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Talking Pato Premium – Pocoyo’s Best Friend HD
Games and Entertainment
App
You’ve already enjoyed playing with Talking Pocoyo, and now you can play with Pocoyo’s best...
Talking Tom Cat
Entertainment
App
Play Talking Tom Cat, the fun free virtual pet from the makers of Talking Tom and Friends with over...
Talking ABC...
Education and Games
App
*** App Store Best Kids App 2013 *** Talking ABC is an interactive alphabet created with love and...
Heathski (173 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Feb 20, 2019
Animation and art very expressive (1 more)
Story funny scary and emotional
Emotional rollercoaster
I can write this from a few different perspectives. I went to see this with my nephew who is 4, and the film is a PG. I love the How to train your dragon series. Ive always been impressed by the animation and the strong storyline of the bond between Hiccup and Toothless. This film was excellent. The expression of emotion in the characters was so flawless it felt real The animators and artists excelled themselves, in this truly awesome and beautifully designed film.
I laughed out loud and I had some teary moments. It's was a touching heartfelt goodbye to the series. I enjoyed it. My partner, who's not a huge fan, also enjoyed it and laughed a lot throughout the film. My nephew was entranced. He loves Toothless. The characters were so well done, that he though the baddie (who looks a lot like he was modelled after Arnold Vosloo from The Mummy) was very scary. So much so, he had to leave the cinema, but he came back after some reasurance. We covered his eyes at the next scary bit and soon he was shouting at the screen and getting very animated when the baddie appeared, cheering Hiccup and Toothless along.
This is an awesome family film, plenty of action, very funny and emotional. Watch out for the scary bits and If you are anything like me, make sure you have tissues. ⭐⭐⭐⭐⭐
I laughed out loud and I had some teary moments. It's was a touching heartfelt goodbye to the series. I enjoyed it. My partner, who's not a huge fan, also enjoyed it and laughed a lot throughout the film. My nephew was entranced. He loves Toothless. The characters were so well done, that he though the baddie (who looks a lot like he was modelled after Arnold Vosloo from The Mummy) was very scary. So much so, he had to leave the cinema, but he came back after some reasurance. We covered his eyes at the next scary bit and soon he was shouting at the screen and getting very animated when the baddie appeared, cheering Hiccup and Toothless along.
This is an awesome family film, plenty of action, very funny and emotional. Watch out for the scary bits and If you are anything like me, make sure you have tissues. ⭐⭐⭐⭐⭐
Colorfy: Coloring Book
Entertainment and Book
App
No.1 Coloring Book for Adults with 25,000,000 users! Colorfy is the original and best coloring book...
Kristy H (1252 KP) rated Little Fires Everywhere in Books
Mar 19, 2020
Truly, I've been meaning to read this one for ages, but those Hulu promos with Reese Witherspoon and Kerry Washington really did push me over the edge. Shaker Heights is a planned community in Ohio, focused on perfection. No one loves the community more than Elena Richardson, who has lived there most of her life. She and her husband have four children, and Elena works as a reporter for a local paper. They also rent a townhouse to deserving tenants. Their latest project is Mia Warren and her daughter, Pearl. Mia is an artist and Pearl goes to high school with the Richardson kids. Mia is everything Shaker is not--mysterious, interesting, and different. When Elena's friends try to adopt a Chinese-American baby, a battle erupts within Shaker Heights that splits the town--and Mia and Elena. Elena starts digging into Mia's past, but her obsession with this woman will soon put both Mia and herself at risk.
I'm not sure there's much I can say about this popular book that hasn't been said before. I'm often hesitant to read hyped books, fearing a letdown, but I really enjoyed this one. It's mesmerizing, drawing you into Shaker Heights, as one event keeps leading to another, things unfolding before your eyes. Disaster, you know, is waiting right around the corner.
Ng flirts constantly with the idea of being different--Pearl, for instance, isn't sure she likes being different--and loves spending time with the Richardson kids, who seem so average and normal. There are others who are scared of being different. We see different ideas of conformity. And the thread of fires--big and small--real and metaphorical--throughout the entire novel. Ng is an excellent writer; I was really impressed with how everything tied together. She captures the everyday moments so well.
The whole book was incredibly compelling; I had not realized that there was a mystery element to this one, as Elena digs into Mia's past. I was fascinated, and I loved how real each of the characters seemed. The four Richardson kids are unique in their own way, and of course, Mia, Elena, and Pearl are quite captivating. The world-building and storytelling here is amazing.
Overall, this book is just fascinating. I was hooked from the beginning and awed by the excellent writing, as well. I'm extremely curious how this will translate to tv (and what liberties they will take with the story). 4.5 stars.
I'm not sure there's much I can say about this popular book that hasn't been said before. I'm often hesitant to read hyped books, fearing a letdown, but I really enjoyed this one. It's mesmerizing, drawing you into Shaker Heights, as one event keeps leading to another, things unfolding before your eyes. Disaster, you know, is waiting right around the corner.
