffering , she becomes the sad and lonely Snow Queen , leaving her sister to conquer kingdoms on her own .
The Huntsman is related to Ravenna, not only because of Snow White, but because he and his wife Sara (Jessica Chastain) were raised and trained in the kingdom ruled by Snow Queen Freya who, as a survivor of unthinkable heartbreak, has one big rule all her “children” must obey: Do not love. Ever.
Long story short, Freya’s reign threatens Snow White’s kingdom and it’s up to Eric, Sara, and their companions to stop her. And although her role is smaller here than in the original film, Queen Ravenna returns to both aid and manipulate her youngster sister Freya.
There might not be Seven Dwarves this time around, but the four this sequel does include are hilarious and offer some of the cleverest comebacks I have heard in a long time. Nick Frost’s Nion is the only dwarf from the original to return, and he’s joined by his brother Gryff (Rob Brydon) and two females, Mrs. Bromwyn (Sheridan Smith) and Doreena (Alexandra Roache).
I can say that I really liked this film, and as a Charlize Theron fan I most enjoy her work especially as an evil, selfish witch obsessed with eternal beauty. And of course having Chris Hemsworth in the screen is always a delight for our eyes. The special effects are not distracting at all; they’re actually the complete opposite. The quality is outstanding which makes it easier to be transported to a magical world filled with fairies and enchantments.
Although I have to say it is not as family-friendly as the fairy tale inspired film, it is definitely funny, including a lot of action and fight scenes with a story line that entertains the audience.
Once again the story that has captivated millions throughout the world returns to the big screen with a prequel and sequel to Snow White and the Huntsman. At the end of the first film, the evil mirror-obsessed queen Ravenna (Charlize Theron) is defeated by Snow White (Kirsten Stewart) and Eric the Huntsman (Chris Hemsworth). The second film begins with the revelation that Ravenna has a sister named Freya (Emily Blunt), who was completely normal until she made the mistake of falling in love and getting pregnant, which endangered the sinister plans of Ravenna. Under unknown circumstances Freya loses the love of her life and her baby, causing so much pain and suffering , she becomes the sad and lonely Snow Queen , leaving her sister to conquer kingdoms on her own .
The Huntsman is related to Ravenna, not only because of Snow White, but because he and his wife Sara (Jessica Chastain) were raised and trained in the kingdom ruled by Snow Queen Freya who, as a survivor of unthinkable heartbreak, has one big rule all her “children” must obey: Do not love. Ever.
Long story short, Freya’s reign threatens Snow White’s kingdom and it’s up to Eric, Sara, and their companions to stop her. And although her role is smaller here than in the original film, Queen Ravenna returns to both aid and manipulate her youngster sister Freya.
There might not be Seven Dwarves this time around, but the four this sequel does include are hilarious and offer some of the cleverest comebacks I have heard in a long time. Nick Frost’s Nion is the only dwarf from the original to return, and he’s joined by his brother Gryff (Rob Brydon) and two females, Mrs. Bromwyn (Sheridan Smith) and Doreena (Alexandra Roache).
I can say that I really liked this film, and as a Charlize Theron fan I most enjoy her work especially as an evil, selfish witch obsessed with eternal beauty. And of course having Chris Hemsworth in the screen is always a delight for our eyes. The special effects are not distracting at all; they’re actually the complete opposite. The quality is outstanding which makes it easier to be transported to a magical world filled with fairies and enchantments.
Although I have to say it is not as family-friendly as the fairy tale inspired film, it is definitely funny, including a lot of action and fight scenes with a story line that entertains the audience.