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David McK (3632 KP) rated Stormchild in Books
Oct 19, 2025
As an author, Bernard Cornwell is probably better known for writing historical fiction: the Sharpe series (set during the Napoleonic Wars), say, or the Uhtred of Bebbanburg series (in and around the time of Alfred the Great).
What is not so well, known, however, are his more contemporaneous 'Sailing thrillers'.
Of which there are currently five (Wildtrack, Sea Lord, Crackdown, Stormchild and Scoundrel)
with this being the fourth published in that, totally unconnected to each other, series and also coincidentally the fourth I read (I've yet to read Crackdown).
In this one, published during the early 1990s, Cornwell's hero of the novel is a man who, following the death of his wife in an explosion at sea (itself following the death of his son in a bombing in Northern Ireland) is trying to track down his long-lost daughter, who was last seen sailing away from him to join a cult of what-proves-to-be extremist environmentalist.
Bold choice.
Making the environmentalists the baddies.
To be clear, they're portrayed here - or, at least, the (fictional) cult that she has joined - more as extremists than environmentalists.
Like I suspect many others, I found this to be an enjoyable enough read but not up to the standards of his Cornwell's usual historical fiction works. Which the man himself acknowledges on his own website: "I enjoyed writing the thrillers, but suspect I am happier writing historical novels ..."
What is not so well, known, however, are his more contemporaneous 'Sailing thrillers'.
Of which there are currently five (Wildtrack, Sea Lord, Crackdown, Stormchild and Scoundrel)
with this being the fourth published in that, totally unconnected to each other, series and also coincidentally the fourth I read (I've yet to read Crackdown).
In this one, published during the early 1990s, Cornwell's hero of the novel is a man who, following the death of his wife in an explosion at sea (itself following the death of his son in a bombing in Northern Ireland) is trying to track down his long-lost daughter, who was last seen sailing away from him to join a cult of what-proves-to-be extremist environmentalist.
Bold choice.
Making the environmentalists the baddies.
To be clear, they're portrayed here - or, at least, the (fictional) cult that she has joined - more as extremists than environmentalists.
Like I suspect many others, I found this to be an enjoyable enough read but not up to the standards of his Cornwell's usual historical fiction works. Which the man himself acknowledges on his own website: "I enjoyed writing the thrillers, but suspect I am happier writing historical novels ..."
Kristy H (1252 KP) rated The Widow's House in Books
Dec 24, 2017
crazy (1 more)
fascinating
Jess and Clare Martin met at Bailey College, in the Hudson River valley, but have been living in New York for years. Jess wrote a successful first novel not long after graduation, but that money has long been spent. He's been working on his second book for ages; it's long overdue, and he needs a new muse. So the two decide to move back to the Hudson River area, where Jess can focus on the book without distractions. They take on duties as caretakers at Riven House, the home of their former college professor, Monty. They can live in a nearby cottage in exchange for helping the elderly Monty with chores. But the setup has its own issues: it's Monty, after all, who wrote a review of Jess' first book that torments him to this day. And as they settle in, Clare begins to hear a baby crying at night and see shadowy figures around the pond of Monty's property. As she investigates local history, she thinks what she sees may be tied to the house's tormented past. The locals say the place is haunted and destroys everyone who stays there. Are Clare and Jess next?
You know how sometimes you start a novel and immediately know, from the first page, that you'll enjoy it? THE WIDOW'S HOUSE was that way for me. It sucked me in immediately and kept me interested throughout; I read it in about 24 hours. The book is filled with complicated characters, starting with Clare. You start to realize she's the ultimate unreliable narrator, but are never able to tell exactly how much. She appears unhappy with her selfish author husband and her marriage. She had a rough childhood--growing up in the Hudson Valley not far from Monty's estate, which has clearly affected the way she sees the world. The entire story is told from her point of view, and we're stuck with all events being filtered through her lens. It's genius really, and it is a refreshing change from so many novels lately that change narrators and time periods. You find yourself working and guessing with Clare as she unravels local history and the events unfolding at Riven House.
