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Lee (2222 KP) rated Saint Maud (2020) in Movies
Oct 6, 2020
Saint Maud is a psychological horror about a young nurse (Morfydd Clark) who, following ‘an incident’ while working for the NHS, something horrific that is alluded to in the opening scene, now finds herself working in palliative care.
Maud is a lonely, isolated, and very religious young woman, and as she sits in her sparse little bedsit, she prays to God in the hopes that he will guide her as she begins her new role. That new role sees her taking over as carer for Amanda (Jennifer Ehle), an ex-dancer whose body is now succumbing to terminal cancer. As Maud feeds, bathes and generally does everything for Amanda, her obsession with her faith and religion begins to send her into a downward spiral, becoming increasingly convinced that her personal mission from God is to save Amanda's soul. Amanda’s lifestyle choices and love-life are often at odds with Maud’s beliefs, eventually resulting in tensions between them.
'In my head, she's very much this person who has felt really alienated her entire life and has always found it really difficult to connect with other people,' explains British director Rose Glass about the lead character of her feature-length debut. Morfydd Clark fills that role brilliantly, with her calm and innocent voice narrating much of the film through her prayers, and we experience her failed attempts at connecting with others while on a rather heavy and eventful night out on the town. An ominous score also helps to set the tone, along with a rather gloomy colour palette, and there is a general feeling of dread throughout.
Aside from that, it’s fair to say that Saint Maud really didn’t work for me at all. I was fully invested in the character of Maud, how faith was shaping her, and how her relationship with Amanda was affected. But two thirds into this slow-burn character study of a young woman essentially going through a breakdown, I was bored and desperate for something to happen. Considering the runtime is only 84 minutes long, that’s not good.
A last-minute burst of chaos and horror provided a glimmer of hope but was very short-lived. And an attempt to deliver powerfully, memorable imagery only resulted in laughs from my cinema audience the likes of which I haven’t experienced since the ending of Hereditary.
Maud is a lonely, isolated, and very religious young woman, and as she sits in her sparse little bedsit, she prays to God in the hopes that he will guide her as she begins her new role. That new role sees her taking over as carer for Amanda (Jennifer Ehle), an ex-dancer whose body is now succumbing to terminal cancer. As Maud feeds, bathes and generally does everything for Amanda, her obsession with her faith and religion begins to send her into a downward spiral, becoming increasingly convinced that her personal mission from God is to save Amanda's soul. Amanda’s lifestyle choices and love-life are often at odds with Maud’s beliefs, eventually resulting in tensions between them.
'In my head, she's very much this person who has felt really alienated her entire life and has always found it really difficult to connect with other people,' explains British director Rose Glass about the lead character of her feature-length debut. Morfydd Clark fills that role brilliantly, with her calm and innocent voice narrating much of the film through her prayers, and we experience her failed attempts at connecting with others while on a rather heavy and eventful night out on the town. An ominous score also helps to set the tone, along with a rather gloomy colour palette, and there is a general feeling of dread throughout.
Aside from that, it’s fair to say that Saint Maud really didn’t work for me at all. I was fully invested in the character of Maud, how faith was shaping her, and how her relationship with Amanda was affected. But two thirds into this slow-burn character study of a young woman essentially going through a breakdown, I was bored and desperate for something to happen. Considering the runtime is only 84 minutes long, that’s not good.
A last-minute burst of chaos and horror provided a glimmer of hope but was very short-lived. And an attempt to deliver powerfully, memorable imagery only resulted in laughs from my cinema audience the likes of which I haven’t experienced since the ending of Hereditary.
Emma @ The Movies (1786 KP) rated Everything, Everything (2017) in Movies
Sep 25, 2019
Eighteen-year-old Maddy's world is small. It's the size of a house.
Maddy has a rare form of SCID, an immuno-deficiency disease that means she can't leave the house because a chance encounter could kill her. The only people she sees are her mother, her nurse Carla, Carla's daughter Rosa and members of an online support group.
