Search
Search results
Kristy H (1252 KP) rated Dear Mr. M in Books
Feb 13, 2018
"M" is a famous writer whose best days are probably, if truth be told, behind him. He's best known for his novel, Payback, which tells the story of a high school history teacher, Mr. Landzaat, who went missing one winter after having an affair with one of his female students. That student, Laura, had moved on to a relationship with a boy her own age, Herman. The two were staying at a vacation cottage and were the last ones to see their teacher. Did they have something to do with his disappearance? Now, M lives with his beautiful (much younger) wife and little daughter in an apartment. They have a neighbor who seems to have a odd fascination with the couple, but why? The novel weaves together the tales of these disparate characters.
I had heard a lot about Koch's novels and was excited to win this one via a Goodreads Giveaway. It was certainly interesting and definitely different than many novels I read. I have to admit that it was a rather slow read, especially the first three quarters or so. There was actually a point where I was considering giving up for a bit, but I soldiered on. Some characters in the novels never have names (just initials), and we don't really get insight into who our varying narrators are. While I understand why (and it adds to the drama of the novel), I'll confess that it gets a little confusing at times. You really have to stay on your toes as you read.
Still, the novel is definitely more compelling toward the end, and I found myself staying up late to finish it. The twist at the end was certainly not what I expected. The varying viewpoints wind up working out well, as you really see the story unfold from everyone's perspective. Still, I found the story a bit diluted by a bit of a "meta" storyline about writers, as well as an odd insertion about M's father and his role in the resistance, as well as M's own views, which never really seemed to have a full role or point in the tale. I enjoyed the novel, but I didn't love it, and it (frankly) exhausted me a bit.
I received a copy of this novel via a Goodreads Giveaway (thank you!) in return for an unbiased review.
I had heard a lot about Koch's novels and was excited to win this one via a Goodreads Giveaway. It was certainly interesting and definitely different than many novels I read. I have to admit that it was a rather slow read, especially the first three quarters or so. There was actually a point where I was considering giving up for a bit, but I soldiered on. Some characters in the novels never have names (just initials), and we don't really get insight into who our varying narrators are. While I understand why (and it adds to the drama of the novel), I'll confess that it gets a little confusing at times. You really have to stay on your toes as you read.
Still, the novel is definitely more compelling toward the end, and I found myself staying up late to finish it. The twist at the end was certainly not what I expected. The varying viewpoints wind up working out well, as you really see the story unfold from everyone's perspective. Still, I found the story a bit diluted by a bit of a "meta" storyline about writers, as well as an odd insertion about M's father and his role in the resistance, as well as M's own views, which never really seemed to have a full role or point in the tale. I enjoyed the novel, but I didn't love it, and it (frankly) exhausted me a bit.
I received a copy of this novel via a Goodreads Giveaway (thank you!) in return for an unbiased review.
ArecRain (8 KP) rated Her Vampire Husband (Wicked Games, #3) in Books
Jan 18, 2018
I really shouldnt have had such high hopes for this novel. I mean the entire premise of the book is about a werewold princess who marries an elder vampire in hopes that their people would stop killing each other. Really? An entire novel about that? Honey, that is the subplot in half of the other paranormal romance novels I read. What made Hauf think she could she could write an entire novel about a simple idea and expect to impress me?
First off, there is nothing more annoying than a female protagonists who hides her problems behind a mask of fake strength and apathy. Seriously, they are only hurting themselves, making a relationship with anyone impossible. And just ends up annoying the hell out of me. How about they actually go take care of their problem? Nope, thats too simple. Seriously, writers, you need to stop creating these types of characters.
I thought that because of them being enemies and of different races, it would actually make this book interesting. How wrong I was. The main couple lacked chemistry even as they were playfully bantering and ogling each others body. I felt that they were just two sexually frustrated people forced to live with each other instead of two people thrown together who eventually fall in love. In fact, it was one of those novels where one page, they were at odds, and the next they were in love.
Oh disappointment, how you leave a bitter taste in my mouth.
First off, there is nothing more annoying than a female protagonists who hides her problems behind a mask of fake strength and apathy. Seriously, they are only hurting themselves, making a relationship with anyone impossible. And just ends up annoying the hell out of me. How about they actually go take care of their problem? Nope, thats too simple. Seriously, writers, you need to stop creating these types of characters.
I thought that because of them being enemies and of different races, it would actually make this book interesting. How wrong I was. The main couple lacked chemistry even as they were playfully bantering and ogling each others body. I felt that they were just two sexually frustrated people forced to live with each other instead of two people thrown together who eventually fall in love. In fact, it was one of those novels where one page, they were at odds, and the next they were in love.
Oh disappointment, how you leave a bitter taste in my mouth.
