"She accomplishes in this novel what I’m always trying to do in film: make the mundane extraordinary not by adorning it but by telling it as it is. It combines deadpan humor with romantic yearning and makes you want to read more novels and maybe also try to learn Russian."

"This was the first book to give me a thrill, the first to make me feel as if I was doing more than merely eavesdropping on grown folks’ business — I was one of the girls. At 12, I loved this novel so much that I never returned it to the library."

"The best novel, surely, of a writer we love because he makes us question our favorite beliefs. His Aziz, Fielding, Adela, and the Anglo-Indian lot are the superb metaphors in the moral drama as well as people I seem to remember as if I had known and interacted with them."

"Daniel Saldaña París is the Mexican Philip Roth, dare I say, and his novel is both satirical and self-reflective, which is my favorite mode of literary expression. I met him a few years ago, and speaking with him about writing fiction was like talking to a long lost twin."

"A sociological study disguised as a crime novel, set in New York City. While reading this, I was completely submerged in his words, and this world. I didn’t want it to end. Richard is extraordinary with dialogue. The jigsaw of a narrative is as complex as the city it describes."