The novel is certainly told in the Gothic tradition. I first fell for Goodman via her excellent novel, The Lake of Dead Languages, and this book reminded me of that one in some ways. Unlike some Gothic novels, you do not have to suspend much disbelief as the creepy events unfold around Clare and Jess. There are parts of this book that are incredibly spooky, and it's quite well-done. I loved that I was frantically flipping the pages, constantly second guessing everything and wondering what was happening. There are some great twists that shock you, even as you're still trying to figure things out in you're head (much like Clare). This novel will leave you guessing. It's crazy and confusing, but fascinating and incredibly hard to put down. It's completely enjoyable and stays with you after you've finished it, going over various plot points. Highly recommend.
You know how sometimes you start a novel and immediately know, from the first page, that you'll enjoy it? THE WIDOW'S HOUSE was that way for me. It sucked me in immediately and kept me interested throughout; I read it in about 24 hours. The book is filled with complicated characters, starting with Clare. You start to realize she's the ultimate unreliable narrator, but are never able to tell exactly how much. She appears unhappy with her selfish author husband and her marriage. She had a rough childhood--growing up in the Hudson Valley not far from Monty's estate, which has clearly affected the way she sees the world. The entire story is told from her point of view, and we're stuck with all events being filtered through her lens. It's genius really, and it is a refreshing change from so many novels lately that change narrators and time periods. You find yourself working and guessing with Clare as she unravels local history and the events unfolding at Riven House.
The novel is certainly told in the Gothic tradition. I first fell for Goodman via her excellent novel, The Lake of Dead Languages, and this book reminded me of that one in some ways. Unlike some Gothic novels, you do not have to suspend much disbelief as the creepy events unfold around Clare and Jess. There are parts of this book that are incredibly spooky, and it's quite well-done. I loved that I was frantically flipping the pages, constantly second guessing everything and wondering what was happening. There are some great twists that shock you, even as you're still trying to figure things out in you're head (much like Clare). This novel will leave you guessing. It's crazy and confusing, but fascinating and incredibly hard to put down. It's completely enjoyable and stays with you after you've finished it, going over various plot points. Highly recommend.
Kristy H (1252 KP) rated The Lying Game in Books
Jan 21, 2018
Predictable (1 more)
Slow-moving
Isa, Kate, Fatima, and Thea were the best of friends for a year in boarding school. Thick as thieves, they kept to themselves at Salten House, bonded by a game they invented (The Lying Game), where they came up with increasingly higher stakes lies for a series of points and boasting rights. The girls spent much of their time at The Mill House, Kate's childhood home--a quick walk across the marsh from their boarding school and home to Kate's father, Ambrose, and stepbrother, Luc. But all that changes when Ambrose, an art teacher at Salten, dies; a scandal is uncovered; and the girls are expelled. Years pass without the four women seeing each other, until they receive a text from Kate: I need you. Isa--with her baby daughter in tow, Fatima, and Thea return to The Mill House, where Kate still lives, to help their friend. But what exactly happened all those years ago? And are the women still playing The Lying Game?
So I probably enjoyed this novel more than I should have, considering it's rather predictable. There are so few characters in the book as a whole, it seems, for the ending to be that grand of a surprise. It's also a slow-moving mystery where much of the drama could be avoided if the characters would just talk to each other or tell the truth - ever. The main character, Isa, puts her baby in danger far more often than a reasonable parent would, and for what? Even worse, while Isa is a fairly well-developed main character, her three best friends seem to be more of cliches or stereotypes than fleshed out characters.
Still, Ware has had this hold on me on each of her two previous novels--and she did it again here. The book is just oddly readable, and I found myself drawn to it, despite its flaws, so I have to give that to her. I read it rather quickly, despite being swamped at work, and found myself sneaking away to finish it on my lunch break. It's very descriptive, just like her first two books, and you can easily picture the eerie setting. Even if you're not fully invested in what's happening or you're pretty sure what's going to happen, or who was involved, there's just something compelling that makes you keep reading. The novel is told from Isa's point of view, unfolding in the present, but flashing back to her memories of the past. It's a rather effective technique, as we only figure out plot pieces as she does and can discern bits and pieces of the story through Isa's perspective alone.