Ng flirts constantly with the idea of being different--Pearl, for instance, isn't sure she likes being different--and loves spending time with the Richardson kids, who seem so average and normal. There are others who are scared of being different. We see different ideas of conformity. And the thread of fires--big and small--real and metaphorical--throughout the entire novel. Ng is an excellent writer; I was really impressed with how everything tied together. She captures the everyday moments so well.
The whole book was incredibly compelling; I had not realized that there was a mystery element to this one, as Elena digs into Mia's past. I was fascinated, and I loved how real each of the characters seemed. The four Richardson kids are unique in their own way, and of course, Mia, Elena, and Pearl are quite captivating. The world-building and storytelling here is amazing.
Overall, this book is just fascinating. I was hooked from the beginning and awed by the excellent writing, as well. I'm extremely curious how this will translate to tv (and what liberties they will take with the story). 4.5 stars.
Humans are Underrated: What High Achievers Know That Brilliant Machines Never Will
Book
What hope will there be for us when computers can drive cars better than humans, do intricate legal...
Gareth von Kallenbach (980 KP) rated Looper (2012) in Movies
Aug 7, 2019
In the world of 2072, it is learned that time travel has been invented and is declared illegal by all the governments of the world. Naturally, the criminal elements of the future embrace the technology. Apparently getting rid of bodies and people in the future is tricky because of innovative tagging and tracking technology.
The criminal bosses of the future send a man named Abe (Jeff Bridges) 30 years into the past to serve the criminals of the future with a new type of hit man called a Looper. In the new film “Looper” Joseph Gordon-Levitt stars as Joe, a Looper who never lets morals get in the way of his job. He is happy to promptly dispatch anyone sent from the future without a second thought.
Joe is well paid for his work, and is happy to enjoy the drugs and women that come with his job. Yet Joe desires to leave it all one day and travel to France. For a Looper to be retired, he is forced to kill a future version of himself, and in doing so, gets a fantastic retirement payout and 30 years to live it up since that is how long it will take for time travel to be invented. Naturally an older version of yourself cannot be sent back to be killed by your younger self for at least 30 years. But the increase in retirements is a bit disconcerting for Joe.
Things change drastically for Joe when his older self (Bruce Willis), appears and manages to escape before he can be killed by his younger self. For a Looper to have his target escape is a serious infraction, and in no time, Joe finds himself not only hunting his older self, but also on the run from his former friends and allies who have made him both older and younger a priority.
At this point in the film, I was hooked, as my mind raced with twists, possibilities, and the promise of the film. Sadly the momentum grinds to a halt in the second half as the older Joe attempts to ally with his younger self to stop a future crime boss while he is a child. This quickly becomes a very blatant “Terminator” rip off as older Joe attempts to locate and kill children who may be the future crime lord while younger Joe is biding his time hiding from his former associates while protecting a young child and his mother from his older self.
It does not take much thought to see where this is going but sadly the remainder of the movie is underwhelming and disappointing as the film recycles scenarios that we have seen many times before in better movies. The second half lacks any real action and climactic finale to give the audience the well-deserved payoff they waited for.
Willis, Bridges, and Gordon-Levitt do solid work but seem to be going through the motions as they never really earn any sympathy from the audience. Much like last year’s “In Time”, “Looper” has a great premise that starts well and then fails to live up to its potential.
The criminal bosses of the future send a man named Abe (Jeff Bridges) 30 years into the past to serve the criminals of the future with a new type of hit man called a Looper. In the new film “Looper” Joseph Gordon-Levitt stars as Joe, a Looper who never lets morals get in the way of his job. He is happy to promptly dispatch anyone sent from the future without a second thought.
Joe is well paid for his work, and is happy to enjoy the drugs and women that come with his job. Yet Joe desires to leave it all one day and travel to France. For a Looper to be retired, he is forced to kill a future version of himself, and in doing so, gets a fantastic retirement payout and 30 years to live it up since that is how long it will take for time travel to be invented. Naturally an older version of yourself cannot be sent back to be killed by your younger self for at least 30 years. But the increase in retirements is a bit disconcerting for Joe.
Things change drastically for Joe when his older self (Bruce Willis), appears and manages to escape before he can be killed by his younger self. For a Looper to have his target escape is a serious infraction, and in no time, Joe finds himself not only hunting his older self, but also on the run from his former friends and allies who have made him both older and younger a priority.
At this point in the film, I was hooked, as my mind raced with twists, possibilities, and the promise of the film. Sadly the momentum grinds to a halt in the second half as the older Joe attempts to ally with his younger self to stop a future crime boss while he is a child. This quickly becomes a very blatant “Terminator” rip off as older Joe attempts to locate and kill children who may be the future crime lord while younger Joe is biding his time hiding from his former associates while protecting a young child and his mother from his older self.
It does not take much thought to see where this is going but sadly the remainder of the movie is underwhelming and disappointing as the film recycles scenarios that we have seen many times before in better movies. The second half lacks any real action and climactic finale to give the audience the well-deserved payoff they waited for.