When as family move in next door, Maddy is bewitched by the son. He's friendly, he's funny, and he's handsome. Communicating through their bedroom windows, they exchange numbers and start texting. Carla notices the difference in Maddy, and is persuaded to let Olly in the house, but only under her condition that they stay on opposite sides of the room.
Maddy wants to see the ocean more than anything else in the world. She has to see what's out there to truly know she's alive, even if it kills her. But when she buys two plane tickets to Hawaii for herself and Olly, she doesn't realise how much it will change her life.
This one is based on the YA novel Everything, Everything by Nicola Yoon... you guessed it, haven't read this one either. I didn't know anything about it when I went to see it, mainly picked this one up because of the fact it was book related.
This was a beautiful film. (Yes, of course I cried) There's friendship, love, heartache. One of the problems was that there were really only two ways this film was going, and writers/movie makers aren't quite a cynical about things as I am when it comes to endings, so there wasn't really much chance that she was going to die for love.
Amandla Stenberg in the lead also wasn't quite my cup of tea. She played the naive side of the character well, but at the beginning when she was narrating... I just didn't find her a very good orator.
The subject matter was very different, and I really think the diversity in YA books has taken a massive step in that respect. It's touching on topics that very rarely see mainstream attention and that's a great thing. It also does one of my favourite things, which is enticing people to pick up books, so this one is a winner all round for me.
Maddy has a rare form of SCID, an immuno-deficiency disease that means she can't leave the house because a chance encounter could kill her. The only people she sees are her mother, her nurse Carla, Carla's daughter Rosa and members of an online support group.
When as family move in next door, Maddy is bewitched by the son. He's friendly, he's funny, and he's handsome. Communicating through their bedroom windows, they exchange numbers and start texting. Carla notices the difference in Maddy, and is persuaded to let Olly in the house, but only under her condition that they stay on opposite sides of the room.
Maddy wants to see the ocean more than anything else in the world. She has to see what's out there to truly know she's alive, even if it kills her. But when she buys two plane tickets to Hawaii for herself and Olly, she doesn't realise how much it will change her life.
This one is based on the YA novel Everything, Everything by Nicola Yoon... you guessed it, haven't read this one either. I didn't know anything about it when I went to see it, mainly picked this one up because of the fact it was book related.
This was a beautiful film. (Yes, of course I cried) There's friendship, love, heartache. One of the problems was that there were really only two ways this film was going, and writers/movie makers aren't quite a cynical about things as I am when it comes to endings, so there wasn't really much chance that she was going to die for love.
Amandla Stenberg in the lead also wasn't quite my cup of tea. She played the naive side of the character well, but at the beginning when she was narrating... I just didn't find her a very good orator.
The subject matter was very different, and I really think the diversity in YA books has taken a massive step in that respect. It's touching on topics that very rarely see mainstream attention and that's a great thing. It also does one of my favourite things, which is enticing people to pick up books, so this one is a winner all round for me.
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Kim Pook (101 KP) rated Love you to death (2019) in Movies
Jun 2, 2022
Police arrive at a house in 2013, The door is unlocked so they enter to find a dead body on the bed. We are shown a montage of pictures of a sick teen girl called Esme and her mum, it seems they had been raising a lot of money because of her illness.
Rewind to a few months before the death, it's Esmes 16th birthday and then her routine appointment, but sadly she is showing no signs of improving. During a shopping trip they bump into Esmes estranged dad, and it's clear there is hostility between him and Esmes mum. We soon discover that Esme has had the illness since she was 4 years old and also has a learning disability which just adds to the sadness of her illness.
It soon becomes evident how controlling her mother is though, she refuses to let anyone take Esme anywhere, controls what she eats as well as which doctors are allowed to treat her. After Esme is attacked at a gaming convention, the mother purchases a gun for protection and it isn't long before she's using it against an intruder.
About half an hour into the movie, we are thrown back to 2005, and we see Esmes side of the story. Esmes mum has a conversation with a nurse who confirms that Esme was misdiagnosed and she was fine, I won't go into that too much incase you want to watch it, but basically Esmes mum continues to fake Esmes illness. You will have to watch the movie to see how she achieves this, by tricking everyone including medical staff.
