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Bob Mann (459 KP) rated Knives Out (2019) in Movies
Dec 4, 2019
If they were to give it a go, this movie should justifiably be Rian's redemption from the harshest of his previous critics. For this is a really entertaining film. I found myself smiling with glee through a sizable proportion of the running time.
Multi-millionaire crime-fiction author Harlan Thrombey (the wonderful Christopher Plummer) is celebrating his 85th birthday with three generations of his family in his "Cludo-like" mansion. But all is not well with the family harmonic and the next morning Harlan is found dead in his room by his nurse Marta (Ana de Armas). Apparently, it's a suicide, but when private detective Benoit Blanc (Daniel Craig) arrives on the scene he starts turning over stones "oin seearch ov tha troooth" (sic) and dark secrets begin to emerge.
Key to success of this Agatha Christie-style movie is a dense portmanteau cast and a well-plotted script. Both are here present.
In terms of the cast, this is another candidate for the SAG Ensemble Cast award. For the cast is suitably stellar with Chris "Cap" Evans, Toni Collette, Michael Shannon, Jamie Lee Curtis and Don Johnson vying for the top billing with Craig and Plummer. They bounce off each other joyously, with Collette taking my prize for top acting kudos. She's just deliciously over the top as the scheming hippy chick with the rasping voice and the cutting one-liners.
With a starring role is Cuban bombshell Ana de Armas, here notching down the glamour to play the plainly dressed nurse. But she has a magnetic screen presence and is perfectly cast as the girl at the heart of all the action. She has the doe-eyed innocence that Alfred Hitchcock was always looking for in his leading ladies. Interestingly, she is soon to appear with Craig again as Bond-girl Paloma in "No Time to Die".
Elsewhere in the cast are some interesting cameos: the family's lawyer is none other than Frank "Yoda" Oz; and the ancient security guard is M. Emmet Walsh, who has an amazing filmography going back to the late 60's.
Writer/director is clearly his 'thing'. But Rian Johnson here pulls off a neat trick with the script which is brilliantly twisty and turny and 100% entertaining. Although it's presented as cuts between the 'present time' and versions of the night in question, the whole doughnut is never entirely in view until the final reel. It's a satisfying story, and some of the dialogue is laugh-out-loud funny.
A nice plot point is the inability for young Marta to tell a lie without vomiting. Wouldn't the UK General Elections be Sooooo much more colourful if that was a general trait!!
I've only the one real criticism of the movie, and that's Daniel Craig's appalling Southern drawl. It's really quite distracting. Aside from some witty lines of dialogue ("What is this? CSI KFC?") nothing would have been lost to cast him as an urbane English detective instead. They could have slipped in some Brexit jokes instead! I appreciate Craig wants to distance himself from Bond somewhat. He did the same thing as Joe Bang in "Logan Lucky". But - sorry - it didn't really work for me then and it doesn't work now either.
In summary, this is a really fun movie that a whole family with older children (the rating is 12+) can go and enjoy together. There's limited violence; limited swearing and sexual innuendo; and no sex (save for the Hitler youth in the bathroom!). But there is a whole lot of sleuthing fun to be had. Bravo Mr Johnson, bravo! For that reason it comes with a bob-the-movie-man "Highly recommended" tag.
(For the full graphical review please check out https://bob-the-movie-man.com/2019/12/04/one-manns-movies-film-review-knives-out-2019/).
Multi-millionaire crime-fiction author Harlan Thrombey (the wonderful Christopher Plummer) is celebrating his 85th birthday with three generations of his family in his "Cludo-like" mansion. But all is not well with the family harmonic and the next morning Harlan is found dead in his room by his nurse Marta (Ana de Armas). Apparently, it's a suicide, but when private detective Benoit Blanc (Daniel Craig) arrives on the scene he starts turning over stones "oin seearch ov tha troooth" (sic) and dark secrets begin to emerge.
Key to success of this Agatha Christie-style movie is a dense portmanteau cast and a well-plotted script. Both are here present.
