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Gareth von Kallenbach (980 KP) rated Bad Moms (2016) in Movies
Aug 6, 2019 (Updated Aug 6, 2019)
When moms get tired of being perfect, not being appreciated and decide to give their spoiled children a lesson and just enjoy every minute of their day instead – that’s when the movie Bad Moms happens.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
Kristy H (1252 KP) rated Saving Ruby King in Books
Jun 18, 2020
Ruby King is twenty-four-years-old when her mother, Alice, is found murdered in the home she shared with Ruby and Ruby's father, Lebanon. The police show little interest in--to them--another death in the King's black neighborhood, but Alice's death unhinges Ruby and leaves her alone with her violent, abusive father. Her only confidante is her best friend, Layla, who knows how long Alice and Ruby have suffered under Lebanon's wrath. But Layla is angry that Ruby won't do more to get away from Lebanon and she's even angrier at her father, a pastor, who has been close to Lebanon all these years, and yet never did anything to free Alice or Ruby from his abuse. Layla is determined to save Ruby, but as she works to rescue her friend, she starts to uncover a world of secrets and lies flowing back generations.
"I'm stitched together by the lies I tell myself and the lies people want to believe about me." ~Alice
I found this excellent and timely book to be incredibly well-written, with a power and tenderness to it that goes far behind your typical debut novel (I had to double check that this was actually West's first novel, I was so impressed).
West tells her story from a variety of points of view--Ruby; her late mother, Alice; her father, Lebanon; her best friend, Layla; Layla's father, a pastor; and more. We even hear from a central figure in all of these characters' lives--their church, via its omnipresent voice. The plot spans generations, with West giving a nuanced look at each of her complex characters. She does an amazing job of showing the power of family, for both good and bad. How choices can affect generations: one person's bad decisions can pass poison on, with children reliving dysfunction and sins.
"How can there be a me without her?" ~Ruby
No one is simply good or bad here, though Lebanon is not an easy-to-like man. Abused and neglected by his own parent, Sara, we see how Sara's neglect has turned Lebanon hard. But West is such a good writer that Lebanon is not a one-dimensional bad guy, as much as you want to hate him. I was incredibly impressed at how she could create sympathy for so many of her players, even when they did despicable things.
"Without Sara, who do I blame for...being me? Are children supposed to forgive their parents for the horrible things they've done?" ~Lebanon
This novel does an impressive job at delving into racism, domestic abuse, and sexual assault and trauma. The city of Chicago appears as its own character, springing to life via West's lovely prose. She expertly shows the difficulties black people face on the south side (and in general). I read this book during George Floyd's murder and found myself highlighting passages about police brutality that just hit me right in the gut. It's very powerful.
West's book features a variety of characters--they can be hard to keep track of at first, and I was glad to have the family tree in the beginning of the book. A few times the plot felt repetitious and the middle dragged a bit, but it picked up in the second half. There's a surprising amount of twists and turns. Overall, this is a realistic look at racism and domestic violence, but also friendship. It's quite well-written and layered with a twinge of hope throughout. I can't wait to see what West writes next. 4+ stars.
"I'm stitched together by the lies I tell myself and the lies people want to believe about me." ~Alice
I found this excellent and timely book to be incredibly well-written, with a power and tenderness to it that goes far behind your typical debut novel (I had to double check that this was actually West's first novel, I was so impressed).
West tells her story from a variety of points of view--Ruby; her late mother, Alice; her father, Lebanon; her best friend, Layla; Layla's father, a pastor; and more. We even hear from a central figure in all of these characters' lives--their church, via its omnipresent voice. The plot spans generations, with West giving a nuanced look at each of her complex characters. She does an amazing job of showing the power of family, for both good and bad. How choices can affect generations: one person's bad decisions can pass poison on, with children reliving dysfunction and sins.
"How can there be a me without her?" ~Ruby
No one is simply good or bad here, though Lebanon is not an easy-to-like man. Abused and neglected by his own parent, Sara, we see how Sara's neglect has turned Lebanon hard. But West is such a good writer that Lebanon is not a one-dimensional bad guy, as much as you want to hate him. I was incredibly impressed at how she could create sympathy for so many of her players, even when they did despicable things.
"Without Sara, who do I blame for...being me? Are children supposed to forgive their parents for the horrible things they've done?" ~Lebanon
This novel does an impressive job at delving into racism, domestic abuse, and sexual assault and trauma. The city of Chicago appears as its own character, springing to life via West's lovely prose. She expertly shows the difficulties black people face on the south side (and in general). I read this book during George Floyd's murder and found myself highlighting passages about police brutality that just hit me right in the gut. It's very powerful.