Overall, I'd hoped for a bit more, and I probably enjoyed Ware's first two novels as a cohesive whole more than this one. But I won't deny that I found this book intriguing and that it kept me reading. There's certainly a lot in the novel that requires you to suspend some elements of disbelief. Still, I'll definitely continue to read anything Ware writes--she just has a fascinating style.
So I probably enjoyed this novel more than I should have, considering it's rather predictable. There are so few characters in the book as a whole, it seems, for the ending to be that grand of a surprise. It's also a slow-moving mystery where much of the drama could be avoided if the characters would just talk to each other or tell the truth - ever. The main character, Isa, puts her baby in danger far more often than a reasonable parent would, and for what? Even worse, while Isa is a fairly well-developed main character, her three best friends seem to be more of cliches or stereotypes than fleshed out characters.
Still, Ware has had this hold on me on each of her two previous novels--and she did it again here. The book is just oddly readable, and I found myself drawn to it, despite its flaws, so I have to give that to her. I read it rather quickly, despite being swamped at work, and found myself sneaking away to finish it on my lunch break. It's very descriptive, just like her first two books, and you can easily picture the eerie setting. Even if you're not fully invested in what's happening or you're pretty sure what's going to happen, or who was involved, there's just something compelling that makes you keep reading. The novel is told from Isa's point of view, unfolding in the present, but flashing back to her memories of the past. It's a rather effective technique, as we only figure out plot pieces as she does and can discern bits and pieces of the story through Isa's perspective alone.
Overall, I'd hoped for a bit more, and I probably enjoyed Ware's first two novels as a cohesive whole more than this one. But I won't deny that I found this book intriguing and that it kept me reading. There's certainly a lot in the novel that requires you to suspend some elements of disbelief. Still, I'll definitely continue to read anything Ware writes--she just has a fascinating style.
Zuky the BookBum (15 KP) rated Watching Edie in Books
Mar 15, 2018
Also find my review here: http://bookbum.weebly.com/book-reviews/watching-edie-by-camilla-way
NOW AVAILABLE IN THE UK!
<b>TRIGGER WARNING: <spoiler>Rape</spoiler></b>
Firstly IÂ’d like to thank Netgalley and HarperCollins UK, HarperFiction for the opportunity to read this book in an exchange for a review.
<b><i>"... they do remain a part of us, those people who have hurt us very deeply, or who we have hurt, never letting us go, not entirely."</b></i>
This is the tale of a fractured friendship between two young ladies from broken families. Edie is popular and beautiful, Heather is awkward and shy. To begin with they seem to be the best of friends, but one night, something terrible happens that tears them apart. Fast forward 17 or so years and Edie is alone, working as a waitress and struggling to cope with new motherhood. Luckily, Heather steps out of EdieÂ’s past and into her present, just at the right time to keep Edie afloat. But, somethingÂ’s not right, thereÂ’s a darkness in their past that canÂ’t be overlooked in the future.
From the get go, I thought this wasnÂ’t going to be my sort of book, IÂ’m not really into thrillers where the past and present are skipped between and an intense love story is the main focus. I tend to find them samey and cringey - the love of an 18 year old still haunting lives at the age of 33 just seems to only happen in novels. But, this one intrigued me a little more than the others have done. At 50% I started getting a little more excited at what was going to happen next. In the end, I actually got quite into the book, reading it in 24 hours.
Our two main characters of the novel, Edie and Heather, have really terrible stories attached to them and we can sympathise with them both, but itÂ’s difficult to pick a sideÂ…. LetÂ’s just say that what youÂ’re thinking throughout the book may be completely turned on its head once the twist has come out.
