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Sophia (Bookwyrming Thoughts) (530 KP) rated Awaken (Awakened Fate #1) in Books
Jan 23, 2020
Awaken is the first book in the Awakened Fate series by Skye Malone, and I'm pretty familiar with her other series as Megan Joel Peterson (The Children and the Blood trilogy) that I was confident her latest book will go into my good graces pretty easily. Thing is, Awaken reminded me so much of The Little Mermaid, I can't help but have the urge to sing "Under the Sea" and ask one question:
<b>"Sebastian, Sebastian, where art thou?"</b>
I had also associated funny brow movements with the author in particular. As in, brows drawing down, which I still don't know how that works without your brows looking like a seesaw or ending up with a pouting pucker fish face.
But back to The Little Mermaid similarities... and not brow movements.
Chloe has red hair, or as the book describes, auburn. But auburn's technically red with a tinge of brown. Ariel has red hair. The difference? Chloe doesn't know how to swim, and has been living on land her entire life. Then there's Zeke, which I sort of predicted him to have dark hair, and he does! Just like the princey dude for whom I've forgotten the name. In fact, said unknown princeling stalks Ariel, and so does Zeke... due to curiosity on who the pretty girl is. It's not revealed in Awaken, but I won't be surprised if Zeke is a prince.
<blockquote>Despite the fact we were barely any distance from the shore, the temperature had dropped to levels ordinarily found in places even deeper than Nyciena, with darkness to match.</blockquote>
Every book has got to have an Ursula of some sort. And she just oozes darkness, doesn't she? Too bad the Ursulas here aren't Octopuses. ;)
<blockquote>The girl changed the ocean when she was near it – a statement that on any level should have been impossible.</blockquote>
Okay, here's Sophia Lin logic: See, Ariel has a curse. I was sort of assuming Chloe willingly turned into a human just like Ariel, but she doesn't lose her voice, right? Except, here's the curse: she changes the ocean... and it's not exactly a pleasant way. Technically, that logic isn't going to get you far, because it isn't true, and I can't reveal the actual answer without spoiling anything. Nor do I want to reveal anything, because answers are spoilers, and not everyone can be trusted with the trusty little spoiler button. ;)
Then there are the differences, which pretty much revamps The Little Mermaid. Enough commentary on Little Mermaid.
Awaken follows two views – Chloe and Zeke. The best part of those two views though? They balance each other out pretty well. Chloe doesn't really know anything about what she is, so we're basically following a naïve character for most of the story who has strange things happening to her and strange peeps with glowing eyes wanting to murder the likes of her. Very boring in my opinion, because she doesn't know what's going on and it's all confusing and she's stuck in the hospital every once in awhile from an unfortunate encounter with said strange flowing peepy eyes. Zeke balances her out because he pretty much knows what's going on from his observations – but he doesn't really know what Chloe is until the end either.
Let's just say that balance is a good thing. Because I just can't handle an utterly boring character, and I'm sure not everyone likes that either. But if there's one thing Chloe has that makes her an interesting character, it's her voice and her frustration on why her parents hate the ocean with a passion and come up with logical, but weird excuses for them.
The only problem I probably have is how some of the terms don't appear in the pronunciation guide, and how the long ones are confusing. Maybe my head just needs to wrap around them after reading Irish terms from the second book in the Danaan Trilogy. O_o
Awaken is a good start to the Awakened Fate series, and while we spend most of the time above the surface, it's hinted that the sequel will most likely be focused underwater. It's a quick read for those who enjoy reading stories related to <s>merps</s> merpeople.
------------------
original rating: 4.5 out of 5
Original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/review-awaken-by-skye-malone.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
<b>"Sebastian, Sebastian, where art thou?"</b>
I had also associated funny brow movements with the author in particular. As in, brows drawing down, which I still don't know how that works without your brows looking like a seesaw or ending up with a pouting pucker fish face.
But back to The Little Mermaid similarities... and not brow movements.
Chloe has red hair, or as the book describes, auburn. But auburn's technically red with a tinge of brown. Ariel has red hair. The difference? Chloe doesn't know how to swim, and has been living on land her entire life. Then there's Zeke, which I sort of predicted him to have dark hair, and he does! Just like the princey dude for whom I've forgotten the name. In fact, said unknown princeling stalks Ariel, and so does Zeke... due to curiosity on who the pretty girl is. It's not revealed in Awaken, but I won't be surprised if Zeke is a prince.