Willis, Bridges, and Gordon-Levitt do solid work but seem to be going through the motions as they never really earn any sympathy from the audience. Much like last year’s “In Time”, “Looper” has a great premise that starts well and then fails to live up to its potential.
Deer Hunter: African Safari
Games and Sports
App
NOW WITH GAME CENTER LEADERBOARDS & RETINA DISPLAY support!!! The most realistic hunting franchise...
Emma @ The Movies (1786 KP) rated The Witches (2020) in Movies
Mar 14, 2021
Well, here we are... I'm not really sure I remember the original, but I suspect that's a bit of a blessing.
When a young boy encounters a strange and frightening woman his grandmother tells him about the existence of witches. In an attempt to hide from the woman, they take a trip that accidentally drops them in the middle of a witch convention led by the Grand High Witch.
At 1 hour 46 the witches feels like a short film to watch, but on reflection that runtime seems incredibly long for what was actually presented. The opening feels long, while somehow empty. There's obviously a need to get the backstory out, but I'm not sure I enjoyed the Chris Rock voiceover combined with the condensed story from Grandma.
I don't think there's a whole lot to grumble about with the storyline, witches exist, they hate children, plan to obliterate them all... blah blah blah. While I'm not entirely convinced there's a place for some of Roald Dahl's stories these days, but this sort of kids in peril and magic plots are fairly easy ones to get along with.
I love seeing Octavia Spencer in things, though I refuse to accept her as a grandmother. There were some moments with her that I really enjoyed, but there were quite a few scenes where the reactions didn't feel right for the situation. This wasn't something isolated to Spencer's performance, a combination of odd script and strangely edited transitions and effects left me with a lot of moments to pause.
Jahzir Bruno as Hero Boy was very good once the setting moved to the hotel, and I loved his reactions to hearing his gran explaining how to identify a witch.
Let's talk about the Grand High Witch shall we? Anne Hathaway definitely felt like the only one who was all in on their performance... and that's maybe the only positive thing I have to say about it. It was so incredibly difficult to understand what was being said half of the time, you can take an educated guess, but that doesn't really help when you're watching a film.
While all the witches have effects on them it's mainly Hathaway that had the screen time with it. As a scary creation it's pretty good, the mouth and teeth give a very sinister vibe... but at times I felt like it was overused. There were times when the effects really shone. The Grand High Witch's features looked spookily realistic, and here movements flowed seamlessly. But then you got the throwing of objects, and the animals, and it falls apart. The cat in particular reminded me of early, dubious, Harry Potter effects. (And that's not the only Harry Potter element I felt, there are strong Dudley vibes too.)
This reimagining of The Witches may have enough rodent action and face-pulling for the kids to get some enjoyment out of it, but this empty feeling film left me with little to remember apart from the negatives.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/03/the-witches-movie-review.html
When a young boy encounters a strange and frightening woman his grandmother tells him about the existence of witches. In an attempt to hide from the woman, they take a trip that accidentally drops them in the middle of a witch convention led by the Grand High Witch.
At 1 hour 46 the witches feels like a short film to watch, but on reflection that runtime seems incredibly long for what was actually presented. The opening feels long, while somehow empty. There's obviously a need to get the backstory out, but I'm not sure I enjoyed the Chris Rock voiceover combined with the condensed story from Grandma.
I don't think there's a whole lot to grumble about with the storyline, witches exist, they hate children, plan to obliterate them all... blah blah blah. While I'm not entirely convinced there's a place for some of Roald Dahl's stories these days, but this sort of kids in peril and magic plots are fairly easy ones to get along with.
I love seeing Octavia Spencer in things, though I refuse to accept her as a grandmother. There were some moments with her that I really enjoyed, but there were quite a few scenes where the reactions didn't feel right for the situation. This wasn't something isolated to Spencer's performance, a combination of odd script and strangely edited transitions and effects left me with a lot of moments to pause.
Jahzir Bruno as Hero Boy was very good once the setting moved to the hotel, and I loved his reactions to hearing his gran explaining how to identify a witch.
Let's talk about the Grand High Witch shall we? Anne Hathaway definitely felt like the only one who was all in on their performance... and that's maybe the only positive thing I have to say about it. It was so incredibly difficult to understand what was being said half of the time, you can take an educated guess, but that doesn't really help when you're watching a film.
While all the witches have effects on them it's mainly Hathaway that had the screen time with it. As a scary creation it's pretty good, the mouth and teeth give a very sinister vibe... but at times I felt like it was overused. There were times when the effects really shone. The Grand High Witch's features looked spookily realistic, and here movements flowed seamlessly. But then you got the throwing of objects, and the animals, and it falls apart. The cat in particular reminded me of early, dubious, Harry Potter effects. (And that's not the only Harry Potter element I felt, there are strong Dudley vibes too.)
This reimagining of The Witches may have enough rodent action and face-pulling for the kids to get some enjoyment out of it, but this empty feeling film left me with little to remember apart from the negatives.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/03/the-witches-movie-review.html