West's book features a variety of characters--they can be hard to keep track of at first, and I was glad to have the family tree in the beginning of the book. A few times the plot felt repetitious and the middle dragged a bit, but it picked up in the second half. There's a surprising amount of twists and turns. Overall, this is a realistic look at racism and domestic violence, but also friendship. It's quite well-written and layered with a twinge of hope throughout. I can't wait to see what West writes next. 4+ stars.
ClareR (5911 KP) rated The Testaments (The Handmaid's Tale #2) in Books
Sep 22, 2019 (Updated Sep 23, 2019)
This was well worth the wait!
The Testaments is the book that many people have been waiting for since the TV series first aired (me!). It seems that everyone likes a sequel. Well, most people anyway, because for every person that I’ve seen rave about how good this book is, I’ve seen as many say that it doesn’t live up to the original. Personally, I’m glad that it’s not written in the same style as the first book. The Handmaid’s Tale was written at a different time. 1985 is a lifetime away. We were entering a time then, where women felt hope for the future - equality seemed achievable. I’m really not so sure that we feel the same way in 2019. Certain developed countries are making it more difficult for women to have abortions, more US states are making it illegal, female children are still being married to adult males in many developing countries; climate change is having a huge impact on the poorest countries and as Margaret Atwood has said, with any disasters, natural or otherwise, it’s always the women and children who suffer the worst deprivation. So Margaret Atwood had all of these things at her disposal when she wrote The Testaments. Everything that happens to the women in Gilead has happened, or is happening, somewhere in the world.
The Testaments is written from three different perspectives. I was delighted to see the return of Aunt Lydia - and she seems to have hit her stride. She’s much more sure of herself here, even though she is still having to watch her back. Gilead may be ultra-religious, but that doesn’t stop the literal back-stabbing. Aunt Lydia shows just how high the poison has spread. We see more than the subservient Aunt that she seems to be in front of The Eyes, and her backstory is fascinating.
Then there is Agnes, a child brought up in Gilead in a high profile family. We see how girls are ‘educated’ in a world where women and girls aren’t allowed to read and write. Agnes is contrasted with Daisy, a teenaged girl living in Canada, who was smuggled out of Gilead by her mother as a baby. There are obviously some pretty big differences. I don’t actually want to say too much, because I hate having my own reading experience ruined.
I loved this book. I really liked that by the end we couldn’t actually be sure whether Aunt Lydia’s records were genuine or fabricated. The symposium at the end (just as there was at the end of The Handmaid’s Tale) casts doubt on the authenticity of the papers that were found. Just like any written records found in this situation, historians have to be open minded about who could have written them. So we’re left wondering at the end whether what we’ve just read is actually what happened.
So does this deserve to be on the Booker Prize 2019 shortlist? Yes, I think it does. I believe it’s well written, I finished feeling thoroughly entertained and emotionally exhausted! I liked the open end too. Whether Atwood does anything with this open ending is up to her really, isn’t it. But I won’t be disappointed if she decides to leave the world of Gilead here. This book is a great way to end the story.
The Testaments is written from three different perspectives. I was delighted to see the return of Aunt Lydia - and she seems to have hit her stride. She’s much more sure of herself here, even though she is still having to watch her back. Gilead may be ultra-religious, but that doesn’t stop the literal back-stabbing. Aunt Lydia shows just how high the poison has spread. We see more than the subservient Aunt that she seems to be in front of The Eyes, and her backstory is fascinating.
Then there is Agnes, a child brought up in Gilead in a high profile family. We see how girls are ‘educated’ in a world where women and girls aren’t allowed to read and write. Agnes is contrasted with Daisy, a teenaged girl living in Canada, who was smuggled out of Gilead by her mother as a baby. There are obviously some pretty big differences. I don’t actually want to say too much, because I hate having my own reading experience ruined.
I loved this book. I really liked that by the end we couldn’t actually be sure whether Aunt Lydia’s records were genuine or fabricated. The symposium at the end (just as there was at the end of The Handmaid’s Tale) casts doubt on the authenticity of the papers that were found. Just like any written records found in this situation, historians have to be open minded about who could have written them. So we’re left wondering at the end whether what we’ve just read is actually what happened.
So does this deserve to be on the Booker Prize 2019 shortlist? Yes, I think it does. I believe it’s well written, I finished feeling thoroughly entertained and emotionally exhausted! I liked the open end too. Whether Atwood does anything with this open ending is up to her really, isn’t it. But I won’t be disappointed if she decides to leave the world of Gilead here. This book is a great way to end the story.
Debbiereadsbook (1469 KP) rated Frostbite (The Gifted Ones #1) in Books
Apr 11, 2019
first I've read of this author, I need more!
Verified Amazon purchase March 2019
Dorian has been dreaming of and hearing the song of the wolf who can only be his mate. Drawn to the mountains that are nestled in his friend Tobias’ lands, he has no choice but to go. There is, though, the small matter of Frostbite, a semi-legend slash horror story about a white wolf who has been killing alpha wolves. But Cyrus has been defending himself, and Dorian is, in his eyes, another threat. When Dorian is unaffected my Cyrus’ magic, he knows that Dorian is his mate. There is just the fact of whether he WANTS a mate, and whether Tobias will accept him into the pack, legends and all.