I enjoyed the movie but I was so shocked to find out it was based on a true story, I immediately went on to watch the documentary to compare and I felt they did do the true story justice, they included Esmes mum always holding her hand and hitting her if she didn't do as she was expected to do. The way Esme (gypsy rose) meets her boyfriend was different in real life, I felt the movie made him out to be this sweet guy trying to save Esme but in real life he was very disturbed, but then again it was told through Esmes eyes, so it was probably to show what she saw at the time.
Rewind to a few months before the death, it's Esmes 16th birthday and then her routine appointment, but sadly she is showing no signs of improving. During a shopping trip they bump into Esmes estranged dad, and it's clear there is hostility between him and Esmes mum. We soon discover that Esme has had the illness since she was 4 years old and also has a learning disability which just adds to the sadness of her illness.
It soon becomes evident how controlling her mother is though, she refuses to let anyone take Esme anywhere, controls what she eats as well as which doctors are allowed to treat her. After Esme is attacked at a gaming convention, the mother purchases a gun for protection and it isn't long before she's using it against an intruder.
About half an hour into the movie, we are thrown back to 2005, and we see Esmes side of the story. Esmes mum has a conversation with a nurse who confirms that Esme was misdiagnosed and she was fine, I won't go into that too much incase you want to watch it, but basically Esmes mum continues to fake Esmes illness. You will have to watch the movie to see how she achieves this, by tricking everyone including medical staff.
I enjoyed the movie but I was so shocked to find out it was based on a true story, I immediately went on to watch the documentary to compare and I felt they did do the true story justice, they included Esmes mum always holding her hand and hitting her if she didn't do as she was expected to do. The way Esme (gypsy rose) meets her boyfriend was different in real life, I felt the movie made him out to be this sweet guy trying to save Esme but in real life he was very disturbed, but then again it was told through Esmes eyes, so it was probably to show what she saw at the time.
Carma (21 KP) rated Just Right (Just Everyday Heroes: Day Shift, #1) in Books
Jun 17, 2019
Just Right is the first book in the Bradford series by Erin Nicholas. Nurse Jessica Bradford has loved looking at Dr Ben Torres these past 6 months in the ER Department. Tonights tragedy has them all on edge, when Ben enters the ER and strikes a patient, Jessica doesnt know how to help him. It becomes her duty to keep an eye on him during his suspension and keep him on the straight and narrow to be able to return to the ER Department. She doesnt count on falling for him quite so easily and quickly.
Dr Ben Torres is having a hell of a night in the ER. Hes lost 2 young patients and their mother is looking to be next all because a guy he put back together on the operating table a few months back decided to drink and drive. He cant stand by anymore while people take advantage of each other anymore. Why doesnt anyone appreciate the life they are living any longer? When he sees that patient put his hands on Jessica he loses control. He has kept his distance from Jessica for 6 months, he has to keep his eyes off the prize, but he wont stand by while someone hurts her. He has tossed around the idea of quitting for a while and this tips the scale big time.
When both Jessicas brother Sam and boss Russ ask her to keep an eye on Ben until he can return to the ER she does so eagerly. She grows closer to him while he tags along with her in everyday life. He helps her at her familys youth center, she helps him at his new barrista job. Their adventures together have quite a few funny situations and of course the secondary characters help the humor move along.
Ben and Jessica both have tragedy in their pasts, both have a self doubt they are working to erase from their beings. Even though they think theyve taken different roads to end up where they are now, they are actually quite similar.
I read this authors Counting on Love series first, which is a spin off of this series, so I was already pretty familiar with all the main and secondary characters in this book. Erin Nicholas is a wonderful writer with a style I love to follow along with. I have no idea how I ended up reading her first to me novel but I am so glad I did. Now on to the next Bradford book ..
Dr Ben Torres is having a hell of a night in the ER. Hes lost 2 young patients and their mother is looking to be next all because a guy he put back together on the operating table a few months back decided to drink and drive. He cant stand by anymore while people take advantage of each other anymore. Why doesnt anyone appreciate the life they are living any longer? When he sees that patient put his hands on Jessica he loses control. He has kept his distance from Jessica for 6 months, he has to keep his eyes off the prize, but he wont stand by while someone hurts her. He has tossed around the idea of quitting for a while and this tips the scale big time.