In terms of the cast, this is another candidate for the SAG Ensemble Cast award. For the cast is suitably stellar with Chris "Cap" Evans, Toni Collette, Michael Shannon, Jamie Lee Curtis and Don Johnson vying for the top billing with Craig and Plummer. They bounce off each other joyously, with Collette taking my prize for top acting kudos. She's just deliciously over the top as the scheming hippy chick with the rasping voice and the cutting one-liners.
With a starring role is Cuban bombshell Ana de Armas, here notching down the glamour to play the plainly dressed nurse. But she has a magnetic screen presence and is perfectly cast as the girl at the heart of all the action. She has the doe-eyed innocence that Alfred Hitchcock was always looking for in his leading ladies. Interestingly, she is soon to appear with Craig again as Bond-girl Paloma in "No Time to Die".
Elsewhere in the cast are some interesting cameos: the family's lawyer is none other than Frank "Yoda" Oz; and the ancient security guard is M. Emmet Walsh, who has an amazing filmography going back to the late 60's.
Writer/director is clearly his 'thing'. But Rian Johnson here pulls off a neat trick with the script which is brilliantly twisty and turny and 100% entertaining. Although it's presented as cuts between the 'present time' and versions of the night in question, the whole doughnut is never entirely in view until the final reel. It's a satisfying story, and some of the dialogue is laugh-out-loud funny.
A nice plot point is the inability for young Marta to tell a lie without vomiting. Wouldn't the UK General Elections be Sooooo much more colourful if that was a general trait!!
I've only the one real criticism of the movie, and that's Daniel Craig's appalling Southern drawl. It's really quite distracting. Aside from some witty lines of dialogue ("What is this? CSI KFC?") nothing would have been lost to cast him as an urbane English detective instead. They could have slipped in some Brexit jokes instead! I appreciate Craig wants to distance himself from Bond somewhat. He did the same thing as Joe Bang in "Logan Lucky". But - sorry - it didn't really work for me then and it doesn't work now either.
In summary, this is a really fun movie that a whole family with older children (the rating is 12+) can go and enjoy together. There's limited violence; limited swearing and sexual innuendo; and no sex (save for the Hitler youth in the bathroom!). But there is a whole lot of sleuthing fun to be had. Bravo Mr Johnson, bravo! For that reason it comes with a bob-the-movie-man "Highly recommended" tag.
(For the full graphical review please check out https://bob-the-movie-man.com/2019/12/04/one-manns-movies-film-review-knives-out-2019/).
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Debbiereadsbook (1202 KP) rated To Love and To Cherish (Vows #3) in Books
Dec 13, 2017
4 solid stars for the book and narration
Independent reviewer for Archaeolibrarian, I was gifted the AUDIO file of this book.
Nash needs a new job, and Emmett (apologies if I've spelt it wrong, I listened! ) needs a live nurse for his grandfather. But Emmett also heard Nash say he wants love, a partner in life. Nash agrees to Emmett suggestion, and then is involved in a accident that causes him to lose the last four months. Nash falls in love with Emmett, and then his memories return.
I listened to this, David Gilmore narrates. He is a new to me narrator. Overall, I found him a easy to listen to narrator, his reading voice is deep and clear, and I had no trouble following what was going on with multiple character conversations. I DID find his voice for Nash came across a little too young sounding, and Harley and Oliver too, they came across too young, for me anyway. This is the only reason I gave the NARRATION 4 stars.
I liked the book, it was an easy listen. I liked that, while not telling Nash the whole truth about how they came together, Emmett did not LIE to Nash, when he couldn't remember.
I gave the book 4 stars because of one reason only. Only Nash has a say. Yes, yes yes I know I say it often enough, but I think if Emmett had been given a say, this would have been a 5 star read! Because, let's face it: Emmett is asking Nash to marry him, then Nash has his accident and Nash can SEE the love in Emmett's eyes when he looks at him. So Emmett MUST have had such deep feelings for Nash waaaaaaaaaaaaaay before this. And I NEEDED to hear from him, I really did.
New to me author and narrator, will certainly look for more.