There were aspects of this book that were very predictable and for a while the only reason I wanted to continue reading was because I wanted to know the full details of what happened that night at the quarry, so it had me more interested than <a href="https://www.goodreads.com/review/show/1474373840">In a Dark, Dark Wood.</a> But then <b>BAM</b> weÂ’re smacked with the truth of that awful night and we have to take the book and its characters in a whole new light. The twist in the novel is so far from what I was expecting it to be, itÂ’s absolutely brutal in comparison to other novels with the same kind of plot.
I ended up really enjoying this after being so skeptical to begin with and I think itÂ’s an excellent fast paced, twisty-turny read but I know it wonÂ’t be for everybody, it features too many dark subjects for all psychological thriller lovers to enjoy.
NOW AVAILABLE IN THE UK!
<b>TRIGGER WARNING: <spoiler>Rape</spoiler></b>
Firstly IÂ’d like to thank Netgalley and HarperCollins UK, HarperFiction for the opportunity to read this book in an exchange for a review.
<b><i>"... they do remain a part of us, those people who have hurt us very deeply, or who we have hurt, never letting us go, not entirely."</b></i>
This is the tale of a fractured friendship between two young ladies from broken families. Edie is popular and beautiful, Heather is awkward and shy. To begin with they seem to be the best of friends, but one night, something terrible happens that tears them apart. Fast forward 17 or so years and Edie is alone, working as a waitress and struggling to cope with new motherhood. Luckily, Heather steps out of EdieÂ’s past and into her present, just at the right time to keep Edie afloat. But, somethingÂ’s not right, thereÂ’s a darkness in their past that canÂ’t be overlooked in the future.
From the get go, I thought this wasnÂ’t going to be my sort of book, IÂ’m not really into thrillers where the past and present are skipped between and an intense love story is the main focus. I tend to find them samey and cringey - the love of an 18 year old still haunting lives at the age of 33 just seems to only happen in novels. But, this one intrigued me a little more than the others have done. At 50% I started getting a little more excited at what was going to happen next. In the end, I actually got quite into the book, reading it in 24 hours.
Our two main characters of the novel, Edie and Heather, have really terrible stories attached to them and we can sympathise with them both, but itÂ’s difficult to pick a sideÂ…. LetÂ’s just say that what youÂ’re thinking throughout the book may be completely turned on its head once the twist has come out.
There were aspects of this book that were very predictable and for a while the only reason I wanted to continue reading was because I wanted to know the full details of what happened that night at the quarry, so it had me more interested than <a href="https://www.goodreads.com/review/show/1474373840">In a Dark, Dark Wood.</a> But then <b>BAM</b> weÂ’re smacked with the truth of that awful night and we have to take the book and its characters in a whole new light. The twist in the novel is so far from what I was expecting it to be, itÂ’s absolutely brutal in comparison to other novels with the same kind of plot.
I ended up really enjoying this after being so skeptical to begin with and I think itÂ’s an excellent fast paced, twisty-turny read but I know it wonÂ’t be for everybody, it features too many dark subjects for all psychological thriller lovers to enjoy.
Hazel (1853 KP) rated Way Down Dark (The Australia Trilogy, #1) in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.
Way Down Dark</i> is the first in the <i>Australia</i> trilogy by J.P. Smythe, a brand new dystopian series for young adult readers. The world has been destroyed and humans boarded space ships in order to find somewhere to live, however, generations later the passengers aboard <i>Australia</i> have not found anywhere. The years have taken their toll on the ship, which is slowly falling to pieces, it’s inhabitants reduced to scavengers.
Recently orphaned Chan is living alone and trying to fend for herself as the Lows, an ever-increasing band of murderous thugs, wage war on everyone else. Nowhere is safe and quite often Chan finds herself in a situation where it is either kill or be killed. When Chan’s mother died her last instructions were to stay out of trouble, be selfish and don’t die. Chan on the other hand finds it extremely difficult to be selfish when she sees other people in life threatening situations. Thankfully she has Angela, a fifty something woman, looking out for her. But then Angela introduces Chan to a part of the ship no one has ever been to before, a part that challenges the truth behind the stories believed by everyone about the destruction of Earth. This new knowledge fuels Chan’s determination to save the lives of as many she can, thus finding herself in perilous situations.