When both Jessicas brother Sam and boss Russ ask her to keep an eye on Ben until he can return to the ER she does so eagerly. She grows closer to him while he tags along with her in everyday life. He helps her at her familys youth center, she helps him at his new barrista job. Their adventures together have quite a few funny situations and of course the secondary characters help the humor move along.
Ben and Jessica both have tragedy in their pasts, both have a self doubt they are working to erase from their beings. Even though they think theyve taken different roads to end up where they are now, they are actually quite similar.
I read this authors Counting on Love series first, which is a spin off of this series, so I was already pretty familiar with all the main and secondary characters in this book. Erin Nicholas is a wonderful writer with a style I love to follow along with. I have no idea how I ended up reading her first to me novel but I am so glad I did. Now on to the next Bradford book ..
Hazel (1853 KP) rated Oh Dear Silvia in Books
Dec 14, 2018
<i>Oh Dear Silvia</i> is a contemporary, somewhat humorous, novel by British comedian, Dawn French. Set in England it focuses on a sixty-year-old woman, Silvia Shute, who has fallen from a balcony, sustaining a serious head injury that has left her in a coma.
Knowing this you cannot help wondering how you do write a book where the main character is unconscious and how would this affect the narrative? This is how. Although Silvia is indeed the main character, the tale is actually told through observing family members and friends when they visit her in hospital. The entire book plays out in Silvia’s hospital room, Suite 5, but each character brings something else to story through their thoughts, feelings and actions.
Ed, Silvia’s ex husband, provides details of what has happened since their divorce. Jo, her older sister, reminisces about their childhood whist trying and failing to use a number of New Age ideas to wake Silvia up. There is Cat, her best friend, through who we discover what actually happened to Silvia, whilst, Tia, her cleaner is bringing in her favourite foods and updating her on the various goings on in the celebrity world. Cassie, her daughter however, portrays Silvia in a different light that makes us question what kind of person Silvia really was. And finally there is Winnie, a nurse at the hospital. Winnie’s accounts provide the reader with an extra storyline that is nothing to do with Silvia and her accident.
The story being told in this way gives the reader a chance to learn about who Silvia was which causes us to think different things about her which we would not have had the opportunity to feel had Silvia been able to tell the story herself. Firstly we feel worry for her, but then we begin to hate her particularly with the help of Cassie as well as Ed, who admits that had Silvia been conscious he would not have been visiting. Finally we get to a stage of understanding. Understanding who Silvia was, understanding why she did what she did, understanding what has happened to her.
The book takes on many themes: drama, mystery… and humour. Well, it is meant to be humour. I can understand the funny parts but personally it was not my type of humour. Too much swearing in my opinion. But then if you enjoy that type of thing, <i>Oh Dear Silvia</i> has the potential to be a really funny book.
Knowing this you cannot help wondering how you do write a book where the main character is unconscious and how would this affect the narrative? This is how. Although Silvia is indeed the main character, the tale is actually told through observing family members and friends when they visit her in hospital. The entire book plays out in Silvia’s hospital room, Suite 5, but each character brings something else to story through their thoughts, feelings and actions.
Ed, Silvia’s ex husband, provides details of what has happened since their divorce. Jo, her older sister, reminisces about their childhood whist trying and failing to use a number of New Age ideas to wake Silvia up. There is Cat, her best friend, through who we discover what actually happened to Silvia, whilst, Tia, her cleaner is bringing in her favourite foods and updating her on the various goings on in the celebrity world. Cassie, her daughter however, portrays Silvia in a different light that makes us question what kind of person Silvia really was. And finally there is Winnie, a nurse at the hospital. Winnie’s accounts provide the reader with an extra storyline that is nothing to do with Silvia and her accident.