<blockquote>Despite the fact we were barely any distance from the shore, the temperature had dropped to levels ordinarily found in places even deeper than Nyciena, with darkness to match.</blockquote>
Every book has got to have an Ursula of some sort. And she just oozes darkness, doesn't she? Too bad the Ursulas here aren't Octopuses. ;)
<blockquote>The girl changed the ocean when she was near it – a statement that on any level should have been impossible.</blockquote>
Okay, here's Sophia Lin logic: See, Ariel has a curse. I was sort of assuming Chloe willingly turned into a human just like Ariel, but she doesn't lose her voice, right? Except, here's the curse: she changes the ocean... and it's not exactly a pleasant way. Technically, that logic isn't going to get you far, because it isn't true, and I can't reveal the actual answer without spoiling anything. Nor do I want to reveal anything, because answers are spoilers, and not everyone can be trusted with the trusty little spoiler button. ;)
Then there are the differences, which pretty much revamps The Little Mermaid. Enough commentary on Little Mermaid.
Awaken follows two views – Chloe and Zeke. The best part of those two views though? They balance each other out pretty well. Chloe doesn't really know anything about what she is, so we're basically following a naïve character for most of the story who has strange things happening to her and strange peeps with glowing eyes wanting to murder the likes of her. Very boring in my opinion, because she doesn't know what's going on and it's all confusing and she's stuck in the hospital every once in awhile from an unfortunate encounter with said strange flowing peepy eyes. Zeke balances her out because he pretty much knows what's going on from his observations – but he doesn't really know what Chloe is until the end either.
Let's just say that balance is a good thing. Because I just can't handle an utterly boring character, and I'm sure not everyone likes that either. But if there's one thing Chloe has that makes her an interesting character, it's her voice and her frustration on why her parents hate the ocean with a passion and come up with logical, but weird excuses for them.
The only problem I probably have is how some of the terms don't appear in the pronunciation guide, and how the long ones are confusing. Maybe my head just needs to wrap around them after reading Irish terms from the second book in the Danaan Trilogy. O_o
Awaken is a good start to the Awakened Fate series, and while we spend most of the time above the surface, it's hinted that the sequel will most likely be focused underwater. It's a quick read for those who enjoy reading stories related to <s>merps</s> merpeople.
------------------
original rating: 4.5 out of 5
Original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/review-awaken-by-skye-malone.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Carma (21 KP) rated Bayside Heat (Bayside Summers, #3) in Books
Jun 17, 2019
Bayside Heat is book 3 in the Love in Bloom: Bayside Summers series. It was a wonderful love story from Melissa Foster earning 4.5 stars from this reviewer.
Drake Savage and Serena Mallery have known each other since they were children. Serena and her sister spent many days and nights with the Savage family, their daughter Mira and sons Drake and Rick. Serena and Mira are best friends and Serena has had a crush on Drake since she was a teenager.
\
Drake has had a crush on Serena since she asked him to sing a duet with her one summer long ago. He knew he couldnt hold her back from whatever dreams she was meant to accomplish so he had to be satisfied with having her as his best friend. Keeping her close without getting close was torture.
Serena and Drake work together at his family resort but when her dream designer job becomes available in Boston she realizes it is now or never to put her feelings on the table where Drake is concerned.
Drake realizes that he is about to lose the one person who knows him better than anyone else. He knows he cant make her choose him over Boston but also knows he cant live without her. He confesses his feelings and finds out she feels the same way.
Drake and Serena make their new long distance relationship work as well as they can. They travel the 2 hour drive back and forth to each other each chance they get but life gets in the way more than once. Serena finds herself questioning her decision to leave but not wanting to end up like her mother (following men around).
Serena and Drake each find that the one thing they want more than anything is to be together, but can they find a way to survive together in their new worlds?
I have read a few books by Ms Foster by now and this one keeps with the good love stories Ive come to expect from her. I received an advance copy without expectations for review; any opinions expressed are my own. Not having read the first 2 in this series has my TBR list growing by two.
Drake Savage and Serena Mallery have known each other since they were children. Serena and her sister spent many days and nights with the Savage family, their daughter Mira and sons Drake and Rick. Serena and Mira are best friends and Serena has had a crush on Drake since she was a teenager.
\
Drake has had a crush on Serena since she asked him to sing a duet with her one summer long ago. He knew he couldnt hold her back from whatever dreams she was meant to accomplish so he had to be satisfied with having her as his best friend. Keeping her close without getting close was torture.
Serena and Drake work together at his family resort but when her dream designer job becomes available in Boston she realizes it is now or never to put her feelings on the table where Drake is concerned.
Drake realizes that he is about to lose the one person who knows him better than anyone else. He knows he cant make her choose him over Boston but also knows he cant live without her. He confesses his feelings and finds out she feels the same way.
Drake and Serena make their new long distance relationship work as well as they can. They travel the 2 hour drive back and forth to each other each chance they get but life gets in the way more than once. Serena finds herself questioning her decision to leave but not wanting to end up like her mother (following men around).