I came across book two of this series on social media, I forget which. THAT book was free, and this one was only 99p, (27/03/19) so I grabbed them both and I am so glad I did!
I thoroughly enjoyed this one!
It’s sufficiently different to make it interesting, with the alpha male wolves being able to have children with females, but only their FATED MATE can be male. Dorian was married to a human woman; they had a child who died. Cyrus never had any children, he didn’t to pass the horror of HIS childhood upon another.
Dorian KNOWS Cyrus is his mate, he can hear his sorrow and loneliness in his song. Cyrus, however, needs to come to Dorian. CYRUS needs to ask to join the pack. Tobias is, to be fair, quite a . . .laid back Alpha. Well, laid back til you cross his pack and put anyone in it in danger. He accepts Cyrus, and the other omegas take him under his wing. Cyrus had been without anyone for a long time. Now he has a MATE, and a PACK that has accepted him, and his story. And when Cyrus’ past comes to attack that family and pack, they all gather up, and show Cyrus just what that means.
We are introduced to the legend of Diablo, which is book two and we are given hints about Tobias, who is maybe not just wolf, but just WHAT, that remains to be seen!
First I’ve read of this author, I need more!
A thoroughly enjoyable, well worth the 99p I paid for it, read.
4 solid stars
**same worded review will appear elsewhere**
Dorian has been dreaming of and hearing the song of the wolf who can only be his mate. Drawn to the mountains that are nestled in his friend Tobias’ lands, he has no choice but to go. There is, though, the small matter of Frostbite, a semi-legend slash horror story about a white wolf who has been killing alpha wolves. But Cyrus has been defending himself, and Dorian is, in his eyes, another threat. When Dorian is unaffected my Cyrus’ magic, he knows that Dorian is his mate. There is just the fact of whether he WANTS a mate, and whether Tobias will accept him into the pack, legends and all.
I came across book two of this series on social media, I forget which. THAT book was free, and this one was only 99p, (27/03/19) so I grabbed them both and I am so glad I did!
I thoroughly enjoyed this one!
It’s sufficiently different to make it interesting, with the alpha male wolves being able to have children with females, but only their FATED MATE can be male. Dorian was married to a human woman; they had a child who died. Cyrus never had any children, he didn’t to pass the horror of HIS childhood upon another.
Dorian KNOWS Cyrus is his mate, he can hear his sorrow and loneliness in his song. Cyrus, however, needs to come to Dorian. CYRUS needs to ask to join the pack. Tobias is, to be fair, quite a . . .laid back Alpha. Well, laid back til you cross his pack and put anyone in it in danger. He accepts Cyrus, and the other omegas take him under his wing. Cyrus had been without anyone for a long time. Now he has a MATE, and a PACK that has accepted him, and his story. And when Cyrus’ past comes to attack that family and pack, they all gather up, and show Cyrus just what that means.
We are introduced to the legend of Diablo, which is book two and we are given hints about Tobias, who is maybe not just wolf, but just WHAT, that remains to be seen!
First I’ve read of this author, I need more!
A thoroughly enjoyable, well worth the 99p I paid for it, read.
4 solid stars
**same worded review will appear elsewhere**
Kristy H (1252 KP) rated What Could Be Saved in Books
Jun 3, 2021
A lyrical and fascinating look at the pull of family
This is the twenty-third book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Much of Laura Preston's life has been defined by the disappearance of her brother, Philip, when they were children. The family lived in Bangkok in the 1970s for her father's work. While there, Philip went to judo class--and never returned. His loss tore their family apart. When a stranger contacts Laura, claiming to have information about Philip, she defies her older sister's wishes and flies to Thailand to see if this is indeed true. Laura knows that this is what their mom, Genevieve, now suffering from dementia, would want.
This was a fascinating, atmospheric book that pulled me in immediately. It's beautifully, lyrically written. The story is told in the present day, with Laura's perspective as a somewhat struggling painter in Washington, DC and then flashing back to Bangkok in the 1970s, with Genevieve's story and even Philip's. It's utterly compelling, weaving both a mystery yet also a character-driven tale.
Schwarz offers such unique and well-done characters. Not just the Preston family, but also their servants in Bangkok, including Noi, who accompanies the family back to America. There's Robert Preston, the family patriarch, who has a mysterious career, and his boss, who pulls Genevieve into his orbit. There's Genevieve, who tries to mimic the life her children might have in the United States--and then basically abandons the role of mother once Philip disappears. Bea, who tries to be a strong big sister for Laura. And Laura, who struggles as the youngest and sometimes forgotten child in the wake of her brother's disappearance.