Despite being set in the distant future, the characters at the beginning are living lives similar to those of the past – making clothes, shoes and weapons from scratch, picking fruit in the arboretum in order to eat. So although many dystopian novels involve some kind of enhanced technology, <i>Way Down Dark</i> does not, which separates it from other books of the same genre.
As well as Chan’s narrative, the novel also contains Angela’s stories of the past when Chan’s mother was young. These help to explain some of the situations the characters find themselves in now. It is also through Angela that Chan begins to discover the truth about the ship <i>Australia</i> and the lies they have been led to believe.
The main characters are very likable and display a range of personalities, each adding something different to the story. Chan is quick thinking, strong-willed and unselfish whereas, although Angela cares and protects, she keeps more to herself rather than jump into the fight in order to be a hero. Finally, Jonah, a young man who teams up with Chan and Angela, is a mix of Chan’s personalities with a religious streak, or what passes as religious on the <i>Australia</i>.
Although it is less futuristic than other popular young adult novels such as <i>Divergent</i> or <i>The Hunger Games</i>, readers are bound to enjoy <i>Way Down Dark</i> and its sequels. It is full of action, violence and survival told from the point of view of a teenage girl. <i>Way Down Dark</i> is a highly recommended, gripping novel, which promises to satisfy the needs of dystopian lovers.
Way Down Dark</i> is the first in the <i>Australia</i> trilogy by J.P. Smythe, a brand new dystopian series for young adult readers. The world has been destroyed and humans boarded space ships in order to find somewhere to live, however, generations later the passengers aboard <i>Australia</i> have not found anywhere. The years have taken their toll on the ship, which is slowly falling to pieces, it’s inhabitants reduced to scavengers.
Recently orphaned Chan is living alone and trying to fend for herself as the Lows, an ever-increasing band of murderous thugs, wage war on everyone else. Nowhere is safe and quite often Chan finds herself in a situation where it is either kill or be killed. When Chan’s mother died her last instructions were to stay out of trouble, be selfish and don’t die. Chan on the other hand finds it extremely difficult to be selfish when she sees other people in life threatening situations. Thankfully she has Angela, a fifty something woman, looking out for her. But then Angela introduces Chan to a part of the ship no one has ever been to before, a part that challenges the truth behind the stories believed by everyone about the destruction of Earth. This new knowledge fuels Chan’s determination to save the lives of as many she can, thus finding herself in perilous situations.
Despite being set in the distant future, the characters at the beginning are living lives similar to those of the past – making clothes, shoes and weapons from scratch, picking fruit in the arboretum in order to eat. So although many dystopian novels involve some kind of enhanced technology, <i>Way Down Dark</i> does not, which separates it from other books of the same genre.
As well as Chan’s narrative, the novel also contains Angela’s stories of the past when Chan’s mother was young. These help to explain some of the situations the characters find themselves in now. It is also through Angela that Chan begins to discover the truth about the ship <i>Australia</i> and the lies they have been led to believe.
The main characters are very likable and display a range of personalities, each adding something different to the story. Chan is quick thinking, strong-willed and unselfish whereas, although Angela cares and protects, she keeps more to herself rather than jump into the fight in order to be a hero. Finally, Jonah, a young man who teams up with Chan and Angela, is a mix of Chan’s personalities with a religious streak, or what passes as religious on the <i>Australia</i>.
Although it is less futuristic than other popular young adult novels such as <i>Divergent</i> or <i>The Hunger Games</i>, readers are bound to enjoy <i>Way Down Dark</i> and its sequels. It is full of action, violence and survival told from the point of view of a teenage girl. <i>Way Down Dark</i> is a highly recommended, gripping novel, which promises to satisfy the needs of dystopian lovers.