I think it's a common understanding that, of all the characters in 2015's 'The Force Awakens', Gwendoline Christie's enigmatic Captain Phasma was the biggest missed opportunity.
Much like Darth Maul before her (who became a cult favourite in the 'old' Extended Universe), this novel seeks to set that right.
How?
By, effectively, having a story-within-a-story: in this case, by having a captured Resistance spy telling her First Order captor what she has discovered about Phasma, with that interrogation carried out in secret as Phasma is still viewed as a hero of the Order (but with deep mistrust by said captor).
This story-within-a-story, then, tells of the mysterious Phasma's originss, of her early life on her abandoned and decaying home planet, of a trip across said planet to the site of a crashed First Order spaceship in the company of a rescued officer and of the many and varied incidents and people/driods met along that journey.
The result is not a bad novel, but not the best of the recent Star Wars novels I've read: it passes a few days easy reading, sure, but (for me, at least) has no real oomph to it; nothing that really makes it stick in my mind or that would cause me to look for other novels by this author. That's not to say I wouldn't read any such if I came across them; just not going out of my way to look for them.
Much like Darth Maul before her (who became a cult favourite in the 'old' Extended Universe), this novel seeks to set that right.
How?
By, effectively, having a story-within-a-story: in this case, by having a captured Resistance spy telling her First Order captor what she has discovered about Phasma, with that interrogation carried out in secret as Phasma is still viewed as a hero of the Order (but with deep mistrust by said captor).
This story-within-a-story, then, tells of the mysterious Phasma's originss, of her early life on her abandoned and decaying home planet, of a trip across said planet to the site of a crashed First Order spaceship in the company of a rescued officer and of the many and varied incidents and people/driods met along that journey.
The result is not a bad novel, but not the best of the recent Star Wars novels I've read: it passes a few days easy reading, sure, but (for me, at least) has no real oomph to it; nothing that really makes it stick in my mind or that would cause me to look for other novels by this author. That's not to say I wouldn't read any such if I came across them; just not going out of my way to look for them.
Myself and the World: A Biography of William Faulkner
Book
William Faulkner (1897-1962) once said of his novels and stories, "I am telling the same story over...
Heather Cranmer (2721 KP) created a post
Apr 9, 2021
ClareR (6225 KP) rated The Sandman (Audible Original #1) in Books
Sep 6, 2020
Well. Flipping heck. I’m a huge fan of the graphic novels, so I was both hesitant and wildly excited (it’s confusing to be me sometimes) when this popped on to my radar. Of course I preordered it off Audible, I’m not completely daft, and just in time for our holiday in Scotland. A nice, seven hour drive from Chester to the Black Isle (near Inverness - it’s beautiful there, by the way) and time well spent listening to this.
The cast was excellent: James McAvoy as Morpheus/ Dream/ The Sandman (they’re all the same person), Michael Sheen as Lucifer, and a host of other excellent voice actors: Rio Ahmed, Kat Dennings, Taron Egerton, Samantha Morton, Bebe Neuwirth, Andy Serkis and Miriam Margolyes. There are more actors, and they were all wonderful. It was ALL wonderful - it stuck faithfully to the original graphic novels, and Neil Gaiman narrated wonderfully ( I know I need a thesaurus, but ‘wonderful’ is THE word!). Whatever that man touches is golden, it seems to me.
Can you tell I liked it? Actually, I LOVED it. I usually fall asleep on long car journeys (I get terribly car sick, and I don’t drive 🤷🏼♀️), but I stayed awake for the whole time - and didn’t feel sick at all (even during the gory bits!).
The most potentially exciting part for me, is that it says ‘#1’. So I’ve set up my waiting post (I have to work out what that is exactly. I see it as a mental waiting room).
I can’t wait!!
The cast was excellent: James McAvoy as Morpheus/ Dream/ The Sandman (they’re all the same person), Michael Sheen as Lucifer, and a host of other excellent voice actors: Rio Ahmed, Kat Dennings, Taron Egerton, Samantha Morton, Bebe Neuwirth, Andy Serkis and Miriam Margolyes. There are more actors, and they were all wonderful. It was ALL wonderful - it stuck faithfully to the original graphic novels, and Neil Gaiman narrated wonderfully ( I know I need a thesaurus, but ‘wonderful’ is THE word!). Whatever that man touches is golden, it seems to me.
Can you tell I liked it? Actually, I LOVED it. I usually fall asleep on long car journeys (I get terribly car sick, and I don’t drive 🤷🏼♀️), but I stayed awake for the whole time - and didn’t feel sick at all (even during the gory bits!).
The most potentially exciting part for me, is that it says ‘#1’. So I’ve set up my waiting post (I have to work out what that is exactly. I see it as a mental waiting room).
I can’t wait!!
Driven (Reflections, #9)
10.0
Rate It
Book
Jasmin is a 17-year-old shape shifter whose whole world has been turned upside down over the last...
