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Bob Mann (459 KP) rated On the Rocks (2020) in Movies
Oct 23, 2020
Bill Murray being Bill Murray, but in sparkling form
Bill Murray is astonishing. Not just in "On the Rocks", but generally in life. Some actors - Johnny Depp, Mark Rylance, Gary Oldman, for instance - disappear completely into their characters so it takes a while to "see" who they are. Whereas with others - Bill Nighy, Tom Cruise, John Wayne, for instance - it's "Oh, there's the famous actor xxxx in a new movie". If we were grading on a scale, Bill Murray would be at the far right of the latter category. In every movie, he IS Bill Murray! In "Ghostbusters" he was the dry, laconic, wisecracking ghost hunter. In "Groundhog Day" he was the dry, laconic, wisecracking weatherman. In "The Monuments Men" he was the dry, laconic, wisecracking art historian. (In the "Zombieland" movies, he excelled himself by playing the dry, laconic, wisecracking Bill Murray!)
For many actors, that would be a problem. But Bill Murray gets away with it, because - - he's Bill freakin' Murray!! And being him is so awesome that however many times you've seen the character, you always want more.
Here's a case in point. In "On the Rocks", a chaffeured car with tinted windows rolls up. You brace yourself as the window winds slowly down. And there he is... the star. This happens quite a way into Sofia Coppola's new film. First up, we get a leisurely, but intelligent, set-up to the plot. The "Parks and Recreation" actress, Rashida Jones, plays Laura; a successful writer (currently with writer's block) married to successful businessman Dean (Marlon Wayans). The couple seem to have it all: high income; large New York apartment; two lovely young children. But Dean is always away, travelling on business - and always with his attractive co-worker "with the legs" Fiona (Jessica Henwick). Is Dean scratching the seven-year itch?
Laura's rich, art-dealing father Felix (Bill Murray) arrives, and won't take no for an answer in sniffing out the truth.
Love, love, love this movie! The pacing, the humour, the witty dialogue (it's Sofia Coppola's script) and - above all - Murray's triumphant performance all fire this well and truly into my Top 10 for the year.
Bill Murray's acting is astounding... is there an actor who spends more time in his "deep in thought" mode, with eyeballs looking at the ceiling? You could quite well believe that none of it is scripted, and he's pausing in deep thought because he really is trying to compose the next best line! A scene where, through appropriate name-dropping, he charms his way out of a traffic infringement with two New York cops is utterly absorbing.
Behind every embarrassing father is a grown-up daughter rolling her eyes. (I should know!) And Rashida Jones is perfect in the role. I'm not familiar with Jones's previous work, but she was just perfect as the foil for Murray's humour.
There's dry comedy to be had throughout "On the Rocks" which I found delightful. A running joke is Laura's drop-off and pick-ups from the local kindergarten, where she is repeatedly pinned against the wall by single-mum Vanessa (Jenny Slate) and bored to death with her moans about boyfriend-hunting on the New York scene! It's an insight that the project is led by a female writer/director, reminiscing about personal experiences!
Coppola's script also buzzes with politically incorrect views of the playboy Felix. (He reminds me strongly of an ex-work colleague: the life and soul of any party and with a charisma that is naturally attractive to women!)
For me, there was just one misstep in the movie. There's a sub-plot about the estranged relationship between Felix and Laura's mother, and the unspoken tension that lies there. This all comes to a head in a hotel bedroom, and for me personally it brought the mood of the movie down and wasn't necessary. It's a relatively minor thing. But the result was that it just took the edge off things for me in declaring it a classic.
This is one of those flicks produced for Apple, in cinemas only while en-route to their streaming service to make it eligible for Oscar consideration. And it's actually available now. This is Coppola's third outing with Murray, with the most famous being the Oscar winner "Lost in Translation". I'm actually not a mad fan of that film. But this one comes with a "Highly recommended".
(For the full graphical review, please check out the bob the movie man review here - https://bob-the-movie-man.com/2020/10/23/love-on-the-rocks-aint-no-surprise/ . Thanks)
For many actors, that would be a problem. But Bill Murray gets away with it, because - - he's Bill freakin' Murray!! And being him is so awesome that however many times you've seen the character, you always want more.