Jenny Houle (24 KP) rated The Forgotten Girls in Books
Jan 13, 2018
Received an ARC from First To Read for an honest review:
First, I like many others it seems, did not know from the blurb that it was book 6 in a series. That scared me just a tiny bit when I started it, but as I read the book I realized it definitely also works as a standalone.
Second, I'm not big on crime novels that are not of the "cozy mystery" variety. That being said, the more violent scenes in this book were not...bothersome. It worked it's way up in intensity, but there was nothing that forced me to step away from the book and take a breather.
That being said, though, the book was full of amazing scenes beautifully described that you couldn't, as a reader, NOT picture, even if you didn't want to. Lines like: "Even the sky seemed static, just a blank wall, a paint swatch, 'chronic depression gray'." were scattered throughout, and they place you in the wintry, desolate, desperate situation of the characters so that you are right beside them, experiencing what they are, for better or worse.
Overall, I really enjoyed the book, even though the content was not a topic of my normal choosing (sorry, serial killers hunting women freak me out).
Extra bonus for the techy geek stuff I didn't know about the "cloud" that I had to double check with the more "techno-advanced" member of our household about. Definitely makes me think twice about the idea of even donating a used phone.
First, I like many others it seems, did not know from the blurb that it was book 6 in a series. That scared me just a tiny bit when I started it, but as I read the book I realized it definitely also works as a standalone.
Second, I'm not big on crime novels that are not of the "cozy mystery" variety. That being said, the more violent scenes in this book were not...bothersome. It worked it's way up in intensity, but there was nothing that forced me to step away from the book and take a breather.
That being said, though, the book was full of amazing scenes beautifully described that you couldn't, as a reader, NOT picture, even if you didn't want to. Lines like: "Even the sky seemed static, just a blank wall, a paint swatch, 'chronic depression gray'." were scattered throughout, and they place you in the wintry, desolate, desperate situation of the characters so that you are right beside them, experiencing what they are, for better or worse.
Overall, I really enjoyed the book, even though the content was not a topic of my normal choosing (sorry, serial killers hunting women freak me out).
Extra bonus for the techy geek stuff I didn't know about the "cloud" that I had to double check with the more "techno-advanced" member of our household about. Definitely makes me think twice about the idea of even donating a used phone.
Alison Pink (7 KP) rated Fifty Shades of Grey in Books
Jan 15, 2018
So I debated for quite awhile about reading this book. All the reviews are so mixed...you love it or you hate it. It is all over the place from internet to radio to CNN, but it was both of my former college roommates & best friends that finally talked me into it, through Facebook no less!
In an interview on CNN with some female members of a book club, I heard 50 Shades described as a Disney prince fairy tale for grown-ups. I couldn't agree more...of course I can't see old Walt even fantasizing about some of the things that take place in this tale!
I am by no means a fan of erotic literature. Hell, I don't even like trashy romance novels, but this one, DAMN! I was hooked from the get. Now don't get me wrong, it was not the steamy, unbelievable, hot sex scenes that got to me(yes, I am human!) Mr. Grey & Miss Steele are intriguing characters. They are so well developed & in some strange way easy to relate to...not that I know much about bondage or billionaires!
I found myself HATING Christian with a passion & in the next sentence wishing I knew him. He is such a conundrum. I found myself identifying with Ana, yet at the same time not getting her motivation at all. It was a heady mix of confusing & normal all at the same time.
I very much look forward to finding out what happens in the next part!!
In an interview on CNN with some female members of a book club, I heard 50 Shades described as a Disney prince fairy tale for grown-ups. I couldn't agree more...of course I can't see old Walt even fantasizing about some of the things that take place in this tale!
I am by no means a fan of erotic literature. Hell, I don't even like trashy romance novels, but this one, DAMN! I was hooked from the get. Now don't get me wrong, it was not the steamy, unbelievable, hot sex scenes that got to me(yes, I am human!) Mr. Grey & Miss Steele are intriguing characters. They are so well developed & in some strange way easy to relate to...not that I know much about bondage or billionaires!