Young Adult Paranormal Romance
David McK (3791 KP) rated The Last Command (Star Wars: The Thrawn Trilogy, #3) in Books
Nov 21, 2021
The final part of Timothy Zahn's 'Heir to the Empire' trilogy, which I first read way back in the early to mid 1990s ('94, '95, thereabouts).
So we're talking before the Prequel trilogy, never mind the Sequel trilogy. Before even the 'Special Editions' of the original movies.
And, talking of the Sequel Trilogy: I'm of the opinion that these would have been a better basis for those films than the disjointed mess we eventually got: there's a clear overall arc to the plot here, it doesn't disrespect the core characters (Han, Luke, Leia) while also does both deepen and expand upon the original trilogy, and introduces certain characters and locations that later made their way into the mainline movies: Coruscant? Grand Admiral Thrawn? The Noghri? All have their first appearances in these novels. I'm still waiting for Mara Jade to make her live-action debut, though ...
That's not to say that changes would have been needed: The Clone Wars mentioned here, for example, here has the Clones as the villains of the piece, and makes absolutely no reference to the Droid armies of the Trade Federation (understandably, as - remember - this was released way before 1999s 'The Phantom Menace').
All in all, this is a strong trilogy of novels that laid the groundwork for what would later become known as the Expanded Universe- later renamed as Legends - and of which parts are now being cherry-picked to fit into the main story lines following Disney's acquisition of Lucasfilm back in (roughly) 2012 or so.
So we're talking before the Prequel trilogy, never mind the Sequel trilogy. Before even the 'Special Editions' of the original movies.
And, talking of the Sequel Trilogy: I'm of the opinion that these would have been a better basis for those films than the disjointed mess we eventually got: there's a clear overall arc to the plot here, it doesn't disrespect the core characters (Han, Luke, Leia) while also does both deepen and expand upon the original trilogy, and introduces certain characters and locations that later made their way into the mainline movies: Coruscant? Grand Admiral Thrawn? The Noghri? All have their first appearances in these novels. I'm still waiting for Mara Jade to make her live-action debut, though ...
That's not to say that changes would have been needed: The Clone Wars mentioned here, for example, here has the Clones as the villains of the piece, and makes absolutely no reference to the Droid armies of the Trade Federation (understandably, as - remember - this was released way before 1999s 'The Phantom Menace').
All in all, this is a strong trilogy of novels that laid the groundwork for what would later become known as the Expanded Universe- later renamed as Legends - and of which parts are now being cherry-picked to fit into the main story lines following Disney's acquisition of Lucasfilm back in (roughly) 2012 or so.
I don't know why, but for some reason I've never really taken to Stephen King's novels all that much.
I don't know whether that's because he's best known as a horror writer (with that being my least favourite genre), or whether because as a UK native I don't have quite the same cultural touchstones as King himself (or other American readers/writers), but there you have it.
(And, as an aside, I find that date format of 11.22.63 to be very disconcerting - I'm more used to dd/mm/yy i.e. 22/11/63 instead of 11.22.63)
Anyway, with all that said, I decided to give this a chance after it was recommended to me by a friend as 'a bit like Quantum Leap. I would have thought it was right up your street' (and I'm paraphrasing there somewhat).
I can see where he was coming from - this is a time travel novel, after all, here dealing with the JFK assassination - with the hero of the piece out to stop that assassination after finding a 'wormhole' back in time to the late 1950s.
Now that I've read it, I can say that it is definitely immersive with some solid world building, but boy does the middle section draaagggg: I was tempted, at one point, to just skip forward a good chunk (I didn't) to see if anything of note would happen ...
In short? Enjoyable enough, yes, but not enough to make me want to change my outlook on other King novels.
I don't know whether that's because he's best known as a horror writer (with that being my least favourite genre), or whether because as a UK native I don't have quite the same cultural touchstones as King himself (or other American readers/writers), but there you have it.
(And, as an aside, I find that date format of 11.22.63 to be very disconcerting - I'm more used to dd/mm/yy i.e. 22/11/63 instead of 11.22.63)
Anyway, with all that said, I decided to give this a chance after it was recommended to me by a friend as 'a bit like Quantum Leap. I would have thought it was right up your street' (and I'm paraphrasing there somewhat).
I can see where he was coming from - this is a time travel novel, after all, here dealing with the JFK assassination - with the hero of the piece out to stop that assassination after finding a 'wormhole' back in time to the late 1950s.
Now that I've read it, I can say that it is definitely immersive with some solid world building, but boy does the middle section draaagggg: I was tempted, at one point, to just skip forward a good chunk (I didn't) to see if anything of note would happen ...
In short? Enjoyable enough, yes, but not enough to make me want to change my outlook on other King novels.