Serena and Drake each find that the one thing they want more than anything is to be together, but can they find a way to survive together in their new worlds?
I have read a few books by Ms Foster by now and this one keeps with the good love stories Ive come to expect from her. I received an advance copy without expectations for review; any opinions expressed are my own. Not having read the first 2 in this series has my TBR list growing by two.
Phil Leader (619 KP) rated Taylor's Plight (The Sanctum Series #3) in Books
Nov 26, 2019
Taylor's Plight is the third book in The Sanctum series of pre-teen adventure novels by Katrina Cope. Once again Jayden, Eva, Robert and Aaron are attempting to stop terrorism by using 'surrogates' - robots they can control remotely that appear to be human.
This installment starts with a bang (quite literally) and just keeps going. The previous two books took a little while to lay the groundwork for both characters and plot but there is no need to do that here, especially as the story continues essentially from the end of the second book, Scarlet's Escape.
Once again someone is moving against the Sanctum, trying to stop their fight against terrorism, attacking their infrastructure in an attempt to bring down Scarlet, the computer intelligence that controls much of the Santum's functions.
Liam and the other pupils at Ernest College are also involved, and seemingly on a course to uncover the Sanctum's meddling at their school. But are they working towards the same cause, or against? As the two groups of students converge on the truth, the stakes have never been higher and the danger never more real.
This really is a fantastic read. From start to finish it grips the reader, drawing them along. The threads of Ernest and the Sanctum play off of each other, each giving a slightly different view of what is really going on. Most of the second half of the book is a breathless rush towards the final climax as the children on both sides uncover the truth. The phrase 'I couldn't put it down' is overused but is totally justified in this case.
Not everything in their world is safe and cosy and this is one of the great things about Cope's books. She is not afraid to put her characters through the mill, but they are always shown to be able to overcome adversity through quick wits and to come out stronger the other side. As usual the strong role models are well in evidence.
This is a book I would unhesitatingly recommend to any reader from about 9 upwards, although reading the first two books will be necessary to introduce the characters involved and the world of the Sanctum.
This installment starts with a bang (quite literally) and just keeps going. The previous two books took a little while to lay the groundwork for both characters and plot but there is no need to do that here, especially as the story continues essentially from the end of the second book, Scarlet's Escape.
Once again someone is moving against the Sanctum, trying to stop their fight against terrorism, attacking their infrastructure in an attempt to bring down Scarlet, the computer intelligence that controls much of the Santum's functions.
Liam and the other pupils at Ernest College are also involved, and seemingly on a course to uncover the Sanctum's meddling at their school. But are they working towards the same cause, or against? As the two groups of students converge on the truth, the stakes have never been higher and the danger never more real.
This really is a fantastic read. From start to finish it grips the reader, drawing them along. The threads of Ernest and the Sanctum play off of each other, each giving a slightly different view of what is really going on. Most of the second half of the book is a breathless rush towards the final climax as the children on both sides uncover the truth. The phrase 'I couldn't put it down' is overused but is totally justified in this case.
Not everything in their world is safe and cosy and this is one of the great things about Cope's books. She is not afraid to put her characters through the mill, but they are always shown to be able to overcome adversity through quick wits and to come out stronger the other side. As usual the strong role models are well in evidence.
This is a book I would unhesitatingly recommend to any reader from about 9 upwards, although reading the first two books will be necessary to introduce the characters involved and the world of the Sanctum.
Gareth von Kallenbach (980 KP) rated Whiskey Tango Foxtrot (2016) in Movies
Aug 6, 2019
Based on “The Taliban Shuffle: Strange Days in Afghanistan,” a memoir by Kim Barker, “Whiskey Tango Foxtrot” follows the journey of a copy writer turned war reporter (Tina Fey).
One day Barker is called into a meeting where, because she is unmarried and without children, she is asked to cover the war in Afghanistan. Seeming hesitant, but pulled by a desire to escape her mundane life, she decides to go for it.
When Barker arrives in Afghanistan the journalists that are stationed there basically just party most of the time, which speaks volumes about the ways people may try to avoid the emotional intensity of their surroundings.
Other than that, Barker hangs out with some very calm troops, gets ballsy and captures some crazy footage, and seems to get very wrapped up in the thrill of getting a lead story. It doesn’t seem that Barker ever has any actual interest in the politics of what she is covering. Realizing that it is a comedy, this may be totally fine. But the film is an odd mix. It portrays Barker’s character as somewhat numb to the tragic reality she is immersed in, while at the same time making a joke wherever it can.
I’m not quite sure what genre “Whiskey Tango Foxtrot” fits into. It gets close to drama, and it gets close to comedy but it isn’t that funny and it isn’t that touching. It leaves the impression of a dull and desensitized view of war and the challenges reporters face abroad. Perhaps the film is staying true to the memoir, but it is definitely a different approach to describing such an experience.