I found myself HATING Christian with a passion & in the next sentence wishing I knew him. He is such a conundrum. I found myself identifying with Ana, yet at the same time not getting her motivation at all. It was a heady mix of confusing & normal all at the same time.
I very much look forward to finding out what happens in the next part!!
Alison Pink (7 KP) rated Cloudland in Books
Jan 15, 2018
So I'm still not quite sure what to make of this book. The language used in it's writing was very poetic & descriptive. I enjoyed that aspect of it a great deal. My real issue with it was the plot. For being a murder/suspense/crime novel, it sure didn't move very quickly. I wasn't kept on the edge of my seat as I usually expect from novels that fall into this category. The "edge of my seat-ness" didn't happen for me until about the last 40 pages or so. :(
This book tells the story of a former New York Times writer & teacher who loses her adjunct professorship because she becomes romanitcally involved with a student. She is asked to leave the university & eventually settles in upstate Vermont in a rural area called Cloudland. While walking home from a neighboor's house, she comes upon the body of a woman who has been missing for months. From there you a sprung into the middle of an investigation of a group of murders taking place in the area & the manhunt for the killer...
...except you aren't really thrown into the middle of it. The writing is good, but I always felt like a bit of an outsider looking in, instead of being put in the middle of the action. The minor twists & turns that came up in the plot felt forced & insignificant to the work as a whole. Was it a bad book, no not at all. I just wasn't swept away with it by any means.
This book tells the story of a former New York Times writer & teacher who loses her adjunct professorship because she becomes romanitcally involved with a student. She is asked to leave the university & eventually settles in upstate Vermont in a rural area called Cloudland. While walking home from a neighboor's house, she comes upon the body of a woman who has been missing for months. From there you a sprung into the middle of an investigation of a group of murders taking place in the area & the manhunt for the killer...
...except you aren't really thrown into the middle of it. The writing is good, but I always felt like a bit of an outsider looking in, instead of being put in the middle of the action. The minor twists & turns that came up in the plot felt forced & insignificant to the work as a whole. Was it a bad book, no not at all. I just wasn't swept away with it by any means.
Andrea (28 KP) rated Mockingjay in Books
Aug 18, 2017
Takes the first two novels to a new level (1 more)
Interesting take on PTSD and mental illness
Needs more than one reading
This is a story about a traumatized girl suffering from PTSD as much as it is about war. She isn't the only one who suffer that diagnosis though as we see several aspects of the illness in various characters. All of it is handled fairly well and doesn't romanticize the distress.
Perhaps my favorite part of this book (and even through the series) is that we see "villains" who aren't wholly evil and "heros" who make inexcusable choices. Both do so because they feel they are doing the best thing for their cause, even if it ends up with a significant cost.
The ending is something that many hate, and I must admit that I didn't like it the first time either. I didn't feel happy or satisfied. It wasn't until I realized I wasn't SUPPOSED to feel happy and satisfied with the story's ending that I started to understand the depth. This isn't a pretty picture where people live happily ever after. Even when they get some happiness, if they get some happiness, there are scares that don't go away. This is the cost of war and drastic change. Sometimes all we can hope for is the ability to move on and find little joys in what comes next each and every day while we try to distance ourselves from the horrors of our past.
Perhaps my favorite part of this book (and even through the series) is that we see "villains" who aren't wholly evil and "heros" who make inexcusable choices. Both do so because they feel they are doing the best thing for their cause, even if it ends up with a significant cost.
The ending is something that many hate, and I must admit that I didn't like it the first time either. I didn't feel happy or satisfied. It wasn't until I realized I wasn't SUPPOSED to feel happy and satisfied with the story's ending that I started to understand the depth. This isn't a pretty picture where people live happily ever after. Even when they get some happiness, if they get some happiness, there are scares that don't go away. This is the cost of war and drastic change. Sometimes all we can hope for is the ability to move on and find little joys in what comes next each and every day while we try to distance ourselves from the horrors of our past.