Each Preston--and those in their orbit--is well-written and flawed. They seem real and true. Schwarz's writing is thoughtful and excellent and everyone comes to life as you read. Her descriptions of Bangkok and Thailand are excellent as well.
I was totally immersed in this tale, wondering what had happened to Philip; in many ways, this is a heartbreaking tale. It's a beautiful look at family and what it means. Schwarz's story makes you think and allows you insight into the Preston family's world. It's illuminating and lovely. Certainly worth the read. 4.5 stars.
Much of Laura Preston's life has been defined by the disappearance of her brother, Philip, when they were children. The family lived in Bangkok in the 1970s for her father's work. While there, Philip went to judo class--and never returned. His loss tore their family apart. When a stranger contacts Laura, claiming to have information about Philip, she defies her older sister's wishes and flies to Thailand to see if this is indeed true. Laura knows that this is what their mom, Genevieve, now suffering from dementia, would want.
This was a fascinating, atmospheric book that pulled me in immediately. It's beautifully, lyrically written. The story is told in the present day, with Laura's perspective as a somewhat struggling painter in Washington, DC and then flashing back to Bangkok in the 1970s, with Genevieve's story and even Philip's. It's utterly compelling, weaving both a mystery yet also a character-driven tale.
Schwarz offers such unique and well-done characters. Not just the Preston family, but also their servants in Bangkok, including Noi, who accompanies the family back to America. There's Robert Preston, the family patriarch, who has a mysterious career, and his boss, who pulls Genevieve into his orbit. There's Genevieve, who tries to mimic the life her children might have in the United States--and then basically abandons the role of mother once Philip disappears. Bea, who tries to be a strong big sister for Laura. And Laura, who struggles as the youngest and sometimes forgotten child in the wake of her brother's disappearance.
Each Preston--and those in their orbit--is well-written and flawed. They seem real and true. Schwarz's writing is thoughtful and excellent and everyone comes to life as you read. Her descriptions of Bangkok and Thailand are excellent as well.
I was totally immersed in this tale, wondering what had happened to Philip; in many ways, this is a heartbreaking tale. It's a beautiful look at family and what it means. Schwarz's story makes you think and allows you insight into the Preston family's world. It's illuminating and lovely. Certainly worth the read. 4.5 stars.
Mind Wave - Binaural white noise
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OurPact – Parental Control
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Rachel King (13 KP) rated Blood Bound (Mercy Thompson, #2) in Books
Feb 11, 2019
What I think I like best about Briggs' style of writing - at least in the Mercy Thompson series - is how in-depth the background information is. Everything and everyone has a history and then some - whether it be political, eventful, magical, biological, etc., Briggs' writes it and Mercy gets to discover it. I find it all intensely fascinating and makes me want to grill the author about all of the details that she has not yet uncovered.
For instance, I would really like to know what it is that makes all of these preternatural men fall for Mercy, first Samuel, then Adam, now Stefan, and I'm half-betting Zee, too. She may be a walker, but there can't be anything in the walker repertiore that resembles an Americanized Aphrodite. The fact that she sorely lacks in female friends, with maybe the exception of Honey, only adds to the image. Don't get me wrong - I love the tension building between the two dominant werewolves, even if Briggs' could stand to devote more plot time to it. Neither can I decide who I like better with Mercy - Adam seems to compliment Mercy's personality very well, but Samuel's interest in children appeals to my mothering instincts. Hopefully, Stefan's relationship with Mercy will be explored more in the next book so that I can form an opinion about him as well. I am also remotely wondering if Adam had some kind of relationship with Marjorie Hanna, Mercy's ghost friend, since she did a drawing of him apparently before she died.
So my overall concensus is fantastic background development, messy relationships, and lots of questions needing answered.
For instance, I would really like to know what it is that makes all of these preternatural men fall for Mercy, first Samuel, then Adam, now Stefan, and I'm half-betting Zee, too. She may be a walker, but there can't be anything in the walker repertiore that resembles an Americanized Aphrodite. The fact that she sorely lacks in female friends, with maybe the exception of Honey, only adds to the image. Don't get me wrong - I love the tension building between the two dominant werewolves, even if Briggs' could stand to devote more plot time to it. Neither can I decide who I like better with Mercy - Adam seems to compliment Mercy's personality very well, but Samuel's interest in children appeals to my mothering instincts. Hopefully, Stefan's relationship with Mercy will be explored more in the next book so that I can form an opinion about him as well. I am also remotely wondering if Adam had some kind of relationship with Marjorie Hanna, Mercy's ghost friend, since she did a drawing of him apparently before she died.
So my overall concensus is fantastic background development, messy relationships, and lots of questions needing answered.
Teamwork School Messenger
Education
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In the age of instant messaging, users should not be limited to using insecure and uncontrollable...