That being said, it’s not a bad film or a bad story. It’s interesting. It has funny moments, and it makes you want to know what will happen in the end. A few scenes even get close to developing the characters in a way that might make the audience care about them. But overall, there is really no emotional substance to the film and it leaves no big impression.
Worth a watch on Netflix, I give “Whiskey Tango Foxtrot” 2.5 out of 5 stars.
One day Barker is called into a meeting where, because she is unmarried and without children, she is asked to cover the war in Afghanistan. Seeming hesitant, but pulled by a desire to escape her mundane life, she decides to go for it.
When Barker arrives in Afghanistan the journalists that are stationed there basically just party most of the time, which speaks volumes about the ways people may try to avoid the emotional intensity of their surroundings.
Other than that, Barker hangs out with some very calm troops, gets ballsy and captures some crazy footage, and seems to get very wrapped up in the thrill of getting a lead story. It doesn’t seem that Barker ever has any actual interest in the politics of what she is covering. Realizing that it is a comedy, this may be totally fine. But the film is an odd mix. It portrays Barker’s character as somewhat numb to the tragic reality she is immersed in, while at the same time making a joke wherever it can.
I’m not quite sure what genre “Whiskey Tango Foxtrot” fits into. It gets close to drama, and it gets close to comedy but it isn’t that funny and it isn’t that touching. It leaves the impression of a dull and desensitized view of war and the challenges reporters face abroad. Perhaps the film is staying true to the memoir, but it is definitely a different approach to describing such an experience.
That being said, it’s not a bad film or a bad story. It’s interesting. It has funny moments, and it makes you want to know what will happen in the end. A few scenes even get close to developing the characters in a way that might make the audience care about them. But overall, there is really no emotional substance to the film and it leaves no big impression.
Worth a watch on Netflix, I give “Whiskey Tango Foxtrot” 2.5 out of 5 stars.
The Lose Your Belly Diet: Change Your Gut, Change Your Life
Christopher Solimene and Travis Stork
Book
We want to be healthy. We want to be lean. And we want to lose that annoying fat around our bellies!...
Jesters_folly (230 KP) rated It: Chapter Two (2019) in Movies
Sep 7, 2019
Contains spoilers, click to show
IT, Chapter two
The Losers are all grown up and living their own lives when they each receive a call to return to Derry, the town they all grew up in. The problem is none of them remember their childhoods or why they need to return.
IT Chapter Two picks up 27 years after the first film, the main cast have all moved on with their lives when Pennywise re-appears in Derry and so they all have to return to try to stop the creature once and for all.
There is a lot going on in the film, first off, it is a lot more like the original mini-series as it predominantly follows the losers as adults but also flashes back to them as children. The flashbacks show each of the young losers having separate meetings with Pennywise and none of these are shown in the first film. We also find out more about where Pennywise came from although the film does give us two possibilities’ (Kind of) although only one is real. There is also details of a group of native Americans who encountered and (Supposedly) defeated Pennywise, although he was not in clown form then. We also get more of a glimpse of Pennywise’s shape changing ability’s which include the spider form that is seen in the original mini-series.
IT Chapter two also plays homage to a lot of other films, the most obvious are the thing, the shining and poltergeist. There is also a recurring theme where it is mentioned by a number of different characters (one played by Stephen King) that Bill does not know how to finish a story, this is a complaint that Stephen King has received more than once, some people found a scene at the end of the IT novel wrong and a lot of people didn’t like the ending of the seventh and final (At the time) ‘Dark Tower’ book.
All of this leads to the film being just under three hours long, but honestly you don’t notice it.
The Losers are all grown up and living their own lives when they each receive a call to return to Derry, the town they all grew up in. The problem is none of them remember their childhoods or why they need to return.
IT Chapter Two picks up 27 years after the first film, the main cast have all moved on with their lives when Pennywise re-appears in Derry and so they all have to return to try to stop the creature once and for all.
There is a lot going on in the film, first off, it is a lot more like the original mini-series as it predominantly follows the losers as adults but also flashes back to them as children. The flashbacks show each of the young losers having separate meetings with Pennywise and none of these are shown in the first film. We also find out more about where Pennywise came from although the film does give us two possibilities’ (Kind of) although only one is real. There is also details of a group of native Americans who encountered and (Supposedly) defeated Pennywise, although he was not in clown form then. We also get more of a glimpse of Pennywise’s shape changing ability’s which include the spider form that is seen in the original mini-series.