The story being told in this way gives the reader a chance to learn about who Silvia was which causes us to think different things about her which we would not have had the opportunity to feel had Silvia been able to tell the story herself. Firstly we feel worry for her, but then we begin to hate her particularly with the help of Cassie as well as Ed, who admits that had Silvia been conscious he would not have been visiting. Finally we get to a stage of understanding. Understanding who Silvia was, understanding why she did what she did, understanding what has happened to her.
The book takes on many themes: drama, mystery… and humour. Well, it is meant to be humour. I can understand the funny parts but personally it was not my type of humour. Too much swearing in my opinion. But then if you enjoy that type of thing, <i>Oh Dear Silvia</i> has the potential to be a really funny book.
Lee (2222 KP) rated Knives Out (2019) in Movies
Nov 26, 2019 (Updated Nov 29, 2019)
The morning after his 85th birthday party, millionaire Harlan Thrombey (Christopher Plummer) is found dead in his study. The local police find no evidence of foul play and come to the conclusion that his death was a suicide. However, an anonymous person believes otherwise and has hired celebrity detective Benoit Blanc (Daniel Craig) to try and determine 'whodunit'. When Blanc arrives at the Thrombey residence, it's been a week since Harlan's death, and all members of his large eccentric family have been assembled for further questioning by the police while Blanc looks on, quietly digesting their stories.
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.
Gareth von Kallenbach (980 KP) rated Here Comes the Boom (2012) in Movies
Aug 7, 2019
In Here Comes the Boom, Kevin James takes on an all-too-familiar role, once again capitalizing on his fame as a fat funnyman. This new comedy succeeds at being heartwarming and entertaining, but not much else.
The film starts out by introducing our hero, Scott Voss (James), as a former high school wrestler who settled into a career as a high school Biology teacher. It’s clear he was once a highly motivated, recognized, and celebrated teacher, based on the awards he received, and the way he talks about the old days.
As the story unfolds, we find out the music teacher, Marty Streb (played by Henry Winkler), is in danger of losing his job. There are financial cutbacks at the school, and of course the music department is the first to go.
In an effort to gather the funds needed to save his mentor, Voss decides to get into UFC-style cage fighting, because even the losers get paid ten grand! The story continues in a very predictable and formulaic fashion. From the sexy and supportive single nurse (played by Salma Hayek), to the hard-assed principle (Greg Germann), the movie is filled with archetypal roles played by recognizable actors.
Here Comes the Boom is done well enough to get a good laugh out of you, and it has a few heartwarming moments, but don’t expect anything special. The cinematography is done well. The dialog (co-written by Kevin James) is clever enough to generate a few chuckles, but it won’t inspire awe.
The threat of music and art programs being cut from a school’s curriculum over budget concerns is a familiar issue across the country. This movie comes at a good time, benefiting from the debate currently happening in so many places.
I would watch anything with Henry Winkler in it, as I have a love-affair-from-afar with that man, and he definitely adds to the ensemble. However, the film smacks of UFC product placement. I suspect many of you will reach the same conclusion I did: that the UFC was clearly bankrolling this in some fashion. Even Joe Rogan makes a noteworthy appearance.
The film is not without its positive aspects. I was impressed at how well the humor and drama blended together. All the right things in all the right places. Here Comes the Boom is a good movie for a few chuckles, and for briefly melting a some of the ice surrounding your bitter, frozen heart.
The film starts out by introducing our hero, Scott Voss (James), as a former high school wrestler who settled into a career as a high school Biology teacher. It’s clear he was once a highly motivated, recognized, and celebrated teacher, based on the awards he received, and the way he talks about the old days.
As the story unfolds, we find out the music teacher, Marty Streb (played by Henry Winkler), is in danger of losing his job. There are financial cutbacks at the school, and of course the music department is the first to go.
In an effort to gather the funds needed to save his mentor, Voss decides to get into UFC-style cage fighting, because even the losers get paid ten grand! The story continues in a very predictable and formulaic fashion. From the sexy and supportive single nurse (played by Salma Hayek), to the hard-assed principle (Greg Germann), the movie is filled with archetypal roles played by recognizable actors.