Here's a case in point. In "On the Rocks", a chaffeured car with tinted windows rolls up. You brace yourself as the window winds slowly down. And there he is... the star. This happens quite a way into Sofia Coppola's new film. First up, we get a leisurely, but intelligent, set-up to the plot. The "Parks and Recreation" actress, Rashida Jones, plays Laura; a successful writer (currently with writer's block) married to successful businessman Dean (Marlon Wayans). The couple seem to have it all: high income; large New York apartment; two lovely young children. But Dean is always away, travelling on business - and always with his attractive co-worker "with the legs" Fiona (Jessica Henwick). Is Dean scratching the seven-year itch?
Laura's rich, art-dealing father Felix (Bill Murray) arrives, and won't take no for an answer in sniffing out the truth.
Love, love, love this movie! The pacing, the humour, the witty dialogue (it's Sofia Coppola's script) and - above all - Murray's triumphant performance all fire this well and truly into my Top 10 for the year.
Bill Murray's acting is astounding... is there an actor who spends more time in his "deep in thought" mode, with eyeballs looking at the ceiling? You could quite well believe that none of it is scripted, and he's pausing in deep thought because he really is trying to compose the next best line! A scene where, through appropriate name-dropping, he charms his way out of a traffic infringement with two New York cops is utterly absorbing.
Behind every embarrassing father is a grown-up daughter rolling her eyes. (I should know!) And Rashida Jones is perfect in the role. I'm not familiar with Jones's previous work, but she was just perfect as the foil for Murray's humour.
There's dry comedy to be had throughout "On the Rocks" which I found delightful. A running joke is Laura's drop-off and pick-ups from the local kindergarten, where she is repeatedly pinned against the wall by single-mum Vanessa (Jenny Slate) and bored to death with her moans about boyfriend-hunting on the New York scene! It's an insight that the project is led by a female writer/director, reminiscing about personal experiences!
Coppola's script also buzzes with politically incorrect views of the playboy Felix. (He reminds me strongly of an ex-work colleague: the life and soul of any party and with a charisma that is naturally attractive to women!)
For me, there was just one misstep in the movie. There's a sub-plot about the estranged relationship between Felix and Laura's mother, and the unspoken tension that lies there. This all comes to a head in a hotel bedroom, and for me personally it brought the mood of the movie down and wasn't necessary. It's a relatively minor thing. But the result was that it just took the edge off things for me in declaring it a classic.
This is one of those flicks produced for Apple, in cinemas only while en-route to their streaming service to make it eligible for Oscar consideration. And it's actually available now. This is Coppola's third outing with Murray, with the most famous being the Oscar winner "Lost in Translation". I'm actually not a mad fan of that film. But this one comes with a "Highly recommended".
(For the full graphical review, please check out the bob the movie man review here - https://bob-the-movie-man.com/2020/10/23/love-on-the-rocks-aint-no-surprise/ . Thanks)
Alison Pink (7 KP) rated Delirium in Books
Jan 15, 2018
I have to admit that I'd heard so many good things about this book that I was thrilled to finally get started on it. I have to say though, that I was not hooked right from page one like I thought I'd be. It took me several chapters to really get into the story & the characters. BUT once I did, I was hooked! I can't wait to see what happens to Lena & Alex!!!!!
Delirium tells the story of love being a sickness, a disease, something that the US government has found a cure for. Society cures people at the age of 18 after they've gone through an interview process & then been matched with their mate & told what they will do & how many children they can have.
Lena's mother was infected & the cure was adminstered to her with no effect. Lena lives terrfied that she will be like her mother & therefore counts down the days until she can be cured. And then,quite by accident, she meets Alex. And as they say the rest is history!
There isn't much more I can say without giving too much away. The story sucks you in & sweeps you away. I was laughing & crying & hoping against hope that Lena would somehow avoid the cure. Did she? I don't know & that's the part that SUCKS! Gotta wait til the next book is released. ARGH!!!