IT Chapter two also plays homage to a lot of other films, the most obvious are the thing, the shining and poltergeist. There is also a recurring theme where it is mentioned by a number of different characters (one played by Stephen King) that Bill does not know how to finish a story, this is a complaint that Stephen King has received more than once, some people found a scene at the end of the IT novel wrong and a lot of people didn’t like the ending of the seventh and final (At the time) ‘Dark Tower’ book.
All of this leads to the film being just under three hours long, but honestly you don’t notice it.
Kristy H (1252 KP) rated Under the Southern Sky in Books
Aug 12, 2021
A heartfelt romance set in North Carolina
Amelia Saxton, a journalist, has just published a personal story in "Modern Love" discussing her own modern marriage with her husband Thad, talking about how happy they are in their life filled with travel and their decision not to have children. That same day she discovers Thad is cheating on her--with another man. Devastated, Amelia's life is completely upended and she wonders if she can ever trust again. While researching another story, she finds out that some embryos belonging to her childhood friend Parker and his late wife, Greer, have been deemed "abandoned." Parker had a love for the ages with Greer, but Amelia--the literal girl next door--was his first love. He had forgotten about the embryos, but once he hears Amelia's news, he wants to become a single father via surrogate. As Amelia and Parker each return home to Cape Carolina to deal with their own grief, they find comfort in their friendship.
"People always think being loved will change them. But that's not true. It's really, truly loving--with the kind of love you couldn't take away even if you wanted to--that turns you inside out."
This book had an interesting plot idea--the whole embryo idea has the possibility to become icky, but overall Woodson Harvey pulls it off. I have been through IVF and dealt with frozen embryo decisions myself, so the book certainly hit home. The story is told via Parker and Amelia's present-day perspectives and interspersed with excerpts from Greer's journals. The North Carolina setting is atmospheric and takes on a life of its own.
At times, this tale is kind of silly and all over the place, but it's a very easy read. The characters are also easy-to-like, and I grew to care a lot about both Parker and Amelia. It's a fun and romantic tale, with just about everyone tied together in various ways. There are meddling moms, family secrets, and drama with Parker's brother. All of this makes the book quite a page-turner, which is at turns sweet and heartbreaking. 3.75 stars.
"People always think being loved will change them. But that's not true. It's really, truly loving--with the kind of love you couldn't take away even if you wanted to--that turns you inside out."
This book had an interesting plot idea--the whole embryo idea has the possibility to become icky, but overall Woodson Harvey pulls it off. I have been through IVF and dealt with frozen embryo decisions myself, so the book certainly hit home. The story is told via Parker and Amelia's present-day perspectives and interspersed with excerpts from Greer's journals. The North Carolina setting is atmospheric and takes on a life of its own.
At times, this tale is kind of silly and all over the place, but it's a very easy read. The characters are also easy-to-like, and I grew to care a lot about both Parker and Amelia. It's a fun and romantic tale, with just about everyone tied together in various ways. There are meddling moms, family secrets, and drama with Parker's brother. All of this makes the book quite a page-turner, which is at turns sweet and heartbreaking. 3.75 stars.
Black Rabbit Hall
6.0
Rate It
Book
One golden family. One fateful summer. Four lives changed forever. Amber Alton knows that the hours...
Kirk Bage (1775 KP) rated The Umbrella Academy in TV
Sep 19, 2020 (Updated Jan 22, 2021)
I came to this gloriously colourful, energetic and super smart comic book adaptation in August (when Netflix advertised season 2), at a time of lockdown where I really needed something cheerful and fun to keep me going. It worked so well I watched both full seasons twice over, back to back, and key episodes 3 times! A rare thing indeed for me and a TV show.
Since then the rigours of isolation have set me back with a really long backlog for The Wasteland – currently I have a list of over 40 cultural artifacts I want to talk about and share with you- but, I am very glad to be talking about this one today, as even though it wasn’t that long ago, it evokes such fond happy memories of becoming just a little bit obsessed by something. A phenomenon that only seems to happen when you go into something with low to medium expectations and come out feeling like you have found a diamond in the rough.
The concept of 7 children with mysterious powers being adopted and raised by a shady and strict, umbrella wielding, father has been around a few years in the form of several graphic novels, penned by My Chemical Romance frontman Gerard Way. You can feel the vibe of something slightly emo and arty coming through – just cool enough but also self conscious; melancholy and dark in places but also lots of sardonic fun. But, unlike the books, which often look stark and minimal, the world created by show runner and director Steve Blackman is vivid and full to the brim with things to overwhelm the senses.
For the last few years, and especially of late, the Superhero genre has been so oversaturated that it is almost impossible to come up with anything original, but The Umbrella Academy together with Amazon’s The Boys, definitely manage to do that. It has enough mystique to be intriguingly confusing for the first few episodes, as we piece together the Hargreaves’ past that has led to the current situation, and discover the dynamic tension that exists between the adopted siblings. Oh, and there is a talking chimpanzee butler / guardian called Pogo, that feels like CGI gimmickery for a while, before growing into something truly wonderful.