4 stars for the book
4 stars for the narration
4 stars overall
**same worded review will appear elsewhere**
Nash needs a new job, and Emmett (apologies if I've spelt it wrong, I listened! ) needs a live nurse for his grandfather. But Emmett also heard Nash say he wants love, a partner in life. Nash agrees to Emmett suggestion, and then is involved in a accident that causes him to lose the last four months. Nash falls in love with Emmett, and then his memories return.
I listened to this, David Gilmore narrates. He is a new to me narrator. Overall, I found him a easy to listen to narrator, his reading voice is deep and clear, and I had no trouble following what was going on with multiple character conversations. I DID find his voice for Nash came across a little too young sounding, and Harley and Oliver too, they came across too young, for me anyway. This is the only reason I gave the NARRATION 4 stars.
I liked the book, it was an easy listen. I liked that, while not telling Nash the whole truth about how they came together, Emmett did not LIE to Nash, when he couldn't remember.
I gave the book 4 stars because of one reason only. Only Nash has a say. Yes, yes yes I know I say it often enough, but I think if Emmett had been given a say, this would have been a 5 star read! Because, let's face it: Emmett is asking Nash to marry him, then Nash has his accident and Nash can SEE the love in Emmett's eyes when he looks at him. So Emmett MUST have had such deep feelings for Nash waaaaaaaaaaaaaay before this. And I NEEDED to hear from him, I really did.
New to me author and narrator, will certainly look for more.
4 stars for the book
4 stars for the narration
4 stars overall
**same worded review will appear elsewhere**
Daniel Boyd (1066 KP) rated Hotel Artemis (2018) in Movies
Sep 28, 2018 (Updated Sep 28, 2018)
Brilliant ensemble cast (2 more)
Cool setting
Great score
You can check out anytime you like, but probably won't want to leave
This was one of those movies that had a really weird release. After seeing the trailer, I was really looking forward to going and seeing this at the cinema. Then, America got it a month before the UK did and when it did drop in Britain, it was a very limited release and was only showing in one cinema in my area. At around the same time, I went on holiday for a fortnight and it is only now, a full 2 months after the movie's initial release that I finally got to get to a screening.
Thankfully, it was worth the wait.
Hotel Artemis is the directorial debut of Drew Pearce and he does a fantastic job as a first-time director. The beautiful cinematography adds a great deal of style and flair to the film and the brilliant score by Cliff Martinez also provides an atmosphere that is an awesome mix of ambient and intense in all of the right moments.
The cast is also great and is made up of an eclectic mix of talented actors. Sterling K Brown does an incredible job of tying the whole thing together and being the anchor that the audience can relate to. Dave Bautista is brilliant as the orderly Everest. Charlie Day is really good at being a totally obnoxious asshole. Jeff Goldblum and Zachary Quinto are great as always and Jodie Foster is also fantastic as the Nurse who runs the hotel. Sofia Boutella is here too, but she doesn't do a great amount any different to what we have already seen from her in past movies.
Overall, this is a stylish, well-acted, exciting action/thriller with great direction and a fantastic score to boot. It is reminiscent of other movies in places, such as Smokin' Aces, but it is still a brilliantly written, well made, fairly original movie well worth seeking out.
Thankfully, it was worth the wait.
Hotel Artemis is the directorial debut of Drew Pearce and he does a fantastic job as a first-time director. The beautiful cinematography adds a great deal of style and flair to the film and the brilliant score by Cliff Martinez also provides an atmosphere that is an awesome mix of ambient and intense in all of the right moments.
The cast is also great and is made up of an eclectic mix of talented actors. Sterling K Brown does an incredible job of tying the whole thing together and being the anchor that the audience can relate to. Dave Bautista is brilliant as the orderly Everest. Charlie Day is really good at being a totally obnoxious asshole. Jeff Goldblum and Zachary Quinto are great as always and Jodie Foster is also fantastic as the Nurse who runs the hotel. Sofia Boutella is here too, but she doesn't do a great amount any different to what we have already seen from her in past movies.
Overall, this is a stylish, well-acted, exciting action/thriller with great direction and a fantastic score to boot. It is reminiscent of other movies in places, such as Smokin' Aces, but it is still a brilliantly written, well made, fairly original movie well worth seeking out.
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