Delirium tells the story of love being a sickness, a disease, something that the US government has found a cure for. Society cures people at the age of 18 after they've gone through an interview process & then been matched with their mate & told what they will do & how many children they can have.
Lena's mother was infected & the cure was adminstered to her with no effect. Lena lives terrfied that she will be like her mother & therefore counts down the days until she can be cured. And then,quite by accident, she meets Alex. And as they say the rest is history!
There isn't much more I can say without giving too much away. The story sucks you in & sweeps you away. I was laughing & crying & hoping against hope that Lena would somehow avoid the cure. Did she? I don't know & that's the part that SUCKS! Gotta wait til the next book is released. ARGH!!!
Scott Tostik (389 KP) rated The Guest (2014) in Movies
Mar 10, 2018
Solid script (2 more)
Some sweet sweet murder
The best twist fuck ending in a long time
What in the mind fucking hell went on here
Simon Barrett and Adam Wingard are a pair of my favorite writer director teams in the history of mumblecore movies... theu have an I don' give a shit attitude that oozes through each kill in every movie they make. From the demented serial killings in A Horrible Way to Die to the revenge filled destruction of mercenaries and spiteful children in You're Next. And this movie is no different....
I wouldn't exactly call it a horror film by label, but the killing is so over the top bloody and disturbing that I suppose it is horrific.
Dan Stevens portrayal of Army boy David is spot on... emotionless and cold to the view. He renders each murder with a purpose... even those final few near the end. Even though they were brutal and harsh. They explained how sick and twisted he truly is.
Maika Monroe is solid as well. Anna makes you feel pity for all the things sshe is going through. Her personal life is a mess and her family life is no better...
This movie is not what I thought it was going to be. It was better than I expected and I will be watching it again. 9 enthusiastic severed heads out of 10
I wouldn't exactly call it a horror film by label, but the killing is so over the top bloody and disturbing that I suppose it is horrific.
Dan Stevens portrayal of Army boy David is spot on... emotionless and cold to the view. He renders each murder with a purpose... even those final few near the end. Even though they were brutal and harsh. They explained how sick and twisted he truly is.
Maika Monroe is solid as well. Anna makes you feel pity for all the things sshe is going through. Her personal life is a mess and her family life is no better...
This movie is not what I thought it was going to be. It was better than I expected and I will be watching it again. 9 enthusiastic severed heads out of 10
Christine A. (965 KP) rated After the Fire in Books
Nov 14, 2018
I was provided with a complimentary copy of this book so I could give an honest review.
"After the Fire" is a chilling look at a young adult's tale of growing up in and surviving a fictional cult. I have read from the perspective of an adult but this was through the eyes of a young girl, "Moonbeam". She lived for years in the fanatical religious cult with her mother and her "brothers" and "sisters". We are given a glimpse into her thought process, her true faith, and relationships with the other cult members.
By Will Hill selecting Moonbeam as his central character to tell the story of what happened before and after the fire, we are able to empathize with her and the other "family" members. As with any group, there are good and bad, young and old, male and female. We are able to see they are regular, every day people who believe they are following a prophet.
"After the Fire" was inspired by the 1993 Waco siege in which members of the Branch Davidian sect, including children, and government agents died in a fire fight. This story imagines what it was like to like in a similar base (Moonbeam does not like the word compound) and is told mostly through an interview and flashbacks.
"After the Fire" is a chilling look at a young adult's tale of growing up in and surviving a fictional cult. I have read from the perspective of an adult but this was through the eyes of a young girl, "Moonbeam". She lived for years in the fanatical religious cult with her mother and her "brothers" and "sisters". We are given a glimpse into her thought process, her true faith, and relationships with the other cult members.
By Will Hill selecting Moonbeam as his central character to tell the story of what happened before and after the fire, we are able to empathize with her and the other "family" members. As with any group, there are good and bad, young and old, male and female. We are able to see they are regular, every day people who believe they are following a prophet.
"After the Fire" was inspired by the 1993 Waco siege in which members of the Branch Davidian sect, including children, and government agents died in a fire fight. This story imagines what it was like to like in a similar base (Moonbeam does not like the word compound) and is told mostly through an interview and flashbacks.
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