The first thing you notice about this set of misfits, as they reassemble for their father’s funeral after years of bitterness and estrangement, is that they are all a little bit broken and uncomfortable in their own skins – their powers as individuals are all a bit, well frankly underwhelming, and their personalities are not exactly attractive in every case. Season one is all about re-establishing connections and working through identity crises. In many ways it is a coming of age story, as circumstances lead to them needing to grow up fast and join together to achieve true power. It works both on the surface and as a deeper allegory.
As each main character is introduced you inevitably get drawn into ranking them from most to least favourite, and the trick of it is how much those feelings shift as the story progresses. Everyone loves Klaus, the twitchy junkie who can see dead people, his completely non heroic yet hilariously stoned outlook gives him many of the best lines and most fun scenes. I changed allegiance several times with the others, but Klaus, played by the charismatic Irish actor Robert Sheehan, always remained my favourite, because of his hippie rockstar vibe. Although it’s hard not to have a soft spot for Number 5, the time travelling schoolboy that has been missing for years and re-emerges as a middle aged man still trapped in the boys’ body. Aiden Gillen is superb in conveying that he is older whilst always looking like a teenager, and in many ways he is the true pivot and anchor of the story.
I suppose before the show aired it was Ellen Page that was the “star” draw amongst the young and mostly unknown cast of “heroes”. As Vanya, the only Hargreaves child never to demonstrate a power, and held aside by their controlling father, she is the outsider and most insecure of the bunch. You sense her storyline is going to be crucial to the whole shebang, and so it turns out, but her fame as an actress of note never overshadows the show as a whole – it feels instantly like a group effort, and in that sense a true family, the deeper you get into it.
I could go on explaining each character and the details of the intricate plot forever, but I would never do it justice. The only way to see what the fuss is about is to watch it. Anything else would just sound like mad confusion to the uninitiated. All I can say is that it does an incredible job of unfolding its charms and secrets piece by piece. So much so that by the climax of season two I am still not entirely sure we have all the information necessary to know what is going on in a complete sense; there are several questions and mysteries still to be unearthed, and I like that very much.
I have recommended this show to anyone I know who enjoys something entertaining that has substance yet doesn’t take itself too seriously – so that is everyone then! I think it’s allure is that very thing: it manages to hit a zeitgeist of perfect balance between a smart script and plotline with many cliffhangers, and enough disposable moments of fun, to be exactly what the modern Netflix viewer is looking for. Super easy to watch with one eye or with both, depending on what mood you are in.
There is also the style of the thing – a veritable candy box of colours and neat visual tricks, mixed in with some of the best musical montage sequences I have ever seen. I understand from several interviews that Steve Blackman specifically wrote certain scenes around the feel of a piece of music he wanted to include. That is a clever way of building a cult following: find songs that both tell a story and appeal to the cool kids, then use them as mini music video segments that punctuate the heavier elements of storytelling. It’s not a new trick, but the song choices here are so good that it has rarely been done this well before.
It all works especially well as we move into season two and an historical context that brings up a lot of pertinent issues for some of the siblings regarding race, sexuality and other freedoms of identity that can be taken for granted in the modern era. I don’t want to spoil too much of that here, but suffice to say as a hook to pin the themes on it is a genius touch that makes season two a huge leap forward on something that was already pretty decent in season one. All the characters become more rounded and relatable, even the so called bad guys – an increasingly eccentric bunch of creations that leave you in no doubt this is a comic book world not to be confused with reality.
At time of writing, a third season has still not being given the greenlight. Considering the massive cliffhanger we are left with at the end of season two, and how big the cult following seems to be by now, it would be an absolute crime not to allow it to continue. The only reason I can see it wouldn’t is that the stories of the source material are now exhausted, and anywhere they go from here will need to be truly original. However, there is so much scope to do almost anything from here that I don’t see it as any kind of issue.
If you haven’t seen it, I urge you whole-heartedly to give it a go. There really is something in there to please everyone, except perhaps the most serious minded of realists. Even then, they’d be hard pressed not to raise a smile or tap a toe at some of the best musical moments of emo hero mayhem.
Since then the rigours of isolation have set me back with a really long backlog for The Wasteland – currently I have a list of over 40 cultural artifacts I want to talk about and share with you- but, I am very glad to be talking about this one today, as even though it wasn’t that long ago, it evokes such fond happy memories of becoming just a little bit obsessed by something. A phenomenon that only seems to happen when you go into something with low to medium expectations and come out feeling like you have found a diamond in the rough.