Here Comes the Boom is done well enough to get a good laugh out of you, and it has a few heartwarming moments, but don’t expect anything special. The cinematography is done well. The dialog (co-written by Kevin James) is clever enough to generate a few chuckles, but it won’t inspire awe.
The threat of music and art programs being cut from a school’s curriculum over budget concerns is a familiar issue across the country. This movie comes at a good time, benefiting from the debate currently happening in so many places.
I would watch anything with Henry Winkler in it, as I have a love-affair-from-afar with that man, and he definitely adds to the ensemble. However, the film smacks of UFC product placement. I suspect many of you will reach the same conclusion I did: that the UFC was clearly bankrolling this in some fashion. Even Joe Rogan makes a noteworthy appearance.
The film is not without its positive aspects. I was impressed at how well the humor and drama blended together. All the right things in all the right places. Here Comes the Boom is a good movie for a few chuckles, and for briefly melting a some of the ice surrounding your bitter, frozen heart.
BookInspector (124 KP) rated I'll Find You in Books
Sep 24, 2020
The protagonist in this story is Emily, a nurse, who is struggling with the loss of her sister Zoe. Zoe has been missing for over a year, and Emily still keeps looking for her. The rest is covered by the blurb pretty accurately. Emily is a very disturbed character, she has mental health issues and is trying to cling to normality very hard, but life keeps throwing unusual situations at her. I think Emily is a very interesting and unique character, and I did like her baffled but a very strong personality.
The narrative of this book is told from multiple perspectives, including the thoughts of a police officer – Geraldine, who shares her opinion about Emily and her situations. I was not a very big fan of Geraldine, she was quite boring and didn’t bring much to this story. The book was a slow burner for me, there is a lot of thinking done in this book, and I liked that sometimes, the author was trying to confuse the reader by suggesting ideas. This novel does carry some interesting twists and turns, and that made the book livelier. Author’s experience is shining through in this novel, she explains all the procedures done to the patients in great detail, and her knowledge about Bath is felt very strongly. The topics discussed in this book would be grief when your family member disappears; difficult child-parent relationships; mental health issues etc.
I am not really sure whether I liked the writing style of this book. I think it was quite repetitive, very detailed, and characters kept asking questions in the search for the answers. (I prefer to ask the questions myself) The chapters have a very decent length and do fly by quite quickly. I really liked the culmination in this novel, it was very unexpected and surprising. I really liked the ending of this book as well, I think it rounded up the story very nicely.
So, to conclude, this book carries a lot of grief, insecurities and confusion between what is real and what is not. The narrative is layered, unexpected, and I really had the urge to find out where Emily will be taken by all these events in her life. I think this book would be enjoyable for people interested in medicine and the fans of Shari Lapena. (I see some similarities between the writing styles) Do give this book a try, and I hope you will enjoy it!
The narrative of this book is told from multiple perspectives, including the thoughts of a police officer – Geraldine, who shares her opinion about Emily and her situations. I was not a very big fan of Geraldine, she was quite boring and didn’t bring much to this story. The book was a slow burner for me, there is a lot of thinking done in this book, and I liked that sometimes, the author was trying to confuse the reader by suggesting ideas. This novel does carry some interesting twists and turns, and that made the book livelier. Author’s experience is shining through in this novel, she explains all the procedures done to the patients in great detail, and her knowledge about Bath is felt very strongly. The topics discussed in this book would be grief when your family member disappears; difficult child-parent relationships; mental health issues etc.
I am not really sure whether I liked the writing style of this book. I think it was quite repetitive, very detailed, and characters kept asking questions in the search for the answers. (I prefer to ask the questions myself) The chapters have a very decent length and do fly by quite quickly. I really liked the culmination in this novel, it was very unexpected and surprising. I really liked the ending of this book as well, I think it rounded up the story very nicely.
So, to conclude, this book carries a lot of grief, insecurities and confusion between what is real and what is not. The narrative is layered, unexpected, and I really had the urge to find out where Emily will be taken by all these events in her life. I think this book would be enjoyable for people interested in medicine and the fans of Shari Lapena. (I see some similarities between the writing styles) Do give this book a try, and I hope you will enjoy it!