The concept of 7 children with mysterious powers being adopted and raised by a shady and strict, umbrella wielding, father has been around a few years in the form of several graphic novels, penned by My Chemical Romance frontman Gerard Way. You can feel the vibe of something slightly emo and arty coming through – just cool enough but also self conscious; melancholy and dark in places but also lots of sardonic fun. But, unlike the books, which often look stark and minimal, the world created by show runner and director Steve Blackman is vivid and full to the brim with things to overwhelm the senses.
For the last few years, and especially of late, the Superhero genre has been so oversaturated that it is almost impossible to come up with anything original, but The Umbrella Academy together with Amazon’s The Boys, definitely manage to do that. It has enough mystique to be intriguingly confusing for the first few episodes, as we piece together the Hargreaves’ past that has led to the current situation, and discover the dynamic tension that exists between the adopted siblings. Oh, and there is a talking chimpanzee butler / guardian called Pogo, that feels like CGI gimmickery for a while, before growing into something truly wonderful.
The first thing you notice about this set of misfits, as they reassemble for their father’s funeral after years of bitterness and estrangement, is that they are all a little bit broken and uncomfortable in their own skins – their powers as individuals are all a bit, well frankly underwhelming, and their personalities are not exactly attractive in every case. Season one is all about re-establishing connections and working through identity crises. In many ways it is a coming of age story, as circumstances lead to them needing to grow up fast and join together to achieve true power. It works both on the surface and as a deeper allegory.
As each main character is introduced you inevitably get drawn into ranking them from most to least favourite, and the trick of it is how much those feelings shift as the story progresses. Everyone loves Klaus, the twitchy junkie who can see dead people, his completely non heroic yet hilariously stoned outlook gives him many of the best lines and most fun scenes. I changed allegiance several times with the others, but Klaus, played by the charismatic Irish actor Robert Sheehan, always remained my favourite, because of his hippie rockstar vibe. Although it’s hard not to have a soft spot for Number 5, the time travelling schoolboy that has been missing for years and re-emerges as a middle aged man still trapped in the boys’ body. Aiden Gillen is superb in conveying that he is older whilst always looking like a teenager, and in many ways he is the true pivot and anchor of the story.
I suppose before the show aired it was Ellen Page that was the “star” draw amongst the young and mostly unknown cast of “heroes”. As Vanya, the only Hargreaves child never to demonstrate a power, and held aside by their controlling father, she is the outsider and most insecure of the bunch. You sense her storyline is going to be crucial to the whole shebang, and so it turns out, but her fame as an actress of note never overshadows the show as a whole – it feels instantly like a group effort, and in that sense a true family, the deeper you get into it.
I could go on explaining each character and the details of the intricate plot forever, but I would never do it justice. The only way to see what the fuss is about is to watch it. Anything else would just sound like mad confusion to the uninitiated. All I can say is that it does an incredible job of unfolding its charms and secrets piece by piece. So much so that by the climax of season two I am still not entirely sure we have all the information necessary to know what is going on in a complete sense; there are several questions and mysteries still to be unearthed, and I like that very much.
I have recommended this show to anyone I know who enjoys something entertaining that has substance yet doesn’t take itself too seriously – so that is everyone then! I think it’s allure is that very thing: it manages to hit a zeitgeist of perfect balance between a smart script and plotline with many cliffhangers, and enough disposable moments of fun, to be exactly what the modern Netflix viewer is looking for. Super easy to watch with one eye or with both, depending on what mood you are in.
There is also the style of the thing – a veritable candy box of colours and neat visual tricks, mixed in with some of the best musical montage sequences I have ever seen. I understand from several interviews that Steve Blackman specifically wrote certain scenes around the feel of a piece of music he wanted to include. That is a clever way of building a cult following: find songs that both tell a story and appeal to the cool kids, then use them as mini music video segments that punctuate the heavier elements of storytelling. It’s not a new trick, but the song choices here are so good that it has rarely been done this well before.
It all works especially well as we move into season two and an historical context that brings up a lot of pertinent issues for some of the siblings regarding race, sexuality and other freedoms of identity that can be taken for granted in the modern era. I don’t want to spoil too much of that here, but suffice to say as a hook to pin the themes on it is a genius touch that makes season two a huge leap forward on something that was already pretty decent in season one. All the characters become more rounded and relatable, even the so called bad guys – an increasingly eccentric bunch of creations that leave you in no doubt this is a comic book world not to be confused with reality.
At time of writing, a third season has still not being given the greenlight. Considering the massive cliffhanger we are left with at the end of season two, and how big the cult following seems to be by now, it would be an absolute crime not to allow it to continue. The only reason I can see it wouldn’t is that the stories of the source material are now exhausted, and anywhere they go from here will need to be truly original. However, there is so much scope to do almost anything from here that I don’t see it as any kind of issue.
If you haven’t seen it, I urge you whole-heartedly to give it a go. There really is something in there to please everyone, except perhaps the most serious minded of realists. Even then, they’d be hard pressed not to raise a smile or tap a toe at some of the best musical moments of emo hero mayhem.
Ivana A. | Diary of Difference (1171 KP) rated Carrie in Books
Nov 14, 2018
Full review can be found on my blog - www.diaryofdifference.com
I am probably one of the last people on Earth that hasn’t read a Stephen King book. Carrie is the first book I decided to read. People have been suggesting it to me for a while, and it seemed like a nice short bit of introduction to Stephen’s horror world.
Also, a special thank you to my friend Dave, for constantly recommending Stephen King books to me, until I finally decided to listen to him. He seemed to be right!
Now - Carrie.
A book about a girl that lives with her crazy religious mother in a creepy house. A girl who is being bullied at school all the time. A story about a girl that has the ability to move objects as she wishes. And a prom night, where everything escalates.
Carrie is a sixteen year old girl. And she has been raised by her mother, who is a religious person in a - not healthy way. When Carrie misbehaves, she is sent to a closet to pray for the whole day. Even though Carrie doesn’t share her mother’s beliefs, she can’t really stand up and fight for herself.
The plot gets a grip when Carrie has her first period at the age of sixteen. She thinks she will bleed to death. And all her classmates are laughing at her, because she is stupid. And throw tampons her way. And as I am reading this, I keep thinking - what kind of mother won’t tell her child about menstruation, and puberty, and all the normal teenage phases a kid has to go through while growing up?
This moment, in the school bathroom, is the moment Carrie finds out about her powers.
And a few weeks later, a terrible thing happens.
This is a horror story, but the horror doesn’t lie in what Carrie did, but what led her to do that. Who it is to blame, and why things escalated the way they did.
Stephen King described bullying in its most painful and real way, and the consequences it can lead to. And it does happen, in every school, to a lot of children all over the world each day. A sometimes, most of the times, they are bullied only because they are different, not because they are bad.
This is a story that silently stands up to bullying, and by doing that raises such a strong voice in every corner of the world.
And remember - if you are the bully - think twice before you say things. Words can hurt, and they can result in bad things happening. Think twice about why you say what you say. The classmate of yours might have a talent you don’t know of.
And if you are the bullied child - also remember - you are kind and beautiful, no matter what everyone says. You shouldn’t let people bring you down. And we have all been bullied while growing up. Once you reach a certain age, people stop caring, and you stop caring what people think, and then, finally, you can be comfortable and happy with who you are!
I am probably one of the last people on Earth that hasn’t read a Stephen King book. Carrie is the first book I decided to read. People have been suggesting it to me for a while, and it seemed like a nice short bit of introduction to Stephen’s horror world.
Also, a special thank you to my friend Dave, for constantly recommending Stephen King books to me, until I finally decided to listen to him. He seemed to be right!
Now - Carrie.
A book about a girl that lives with her crazy religious mother in a creepy house. A girl who is being bullied at school all the time. A story about a girl that has the ability to move objects as she wishes. And a prom night, where everything escalates.
Carrie is a sixteen year old girl. And she has been raised by her mother, who is a religious person in a - not healthy way. When Carrie misbehaves, she is sent to a closet to pray for the whole day. Even though Carrie doesn’t share her mother’s beliefs, she can’t really stand up and fight for herself.
The plot gets a grip when Carrie has her first period at the age of sixteen. She thinks she will bleed to death. And all her classmates are laughing at her, because she is stupid. And throw tampons her way. And as I am reading this, I keep thinking - what kind of mother won’t tell her child about menstruation, and puberty, and all the normal teenage phases a kid has to go through while growing up?
This moment, in the school bathroom, is the moment Carrie finds out about her powers.
And a few weeks later, a terrible thing happens.
This is a horror story, but the horror doesn’t lie in what Carrie did, but what led her to do that. Who it is to blame, and why things escalated the way they did.
Stephen King described bullying in its most painful and real way, and the consequences it can lead to. And it does happen, in every school, to a lot of children all over the world each day. A sometimes, most of the times, they are bullied only because they are different, not because they are bad.
This is a story that silently stands up to bullying, and by doing that raises such a strong voice in every corner of the world.
And remember - if you are the bully - think twice before you say things. Words can hurt, and they can result in bad things happening. Think twice about why you say what you say. The classmate of yours might have a talent you don’t know of.
And if you are the bullied child - also remember - you are kind and beautiful, no matter what everyone says. You shouldn’t let people bring you down. And we have all been bullied while growing up. Once you reach a certain age, people stop caring, and you stop caring what people think, and then, finally, you can be comfortable and happy with who you are!